Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Asha Bhosle


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4183 Post No. : 15363 Movie Count :

4234

Ah so, another station that we reach. Not especially for the blog, but a pervasive tradition. Ringing out an old temporal symbol, and ringing in a new one. On the astronomical scale, this celebration does not mean anything specific. Like any other measure of time, like any other day closing and like any other day initiating. But for the human spirit – it seeks celebration, in whatever. An arbitrary spike in the ground and one can endlessly argue that this very point is the center of the earth. Ah well, how does it matter. Let us celebrate.

Coming to think of it, the celebration is phasing, crossing over into every time zone, as the midnight hour passes across the latitudes. So even this is not unique to the entire earth. We have a message on WA group few minutes back, from Peevesie’s Mom – checking whether any Atulite is in Japan or Auckland. In fact by the time we reach the midnight hour in India, eight full time zones have already crossed into the next annuity, and the celebrations are already on, the earliest one being about 8/9 hours old already. As I write these lines, Auckland is already at 6:15 am in the first day of the New Year. (Time check – it is 10:45 as I type this sentence). And once we in India cross over into 2020, it will still take another 18 hours for the midnight to reach the western edge of the International Date Line. Those who celebrate with a drink, I am sure, will not mind to have drink for every passage of a time zone crossing the midnight. 🙂 🙂

The time flows, as is, all the time. Another milestone, another celebration passes by. The revelry lasts for some time, maybe a few hours, and then the world gets back to its grinding routine. Some working places may be enjoying a holiday. Many more will not be – they will be working. I do personally know some people who prefer not to start a new year with a holiday. Inauspicious, they say.

The tradition continues. The Hindi film song community is probably not going to run out of celebration songs. New ones are being created every year, and yes, there still are decades that we have not explored as yet. Many celebration songs of all types are awaiting discovery, and a chance to be put on to our blog. The song in this post is from the 1980s – yes one of the earliest decades that we generally avoid, sticking to the 1960s and prior to find songs for posting. That is where our comfort zone is, that is where our preferences lie. A reflection of what we hear in our formative years, maybe. Newer generations will have their own baseline benchmarks. Ah well.

Our dear Prakash ji – he is so prolific is browsing and searching for event specific songs. At every anniversary and every occasion to celebrate, Atul ji and I keep getting reminder emails from him, telling us about earlier songs that he has sent in, and we have not been able to post. Sometimes these reminders have kept ringing for three – four – five years.

Today’s new year song sent in by him is from the 1985 film ‘Telephone’ – a film that I am not familiar at all with. But surely a new discovery I make as I sat through the video of this song. I got to see a different side of Deepti Naval. Her image is built around films like ‘Ek Baar Phir’ (1980), ‘Chasm e Baddoor’ (1981), ‘Saath Saath’ (1982), ‘Angoor’ (1982) and ‘Katha’ (1983). Maybe that was the time as I was phasing out of watching the newer crop of films.

The song is in the voice of Asha Bhosle. It is a lyricist-MD song with Rajesh Roshan playing both the songwriter and music director roles. Of course, it is a party song, with a lot of actors visible in the clip. The song is being lip synced by Deepti Naval and Leena Das, with the latter providing the more provocative masala performance. Then we have Marc Zuber, Yunus Parvez, Prem Chopra and Shatrughan Sinha appearing. As per Prakash ji,the dancer Shirley is also part of the dancing troupe in this song.

Wishing all readers and their families, a very very happy 2020.  Stay healhty, stay blessed.

 

Song – Assalaam-aile-Qum, Saal Mubaarak Ho  (Telephone) (1986) Singers – Asha Bhosle, Lyrics – Rajesh Roshan, MD – Rajesh Roshan
Chorus

Lyrics (Provided by Prakashchandra)

nineteen 
eighty …eeeee
three…..eee…ee…eeeee

nineteen eighty three (aaa…aaaa)
nineteen eighty three (aaa…aaaa)
nineteen eighty 
nineteen eighty
nineteen eighty three…..eeeee…eeeee

assalaam allaikkumm
aa saal mubarak ho o
ek nayi shaam ho o o
ek naya saveraa ho
nineteen eighty three (aa…aa)
nineteen eighty three (aa…aa)
nineteen eighty
nineteen eighty
nineteen eighty three….eeeeee
assalaam allaikkumm
aaa saal mubarak ho o
ek nayi shaam ho o
ek naya saveraa ho

[laughter]

aaaa….aaa…..aaaaa….aaa
aaaa….aaa…..aaaaa
aaaa….aaa…..aaaaa…aaaaa

tere mere jo dil ik honge
sapne hamaare sach honge
khoyee khoyee hui raahon mein
manzilon ke chinnh honge 
aaaaaaaaaaaa…..aaaa…..aaaaa….aaaaa
tere mere jo dil ik honge
sapne hamaare sach honge
khoyee khoyee hui raahon mein
manzilon ke chinnh honge 

[dialogue]

nineteen eighty
nineteen eighty
nineteen eighty three…eeeeee

ho o o 
assalaam allaikkum 
aa saal mubarak ho
ek nayi shaam ho o
ek naya saveraa ho

dheem theem dhaaginn thirkitta too naa
thaa thaa dhaginn thirikitta dhinnaaa

kaanton ki pagdandi par bhi
phoolon ke hanste dagar honge
na kabhi dekha na suna aisa
mele mein jashan balam hongein
aaaa…aaaa…aaaaaaaa…aaaa….aaaaa
kaanton ki pagdandi par bhi
phoolon ke hanste dagar honge
na kabhi dekha na suna aisa
mele mein jashan balam hongein
nineteen eighty
nineteen eighty
nineteen eighty three…..eeee
o o o
assaallaam allaikkum
aa saal mubaarak ho o
ek nayi shaam ho o
ek naya saveraa ho

parappaa pappa pappa  rapappa
parappa pappa pappa
parapappaaaaaa
parappaa pappa  parappa pappa 
parapappaaaaaa

[dialogues]

raat toofani chali aayi to
kashti hamaari sang dolegi
maajhi ke sur par geeton par
subah ke pehli kiran hogi
aaaaaaaa……aaaaaaaaaa…aaa….aaaa
raat toofani chali aayi to
kashti hamaari sang dolegi
maajhi ke sur par geeton par
subah ke pehli kiran hogi
nineteen eighty
nineteen eighty
nineteen eighty three…………..eeeeeee

ho o o
assaallaam allaikkum
ahha saal mubaarak ho o
ek nayi shaam ho o
ek naya saveraa ho
nineteen eighty three (aa..aaaaaa)
nineteen eighty three (aa..aaaa)
nineteen eighty
nineteen eighty
nineteen eighty three

[laughter]


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4143 Post No. : 15309 Movie Count :

4216

Hullo Atuldom

Na Chaahoon Sona Chaandi” was the first time I took note of this roly-poly cute- faced actor. He played Braganza, a head-fisherman and father to ‘Bobby’ in 1973. Subsequently I saw him as mama to the character played by Hema Malini in ‘Aap Beeti’ in 1976, a pathan who helps Manoj Kumar in ‘Shor’ (1972), a sardar who was a good Samaritan in ‘Roti Kapda aur Makaan’ (1974).

Then one day on chitrahaar or it could have been chaayageet on Doordarshan I saw a black and white song “Patli Kamar Hai” where this particular actor was super good-looking which was enough to sweep the lady he was wooing, off her feet. He came across as a dancer with a reasonable sense of rhythm. That is when I was informed by my dad that Premnath was a lead actor in many movies and rattled of names like ‘Aab-e-Hayaat’ (1955), ‘Baadal’ (1951), ‘Aag’ (1948) etc. and also sang a few of his songs from movies where he was the hero. Recently, not so long ago, I too saw a black-n-white movie, where Premnath played a ‘supposed’ poor boy who falls in love with a princess and helps the king regain his kingdom, the movie was an Arabian nights kind of story. Think it was ‘Saaqi’ (1952).

So I have loved movies where Premnath was Sir Juda (‘Karz’), Yamraaj (‘Lok Parlok’), IG Khanna (‘Kalicharan’), Bajrang Bahadur (‘Aap Beeti’), Shankar Dada (‘Dharam Karam’), father of a bevy of beauties (‘Ishk Ishk Ishk’, and the most memorable of them all – Rai Saab Bhupendra Singh in ‘Johnny Mera Naam’.  Thinking of him today on his birth anniversary he would have been 93.

There is another celeb of yesteryears who has her birthday today. And I wrote a post for her last month itself where I wrote this “I remembered that November 21st was the birthday of our dear Helen. She turned 81 yesterday (21 October 2019).’’ God only knows what I was thinking as I wrote that post and sent it hurriedly to Atul ji for posting. And the good man that he is, he posted it within an hour of my sending it. But the error was pointed out in the comments section by Partha Chanda ji and Prakashchandra ji. The next day Nahm ji, after reading the comments, messaged me to inquire if I was planning one more post for the actual birthdate and also to see if the song choices were clashing. I assured her that the choices don’t clash as we have a vast library to choose from.  I must say that we had an extra song and extra good wishes for our much-loved Helen.

As my practice has been over the years, I have managed to find a song which features both the birthday celebs. It is from the 1979 release ‘Magroor’’ which starred Shatrughan Sinha, Vidya Sinha, Premnath, Helen, Deven Verma, Nadira, Narendranath, Paintal, Dr. Shreeram Lagoo, Jagdish Raj etc. The film had music by Laxmikant Pyarelal and Anand Bakshi wrote the lyrics. Playback singers were Asha Bhonsle, Suman Kalyanpur, Anuradha Paudwal, Mohd. Rafi, Kishore Kumar, Manna Dey and Mahendra Kapoor. All the 5 songs were duets.

Todays’ song is a club song where we see Helen (Rukhsaana) being wooed by a bunch of suitors (extras) and Premnath joining in on the fun. He is bodily lifted out of the dance floor by the cops at the end of the song. Playback for this song is by Asha and Mannada.

 

Song – Rukhsaana Rukhsaana Main Tera Deewaana  (Magroor) (1979) Singer -Asha Bhosle, Manna Dey, Lyrics – Anand Bakshi, MD – Laxmikant Pyaarelal
Chorus

Lyrics 

aaaa aaaa aaahaa
aaahaa haaa aaahaa haaa
rukhsaana rukhsaana
main tera deewaana
tu kis ki deewaani
bol o meri jaan
he he
rukhsaana rukhasaana
main tera deewaana
tu kis ki deewaani
bol o meri jaan

rukhsaana dil degi kisi daulat waale ko
rukhsaana dil degi kisi daulat waale ko
pyaar karegi apne jaise kisi matwaale ko

rukhsaana rukhsaana
main tera deewaana
tu kis ki deewaani
bol o meri jaan
he he
rukhsaana rukhsaana
main tera deewaana
tu kis ki deewaani
bol o meri jaan

jis ko mujh se pyaar ho
o ho ho ho
jis ko mujh se pyaar ho
aaye imtihaan de
jis ko ye dil lena ho
pehle apni jaan de
ha ha ha
ha ha
ha ha ha
ha ha
ha ha ha
ha ha ho ho ooo
jal ke jo dikhaaye
dikhaaye
wo mera parwaana
hai
rukhsaana rukhsaana
main tera deewaana
tu kis ki deewaaani
bol o meri jaan
he he
rukhsaana rukhsaana
main tera deewaana
tu kis ki deewaani
bol o meri jaan

rukhsaana jaane jaana..aa
rukhsaana jaane jaana..aa
ishq mein tere
chhoda maine
saara zamaana
rukhsaana jaane jaana..aa
rukhsaana o meri jaane jaana
meri bulbul-e-baghdad
kahaan hai tu

chik bam bam
chik bam bam
bam chik bam bam
chik bam bam
chik bam bam
bam chik bam bam

tere deewaanon mein kaun hai mere jaisa
mere jaisa
arre haat
tere deewaanon mein kaun hai mere jaisa
mere jaisa
pyaar nahin milta
mil jaata hai paisa
mil jaata hai paisa
mera dil naa todo o
mera daaman chhodo
main aashiq tera
naam na lena mera
main de sakta hoon jaan bhi
marna hai aasaan bhi
phir mushkil kya kaam hai
paisa us ka naam hai
khaali dil kis kaam ka
sheeshe ka paimaana
he rukhsaana rukhsaana
main tera deewaana
tu kisi ki raani
poochho meri jaan
rukhsana dil degi kisi daulat waale ko
rukhsana dil degi kisi daulat waale ko
pyaar karegi apne jaise kisi matwaale ko

he rukhsana rukhsaana
main tera deewaana
tu kis ki deewaaani
bol o meri jaan
he he
rukhsaana rukhsaana (rukhsaana)
main tera deewaana (rukhsaana)
tu kis ki deewaaani (o meri bulbul)
bol o meri jaan (kahaan hai tu)
rukhsaana rukhsaana
main tera deewaana (rukhsaana)
tu kis ki deewaaani (rukhsaana)
bol o meri jaan
rukhsaana rukhsaana
main tera deewaana (rukhsaana)
tu kis ki deewaaani
bol o meri jaan


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4078 Post No. : 15217

———————————————–——————————————
Blog 10-Year Challenge (2009-19) – Song No. 44
——————————————————————————————

Seven songs were posted ten years ago. The blog was in its childhood – “Bachpan Ke Din Bhi Kya Din The” 🙂  🙂 .

Only one of these seven was a debut song. The list given below has an interesting observation. All films that made an appearance that day, have since been yippeee’d. Except just the one that made its debut.

Ye Duniya Hai Yahaan Dil Ka Lagaana Kisko Aata Hai Shair 1949 2nd  Yippeee’d
Aaj Gaawat Man Mero Baiju Baawra 1952 6th  Yippeee’d
Ae Kaash Chalte Mil Ke Manzil 1960 3rd  Yippeee’d
Ek Baat Kahoon Wallah Ye Husn Subhan Allah Shrimaan Satyawaadi 1960 2nd  Yippeee’d
Dukh Aur Sukh Ke Raaste Bane Hain Sabke Waaste Hum Dono 1961 5th  Yippeee’d
Aap Jabse Kareeb Aaye Hain Noorjehaan 1967 Deb 3 of 8
Zindagi Khwaab Hai Jaagte Raho 1956 2nd  Yippeee’d

The film is ‘Noorjehaan’ from 1967. Containing eight very wonderful melodies, it is surprising that only three of them have as yet appeared here. With compositions created by the mind of Roshan, there still are very wonderful numbers waiting in the wings for their turn.

I bring on the 4th song of this film today. An all female duet which is decidedly a twin dance song on the screen, is such a wonderful presentation in the voices of Asha Bhosle and Usha Mangeshkar. The words are from the pen of Shakeel Sb.

Although the film is available, the video of this song is not yet available online. The interesting thing is that this audio only version which is available from Sa Re Ga Ma, is most likely the long version of the song from the sound track. It has three antaraas. As I checked the 78 rpm version of this song, sure enough, it has only two antaraas. The middle antaraa, as listed in the lyrics below, is not available in the 78 rpm recording.

The act of rebellion is the famous motif of the saga of Salim / Jehangir. That the crown and the throne was less important, in the face of the matters of heart, with this heir to the throne of Delhi. A school of historians who have studied the Mughal dynasty, have an opinion – that the persona of Anarkali and that of Noorjehan, that we have been introduced through the pages of history, were probably the same person. The thought here is that eventually Akbar had to give in to the wishes of his only son and Anarkali, the court dancer, became the queen of the Mughal empire. Although, Akbar had his consolation by ensuring that the chronicles of that period, being documented by the then current historians and writers, would write the story as he demanded. Is it speculation? Or is it the truth? Maybe one will never know for certain.

Song – Aa Gaya Lab Pe Afsaana-e-Aashiqi  (Noorjehaan) (1967) Singer – Asha Bhosle, Usha Mangeshkar, Lyrics – Shakeel Badayuni, MD – Roshan
Asha Bhosle + Usha Mangeshkar

Lyrics

aa gaya lab pe afsaana e aashiqui
ab kisi bhi fasaane ki parwaah nahin
aa gaya lab pe afsaana e aashiqui
aa gaya lab pe afsaana e aashiqui
ab kisi bhi fasaane ki parwaah nahin
hum to un se. . .
hum to un se mohabbat kiye jaayenge
ab hamen is zamaane ki parwaah nahin
ab hamen is zamaane ki parwaah nahin
ab hamen is zamaane ki parwaah nahin
aa gaya lab pe afsaana e aashiqui

aaj ae ishq saaya tera sar pe hai
taj kadmon mein hai takht thokar pe hai
taj kadmon mein hai takht thokar pe hai
aaj ae ishq saaya tera sar pe hai
taj kadmon mein hai takht thokar pe hai
mil gayin hain. . .
mil gayin hain hamen pyaar ki daulaten
ab kisi bhi khazaane ki parwaah nahin
ab kisi bhi khazaane ki parwaah nahin
ab kisi bhi khazaane ki parwaah nahin
aa gaya lab pe afsaana e aashiqui

zindagi mein bahaaren rahengi sada
hum ne ulfat ke gulshan mein pa li jagah
hum ne ulfat ke gulshan mein pa li jagah
zindagi mein bahaaren rahengi sada
hum ne ulfat ke gulshan mein pa li jagah
chaahe bijli. . .
chaahe bijli gire ya jaley aashiaan
ab hamen aashiaane ki parwaah nahin
ab hamen aashiaane ki parwaah nahin
ab hamen aashiaane ki parwaah nahin
aa gaya lab pe afsaana e aashiqui

bandagi kar rahe hain mohabbat ki hum
ye nahin jaante kya hai dair o haram
ye nahin jaante kya hai dair o haram
bandagi kar rahe hain mohabbat ki hum
ye nahin jaante kya hai dair o haram
jhuk gayi hai. . .
jhuk gayi hai zabin husn ke saamne
ab kahin sar jhukaane ki parwaah nahin
ab kahin sar jhukaane ki parwaah nahin
ab kahin sar jhukaane ki parwaah nahin
aa gaya lab pe afsaana e aashiqui
ab kisi bhi fasaane ki parwaah nahin

——————————————
Hindi script lyrics (Provided by Sudhir)
——————————————

आ गया लब पे अफसाना ए आशिक़ी
अब किसी भी फसाने की परवाह नहीं
आ गया लब पे अफसाना ए आशिक़ी
आ गया लब पे अफसाना ए आशिक़ी
अब किसी भी फसाने की परवाह नहीं
हम तो उनसे॰ ॰ ॰
हम तो उनसे मोहब्बत किए जाएँगे
अब हमें इस जमाने की परवाह नहीं
अब हमें इस जमाने की परवाह नहीं
अब हमें इस जमाने की परवाह नहीं
आ गया लब पे अफसाना ए आशिक़ी

आज ए इश्क़ साया तेरा सर पे है
ताज कदमों में है तख्त ठोकर पे है
ताज कदमों में है तख्त ठोकर पे है
आज ए इश्क़ साया तेरा सर पे है
ताज कदमों में है तख्त ठोकर पे है
मिल गईं हैं॰ ॰ ॰
मिल गईं हैं हमें प्यार की दौलतें
अब किसी भी खजाने की परवाह नहीं
अब किसी भी खजाने की परवाह नहीं
अब किसी भी खजाने की परवाह नहीं
आ गया लब पे अफसाना ए आशिक़ी

ज़िंदगी में बहारें रहेंगी सदा
हमने उल्फ़त के गुलशन में पा ली जगह
हमने उल्फ़त के गुलशन में पा ली जगह
ज़िंदगी में बहारें रहेंगी सदा
हमने उल्फ़त के गुलशन में पा ली जगह
चाहे बिजली॰ ॰ ॰
चाहे बिजली गिरे या जले आशियाना
अब हमें आशियाने की परवाह नहीं
अब हमें आशियाने की परवाह नहीं
अब हमें आशियाने की परवाह नहीं
आ गया लब पे अफसाना ए आशिक़ी

बन्दगी कर रहे हैं मोहब्बत की हम
ये नहीं जानते क्या है दैयर ओ हरम
ये नहीं जानते क्या है दैयर ओ हरम
बन्दगी कर रहे हैं मोहब्बत की हम
ये नहीं जानते क्या है दैयर ओ हरम
झुक गई है॰ ॰ ॰
झुक गयी हैं ज़बीं हुस्न के सामने
अब कहीं सर झुकाने की परवाह नहीं
अब कहीं सर झुकाने की परवाह नहीं
अब कहीं सर झुकाने की परवाह नहीं
आ गया लब पे अफसाना ए आशिक़ी
अब किसी भी फसाने की परवाह नहीं


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4053 Post No. : 15183

22nd August (yesterday) was the remembrance day of the exceptional, yet unsung music director – Ram Prasad Sharma. He had passed away this day in 1995. May be not easily identifiable by himself, he is probably known more through his sons. His four sons have all been well known musicians and instrumentalists, and all have been connected with the film industry. Two of them are also famous as music directors – Pyaarelal ji, of the Laxmikant Pyaarelal duo, and Ganesh.

Ram Prasad’s biographical and filmographic details have been presented earlier on this blog, in the article on the song “Antul Habi Ke Dekho Kabhi” from the film ‘Magic Carpet’, released in 1964. There is also a detailed article by our dear Arun ji, posted here on the blog – Anmol Fankaar.

Today’s song is also from the same film – ‘Magic Carpet’. The film is directed by Babubhai Mistry, under the banner of Unique Pictures, Bombay. This is stunt cum fantasy film – a typical ‘jaadugar sainyyaan’ type film. The cast of actors includes Chitra, Azaad, Bhagwan, BM Vyas, Bela Bose, Dalpat, Kesri, Bimla Kashmiri, and a host of junior artists, listed as Aroon, Maqbool, Radhe Shyam, Arvind Kumar, Mehroo Bai, Bakshi, Master Kisore, Kalla, Rafiq, Sandow, Dawood, Amir, Musa, Julian, Khalil, Rehman, Salim, Zippy and Nagina.

The film has five songs which are penned by four songwriters – Farooque Kaiser, Shakeel Nomaani, Arsh Farooque and Jia Dehalvi. This song is written by Jia Dehalvi – as the pseudonym suggests, he is from Delhi. 🙂 Music is by Ram Prasad Sharma. The singing voice is that of Asha Bhosle.

On screen, the song is performed as a twin dance, with both dancers lip syncing the playback from Asha. The dancers are Chitra and Bela Bose. Now, I am not completely certain, and am open for being corrected. Some familiarity with the performers and the absence of any other name that sounds like a dancer, in the list of actors given above. I request other more knowledgeable friends in the group to please correct or confirm. 🙂

There are two other gentlemen in the frame. I request for help to identify them, as I do not yet have access to software that will help to remove the beards from the faces of men in video clips. 😀 😀 Given the names in the list of actors, I believe one of them could be Dalpat. Please help to identify them.

A lilting dance song this one. Listening to this song, I can hear the sources of inspiration for the torrent of music that flowed from the works of L-P. This, and many others like this from B and C grade films of 1950s and 1960s, form a string of very pleasing memories from the radio listening days. I am sure you will enjoy this.

Song – O Sainyyaan Be-Peer Koi Teer Na Chalaana  (Magic Carpet) (1964) Singer – Asha Bhosle, Lyrics – Jia Dehlavi, MD – Ram Prasad

Lyrics

o sainyyaan be-peer
koi teer na chalaana
o sainyyaan be-peer
koi teer na chalaana
tu mere
chhote se
dil ko na tadpaana
tu mere
chhote se
dil ko na tadpaana
o sainyyaan be-peer
koi teer na chalaana
o sainyyaan be-peer
koi teer na chalaana

maine maana tu hai
puraana
sharaabi
maine maana tu hai
puraana
sharaabi
lekin in aankhon ki
juda hai
gulaabi
nazar se
pee le to boley tu
mai to fuzool hai
o sainyyaan be-peer
koi teer na chalaana
o sainyyaan be-peer
koi teer na chalaana

aisi berukhi na
kar hum se
khudaara
aisi berukhi na
kar hum se
khudaara
de de mujhko apni
baahon ka
sahaara
sanam ke
naaz uthaana to
pyaar ka usool hai
o sainyyaan be-peer
koi teer na chalaana
o sainyyaan be-peer
koi teer na chalaana

tauba teri nazren
hain tirchhi
kamaanen
tauba teri nazren
hain tirchhi
kamaanen
tu ne to li hongi
hazaaron
ki jaanen
sitamgar
kisko jawaani mein
marna qubool hai
o sainyyaan be-peer
koi teer na chalaana
o sainyyaan be-peer
koi teer na chalaana
tu mere
chhote se
dil ko na tadpaana
tu mere
chhote se
dil ko na tadpaana
o sainyyaan be-peer
koi teer na chalaana
o sainyyaan be-peer
koi teer na chalaana

——————————————
Hindi script lyrics (Provided by Sudhir)
——————————————

ओ सैंया बेपीर
कोई तीर ना चलाना
ओ सैंया बेपीर
कोई तीर ना चलाना
तू मेरे
छोटे से
दिल को ना तड़पाना
तू मेरे
छोटे से
दिल को ना तड़पाना
ओ सैंया बेपीर
कोई तीर ना चलाना
ओ सैंया बेपीर
कोई तीर ना चलाना

मैंने माना तू है
पुराना
शराबी
मैंने माना तू है
पुराना
शराबी
लेकिन इन आँखों की
जुदा है
गुलाबी
नज़र से
पी ले तो बोले तू
मय तो फ़ज़ूल है
ओ सैंया बेपीर
कोई तीर ना चलाना
ओ सैंया बेपीर
कोई तीर ना चलाना

ऐसी बेरुखी ना
कर हमसे
खुदारा
ऐसी बेरुखी ना
कर हमसे
खुदारा
दे दे मुझको अपनी
बाहों का
सहारा
सनम के
नाज़ उठाना तो
प्यार का उसूल है
ओ सैंया बेपीर
कोई तीर ना चलाना
ओ सैंया बेपीर
कोई तीर ना चलाना

तौबा तेरी नज़रें
हैं तिरछी
कमानें
तौबा तेरी नज़रें
हैं तिरछी
कमानें
तूने तो ली होंगी
हजारों
की जानें
सितमगर
किसको जवानी में
मरना कुबूल है
ओ सैंया बेपीर
कोई तीर ना चलाना
ओ सैंया बेपीर
कोई तीर ना चलाना
तू मेरे
छोटे से
दिल को ना तड़पाना
तू मेरे
छोटे से
दिल को ना तड़पाना
ओ सैंया बेपीर
कोई तीर ना चलाना
ओ सैंया बेपीर
कोई तीर ना चलाना


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4018 Post No. : 15128

———————————————–——————————————
Blog 10-Year Challenge (2009-19) – Song No. 40
——————————————————————————————

Hullo to Atuldom

Today is a unique happy birthday date. It is not any celebrity’s birthday. It is the birthdate of our beloved blog Atul-song-a-day which has been nicknamed ASAD and all of its followers are called Atulites.

This is one blog which has brought together a lot of Hindi film music lovers from across the world. It must have started as a one-man’s passion for film music but has now become an addiction for a set of music lovers who are equally passionate about Hindi film music. People who have associated themselves with the blog are going to great lengths to find hitherto unheard songs, finding about the life-stories of those associated with those songs etc. We have our own in-house encyclopaedia who has put a lot of time into researching about long forgotten artists, singers, musicians, and also cleared confusion about artist who had same or similar names and were popular about the same period etc. We have an NRA (Non Resident Atulite) who has assigned Sudhir ji a job of finding movies of the 60s’ decade that were lost or forgotten and Sudhir ji has done a great job of finding at least 112 such movies with about 79 left and these may be really unavailable otherwise he would have dug them out too. In addition to this, he has an ongoing series of songs which were reused in movies and I am sure that will give us a minimum of 50 songs.

Sudhir ji and Arunkumar ji (the encyclopaedia) are just two examples of dedicated contributors. We have others whose craze for Hindi film music has been manifested in the form of reading through the “ancient” 😉 issues of Film-India magazine and sharing knowledge gathered from there with us on the blog. Then there is the case of two resident NRAs who collaborate to produce posts to remember their favourite Sahir on his birth and death anniversaries. Of course, one NRA is more active than the other who I expect will surface in the last week of July as the anniversary of his and our favourite Mohd. Rafi is coming up and his activity will continue on to first week of August. (Hope I am not proved wrong) Of course there are those contributors who surface on the really important celebratory occasion of the blogs’ 15000th post, Atulji’s personal 10000, and birthdays of their personal favourite singers Mukesh, Shamshad Begum etc. I must make special mention of the behind the scene contributor who sees to it that the links of songs posted are working links in addition to sending his farmaishes in the form of lyrics.  So Atuldom is a kingdom of a group with varied interests in HFM and who have their own way of making the blog a unique space in cyberland.

As far as my own film music addiction is concerned, I have mentioned many a times how this blog has affected my way of listening to songs. How I have learnt about the life and times of the singers, actors, music directors, and others associated with movie making. And the most important take-away from this blog is a whole new set of friends who are always in touch 24/7 and who receive my phone-calls with a smile (I can feel it in their “Hello”). But I had an altogether different experience the last time I called Sudhir ji; my “hullo Sudhir ji” was met by a good two minute of laughter, such is the camaraderie that he knew exactly what I was going to say. 😊

For all of the above a big thank you to the blog and the blog master Atul. It is only because Atul ji started the blog on 19th July 2008 that we can call ourselves Atulites or Atulwaasis, who are residents of Atuldom.

Exactly a year after it was born, Atulji posted six songs on 19th July 2009. These represented six movies: two from 1969, and one each of 1956, 1954, 1953 and 1949. Of the movies that these songs were from only one is left to be yyippeed!! That is ‘Sambandh’ of 1969. It has 5 songs posted on the blog, out of a possible 11 or 12 , the last being posted in October of 2011. That is a loooong time ago.

So, to take ‘Sambandh’ a step forward we re-visit it today. The movie was produced by Ram Mukherjee; directed by Ajoy Biswas; had Asha Bhonsle, Mahendra Kapoor, Mukesh, Hemant Kumar for playback singers for songs written by Kavi Pradeep and composed by OP Nayyar. Atul ji has said in one of the previous posts of the songs of this movie that this was an unusual combination- OP Nayyar setting Kavi Pradeep’s words to tune. This movie had Pradeep Kumar and Deb Mukherjee heading the cast which also had Anjana (this was her debut) Sulochana Latkar, Anita Dutt (looks like Anita Guha, must have been Dutt at that time), Achala Sachdev, Vijaya Chaudhary, Abhi Bhattacharya, Nana Palshikar, Leela Mishra, etc.

The synopsis as given on IMDB is:

Manav Chatterjee’s childhood is spent in a wealthy home where his father, Umakant, is an alcoholic, and his mother a simple housewife, who tries in vain to get his dad to give up on alcohol. This results in differences between his parents, leading to their separation, and him leaving the house to be with his mother. Manav grows up as a cynic, and this cynicism increases when he goes to live with a foster and a very wealthy family. He marries Hiralal’s daughter, Sandhya, and both love each other deeply. But things do not seem to go Manav’s way at all, as he is separated from Sandhya, and after several months finds out that Hirala is about to get Sandhya married – again. Now Manav has changed his name, and is being helped by an unknowing Umakant to try and salvage, what possibly remains, of the rest of this bitter and lonely life.

Here is the list of songs posted this-date-that-year as is the practice in the Ten-Year Challenge,

Gore Gore Mukhde Pe Gesoo Jo Chhaa Gaye Patanga

1949

Bujh Gaye Aasha Ke Diye…Badle Rang Jahaan Ke Shikast

1953

Dil Se Milaa Ke Dil Pyaar Kijiye Taxi Driver

1954

Dil Dil Se Milaakar Dekho Mem Sahib

1956

Apni Maata Ke Dulaare Bachche Sambandh

1969

Saathiyaan Nahin Jaana Ke Ji Na Lage Aaya Saawan Jhoom Ke

1969

Hindigeetmala.net (my personal HFGK) lists 12 songs for ‘Sambandh’ of which we have 5 on the blog. Of the twelve, six songs have Asha Bhonsle giving playback, one being a duet with Hemant Kumar. It is difficult to find videos of all the songs that are left to be posted, only audios are available on youtube. Another thing I found was almost all the songs were rather sombre or completely sad. Would love to see the movie to understand why the mood of the songs are so.  And as Atul ji has previously said this is a rather unusual OP Nayyar album with not one peppy number. So, choosing from what is available, here is the Hemant Kumar – Asha song which is a prayer and I would like to know on whom it was filmed.

HAPPY BIRTHDAY ASAD!!!!!
Thank you Atul ji for giving us ASAD.

There is still a lot of songs left in the ocean of HFM for us to find gems, pearls and corals.

P.S. after writing the post I ran through the movie to see who has lip synced the song. I found that the Hemant Kumar part is no where in the movie and Anita Dutt has lip-synced the Asha Bhonsle part.

Editor’s note-With this song, Hemant Kumar completes 200 songs in the blog as a playback singer.

 

Audio

Video

Song – Tum Ko To Karodon Saal Huye Batlaao Gagan Ghambhir  (Sambandh) (1969) Singer – Hemant Kumar, Asha Bhosle, Lyrics – Kavi Pradeep, MD – OP Nayyar

Lyrics

hey jagat pita parmatma
karo nirmal meri aatma
dukh haro dayalu
ab sukh do
sab avgun mere
karo kshama
parbhu karo Kshama
parbhu karo kshama
hey jagat pita parmatma

aaaa aaaaa
aaaa aaaaa

tumko to karodon saal huye
batlaao gagan gambhir
is pyaari pyaari duniya mein
kyun alag alag taqdeer
tumko to karodon saal huye
batlaao gagan gambhir
is pyaari pyaari duniya mein
kyun alag alag taqdeer

milte hain kisi ko bin maange hi moti
oo oo oo
koi maange lekin bheekh naseeb na hoti
oo oo oo
kya soch ke hai malik ne rachi
ye do rangi tasveer
is pyaari pyaari duniya mein
kyun alag alag taqdeer
tumko to karodon saal huye
batlaao gagan gambhir
is pyaari pyaari duniya mein
kyun alag alag taqdeer

kuch kismatwaale sukh se amrit peete
oo oo oo
kuch dil par rakh pathar jeewan jeete
oo oo oo
kahin mann panchhi aakaash ude
kahin paanv padi zanjeer
is pyaari pyaari duniya mein
kyun alag alag taqdeer
tumko to karodon saal huye
batlaao gagan gambhir
is pyaari pyaari duniya mein
kyun alag alag taqdeer

kyun alag alag taqdeer

kyun alag alag taqdeer

kyun alag alag taqdeer

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

हे जगत पिता परमात्मा
करो निर्मल मेरी आत्मा
दुख हरो दयालु
अब सुख दो
सब अवगुण मेरे करो क्षमा
प्रभु करो क्षमा
प्रभु करो क्षमा
हे जगत पिता परमात्मा

आss आsss
आss आsss

तुमको तो करोड़ों साल हुये
बतलाओ गगन गंभीर
इस प्यारी प्यारी दुनिया में
क्यों अलग अलग तक़दीर
तुमको तो करोड़ों साल हुये
बतलाओ गगन गंभीर
इस प्यारी प्यारी दुनिया में
क्यों अलग अलग तक़दीर

मिलते हैं किसी को बिन मांगे ही मोती
ओ ओ ओ
कोई मांगे भी तो भीख नसीब ना होती
ओ ओ ओ
क्या सोच के है मालिक ने रची
ये दो रंगी तस्वीर
इस प्यारी प्यारी दुनिया में
क्यों अलग अलग तक़दीर
तुमको तो करोड़ों साल हुये
बतलाओ गगन गंभीर
इस प्यारी प्यारी दुनिया में
क्यों अलग अलग तक़दीर

कुछ किस्मत वाले सुख से अमृत पीते
ओ ओ ओ
कुछ दिल पर रख कर पत्थर जीवन जीते
ओ ओ ओ
कहीं मन पंछी आकाश उड़े
कहीं पाँव पड़ी ज़ंजीर
इस प्यारी प्यारी दुनिया में
क्यों अलग अलग तक़दीर
तुमको तो करोड़ों साल हुये
बतलाओ गगन गंभीर
इस प्यारी प्यारी दुनिया में
क्यों अलग अलग तक़दीर

क्यों अलग अलग तक़दीर

क्यों अलग अलग तक़दीर

क्यों अलग अलग तक़दीर


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3999 Post No. : 15098

Saga Of Sleepless Nights – 5
– – – – – – – – – – – – – – –

un aankhon mein neend kahaan
jin aankhon se preetam door basey. . .

It was October of 2017, a year and 8 months ago. The previous episode of this series was posted then. After that – this long gap. There have been many a sleepless nights in the intervening months. Yet, somehow I could not get back into the groove with this series. And actually, and inadvertently I should say, two songs that I was saving for this series, got posted otherwise, depleting my list of song. Anyhow, not an issue – the wealth of the Hindi film song still will reveal more songs for this category. 🙂

‘Ek Masoom’, a film from 1969, appears to be a film that likely took some time to get going, get completed and released. This film was rare and unavailable for decades, and it has been recently unearthed and then made available in public domain.

It is a lesser known film of Tanuja, who is paired opposite to a gentleman named Salim Durrani. Yes, the name sounds very familiar, but this gentleman is not the India’s cricketing great, as even I had jumped to conclude first time when I read this name. The cricketer Salim Durrani has appeared in one film – BR Ishaara’s ‘Charitraheen’ (1973). The Salim Durrani appearing in ‘Ek Masoom’ is a different person. From checking the Geet Kosh, it seems that this film is the only one in which this non-cricketer Salim Durrani has appeared, just like his cricketing namesake.

The story of this film is the theme of same-face-confusion. A mix up is caused when two individuals who look exactly alike, happen to inadvertently wander into the life space of one another. One of the characters has links to the world of crime. And so, the mix up results in some predictable situations, where one individual is arrested for the crimes of the other. The matters reach the court, and are finally settled when both of them eventually reach the courtroom at the same time, come face to face with each other, and mix up is sorted out.

Of course, in the interim, the lives of the people connected with this same-face duo, become topsy turvy. The gentleman who is the straight and shareef person, is the love interest of Tanuja. But when the suspicions are cast on his actions and his character, misunderstandings are created, bringing agony to the lady.

This song is the result of that agony Tanuja is undergoing, spending sleepless nights – awaiting for some sign of good hope that may dispel her apprehensions, and clear the air around the man she loves.

And so the refrain from the poet –

jo na poore hon un armaanon ne soney na diya
dil mein uth’te huye toofaanon ne soney na diya

 The sleepless nights bother those hearts that are torn asunder with the storms of emotions and anxiety. These storms will keep one awake. Thoughts of what could have been and what may possibly happen, rage through the mind. And the sleep – it is far, far away from the eyes.

Another sleepless night. And another song of sleepless nights.

Song – Jo Na Poore Hon Un Armaanon Ne Soney Na Diya  (Ek Masoom) (1969) Singers – Asha Bhosle, Lyrics – Fareed Tonki, MD – N Dutta

Lyrics

jo na poore hon un armaanon ne soney na diya
jo na poore hon un armaanon ne soney na diya
dil mein uth’te huye toofaanon ne soney na diya
jo na poore hon un armaanon ne soney na diya
jo na poore hon

har ghadi tere khayaalon ne rulaaya mujhko
har ghadi tere khayaalon ne rulaaya mujhko
din to kya shab ko bhi
deewaanon ne soney na diya
dil mein uth’te huye toofaanon ne soney na diya
jo na poore hon un armaanon ne soney na diya

jo na poore hon

yaad jab bhi teri aai to phir aati hi gayi
yaad jab bhi teri aai to phir aati hi gayi
lakh chaaha magar afsaanon ne soney na diya
dil mein uth’te huye toofaanon ne soney na diya
jo na poore hon un armaanon ne soney na diya
jo na poore hon

jo tadapte hain wo tadpa bhi diya karte hain
jo tadapte hain wo tadpa bhi diya karte hain
raat bhar shamma ko parwaanon ne soney na diya
dil mein uth’te huye toofaanon ne soney na diya
jo na poore hon un armaanon ne soney na diya
jo na poore hon

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

जो ना पूरे हों उन अरमानों ने सोने ना दिया
जो ना पूरे हों उन अरमानों ने सोने ना दिया
दिल में उठते हुये तूफानों ने सोने ना दिया
जो ना पूरे हों उन अरमानों ने सोने ना दिया
जो ना पूरे हों

हर घड़ी तेरे ख्यालों ने रुलाया मुझको
हर घड़ी तेरे ख्यालों ने रुलाया मुझको
दिन तो क्या शब को भी
दीवानों ने सोने ना दिया
दिल में उठते हुये तूफानों ने सोने ना दिया
जो ना पूरे हों उन अरमानों ने सोने ना दिया
जो ना पूरे हों

याद जब भी तेरी आई तो फिर आती ही गई
याद जब भी तेरी आई तो फिर आती ही गई
लाख चाहा मगर अफसानों ने सोने ना दिया
दिल में उठते हुये तूफानों ने सोने ना दिया
जो ना पूरे हों उन अरमानों ने सोने ना दिया
जो ना पूरे हों

जो तड़पते हैं वो तड़पा भी दिया करते हैं
जो तड़पते हैं वो तड़पा भी दिया करते हैं
रात भर शम्मा को परवानों ने सोने ना दिया
दिल में उठते हुये तूफानों ने सोने ना दिया
जो ना पूरे हों उन अरमानों ने सोने ना दिया
जो ना पूरे हों


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3998 Post No. : 15095

Yesterday (26th June) there was a discussion on the ‘Atulites Whatsapp group’ regarding songs containing the word ‘June’ in them. I thought that some of us would definitely point out this song – how can seventies’ fans miss this. So, our beloved Raja ji pointed out this song and reminding it that it was quite a popular song in those days. I must be 2/3 years old then, so I can’t say much about this 🙂 but, after listening this song now, I can say that it’s tune is quite nice and enjoyable and one can easily be humming this song after listening to it once.

I had come across this song few months back during my routine browsing, and since the starting of this month – ‘June’, I wanted to share the song during this month. I was thinking of sharing this song, but as the month progressed it was very hectic on work front for me and it slipped out of mind. But nevertheless, since yesterday’s discussion I thought we still have few days in this month of June and can enjoy this song.

The song is from the 1970 movie ‘Jawaab’ and it is picturised on the favourite comic side plot jodi of the seventies i.e. Mehmood and Aruna Irani. I was also wondering how our regular Mehmood fans have missed this song or maybe they have shared and waiting for its posting. By Mehmood fans I mean our respected Atul ji and Nalini ji. I apologize Atul ji, if he already had a post on this song in his mind. And if he has any, I would like that he present this song with his post here, because all his posts on Mehmood are very very nice and enjoyable.

The following other songs were noted during the discussion.

  • Hai ye June ka maheena – from the 1962 movie ‘Mud Mud Ke Naa Dekh’ – and this also is yet to be posted on the blog!!
  • The other song having the world June is ‘Mere Piyaa gaye Rangoon’

The movie ‘Jawaab’ was directed by Ramanna for RR Pictures, Madras’.  It had Ashok Kumar, Meena Kumari, Jeetendra, Leena Chandavarkar, Prem Chopra, Jyothi Lakshmi, Ulhas, Aruna Irani, Rajan Haksar, Leela Mishra, Prem Kumar, Madhumati, Kanhaiyya, Lakshmi, Pandey, Indra Acharya and Mehmood.

NS Bedi was the dialogue director for this movie. Editing of this movie was done by MS Money. Dialogues of this movie were written by Rajinder Krishan who also wrote the lyrics for all the six songs of this movie. Music for this movie was composed by Lakshmikant-Pyaarelal. Asha Bhonsle, Hemlata, Kishore Kumar, Lata Mangeshkar and Mohd Rafi had given their voices to the songs in this movie.

From the re-certification date of the movie (available online) – 15.07.1980, it can be concluded that it was originally passed by Censor on 15.07.1970). Two songs from this movie have already been posted on the blog earlier.

This song is a fun love song picturised in a well and when Mehmood is there its entertaining and enjoyable given his own specialities. When I noted the lyrics from the video, the mukhda of this song goes like ‘aaja meri jaan ye hai june ka maheena, june ka maheena hai ye june ka maheena’. However, there is one audio version where the second line of the mukhda is different and having the words as ‘garmi hi garmi, paseena hi paseena’. Except this change in mukhda and “zulfon ki chhaon mein…” in place of “palkon ki chhaon mein bitthaa le o haseena”, rest of the lyrics are same in both versions. HFGK Vol – IV in its listing of this song also mentions the song title as “aaja meri jaan ye hai june ka maheena, garmi hi garmi, paseena hi paseena”, though I could not get to refer the appendices of this Vol IV of HFGK so I am not aware if any additional information about this is noted there. It seems that the first mukhda was overlaid later, in the movie version, before released. Possibly some objection by the censors. The change can be noticed in the lip movements of Mehmood.

Well, as Raja ji mentioned “though the Monsoon has started over and spreading its ‘wings’ across, some parts of the country still may be hot and humid”. So for those areas where monsoon has not yet reached, I think the words “garmi hi garmi, paseena hi paseena” and this song is still very applicable 🙂 .

Let us now enjoy this song…

Video

Audio

Song – Aa Ja Meri Jaan Ye Hai June Ka Mahina  (Jawaab) (1970) Singer – Asha Bhosle, Kishore Kumar, Lyrics – Rajendra Krishan, MD – Lakshmikant Pyaarelal
Asha Bhosle + Kishore Kumar

Lyrics (Based on Video Clip)

aa aa
aa aa aa aa

hey ae ae
hey hey hey hey hey ae
ho o o o o ho

aaja meri jaan
aaja meri jaan
ye hai june ka maheena
aaja meri jaan
ye hai june ka maheena

arey june ka maheena hai ye
june ka maheena
june ka maheena hai ye
june ka maheena
palkon ki chhaaon mein
bithha le o haseena
aaja meri jaan
ye hai june ka maheena
chak june ka maheena hai ye
june ka maheena

ajab hai ye duniyaa
hmm hmm hmm hmm
ajab hai ye duniyaa
ajab ye jahaan hai
ke naa ye zameen hai
naa ye aasmaan hai
ke naa ye zameen hai
naa ye aasmaan hai
naa dar hai
naa khidki
naa hai koi zeena
hyaa hmm hmm
hyaa hmm hmm
aaja meri jaan
hai ye june ka maheena
aaja meri jaan
ye hai june ka maheena

mile jo thhandi thhandi ee ee ee
mile jo thhandi thhandi
kunwe ki hawaayen
to kyun tokyo mein
ya paris mein jaaye
to kyun tokyo mein
ya paris mein jaaye
ye love in well
ye love in well
ye love in well
suni hogi kabhi naa
aaja
ja ja
arey aaja meri jaan
ye hai june ka maheena
palkon ki chhaaon mein
bithha le o haseena
aaja meri jaan
ye hai june ka maheena
aaja meri jaan
ye hai june ka maheena


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3996 Post No. : 15092 Movie Count :

4142

Today 27th June 2019, is the eightieth birth anniversary of Rahul Dev Burman (27th June, 1939 – 4th Jan, 1994). We fondly remember him on this occasion and will be always thankful to him for giving us all those great nostalgic songs, great music and many everlasting gems.

As I was looking for a special song for this occasion and while going through his filmography, I decided to select a song penned by Nida Fazli. I thought they worked together in very few films so I was interested to introduce a new movie and I finally zeroed on this lesser known movie ‘Mangal Sutra’ (1981). I think even the song of today is a very lesser known and this might be because of this movie going unnoticed then. Even the filmography of RDB on ‘wiki’ does not have this movie in that list. (Since I could not prepare the details of RDB-Nida Fazli movies together I am deferring it for a post in the future).

‘Mangal Sutra’ was directed by B Vijay for Gaurav Films International, Madras. It was produced by Ravi Kumar. Mrs. Chandrika Shah and Mrs. Era Kalra were Associate Producers of this movie. It had Rekha, Anant Nag, Prema Narayan, Jagdeep, Madan Puri, and Om Shivpuri. The supporting cast included Keshto Mukherjee, Asit Sen, Rajendranath, BM Vyas, Chand Usmani, Jayshree T, Meena T, Guddi, Jezbel, Swaraj, NS Bedi, Shankar Singh, Vinod, Neeta, Sharma, Jailata, Baby Reema, Viju Khote and Madhu. Shashi Puri makes a guest appearance in the movie. And this movie introduced Master Vineet.

Story and screenplay of this movie was written by MD Sundar. Dialogues were written by Snehlata Verma. Editing of this movie was done by P Bhakthavathsalam. Vijaykumar Raichura was the Associate Director of this movie. The movie was passed by Censor Board on 13.03.1981.

This movie had total five songs penned by Kavi Pradeep (one song) and Nida Fazli (four songs). Asha Bhonsle, Bhupinder Singh, Dilraj Kaur, Lata Mangeshkar, Meena and SP Balasubramaniam had given their voices to the songs in this movie. Music for this film was composed by RD Burman.

One movie by the same title was also made in 1947 (as per note in HFGK-Vol-VI), however no songs from this movie seem to be available as of now.

In the movie this song happens to be on the ‘suhaag raat’ of Anant Nag and Rekha. When I listened to this song for preparation of this post I remember to have listen it somewhere earlier but I had forgotten it. This song is nice duet and as mentioned above in the movie it is on the ‘milan ki raat’ where the newlywed couple sings this song. And for that matter I think this song is for all couples even if they are not ‘just newly wed’, they can enjoy it on anniversary or anniversaries or even on the ‘silver –jubilee’ of their marriage 🙂 . The song is sung by my favourite singers Asha Bhonsle and Bhupinder Singh.

It is unbelievable that twenty five years have passed since our beloved RD Burman has left us in 1994. He left us in January 1994. I was posted at Kota then. I got married in June (on his birth anniversary) and I remember the first Hindi movie me and wife watched together at Kota was ‘1942 – A Love Story’. . .

Once again thanking Pancham Da for the lovely, beautiful, exciting music and moments its music has given to us. Let us now enjoy today’s song. With this song the movie ‘Mangalsutra’ (1981) makes its debut on the blog.

Video

Audio

Song – Raat Banoon Main Aur Chaand Bano Tum  (Mangalsutra) (1981) Singer – Bhupinder Singh, Asha Bhosle, Lyrics – Nida Fazli, MD – RD Burman
Bhupinder + Asha Bhosle

Lyrics (Provided by Prakashchandra)

hmm hmm hmm
hmm hmm hmm
ho ho oo oo

raat banoon main
aur chaand bano tum
deep banoon main
aur jyot bano tum
kuchh na sunoon main
kuchh na kaho tum
aao baahon mein aao

raat banoon main
aur chaand bano tum
deep banoon main
aur jyot bano tum
kuchh na sunoon main
kuchh na kaho tum
aao baahon mein aao o
raat banoon main
aur chaand bano tum

naya naya main hoon
nayi nayi tum
yoonhi naa kho jaaye raat
anjaani raahon ke raahi hai hum
chhoote na haathon se haath
naya naya main hoon
nayi nayi tum
yoonhi na kho jaaye raat
anjaani raahon ke raahi hai ham
chhoote na haathon se haath
jaaun jahaan main saath chalo tum
aao baahon mein aao

chaand banoon main
aur raat bano tum
jyot banoon main
aur deep bano tum
kuchh na sunoon main
kuchh na kaho tum
aao baahon mein aao o
chaand baoon main
aur raat bano tum

aa aa aa
aa aa aa
aa aa aa aa aa

tum se hi tan hai
tum se hi mann
dil mein chhupaa lo mujhe ae
baahon mein le ke mere sanam
mujh se churaa lo mujhe
tum se hi tan hai
tum se hi mann
dil mein chhupaa lo mujhe ae ae
baahon mein le ke mere sanam
mujh se churaa lo mujhe
neend banoon main
aur khwaab bano tum
aao baahon mein aao o

raat banoon main
aur chaand bano tum
aa aa
deep banoon main
aur jyot bano tum
aa aa
kuchh naa sunoon main
kuchh naa kaho tum
aao baahon mein aao o

laa laa laa
laa laa laa aa

ho jab se basi ho aankhon mein tum
aa haa
lagti hai duniyaa haseen
aa
o main hoon safar meri manzil tum
tum jo nahin main nahin ee
ho jab se basi ho aankhon mein tum
aa aa
lagti hai duniyaa haseen
o main hoon safar meri manzil tum
tum jo nahin main nahin ee
rang banoon main
maang bharo tum
aao baahon mein aao
chaand banoon main
aur raat bano tum
deep banoon main
aur jyot bano tum
kuchh na sunoon main
kuchh na kaho tum
aao baahon mein aao o
aao baahon mein aao o
hmm hmm hmm hmm hmm

———————————————————-
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————-

हम्म हम्म हम्म
हम्म हम्म हम्म
हो हो ओ
रात बनूं मैं
और चाँद बनों तुम
दीप बनूं मैं
और ज्योत बनो तुम
कुछ ना सुनूं मैं
कुछ ना कहो तुम
आओ बाहों में आओ
रात बनूं मैं
और चाँद बनों तुम
दीप बनूं मैं
और ज्योत बनो तुम
कुछ ना सुनूं मैं
कुछ ना कहो तुम
आओ बाहों में आओ ओ
रात बनूं मैं
और चाँद बनों तुम

नया नया मैं हूँ
नयी नयी तुम
यूंही ना खो जाए रात
अनजानी राहों के राही है हम
छूटे ना हाथों से हाथ
नया नया मैं हूँ
नयी नयी तुम
यूंही ना खो जाए रात
अनजानी राहों के राही है हम
छूटे ना हाथों से हाथ
जाऊं जहां मैं साथ चलो तुम
आओ बाहों में आओ

चाँद बनूं मैं
और रात बनो तुम
ज्योत बनूं मैं
और दीप बनो तुम
कुछ ना सुनूं मैं
कुछ ना कहो तुम
आओ बाहों में आओ ओ
चाँद बनूं मैं
और रात बनो तुम

आ आ आ
आ आ आ
आ आ आ आ आ

तुम से ही तन है
तुम से ही मन
दिल में छुपा लो मुझे ए
बाहों में ले के मेरे सनम
मुझसे चुरा लो मुझे
तुम से ही तन है
तुम से ही मन
दिल में छुपा लो मुझे ए
बाहों में ले के मेरे सनम
मुझसे चुरा लो मुझे
नींद बनूं मैं
और ख्वाब बनो तुम
आओ बाहों में आओ ओ

रात बनूं मैं
और चाँद बनों तुम
आ आ 
दीप बनूं मैं
और ज्योत बनो तुम
आ आ 
कुछ ना सुनूं मैं
कुछ ना कहो तुम
आओ बाहों में आओ ओ

ला ला ला
ला ला ला आ


हो जबसे बसी हो आँखों में तुम
आ हा 
लगती है दुनिया हसीन

ओ मैं हूँ सफर मेरी मंजिल तुम
तुम जो नहीं मैं नहीं ई

हो जबसे बसी हो आँखों में तुम
आ आ
लगती है दुनिया हसीन
ओ मैं हूँ सफर मेरी मंजिल तुम
तुम जो नहीं मैं नहीं ई

रंग बनूं मैं
मांग भरो तुम
आओ बाहों में आओ
चाँद बनूं मैं
और रात बनो तुम

दीप बनूं मैं
और ज्योत बनो तुम
कुछ ना सुनूं मैं
कुछ ना कहो तुम
आओ बाहों में आओ ओ

आओ बाहों में आओ ओ
हम्म हम्म हम्म हम्म हम्म

 


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This post is the 200th contribution of Avinash ji. Congratulations.

Blog Day :

3996 Post No. : 15091 Movie Count :

4141

#the Decade of Seventies – 1971 – 1980 #
———————————————————–—-
#Bhoole-Bisre Geet # 84 #
—————————————-

(Cricket related memories & statistics #1)

During the 15k celebrations on our blog, our beloved Rajaji in his post – ‘Dil To Maane Naa, while congratulating all and wishing that this ‘musical journey’ just goes on and on … mentioned about the next target ‘15921’…!!! Now everyone was thinking of this ‘15921’? But it took Rajaji himself to give some hint and then it was disclosed to everyone. The figure was related to ‘Cricket Statistics’.

At that time, I had decided an article but as I progressed with the selection of the song and finally getting delayed with the article, I decided to do two articles first about the statistics part of my journey on the blog and the second one about my cricket related memories. So, here is the first article being posted today…

The reason for Rajaji’s mentioning of 15921 was Sachin’s runs scored in test cricket and after 15k we should look forward to this new target. This post of mine is too related to statistics but not of cricket though given by the Cricket World Cup around, statistics do also trigger some beautiful memories. However here I am looking for my own statistics on the blog and taking a look on how it has been for me so far on the blog.

My first lyrics contribution ‘Pyaar Ka Badlaa Mujhe Dekho Kaisa Milaa’ was posted on the blog on 13.09.2012 which was 1518th day for the blog and this was the 6633rd post on the blog. I tried my first article for the blog in Feb’2013 and it was posted on 26.02.2013.  This was 1684th day for the blog and this post was the 7565th post. (The song covered in this post was ‘Sang Mere Nikley Thhe Saajan’ from ‘Phir Wahi Raat (1980).

After that it took me 752 days to reach my twenty-fifth post on 20.03.2015 – ‘Na Koi Paisa Na Ilm Banaao Bambai Mein Film and that was 2436th day for the blog. It was the 10962nd post on the blog.

I feel very happy on my ‘quarter century’ and it reminded me of my favourite commentator Sushil Doshi’s words – “aur isi ke saath ye (Dilip Vengsarkar ki) quarter century poori”. . . (I don’t know why but I mostly remember ‘quarter century’ with Sushil Doshi’s commentary is for Dilip Vengsarkar. May be because whenever Vengsarkar was coming to bat he would easily score his first twenty-five runs very quickly 🙂 .

After that I was slowly getting into regular writing of articles for the blog. So, I reached my fiftieth post on 05.09.2015 with – ‘Krishna Krishna Bolo Krishna which was 2604th day and 11385th post for the blog. I entered the nineties on 31.07.2016 and it was 12280th post on the blog and the blog had become 2935 days older then.

Nineties mein aane ke baad, while I was eager to get to my first hundred, on the other side I was constantly remembering Chetan Chauhan one of my most favourite cricketer who never reach a hundred in test cricket, though me and many of friends were always praying for him, and always sincerely wished that he should get a hundred on his name. Well, it took me eighty-two days to reach from ninety to hundred. This was on 21.10.2016, and the song covered was ‘Bade Dinon Mein Khushi Ka Din Aaya’ (very appropriately though) and it was 3017th day for the blog, 12475th post of the blog.

Cricket mein century banaane ke baad jitni khushi ek batsman ko hoti hogi utni hi khushi mujhe bhi huyi 🙂 . By the time I completed my hundred posts on the blog, in the other category that is ‘lyrics contribution’ I had already scored over three hundred. And, since I always think myself an all-rounder (or a good all-rounder at least (not necessarily in cricket)) I was reminded of the many great achievers who scored a ‘hundred’ in both batting and bowling or bowling and batting in test cricket (or one day internationals too).

So, I was very happy on my ‘double’ achievement and it reminded me the doubles by the top famous all-rounders in test cricket. For me it was always of Kapil Dev.

In this process I had also completed a hundred in ‘Devnagri Script’ category and so I was the first to have scored a ‘hundred’ in the three (main) categoris on the blog. After that Sudhir ji reached a hundred in the ‘lyrics contribution’ category and that was a ‘Senior’s entry’ to this ‘triple’s club’ 🙂 .

My one hundred and fiftieth post came on the 3545th day of the blog with this song – ‘Jin Khoja Tin Paayiyaan’ – on 02.04.2018, the post number being 14228th.

Reaching 175 did reminded me of Kapil Dev’s 175 against Zimbabwe, how can anyone forget that? I remember we had gone to the nearby city for some work and when I was heading to my home in the colony few of my friends told me about the score of Indian batting which was very shocking for me. As I reached home Kapil Dev was already on the crease, so what I do was to take the transistor with me in the ground- so that I can concentrate alone (and may be the transmission was not clear inside home, I don’t remember it fully now) near my home where we use to play cricket to listen the commentary there because the match was already very tense. But as Kapil Dev started hitting the ball to each corner of the ground the excitement was on the top and the rest, we all know is a history now.

My first lyrics contribution was the 6633rd post on the blog. And today as I share this post on this 3996th day for the blog, this is the 15091st post on the blog.

Before I joined the blog, the blog had 340 songs penned by Sahir Ludhianvi already covered on the blog and the today’s song is Sahir Saab’s 623rd song on the blog. In between I had also completed a century of my contribution for Sahir Ludhianvi songs on 27.03.2015, with the song “Teri Karam Kahaani Teri Aatma Bhi Jaane“,  on the 2443rd day for the blog, and so far I think have been successful in contributing around 130 songs of Sahir Saab. May be the final tally will cross 150 if everything goes well. The journey is on!!! 🙂

In between I had an opportunity to share a long song six-part song – “Sambhaalo Ae Watan Waalon Watan Apna Sambhaalo“, and I think I can take it as the highest score in an innings in any type of contribution here (lyrics and lyrics in Devnagri script) except the write up/post, and will always remind of the highest score in test cricket which is 400* not out by Brian Lara. 🙂

On the way I do secretly completed my fourth hundred in ‘lyrics contribution’ (like the third one), however nowadays in this ‘age of technology’ the secrets cannot be hold for too longer and when I was silently moving towards another ‘achievement’, which I thought would also pass on secretly, there were already ‘some signals’ asking me about it and I realized that ‘ab raaz chhupaana mushqil hai’. . . 😉

For today’s post too I have selected a song penned by Sahir Saab and composed to music by Ravindra Jain ji. This movie ‘Ham Tere Aashiq Hain’ (1979) was the first collaboration of Sahir Ludhianvi and Ravindra Jain the other being ‘Insaaf Ka Taraazu’ in 1980. All songs for ‘Insaaf Ka Taraazu’ have already been covered on the blog.

Today we get introduced to the film ‘Hum Tere Aashiq Hain’ from 1979.

‘Hum Tere Aashiq Hain’ was directed by Prem Sagar for his home production Prem Sagar Films, Bombay and under the banner of Sagar Art Enterprises. It was presented by Ramanand Sagar.

It had Jeetendra, Hema Malini, Amjad Khan, Dr. Shreeram Lagoo, Om Shivpuri, Sujit Kumar, Sheetal, Keshto Mukherjee, Arvind Trivedi, Ram Sethi, Mac Mohan, Shammi, Birbal, Jankidas, Paro, Aashoo, Shobhna Shah, Madhu Shah, Shanti, Aasha, Nirmal Kumar, Chander Mohan Khanna, Dhawan, and Ramlal. Tom Alter makes a guest appearance in this movie.

Screenplay and dialogues of this movie were written by Kamleshwar and Ramanand Sagar. Suhrid Kar, CL Kavish and Kulwant Jaani were writers for additional screenplay and dialogues. Script and scenario for this movie was written by KK Shukla. Editing of this movie was done by Lachmandass. This movie was passed by Censor Board on 22.11.1979.

This movie had six songs all written by Sahir Ludhianvi and composed to music by Ravindra Jain. Asha Bhonsle, Kishore Kumar and Mahendra Kapoor gave their voices to the songs in this movie.

For the preparation of this post I had requested Atul ji for the records and I can say here that the one going through this details maintained by Atul ji can only realize the efforts put by him and by Sudhir ji too in recording of the statistics on the blog and its retrieval whenever they want to have it for some special occasion (may be some auto ‘alerts’). I salute both of them!!!

Finally remembering all the statisticians in Indian Cricket and paying our tributes to their great works let us enjoy the today’s songs. They may be the first one to know of all the approaching milestones and records like our Atul ji or Sudhir ji (by the way I remember Sudhir Vaidya as a famous statistician in Indian Cricket history) and they all may be first one to know all the raaz’s which the general public may not be aware unless disclosed or made public 🙂 , and may be in other fields of our society we have some secrets/mystery which were never disclosed/solved. . .

And since I have not watched this movie I cannot say and disclose the ‘hidden’ raaz’s of this movie, except this song 😉

However, it seems to be an interesting movie to watch. For now let us enjoy this beautiful song.

Video

Audio

Song – Ab Raaz Chhupaana Mushkil Hai (Hum Tere Aashiq Hain) (1979) Singer – Asha Bhosle, Mahendra Kapoor, Lyrics – Sahir Ludhianvi, MD – Ravindra Jain
Asha Bhosle + Mahendra Kapoor

Lyrics

mushqil hai
mushqil hai
mushqil hai
mushqil hai
mushqil hai ae
ab raaz chhupaana mushqil hai
ab raaz chhupaana mushqil hai
khul jaaye na saari baat kahin
khul jaaye na saari baat kahin
betaab nigaahen le dooben
betaab nigaahen le dooben
tum ko bhi na mere saath kahin
tum ko bhi na mere saath kahin
ab raaz chhupaana
mushqil hai
mushqil hai

haalaat ke dhaare par hum ne
jazbaat ki kashti ee ee ee
daali hai ae ae ae
haalaat ke dhaare par hum ne
jazbaat ki kashti daali hai
munh mod na len
haalaat kahin
munh mod na len
haalaat kahin
dam tod na den jazbaat kahin
khul jaaye na saari baat kahin
ab raaz chhupaana mushqil hai
mushqil hai

jis tarah nibaahi hai ab tak
aage bhi nibhaa do aise hi
jis tarah nibaahi hai ab tak
jis tarah nibaahi hai ab tak
aage bhi nibhaa do aise hi
manzil ke kareeb aate aate
ho o o o
manzil ke kareeb aate aate
chhoote na dilon ka saath kahin
khul jaaye na saari baat kahin
ab raaz chhupaana mushqil hai
mushqil hai

is raah mein kya jaane kitne
aur aise maqaa..aam
aane hai abhi ee ee
is raah mein kya jaane kitne
aur aise maqaam aane hai abhi
jeeti huyi chaahat ki baazi
ho o
jeeti huyi chaahat ki baazi
ho jaaye naa yoonhi maat kahin
ab raaz chhupaana mushqil hai
khul jaaye naa saari baat kahin
betaab nigaahen le dooben
tumko bhi na mere saath kahin
ab raaz chhupaana mushqil hai
mushqil hai

———————————————————-
Hindi script lyrics (Provided by Avinash Scrapvaala)
———————————————————-

मुश्किल है
मुश्किल है
मुश्किल है
मुश्किल है
मुश्किल है ए
अब राज़ छुपाना मुश्किल है
अब राज़ छुपाना मुश्किल है
खुल जाए ना सारी बात कहीं
खुल जाए ना सारी बात कहीं
बेताब निगाहें ले डूबे
बेताब निगाहें ले डूबे
तुमको भी न मेरे साथ कहीं
तुमको भी न मेरे साथ कहीं
अब राज़ छुपाना
मुश्किल है
मुश्किल है

हालात के धारे पर हमने
जज़्बात की कश्ती ई ई ई
डाली है ए ए ए
हालात के धारे पर हमने
जज़्बात की कश्ती डाली है
मुंह मोड़ न लें
हालात कहीं
मुंह मोड़ न लें
हालात कहीं
दम तोड़ न दे जज़्बात कहीं
खुल जाए ना सारी बात कहीं
अब राज़ छुपाना मुश्किल है
मुश्किल है

जिस तरह निबाही है अब तक
आगे भी निभा दो ऐसे ही
जिस तरह निबाही है अब तक
जिस तरह निबाही है अब तक
आगे भी निभा दो ऐसे ही
मंजिल के करीब आते आते
हो ओ ओ ओ
मंजिल के करीब आते आते
छूटे न दिलों का साथ कहीं
खुल जाए ना सारी बात कहीं
अब राज़ छुपाना मुश्किल है
मुश्किल है

इस राह में क्या जाने कितने
और ऐसे मक़ाम आने है अभी ई ई
इस राह में क्या जाने कितने
और ऐसे मक़ाम आने है अभी ई ई
जीती हुई चाहत की बाज़ी
हो ओ
जीती हुई चाहत की बाज़ी
हो जाए ना यूंही मात कहीं
अब राज़ छुपाना मुश्किल है
खुल जाए ना सारी बात कहीं
बेताब निगाहें ले डूबे
तुमको भी न मेरे साथ कहीं
अब राज़ छुपाना मुश्किल है
मुश्किल है



This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3996 Post No. : 15090

Hullo to all of Atuldom

Welcome to a post which will get a reaction of “Yeh gaana baaki hai???” And I am sure Atulji will put this song under the category “How did I forget to post this song earlier?”.

In the 70s, and for all the 43 years since, this song has been extremely popular. It is a love song where the young couple meet on the sly, in the middle of the night. It was sung by Asha Bhonsle and Kishore Kumar for a sweet seventeen Neetu Singh and a handsome/ charming 23-year-old Rishi Kapoor. It had very simple choreography by PL Raj that made the pair look very adorable. It was written by Gulshan Bawra and set to tune by our today’s birthday boy.

27th June our dear RD Burman would have turned 80. Like I have written in my post which accompanied the song to remember Kishore Kumar on his last birthday, how I wish Pancham or RDB had not left this world when he did. Then the treasure trove of wonderful songs would have been overflowing. But then that was not to be and we lost him in 1994. But there is still a treasure trove which gives us a lot of songs which if played continuously will last us for days on end. There is a song for every mood. Currently as I write this, I have chosen some random songs on amazon prime music which began with “Chaand Churaa Ke Laya Hoon” (‘Devta’, 1978) went on to “Meri Bheegi Bheegi Si Palkon Pe” (‘Anaamika’, 1973) followed by “O Maanjhi Re” (‘Khushboo’, 1975) and has another 20 songs which include “Bangle Ke Peeche Teri Beri Ke Neeche” (‘Samaadhi’, 1972), “Roz Roz Dali Dali” (‘Angoor’, 1982), and “Mera Pyaar. . . Shalimar” (‘Shaimar’, 1978). Now I must admit I love RDB songs and what I chose to hear were songs which I have not heard in a while. I am totally impartial in my selections. 🙂

Now on to today’s song. Thank you, RD Burman, for bequeathing to us a huge set of songs to remember you with.

Editor comment-With this song, Asha Bhonsle completes 2600 songs as a playback singer in the blog.

Song – Ek Main Aur Ek Tu, Dono Miley Is Tarah  (Khel Khel Mein) (1975) Singer – Kishore Kumar, Asha Bhosle, Lyrics – Gulshan Baawra, MD – RD Burman
Kishore Kumar + Asha Bhosle

Lyrics

ek main aur ek tu
dono miley is tarah
ek main aur ek tu
dono miley is tarah
aur joh tan mann mein ho raha hai
ye to hona hi tha
ek main aur ek tu
dono miley is tarah
ek main aur ek tu
dono miley is tarah
aur joh tan mann mein ho raha hai
ye to hona hi tha

yoon nahi
milte hai yaar yaar se
de.. mujhe..
pyaar ka jawaab pyar se
dhadkanen hui jawaan
waqt bhi hai meharbaan
phir ye kaisi dooriyan
bolo bolo bolo bolo bolo bolo
ssshhh
ek main aur ek tu
dono miley is tarah
ho oo ek main aur ek tu
dono miley is tarah
ek main aur ek tu
dono miley is tarah
aur joh tan mann mein ho raha hai
ye to hona hi tha

lalalalalalaaa
lalalalallalaaaa

ho.. dooriyan
waqt aane pe mitaayenge
ek.. din..
itna paas paas aayenge
intezaar tab talak
beqaraar tab talak
yoon hi pyar tab talak
bolo bolo bolo bolo bolo bolo
sshh sshh sshh
ek main aur ek tu
dono miley is tarah
haan ek main aur ek tu
dono miley is tarah
aur joh tan mann mein ho raha hai
ye to hona hi tha

dillagi
ban gayi hai dil ki lagi
hey.. zindagi
naam hai isika zindagi
ho khel khel main sanam,
aa gaye jahaan pe hum
rok le wahin kadam
bolo bolo bolo bolo bolo bolo
sshh sshh sshh

ek main aur ek tu
dono miley is tarah
ek main aur ek tu
dono miley is tarah
aur joh tan mann me ho raha hai
hmmm hmmm hmmm hmmm hmmmmm
ye to hona hi tha
. . to hona hi tha
ye to hona hi tha

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

एक मैं और एक तू
दोनों मिले इस तरह
एक मैं और एक तू
दोनों मिले इस तरह
और जो॰ह तन मन में हो रहा है
ये तो होना ही था
एक मैं और एक तू
दोनों मिले इस तरह
एक मैं और एक तू
दोनों मिले इस तरह
और जो॰ह तन मन में हो रहा है
ये तो होना ही था

यूं नहीं
मिलते हैं यार यार से
दे॰॰ मुझे॰॰
प्यार का जवाब प्यार से
धड़कनें हुईं जवां
वक़्त भी है मेहरबान
फिर ये कैसी दूरीयां
बोलो बोलो बोलो बोलो बोलो
शशश
एक मैं और एक तू
दोनों मिले इस तरह
हो ओ एक मैं और एक तू
दोनों मिले इस तरह
और जो॰ह तन मन में हो रहा है
ये तो होना ही था

लालालालालाला॰ ॰ ॰
लालालालालाला॰ ॰ ॰

हो दूरीयां
वक़्त आने पे मिटाएँगे
एक॰॰ दिन॰॰
इतना पास पास आएंगे
इंतज़ार तब तलक
बेक़रार तब तलक
यूं ही प्यार तब तलक
बोलो बोलो बोलो बोलो बोलो
शश शश शश
एक मैं और एक तू
दोनों मिले इस तरह
हाँ एक मैं और एक तू
दोनों मिले इस तरह
और जो॰ह तन मन में हो रहा है
ये तो होना ही था

दिल्लगी॰॰
बन गई है दिल की लगी
हे ज़िंदगी॰॰
नाम है इसी का ज़िंदगी
हो खेल खेल में सनम
आ गए जहां पे हम
रोक ले वहीं कदम
बोलो बोलो बोलो बोलो बोलो
शश शश शश
एक मैं और एक तू
दोनों मिले इस तरह
एक मैं और एक तू
दोनों मिले इस तरह
और जो॰ह तन मन में हो रहा है
हम्म हम्म हम्म हम्म हम्म हम्म
ये तो होना ही था
॰॰ तो होना ही था
ये तो होना ही था


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over ELEVEN years. This blog has over 15400 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2020) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

15443

Number of movies covered in the blog

Movies with all their songs covered =1188
Total Number of movies covered =4253

Total visits so far

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Active for more than 4000 days.

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