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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Asha Bhosle


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Missing Films of 1960s – 36
– – – – – – – – – – – – – – –

Aisa to hota hi hai. The name of the film sometimes is not so interesting; it seems to automatically convey a B/C grade stunt cum familiar crime and punishment fare. And so we tend to pass over such names in our search of favorites. But as always, unfailingly, it is such films that carry some of the best music that we have heard. Plus, as I realized while checking out this film, the music director is OP Nayyar. The year is 1966, and OPN is quite much in the running as one of the top music directors in the industry. And the film that I am un-packaging on this blog for the first time – it is ‘Love And Murder’.

Sure you will say, with such a name, who would pay attention. Plus the star cast – lead pair is Ramesh Deo and Jaimala. Well, who would pause at this film while browsing the lists. Aah, but we err here. If there is Helen in the cast, and the music is by OPN, one can expect some real good songs with Asha Bhosle singing and Helen doing her moves on the screen. Yes, we need to be more sensitive to such tell tale signs as we look for songs to post. Plus given that this film is available, and all its songs are available online – that sure is an error on our part.

So the film ‘Love And Murder’ makes its debut on our blog today, with this signature Helen dance song. It surely caught my fancy as soon as I heard it, and I have repeated heard it many times over the past two three days. And there is more in this film – the other songs are no less exquisite.

This is a stunt film from the banner of Adarshlok, Bombay, and is directed by Raja Paranjape. Cast of actors includes Prithiviraj Kapoor, Ramesh Deo, Jaimala, Helen, Heeralal, Kammo and Chandrakant Ghokale, amongst others. This list is taken from the Geet Kosh details, and possibly more names can be added. One, maybe, in this song itself. Onscreen we see Helen and Ramesh Deo. Later during the performance, Jaimala makes an entry. There is one more familiar face in this clip; the gentleman who gets up and approaches Jaimala as she enters the scene. Is this the actor Suresh? I am guessing, and I request other knowledgeable readers and friends to please confirm or correct my statement.

The film has six songs. Geet Kosh lists names of three songwriters – Shewan Rizvi, SH Behari and Aziz Lucknawi. Of the six songs, two are attributed to Aziz Lucknawi and one each to Shewan Rizvi and SH Behari. Two songs are listed with no name of lyricist attached to it. Today’s song is one of those two songs without an attribution of a songwriter.

OPN + Asha Bhosle + Helen, the combination makes for some very good music and dance performance. This song is no exception. The rhythm and the beats in the song are just superb. OPN shifts between drums for the mukhda and the interludes, and tabla for the antaraas. A typical OPN style that can be seen is some more of his creations.

Enjoy this wholesome debut, wonderful music, and Helen – what more one can ask for. 🙂

 

Song – Mere Dil, Meri Jaan  (Love And Murder) (1966) Singer – Asha Bhosle, Lyrics – [Unattributed], MD – OP Nayyar

Lyrics

ha aa aa ha ha ha
ha aa aa ha ha ha
ha aa aa ha ha ha
ha aa aa ha ha haaa. . .

mere dil
meri jaan
tu keh de to kar daaloon main dil ka haal byaan
ho mere dil
meri jaan
tu keh de to kar daaloon main dil ka haal byaan..aa..aan

ho laara ho laara
ho laara ho laara
ho laara ho laara ho laara ho oo oo

khamoshi kehti hai
bechaini rehti hai
khamoshi kehti hai
bechaini rehti hai
tanhaai ki raaten hain
deewaaron se baaten hain
tanhaai ki raaten hain
deewaaron se baaten hain
ho ja re mujh par zara meharbaan
ho ja re mujh par zara meharbaan

ho mere dil
ho oo
meri jaan
haaaye
tu keh de to kar daaloon main dil ka haal byaan
ha ha ha ha ha
ho mere dil
ho oo
meri jaan
ho oo oo
tu keh de to kar daaloon main dil ka haal byaan..aa..aan

ho ra la ho la ho
o la la ho la ho
ra la ho ra ho ra ho oo oo

aankhon mein tu hi tu
saanson mein tu hi tu
aankhon mein tu hi tu
saanson mein tu hi tu
aa ja meri baahon mein
jannat hai in raahon mein
aa ja meri baahon mein
jannat hai in raahon mein
sun le mere pyaar ki daastaan
sun le mere pyaar ki daastaan

ho mere dil
ho oo
meri jaan
ho oo
tu keh de to kar daaloon main dil ka haal byaan
ha ha ha ha ha
ho mere dil
meri jaan
ho oo oo
tu keh de to kar daaloon main dil ka haal byaan..aa..aan
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
हा आ आ हा हा हा
हा आ आ हा हा हा
हा आ आ हा हा हा
हा आ आ हा हा हा॰ ॰ ॰

मेरे दिल
मेरी जाँ
तू कह दे तो कर डालूँ मैं दिल का हाल बयां
हो मेरे दिल
मेरी जाँ
तू कह दे तो कर डालूँ मैं दिल का हाल बयां॰॰आ॰॰आं

हो लारा हो लारा
हो लारा हो लारा
हो लारा हो लारा हो लारा हो ओ ओ

खामोशी कहती है
बेचैनी रहती है
खामोशी कहती है
बेचैनी रहती है
तनहाई की रातें हैं
दीवारों से बातें हैं
तनहाई की रातें हैं
दीवारों से बातें हैं
हो जा रे मुझपे ज़रा महरबां
हो मेरे दिल
हो ओ
मेरी जाँ
हा॰॰ए
तू कह दे तो कर डालूँ मैं दिल का हाल बयां
हा हा हा हा हा
हो मेरे दिल
हो ओ
मेरी जाँ
हो ओ ओ
तू कह दे तो कर डालूँ मैं दिल का हाल बयां॰॰आ॰॰आं

हो रा ला हो ला हो
ओ ला ला हो ला हो
रा ला हो रा हो रा हो ओ ओ

आँखों में तू ही तू
साँसों में तू ही तू
आँखों में तू ही तू
साँसों में तू ही तू
आजा मेरी बाहों में
जन्नत है राहों में
सुन ले मेरे प्यार की दास्ताँ
सुन ले मेरे प्यार की दास्ताँ
हो मेरे दिल
हो ओ
मेरी जाँ
हो ओ
तू कह दे तो कर डालूँ मैं दिल का हाल बयां
हा हा हा हा हा
हो मेरे दिल
मेरी जाँ
हो ओ ओ
तू कह दे तो कर डालूँ मैं दिल का हाल बयां॰॰आ॰॰आं

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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Greetings to all readers and friends. A very Happy Diwali to all.

 

Song – Aa Haa Haa Deewaali  (Diwaali Ki Raat) (1956) Singer – Asha Bhosle, Lyrics – Pt Faani, MD – Snehal Bhatkar
Male Chorus
Female Chorus
All Chorus

Lyrics

deewali ke deep seep ke moti
moti rang birange
jhar jhar jhar jhar moti jalte
jhar jhar jhar jhar moti jalte
dharte praan patange
dharte praan patange
in ka pyaar anokha jag mein
in ka pyaar anokha jag mein
in ka pyaar anokha jag mein
ey inki preet niraali..ee
aa ha ha deewaali
aa ha ha deewaali
aa ha ha deewaali
aa ha ha deewaali
aa ha ha deewaali
aaaa aaa aaaaaaa aaaa deewaali
aa ha ha deewaali
aa ha ha deewaali

kaali raat amaavas ki
kaali raat amaavas ki
ye gori se bhi gori
ye gori se bhi gori
deep deep ko chaand samajh ke
deep deep ko chaand samajh ke
naache aaj chakori
sapne le kar aai suhaani
sapne le kar aai suhaani
raat ye kaali kaali
aa ha ha deewaali
aa ha ha deewaali
aa ha ha deewaali
aa ha ha deewaali
aa ha ha deewaali
aaaa aaa aaaaaaa aaaa deewaali
aa ha ha deewaali
aa ha ha deewaali

deewali ki dulhan saj ke
deewali ki dulhan saj ke
deewali ki dulhan saj ke
phuljhadion se khele
phuljhadion se khele
naya saal aur nai umangen
naye naye nit mele
bichhdon ko hai galey milaati
amrit ki ye pyaali
aa ha ha deewaali
aa ha ha deewaali
aaaa aaa aaaaaaa aaaa deewaali
aa ha ha deewaali
aa ha ha deewaali
aa ha ha deewaali

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
दिवाली के दीप सीप के मोती
मोती रंग बिरंगे
झर झर झर झर मोती जलते
झर झर झर झर मोती जलते
धरते प्राण पतंगे
धरते प्राण पतंगे
इनका प्यार अनोखा जग में
इनका प्यार अनोखा जग में
इनका प्यार अनोखा जग में
ए इनकी प्रीत निराली॰॰ई
आ हा हा दिवाली
आ हा हा दिवाली
आ हा हा दिवाली
आ हा हा दिवाली
आ हा हा दिवाली
आss आs आsssssss आsss दिवाली
आ हा हा दिवाली
आ हा हा दिवाली

काली रात अमावस की
काली रात अमावस की
ये गोरी से भी गोरी
ये गोरी से भी गोरी
दीप दीप को चाँद समझ के
दीप दीप को चाँद समझ के
नाचे आज चकोरी
सपने लेकर आई सुहानी
सपने लेकर आई सुहानी
रात ये काली काली
आ हा हा दिवाली
आ हा हा दिवाली
आ हा हा दिवाली
आ हा हा दिवाली
आ हा हा दिवाली
आss आs आsssssss आsss दिवाली
आ हा हा दिवाली
आ हा हा दिवाली

दिवाली की दुल्हन सज के
दिवाली की दुल्हन सज के
दिवाली की दुल्हन सज के
फूलझड़ियों से खेले
फूलझड़ियों से खेले
नया साल और नई उमंगें
नए नए नित मेले
बिछड़ों को है गले मिलाती
अमृत की ये प्याली
आ हा हा दिवाली
आ हा हा दिवाली
आss आs आsssssss आsss दिवाली
आ हा हा दिवाली
आ हा हा दिवाली
आ हा हा दिवाली

 


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The song under discussion today is from film ‘Sharada’, one of the hit films of 1957. What a year 1957 was ! In the Golden Era of the Hindi Film Music, the year 1957 would go down as the best year, which provided everlasting songs from musical films. The deluge of excellent songs was such that music lovers not only enjoyed the heavy downpour, but loved every piece of Music.

Musical films like, ‘Begunah’, ‘Bhabhi’, ‘Dekh Kabira Roya’, ‘Do Aankhen Baara Haath’, ‘Ek Gaon Ki Kahani’, ‘Ek Jhalak’, ‘Kathputli’, ‘Miss Mary’, ‘Mother India’, ‘Mr. X’, ‘Nau Do Gyaarah’, ‘Naya Daur’, ‘Paying Guest’, ‘Pyaasa’, ‘Tumsa Nahin Dekha’ and many more. Add to this, the hit films of C Ramchandra in 1957 – ‘Baarish’, ‘Sharada’, ‘Nausherwan e Adil’, ‘Asha’ and ‘Talash’. What more one would want?

‘Sharada’ was made by Prasad Productions and directed by its owner himself LV Prasad or Akkineni Lakshmi Vara Prasad Rao, to be precise. Yes, he is the same person who has etched his name in the annals of film history of India, as the only man who had acted in the first talkie films of 3 different Languages ! LV Prasad acted in ‘Aalam Ara’ (1931) (Hindi), ‘Kalidasa’ (1931) (Tamil), and ‘Bhakta Prahlada’ (1932) (Telugu). All these films were made in Bombay.

From a very humble and struggling beginning, LV Prasad (17-1-1908 to 22-6-1994), went on to become one of the most successful film producers of India. He not only built an empire of film related industries, but he also headed many prestigious organisations like, International Film Festivals and International Jury Board, Film Chamber, Film Censor Board, Studio Owners’ Council etc. He was honoured with Phalke Award in 1982, Udyog Patra award in 1980, Kala Tapaswi award in 1983, Andhra Ratna Award etc. There was a Postage stamp issued in his honour in 2006.

‘Sharada’ was a remake of the original Tamil film ‘Edhir Paradhathu’ (1955). Its Telugu remake was ‘Ilavelpu’ (1956) and a Malayalam edition came a little later as ‘Nitya Kanyaka’ – in 1963. In the original Tamil film, the lead pair was Sivaji Ganeshan and Padmini, which was a very popular pair in many Tamil films during those days. The film became a runaway hit. There is an interesting anecdote about the shooting of this Tamil film. There is a scene in the film, in which Padmini has to slap Sivaji Ganesan. While enacting this scene Padmini got into the role so much that not only she was very angry but went on slapping Sivaji one after another, even after Director was shouting CUT CUT several times. Finally, Sivaji Ganesan made the hysterical Padmini lie down and brought her to normalcy !

The Telugu version also became very popular. An interesting point about the Telugu remake was that out of its 9 songs, 6 songs had popular Hindi film song tunes. For example, a Telugu song of the film, ‘Anna Anna Vinnava’ was a copy of the tune of the popular Ravi song “Chandamama Door Ke” from film Vachan (1955).

The Hindi remake ‘Sharada’, was very cleverly released in the month of December 1957 in Bombay and later in all other centres. By that time, all other musical films of 1957 were already seen and heard by the public. This naturally gave extra space to the music of Sharada to become popular. Such tactics could come only from Madras producers.

The story and screenplay was by the famous writer/director CV Sridhar, who later on gave many tear jerkers like ‘Dil Ek Mandir’ (1963). In the original Tamil film as well as the Telugu and Malayalam remakes, it was the hero’s father who dies in the film, to make way for the lovers, but in the Hindi remake, the heroine was made to die, only because the role was done by the Tragedy Queen Meena Kumari ! Poor Meena Kumari, she had only tragedies in her reel and real lives.

‘Sharada’ was a successful film not only on the Box office, but it also won 3 Film Fare Awards. Raj Mehra won his only award for the best supporting actor, Shyama won it for best supporting actress and Shivaji Awadhoot won it for Best Editing. The cast of the film was Meena Kumari, Raj kapoor, Raj Mehra, Shyama, Gope, Manorama, Om Prakash, Agha etc. The story of the film is,

Chiranjeev (Raj Kapoor) lives a wealthy lifestyle along with his father, Kashiram (Raj Mehra), and three siblings: two sisters, one of whom is dumb, and a younger brother. While on a trip, his friend, Mohan (Om Prakash), falls ill due to alcohol, and gets treated at an ashram. This is where Chiranjeev meets with an employee, Sharada (Meena Kumari), who lives a poor lifestyle with her father, Ram Sharan. Chiranjeev and Sharada fall in love with each other, and he promises to get his father’s permission and return to get married to her.

On his way home he has an accident, and though he does survive after being treated by tribal people, he returns to the Ashram several days later and is informed that Sharada is now married to a wealthy and much older man. Heart-broken and devastated, Chiranjeev returns home only to get another shock: the male Sharada has married is none other than his very own father. Chiranjeev tries to build same relations again with her, but she slaps him and warns that she is now his mother.

Depressed and deeply frustrated, he takes to alcohol in a big way. Sharada talks him out of this, he repents and on her insistence, marries Chanchal (Shyama), who comes from a reputed family background. Things then get complicated when Chanchal finds that her husband and his stepmother had been in love before and may not have got over their feelings for each other.

Fed up with everyday tiffs with Chanchal, he leaves the house and lives like a beggar. One day he is found by his step mother and father, who bring him home. Chanchal realises her mistake and repents. Meena Kumari believes that she must sacrifice for his welfare and family’s well being. She dies in the arms of her son, Chiranjeev. (641)

Today’s song is sung by Asha Bhosle, Joe Alvaris, Kamala Shrivastav and chorus. I have no definite information about Joe (he could be Johnny, C Ramchandra’s assistant in this film), or Kamla Shrivastav (she could be a singer from Lucknow who sang on AIR, and later retired as a teacher from Bhatkhande Music school, Lucknow). Here is the song video…


Song – Aaju Re Baaju Naaju Kaaju Re (Sharda) (1957) Singer – Asha Bhosle, Joe Alvaris, Kamala Shrivastav, Lyrics – Rajinder Krishan, MD – C Ramchandra
Chorus

Lyrics 

aaju re baaju naaju kaaju re lui
lui
aaju re baaju naaju kaaju re lui
lui
aaju re baaju naaju kaaju re lui
lui

aaa aaaa aaaa aaaaa aaaaa aaaa
aaaa aaaaa aaaaaa aaaaaa aaa
aaa aaaa aaaa aaaaa aaaaa aaaa

aaju re baaju naaju
lui
aaju re baaju naaju
lui

aaaaaaaaaa aaaa aaaa aaaa aaaa

aaju re baaju naaju
kaaju re lui lui
dil main hai laagi mere nainwa ki sui
oooeeeeeeeee
aaju re baaju naaju
kaaju re lui lui
dil main hai laagi mere nainwa ki sui
oooeeeeeeeee

baaton mein teri aa ke
main fisal gayi
muft mein haaye
tere jaise ko mil gayi
aaaa aaaa aaaa aaaa
baaton mein teri aa ke
main fisal gayi
muft mein haaye
tere jaise ko mil gayi
de ke dil dekha
pyaar hai dhokha
de ke dil dekha
pyaar hai dhokha
preet to hai badi mui
laagi nainwa ki sui
oooeeeeeeeee
aaju re baaju naaju
kaaju re lui lui
dil main hai laagi mere nainwa ki sui
oooeeeeeeeee

de ke daghaa bhaaga
kaise se pada paala
dil ka qusoor kya hai
aankhon ne maar daala
de ke daghaa bhaaga
kaise se pada paala
dil ka qusoor kya hai
aankhon ne maar daala
naina na milte
naina na milte
dil ke na taar hiltey
murjhaati kaahe chhui mui
laagi nainwa ki sui
oooeeeeeeeee
aaju re baaju naaju
kaaju re lui lui
dil main hai laagi mere nainwa ki sui
oooeeeeeeeee

paapi ye naina haaye
kaahe kisi se ladey
honthon ki hansi gayi
dil mein hain daagh padey
aaaa aaaa aaaa aaaa
paapi ye naina haaye
kaahe kisi se ladey
honthon ki hansi gayi
dil mein hain daagh padey
raaton ko khade khade
din ko padey padey
raaton ko khade khade
din ko padey padey
preet to hai badi mui
laagi nainwa ki sui
oooeeeeeeeee
aaju re baaju naaju
kaaju re lui lui
dil main hai laagi mere nainwa ki sui
oooeeeeeeeee
aaju re baaju naaju
kaaju re lui lui
dil main hai laagi mere nainwa ki sui
oooeeeeeeeee

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

आजू रे बाजू नाजु काजू रे लुई
लुई
आजू रे बाजू नाजु काजू रे लुई
लुई
आजू रे बाजू नाजु काजू रे लुई
लुई

आss आsss आsss आssss आssss आsss
आss आsss आssss आssss आss
आss आsss आsss आssss आssss आsss

आजू रे बाजू नाजु
लुई
आजू रे बाजू नाजु
लुई

आssssssss आsss आsss आsss आsss

आजू रे बाजू नाजु
काजू रे लुई लुई
दिल में है लागी मेरे नैनवा की सुई
उईssss
आजू रे बाजू नाजु
काजू रे लुई लुई
दिल में है लागी मेरे नैनवा की सुई
उईssss

बातों में तेरी आके
मैं तो फिसल गई
मुफ्त में हाए तेरे
जैसे को मिल गई
आsss आsss आsss आsss
बातों में तेरी आके
मैं तो फिसल गई
मुफ्त में हाए तेरे
जैसे को मिल गई
दे के दिल देखा
प्यार है धोखा
दे के दिल देखा
प्यार है धोखा
प्रीत तो है बड़ी मुई
लागी नैनवा की सुई
उईssss
आजू रे बाजू नाजु
काजू रे लुई लुई
दिल में है लागी मेरे नैनवा की सुई
उईssss

दे के दग़ा भागा
कैसे से पड़ा पाला
दिल का क़ुसूर क्या है
आँखों ने मार डाला
दे के दग़ा भागा
कैसे से पड़ा पाला
दिल का क़ुसूर क्या है
आँखों ने मार डाला
नैना ना मिलते
नैना ना मिलते
दिल के ना तार हिलते
मुरझाती काहे छुई मुई
लागी नैनवा की सुई
उईssss
आजू रे बाजू नाजु
काजू रे लुई लुई
दिल में है लागी मेरे नैनवा की सुई
उईssss

पापी ये नैना हाए
काहे किसी से लड़े
होठों से हंसी गई
दिल में हैं दाग़ पड़े
आsss आsss आsss आsss
पापी ये नैना हाए
काहे किसी से लड़े
होठों से हंसी गई
दिल में हैं दाग़ पड़े
रातों को खड़े खड़े
दिन को पड़े पड़े
रातों को खड़े खड़े
दिन को पड़े पड़े
प्रीत तो है बड़ी मुई
लागी नैनवा की सुई
उईssss
आजू रे बाजू नाजु
काजू रे लुई लुई
दिल में है लागी मेरे नैनवा की सुई
उईssss
आजू रे बाजू नाजु
काजू रे लुई लुई
दिल में है लागी मेरे नैनवा की सुई
उईssss
 


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

I have in one of my earlier posts mentioned this that music lovers like me always have songs playing in their mind. Or some incidents/memories will always bring some song to mind (that is what I think). For me many things / situations time to time bring me to some song, or it will remind me of some song that I would have listened earlier may be years before or a song which is lying dormant in my memory.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This post is the 13600th post, 600th song of Sahir Ludhianvi and 1100th post of Sudhir Jee in the blog.

One more song that I can’t believe has not yet been included in the annals of our blog. Such a melodious, lilting and fast paced lovable song. It used to be aired on the radio quite regularly, and was one of the listening favorites. The vintage is 1964, and so quite well still retained in the memory. As I started to search for a Sahir song for this post today, I was not quite satisfied with some of the ones that showed up as possible candidates. You see, as we progress and post more songs, and the artist counts starts to close in to their total no. of songs, then in all likelihood, the better ones, the favorite ones are mostly accounted for on the blog. So if one is looking for a favorite song as a representative work of an artist, it becomes quite an effort to locate one.
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This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo to all in Atuldom

If it is a post by me then it has to be someone’s’ birthday.

It is 8thSeptember. Our beloved Asha Bhonsle’s 84thbirthday. So let me wish her a very Happy Birthday with this very lively number from her Non- Film album ‘Janam Samjha Karo’ (1997). I just thought that it will be a lovely departure from routine to showcase the versatility of the forever young-at-heart Asha.
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This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo to all in Atuldom

September 2, 2017. The lady who made the fringe-cut hair style popular would have been 76. Yes, I am talking of Sadhana and that hair style called “sadhana cut”. I am sure every girl of the 1960s and 70s would have sported the style at least once in her lifetime. Apparently this look was inspired from the British actress Audrey Hepburn (some more on this later).
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today’s Shiv Bhajan is for the 4th Shraavan Monday – as celebrated in south, west and some eastern states of India. This bhajan is from film ‘Shuk Rambha’ (1953), made by Chandrakala Pictures and is produced and directed by Dhirubhai Desai. The lead actors were Anjali Devi (from south) and Bharat Bhushan. In the cast of this film, you will find a name Rajkumar. Most ‘knowledgeable’ sites and writers treat this actor same as the famous dialogue master Raaj Kumar ‘Jaani’. However, this is not correct. This Rajkumar is different.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Saga Of Sleepless Nights -1
– – – – – – – – – – – – – – –

oo oo. . neend na mujh ko aaye,
dil mera ghabraaye
chup ke chup ke, koyi aa ke,
soyaa pyaar jagaaye

कोई तो ऐसी उमर रही होगी, कोई तो ऐसा मुकाम आया होगा ज़िंदगी में, जब किन्हीं जज़्बातों के चलते, कुछ (या फिर कई) रातें आप ने जाग के गुज़ारो होंगीं।

There must have been an age, a time in life, a passage of emotional intensities, when you may have spend a few (or maybe many) sleepless nights – thinking, waiting, contemplating. Yes, they visit us all, the nights of the wide open eyes, when a cloudy sky is an irritating bore – for if the skies were clear, at least you would be able to start counting the stars.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Greetings to all on today’s festival of Rakshabandhan. I hope and pray that celebrations have been happily enjoyed in the household of all readers and friends.

As we have discussed in many posts earlier on this topic, Rakshabandhan is celebrated on the full moon day of the month of Saawan. In traditional terms, the timing of today’s celebrations got restricted due to two additional astrological events that coincided with the full moon celebration. As per the calculations of the ephemeris applicable to the Indian subcontinent, the full moon ‘tithi’ i.e. the ‘poornima’ started at 10:29 pm yesterday (6th Aug), and will be in effect till 11:41 pm tonight (7th Aug).
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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for more than nine years. This blog has over 13700 song posts by now.

This blog is active and online for over 3400 days since its beginning on 19 july 2008.

Total number of songs posts discussed

13754

Number of movies covered in the blog

Movies with all their songs covered =1031
Total Number of movies covered =3759

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  • 9,849,388 hits

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Blog Start date: 19 july 2008

Active for more than 3250 days.

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