Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘S D Burman NFS’ Category


This article is written by Dr PradeepKumar Shetty, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6285 Post No. : 19451

We know that S D Burman sang about 150 Bengali NFSs in the beginning of his career. Most of them became very popular. In Hindi, the number is about 25. We have 5 of them on the blog.

Today on the occasion of Gandhi Jayanti, here is a lesser known SDB song. I couldn’t get much detail. Looks like it must have been recorded in the year 1948, in the days following Mahatma Gandhi’s assassination. However some sources on internet mention the year as 1960 for this. Also this seems to be album containing more songs and titled as ‘Gun Dhaam Hamaare Gandhi jee’. I would request knowledgeable readers to throw more light on this song and its details please.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

THE JOY OF NFS (Song No. 8)
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Sachin Dev Burman was a titan amongst composers and singers of songs for Indian films and outside of them. Born on October 01 1906 in Comilla, about 100 kilometers from Dhaka Bangladesh, Sachin Dev Burman was a scion of the princely family of Tripura, now a state of India. His noble lineage is reflected in the grace of his musical creations spanning a period of 43 years until his death in Bombay in 1975.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Raja Mehdi Ali Khan joined the Hindi film industry sometime around mid 1940s as a dialogue writer. His first film as a lyricist was Filmistan’s ‘Do Bhai’ (1947) in which he teamed up with S D Burman and wrote lyrics for all the songs. His next two films as a lyricist with S D Burman were ‘Vidya’ (1948) and ‘Kamal Ke Phool’ (1949). Surprisingly after 1949, Raja Mehdi Ali Khan had no opportunity to team up with S D Burman again. His association with Madan Mohan started in the film ‘Aankhen’ (1950) which continued till 1967 in 12 Hindi films.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Bengal has contributed significantly to Hindi Film Industry. Actors, actresses, directors, producers, Singers ,music directors etc from Bengal have enriched the Hindi films in all major categories.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

There are singing voices. Then there are voices that sing. And then there is SD Burman – affectionately Sachin Da, or just plain Dada, to most people in the industry, a voice that stands apart from everyone else.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Most of the people other than the die hard connoisseurs of filmy and non-filmy music, may not be aware that Sachin Dev Burman (S D Burman) started his musical career as a singer on All India Radio Calcutta (Kolkatta) in early 30s. During his early period of musical journey, he had sung many Bengali non-filmy songs some of them written by such distinguished personalities like Jasimuddin and Kazi Nazrul Islam. I was pleasantly surprised to know that he had also rendered Hindustani classical thumris like preet mein huye badnaam in concerts at Allahabad and Calcutta.
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