Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Bande Hasan


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5545 Post No. : 18006

Today’s song is a lovely qawwali from the film Paak Daman-1957. The story of this film seems to be very popular and well known, because I find that several films were made on this one story and with the same title. The first film came in 1931 as Paak Daman. Then came Paak Daman Raqasa-1932, Paak Daman-1940 and Paak Daman-1957. Meanwhile a Pakistani film Paak Daman was also made in 1969.
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4690 Post No. : 16374

“Maalik”(1958) was produced by Naushad and directed by S M Yusuf for Sunny Art Productions, Bombay. This movie had Suraiyya,Talat Mahmood, Lalita Pawar,Jeevan, Kumar, Paro, Roopmala, Malika, Shalini, Akbar, Kaisar Bai, Radha Kishen, Mukri, Badriprasad, Jagdeep, Prakash, Shahji, Baby Shashi, Master Azaad,Ismayil,Tuntun, Jaago,Maqbool, Siddique, Wasi, Nawab, M Y Shaikh etc in it.
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Barsaat Ki Raat (1960) – just take away everything else, all the story, the screenplay, the characters, the histrionics, all the songs and music, and on screen plays, just take it all away, and leave just the three qawwaalis, and the greatness of this film will not be dimmed one bit. The three qawwaalis are the epitome of what this music and art form is all about. The first in the sequence, Nigaah e naaz ke maaron ka haal kyaa hogaa was discussed yesterday. The third, and the best known iconic qawwali of the three, Na to kaarwaan ki talaash hai…ye ishq ishq hai(Barsaat ki raat) has been discussed almost a little over three years ago, and then recently updated to its complete form. We are now left with the second offering in sequence, which is the subject of this post.
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