Posts Tagged ‘Gawaiyya’
Aaj mera man been bajaaye
Posted on: October 7, 2013
Regulars of the blog may have noticed that the rate of posting of songs in the blog was lower than usual for the last few days and that my own posts hardly contained any detailed discussions, unlike the articles of guest posters.
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Nazar se jab ye nazar mili hai
Posted on: November 11, 2012
“Gawaiyya” (1954) was an R B Productions movie. It was directed by H P Sharma. The movie had Surendra, Vijaylaxmi, Sulochana Latkar, Jeevan, Kumkum, D K Sapru, Sundar, Heera Sawant etc in it.
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Teri yaad ka deepak jalta hai
Posted on: July 23, 2012
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
I find it interesting to compare the filmy careers of G M Durrani and Surendra Nath. Both of them were tall and handsome and amateur singers. While G M Durrani virtually ran away from his home town Peshawar for Bombay (Mumbai) to pursue a filmy career, Surendra came to Bombay after completing his education (B.A., LLB) to become a lawyer. But a chance meeting with Mehboob Khan in 1936 changed his career path and he became a singer-actor in his first film ‘Deccan Queen’ (1936). Because of his singing style, he was seen as a clone of K L Saigal. In fact, he was called ‘Bombay Saigal’ after his parody song birhaa ki aag lagi more man mein based on K L Saigal’s baalam aaye baso more man mein. G M Durrani also started his stint with the film industry around the same time (1935-36) as an actor-singer in ‘Saaed-e-Hawas’. After acting in a couple of films, he decided to concentrate on playback singing with his distinct voice which was not influenced by K L Saigal.
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Hamaari aankhon se dil ke tukde
Posted on: May 27, 2012
“Gawaiyya” (1954) was a R B Production movie. It was directed by H P Sharma. The movie had Surendra, Sulochana Chatterji, Vijayalaxmi, Sundar, Sapru, Heera Sawant, Kumkum etc in it.
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It is not just I, but the regulars of this blog too keep coming across rare musical gems from Hindi movies.
Here is what Khyati Bhatt, a regular contributor to this blog, discovered recently. Like her, I too believe that this song has to be one of the most remarkable songs that Talat Mehmood has sung in his career. It is a twist of irony that a song as wonderful as this one should end up in obscurity whereas it deserves to be counted among the best known songs of Talat Mehmood.
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