Posts Tagged ‘Mubarak Begam’
Ae dil tere muqaddar ka aaj faislaa hogaa
Posted by: Atul on: May 28, 2023
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
5427 | Post No. : | 17802 |
#the Decade of Sixties – 1961 – 1970 #
———————————————————————
Out of the movies having ‘Zambo’/ ‘Zimbo’ in their title we have the following movies already represented on the blog.
SNo | Title of the movie | Year | Director | Date of passing by Censor Board |
---|---|---|---|---|
01 | Zambo The Ape Man | 1937 | M. Bhavnani | |
02 | Zambo Ka Beta | 1939 | M. Bhavnani | |
03 | Zimbo | 1958 | Homi Wadia | 24.06.1958 |
04 | Zimbo Ki Beti | 1959 | S. Pal | 07.11.1959 |
05 | Zimbo Comes To Town | 1960 | Nanabhai Bhatt | 01.07.1960 |
06 | Zimbo Finds A Son | 1966 | John Cavas | — |
The above information was also shared by our Shri Sudhir ji in his post of 05.01.2018 with a song from the movie ‘Zimbo Finds A Son-1966’.
However, I have added the name of the directors and date of passing by Censor Board of these movies (wherever available in Geet Kosh) in the above table.
In addition to the above movies one more movie in the ‘Zimbo’ series was made with the title ‘Zimbo’ in ‘1999’ which means after a gap of ‘thirty-three’ years from the ‘1966’ movie. This ‘1999’ movie was directed by Dilip Gulati and it was passed by Censor Board on 24.02.1999.
That was the update about the ‘Zambo’/ ‘Zimbo’ movies. 🙂
Today I present a ‘qawwali’ from the ‘1966’ movie ‘Zimbo Finds A Son’.
“Zimbo Finds A Son-1966” (alias “Zimbo Ka Beta”) was directed by John Cavas for ‘Basant Pictures’. It was produced by Homi Wadia and was ‘stunt’ genre movie.
It had Azad, Tabassum, Indira, Master Sachin (as Son of Zimbo), with Ape Bomb Pedro, featuring Sherry, Sundar, Rani, Prince Arjun, Dalpat, Raj Malik, Yunus, Bismilla, Mithhoo Miya, Korega, Yadav, Gaikwad, Babu, Samson, Ismail, Mohammad, and others.
Story and screenplay of “Zimbo Finds A Son-1966” was written by John Cavas. Dialogues for this movie were written by Brij Katyal.
Editing of this movie was done by Ram Lakhe.
Music for this movie was composed by Sapan-Jagmohan. This movie has five songs which were all written by Naqsh Lyallpuri.
Asha Bhonsle, Usha Mangeshkar, Mubarak Begam and Bhupinder Singh were the singers for the songs in this movie.
Here is the list of songs in this movie:-
SNo | Song Title | Singer/s | Posted On |
---|---|---|---|
01 | Catty catty neeli neeli meri aankhen | Asha Bhonsle | |
02 | Gun gun gaaun hawaa mein lehraaun | Asha Bhonsle | 05.01.2018 |
03 | Meri jaan yoon hi raho zaraa ban-thhan ke | Usha Mangeshkar, Asha Bhonsle | |
04 | Ae dil tere muqaddar kaa aaj faislaa hogaa | Mubarak Begam,Bhupinder Singh,chorus | |
05 | Dil jiske liye betaab rahaa | Asha Bhonsle |
We can see from the above table that only one song from the movie has been posted on the blog.
Today I present the second song from this movie which is a ‘qawwali song’ as mentioned above. A ‘qawwali’ song is well overdue on the blog as the last one was posted on 12.05.2023 🙂
Today’s qawwali is sung by Bhupinder Singh and Mubarak Begam. We can see Sundar, Maqsood lipsyncing in the male voice and Rani and Tabassum lipsync in the female voice voice. We can also see Master Sachin in a ‘female get-up’ performing in this song.
Also present in the picturisation of this song are many actors and actresses viz. Azad, Dalpat, Samson (if I am not wrong) and others whom I am unable to identify.
Both audio and video of this song is available.
This again is ‘husn aur ishq’ or ‘male-female teasing’ type ‘qawwali’…
Enjoy the beautiful verses and enjoy the composition …
Audio
Video
Song-Ae dil tere muqaddar ka aaj faislaa hoga (Zimbo Finds a Son)(1966) Singers-Bhupinder Singh, Mubarak Begam, Lyrics- Naqsh Lyallpuri, Music- Sapan-Jagmohan
Male chorus
Female chorus
Lyrics
aa aa aa aa aa aa
aa aa
aa aa aa aa aa aa
aa aa
ae dil tere ae ae ae
muqaddar kaa aa aa
aaj faislaa hogaa aa
ham honge aur
mehfil mein
husn kaa khudaa hogaa
ae dil tere ae ae
muqaddar kaa
aaj faislaa hogaa
aa aa aa aa
aan aan aan aan
aan aan aan aan
aan aan aan
baaz aayiye ae ae ae
sharaarat se
dekhiye buraa hogaa aa
gar hamne keh diyaa
kuchh to
aap ko gilaa hogaa
meri jaan
baaz aayiye
sharaarat se
dekhiye buraa hogaa aa
ham gham e ishq se
jo ghabraayen
ghabraayen
mehfil e naaz mein
chaley aaye ae
ham chaley aaye ae
aa aa aa
aap ki berukhi ko
kya kahiye ae
dil ki deewaangi ko
kya kahiye
aap ki bhi hansi ko
kya kahiye ae
aap ki bhi hansi ko
kya kahiye
aa aa
mastaana aankhon ke
masti bhare hain
do paimaane
paimaane
ae ji paimaane
haan paimaane
ae ji paimaane
haan paimaane ae
ae ji paimaane
haan paimaane
ae ji paimaane
uff ye adaa
hai yaa nashaa
ye maikhvaar bhi naa
jaane ae
haan aa aa aa aan
dard had se badhhe
to kya keeje
aaj itnaa hamen
bataa deeje
haan aan aan
aaj itnaa
hamen bataa deeje
kya umr bhar
wafaaon kaa aa
dard hi silaa hogaa aa
baaz aayiye
sharaarat se
dekhiye buraa hogaa
aap hi nahin
ek saudaayee ee
laakhon hamaare hain
shaidaayee
haseen chaal ki taal
par jhoomtaa hai
hamaare qadam
aasmaan choomtaa hai
aap hi nahin
ek saudaayee ee
laakhon hamaare hain
shaidaayee
aa aa aa
ham jo nazren jhukaa ke
sharmaaye aen
chaand taaron ke
dil dhadak jaayen
aa aa
sholon se sholey
bujhaane chaley hain
ye parwaane
parwaane ae
ae ji deewaane ae
haan parwaane
ae ji deewaane ae
ho parwaane ae
ae ji deewaane ae
haan parwaane
ae ji deewaane ae
haan aan aan
shamaa ki aarzoo mein
marte hain
maut ke din shumaar
karte hain ae
maut ke din shumaar
karte hain
daaman mein aaaag
bharne se ae
faaydaa bhi kya hogaa aa
ae dil tere ae ae
muqaddar kaa
aaj faislaa hogaa
baaz aayiye ae ae ae
sharaarat se
dekhiye buraa hogaa aa
gar hamne keh diyaa
kuchh to
aap ko gilaa hogaa
aa aa aa aa aa
aa aa aa aa aa aa
aa aa aa a aa
aaj faislaa hogaa aa
aa aa aa aa aa
aa aa aa aa aa aa
dekhiye buraa hogaa aa
ae dil tere ae ae
muqaddar kaa
aaj faislaa hogaa
ham honge aur
mehfil mein
husn kaa khudaa hogaa aa
Meri ankhiyaan bhar bhar aayeen sajan tum na aaye
Posted by: Atul on: May 23, 2023
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
5422 | Post No. : | 17785 |
“Phoolon Ke Haar”(1951) was directed by G P Pawar for Srikant Studio, Bombay. This movie had Nigar Sultana, Geeta Bali, Nasir Khan, Hiralal, Mangala, Sunder, Yashodhara Katju, Kamal, Bhupen Kapoor, Rani Shakuntala, Natyal, Rammurthi, Madhav Kale etc in it.
“Phoolon Ke Haar”(1951) had 11 songs in it. Four songs have been covered in the blog.
Here is the fifth song from the movie to appear in the blog. This song is sung by Mubarak Begam. Indeewar is the lyricist. Music is composed by Hansraj Bahl.
Only audio of this melancholic song is available. I request our knowledgeable readers to throw light on the picturisation of the song.
Lyrics of this song were sent to me by Prakashchandra.
Audio link:
Song-Meri ankhiyaan bhar bhar aayeen sajan tum na aaye (Phoolon Ke Haar)(1951) Singer-Mubarak Begam, Lyrics-Indeewar, MD-Hansraj Bahl
Lyrics(Provided by Prakashchandra)
jinke ae ae preetam
sang hai aen aen aen aen
unnkee hai ae ae diwaalee eee ee
birahan ke holee jaley aey ae ae ae
aur raat hain kaalee kaalee ee
meri ankhiyaan aa aan aaan aaaan
meri ankhiyaan bhar bhar aayein
sajan tum na aa aaye ae ae aey
balam tum naa aaa aaye
maine ro ro rathiyaan gawaayeen
sajan tum na aa aaye ae aey ae ae
balam tum naa aaa aaye aey ae
baati jaley ae diyaa jaley ae ae
piyaa bin haayye ae meraa jiyaa jaley ae
jiyaa jaley
baati jaley ae diyaa jaley ae ae
piyaa bin haayye ae meraa jiyaa jaley ae
jiyaa jaley
taarey gin gin raat beetaayee
sajan tum
haayye balam tum naa aa aaye aey ae ae
sajan tum na aa aaye
meri ankhiyaan bhar bhar aayeen
sajan tum na aa aaye aey ae
balam tum naa aaa aaye ae ae
Karam keejiye taajedaar e Madina
Posted by: Atul on: April 7, 2023
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
5376 | Post No. : | 17633 |
#the Decade of Seventies – 1961 – 1970 #
————————————————————————
In this post we listen to a song from the movie ‘Arab Ka Sitara-1961’.
This movie was introduced on the blog on 13.12.2013 when its song ‘shama gul kar ke naa jaa’ was posted on the blog.
“Arab Ka Sitara-1961” was directed by R.K. Rehman for ‘J.K. Arts Productions, Bombay’. It had Kamran, Sheela Kashmiri, Shyam Kumar, Habib, Ashraf Khan, Shaikh, Indira, Chandrakala and others.
“Arab Ka Sitara-1961” has seven songs shared among three lyricists’ viz. Ehsan Rizvi, Aziz Ghazi and Saba Afghani. However lyricist’s name for individual songs is mentioned for only four songs in HFGK Vol-IV (1961-1970).
Music for this movie was composed by Sadat.
Shamshad Begam, Mubarak Begam, Savita Banerjee, Minoo Puroshottam, Ismail Azad and Sadat had given their voices to the songs in this movie.
Today we present the second song from this movie which is sung by Mubarak Begam and lyrics are by Ehsan Rizvi.
Music is composed by Sadat.
Let us now listen to this devotional song from this movie “Arab Ka Sitara-1961”.
Only audio of the song is available.
The video of the songs in this movie or the movie itself seems to be unavailable. I would request knowledgeable readers to add more information about this movie and its songs.
Song-Karam keejiye taajedaar e Madina (Arab Ka Sitara)(1961) Singer-Mubarak Begam, Lyrics-Ehsan Rizvi, MD-Sadat
Lyrics
karam keejiye
taajdaar e madinaa aa
karam keejiye
taajdaar e madinaa aa
giraataa hai nazron se
ham ko zamaanaa aa
haqeeqat bani jaa rahi
hai fasaanaa aa
kahin bhi nahin ab
hamaaraa thhikaanaa aa aa aa aa aa
thhikaanaa hai bas
rehguzaar e madinaa aa aa
karam keejiye
taajdaar e madinaa aa
karam keejiye ae
sitamgar jo ham par
sitam dhhaa rahe hain
mazaalim ke phande
kase jaa rahe hain
huzoor aap kyun der
farmaa rahe hain ae ae ae ae
chaman lut chalaa ae ae
bahaar e madinaa aa
karam keejiye
taajdaar e madinaa aa
karam keejiye ae
ujaalaa jo dete
siyaahi luta dein
gham e raah manzil ko
raahi luta dein
qadam choom le aur
shaahi luta den aen aen aen aen
nigaahon mein rakh lein
? e madinaa aa
karam keejiye
taajdaar e madinaa aa
karam keejiye ae
taajdaar e madinaa aa
karam keejiye ae
Jhoom jhoom kar door gagan pe baadal kaare kaare
Posted by: Atul on: March 29, 2023
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
5367 | Post No. : | 17602 |
#the Decade of Fifties –1951 – 1960 #
——————————————————————
In this post we listen to a lovely melodious romantic duet from the movie ‘Phoolon Ke Haar-1951’.
“Phoolon Ke Haar-1951” was directed by G.P. Pawar for ‘Shrikant Studio, Bombay’. It had Nigar Sultana, Geeta Bali, Nasir Khan, Hiralal, Mangala, Sundar, Yashodhara Katju, Kamal, Bhupen Kapoor, Rani Shakuntala, Natyal, Rammurti, Madhav Kale and others.
This movie was passed by Censor Board on 17.07.1951.
Here is the brief about this movie as mentioned by our Shri Arunkumar ji while commenting on one of the songs of this movie earlier.
Phoolon ke Haar-1951 was an entertaining film. I have seen it.
It was a Shrikant Studio film, directed by G.P.Pawar-who was Lalita Pawar’s second husband and director of her many films. Lalita Pawar continued to use his surname till the last, though they had divorced and Lalita Pawar had married Mr Gupta, owner of Ambika studio (this name was kept as it was Lalita’s real name -Ambu).
The film had music by Hansraj Behl and the Lyrics were written by Bharat Vyas, D N Madhok, Indivar, Kaif Irfani and Verma. The cast was Nasir khan, Geeta Bali, Nigar Sultana, Heeralal, Sunder, Mangala, Yashodhara Katju, Madhav kale etc.
Radha is a beautiful girl, tortured by her step mother but supported by her friend Chameli and her husband. One day they all go to a Mela, where Radha meets Ramesh, a city boy. They are attracted. after few more meetings, they are in love. To avoid getting married to an old man, forced by step mother, Radha and Ramesh get married in a temple. Ramesh goes back to city promising to come back, but never comes back. Radha is pregnant and is thrown out of the house. Chameli brings her home and Radha gives birth to Shyam. After a year or so, Radha and Shyam come to Bombay to search for Ramesh. They are given shelter by a helpful person Dada.
Dada finds Ramesh, but with another girl. He confronts him, but Ramesh runs away. 20 years pass. One day Radha also disappears. dada tells all the story to Shyam. He wants revenge and wants to kill Ramesh. He starts his search.one day he saves a rich Mill owner’s life. Rai sab thanks him and gives him a job. In due course Shyam falls in love with Prema, Raisab’s adopted daughter.
One day, Shyam learns that Raisab is Ramesh. He rushes to kill Raisab, but a lady stops him. It is Radha-his mother. She explains that Ramesh could not return to take her as he fell ill and when he came, she had left the village. Based on Dada’s information, she finds Ramesh again. They were to tell him, but he only came to work here etc.
It is a happy end for Radha and Ramesh and Prema and Shyam.
“Phoolon Ke Haar-1951” has eleven songs. Five lyricist were used for these songs. The breakup was Bharat Vyas-four songs, D.N. Madhok-two songs, Indeevar-three songs, Kaif Irfani and Verma Malik-one song each.
Music for this movie was composed by Hansraj Bahl.
So far, three songs from this movie have been posted on the blog earlier.
Today we listen to the fourth song from this movie which is a duet song sung by Mubarak Begam and Devendra.
Lyrics for the today’s song are by Verma Malik and which is the only song he wrote for this movie.
Music is composed by Hansraj Bahl.
Only the audio of this song is available.
Let us now enjoy this song …
Song-Jhoom jhoom kar door gagan pe baadal kaare kaare (Phoolon Ke Haar)(1951) Singers-Mubarak Begam, Devendra, Lyrics-Verma Malik, MD-Hansraj Bahl
Both
Lyrics
jhoom jhoom kar
door gagan pe
baadal kaare kaare
kare ishaare ae
mere pyaar ki naiyya lagaa de
saajan aaj kinaare
tere sahaare ae
jhoom jhoom kar
door gagan pe
baadal kaare kaare
kare ishaare ae
mere pyaar ki naiyya lagaa de
saajan aaj kinaare
tere sahaare ae
dekh bahaar jawaani ki hai
gaya mera bachpan hai
teri lagan hai ae
kaliyon pe gunchon pe dekho
kaisi niraali khaban hai
naache man hai
aaj mohabbat ki duniya pe
kaise ajab banthhan hai
bholaapan hai
mil jaaye aise mein do dil
pyaar ki lagi lagan hai
achchhaa shagan hai
ho o o
ritu rangeeli rang rang mein
dekho range nazaare
kare ishaare ae
mere pyaar ki naiyya lagaa de
saajan aaj kinaare
tere sahaare ae
chup chup
ruk ruk boonden barsen
chhup chhup koyi pukaare
bano hamaare ae
pyaar ki naiyya mein baithhe
aayenge prem kulaare
door kinaare ae
anjaan dilon ka mel huaa
chamke kismat ke taare
bhaag hamaare ae
chhod ke kaise jaayen bhalaa
jo dil se huye tumhaare ae
nazar ke maare ae
ho o o
aaj hamen manzil pe ho jo
dhhoondhh dhhoondhh kar
haare
nain bichaare ae
mere pyaar ki
mere pyaar ki
naiyya lagaa de
saajan
aaj kinaare
tere sahaare ae
jhoom jhoom kar
door gagan pe
baadal kaare kaare
kare ishaare ae
mere pyaar ki naiyya lagaa de
saajan aaj kinaare
tere sahaare ae
ho o o o
tere sahaare
aa aa aa aa
ho o o o
tere sahaare
aa aa aa aa
ho o o o
tere sahaare
aa aa aa aa
ho o o o
tere sahaare
Kisi ne ishq waalon ke liye kaisi kahi achchi
Posted by: Atul on: February 20, 2023
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
5330 | Post No. : | 17474 |
Today’s song is a funny video song featuring Master Bhagwan and Tun Tun, from the film Lucky Number-1961.
This so-called ‘social film’ was almost a C grade Murder-Mystery film having unknown directors and B and C grade actors, who were on the waning career road. It was produced and directed by Man Mohan Sabir under his own banner Man Mohan Films, Bombay. he had Mohan Rathod, the film’s editor as his Co-Director. man mohan Sabir had also written 4 of the 7 songs of this film. 2 Songs were by Anand Bakshi and 1 song was by actor David, who was also acting in this film. Looks like that the film was made on a very economical budget by taking multitasking artistes !
The heroine of the film was Ameeta, who, despite looking good and being a reasonably good actress always remained a b grade artiste. The others in the cast were David,Heeralal, Indira, majnu, Robert, Ramesh Dutt, Bhagwan, Tun Tun, rajan Haksar Romeo the Dog and some others. I could not identify who was the film’s Hero, though I saw the film again yesterday.Perhaps, Prakash ji would be able to tell.
As far as Ameeta is concerned, How many names can a person have ? 2 – 3 – 4 ? Film actress Ameeta had 5 names. She was born Qamar Sultana. Her mother called her Indira, friends called her Indu, In film Thokar-53, she appeared as Jai jaiwanti and finally she was named Ameeta by Vijay Bhatt. Total 5 names. Ameeta was born on 11-4-1940 to Riaz Ahmed and Shakuntala Devi , in Calcutta. After her father’s death, they shifted to Bombay.
A fan of Madhubala, Ameeta was enacting her idol’s sword fight from Baadal (1951) when she caught the eye of Lekhraj Bhakhri, who signed her for his movie Thokar starring Shammi Kapoor. This was her debut film in a side role where she was credited as Jayjaywanti. Ameeta’s debut movie as heroine was a 1953 release, Shri Chaitanya Mahaprabhu (1954), directed by Vijay Bhatt. The screen name Ameeta made its appearance in this movie. The film failed, but Ameeta kept on working in films like Amar Kirtan, Badal Aur Bijli, Baaghi Sardar and Indrasabha. Her career took a positive turn in 1956 when she starred with her idol Madhubala in the box office hit Shirin Farhad. She was then chosen for lead roles in Abhimaan and Zamana and Hum Sab Chor Hai (1956) along with Shammi Kapoor and Nalini Jaywant.
The turning point in Ameeta’s career came when she became the protégé of Filmistan Studios’ owner Tolaram Jalan who produced Tumsa Nahin Dekha (1957) opposite Shammi Kapoor, as a vehicle for promoting Ameeta as a new star. Great care was taken with her make-up, wardrobe and lighting, to present her in the most flattering and advantageous way possible. Furthermore, much of the film’s extensive publicity also centred on the actress. The film was a big success but Ameeta’s thunder was stolen by the then struggling Shammi Kapoor. This got her the female lead of Goonj Uthi Shehnai, a role originally intended for Asha Parekh, with whom she had acted earlier in Shri Chaitanya Mahaprabhu (1954). The film starred a then up-and-coming Rajendra Kumar and an exceptional music score went on to become one of the top-grossing films of 1959. Here despite a mature and sensitive performance, Ameeta was overlooked and Kumar was given credit for the film’s emphatic success.
Although she kickstarted the careers of Shammi Kapoor and Rajendra Kumar with these hits, Ameeta could never capitalize on them and stardom never materialized. Further roles in multi-star films like Raakhi (1962) and the blockbuster Mere Mehboob (1963) did not help her career graph, even though she was nominated for a Filmfare award for the latter as Best Supporting Actress, and she now dropped to playing lead grade-B movies which though successful at the box office did not do much for her star status. Her romance opposite Kishore Kumar in Hum Sab Ustad Hai in 1965 was her next role. By 1965 she was playing negative and villainous characters in films like Rishte Naate (1965), and Aasra (1966). She was seen in supporting roles to fledgling starlets Rajshree and Babita, in films like Around the World (1967) and Haseena Maan Jayegi (1968). After filming Haseena Maan Jayegi (1968), a disillusioned Ameeta left the film industry as she was not getting leading roles and settled into matrimony.
Though she acted in some good films like Dekh kabeera Roya-57 and Goonj uthi Shehnai-59 etc, she remained, all the time, a B grade Heroine. Till her last film Kisan aur Bhagwan-74, she acted in 47 films and then she left films. Her mother died soon after. Her daughter Sabeeha acted in a few films. Sabeeha tried her hand in Bollywood as a lead actress in Anokha Rishta (1986) and Khiladi (1992) and 100 Days (1991) which were big hits of respective years, but her career never took off. She appeared in Qayamat Ki Raat (1992), before she too disappeared from the Hindi movie scene. She shifted to a more successful business of Jewellery designing. ( Thanks to wiki and ‘beete hue din’ Blog plus my notes.).
The music Director of this film was Anil Biswas, who was on the waning track of his career. one thing is observed by me. Most of the or atleast many of the old time MDs, in their last phase of career compromised and accepted B and C grade films, gave a lack-lustre dispirited music and spoiled their name. Let us see the cases of 3 old time successful MDs.
C.Ramchandra operated from 1942 to 1978, giving music to 947 songs in 112 films. His iconic films of the 40s and the 50s are too famous to be named here, but after Lata Mangeshkar left him in 1958 or so, his music became lifeless. Call it a result or a coincidence. In the last phase of his career he gave music to films like Amar rahe ye pyar-63, Veer Bhimsen-64, Sher Dil-65, Hum Diwane-65, Tasveer-66 and Toofani takkar-78.
Naushad who operated from 1940 to 1995, giving music to 636 songs in 69 films, had the longest career with lowest number of films. he had a very long list of Hit films with many celebrating Silver and Golden Jubilees. he is on record having rejected film Azaad-1955 just because the producer wanted its music to be done within a month. Such talented MD’s films in his last lap were…My friend-74, Sunehra Sansar-75, Habba Khatoon-78, Chambal ki Rani-79, Awaz de kahan hai-90 and Teri payal mere geet-93.
Finally we come to Anil biswas who operated from 1935 to 1965, giving music to 767 songs in 90 films Films to which he had given music in his heydays are too well known. he was highly respected by his contemporaries ike C Ramchandra, naushad, S D Burman etc. His last films were ….Return of Superman-60, Meera ke chitra-60 Angulimal-60 Lucky Number-61, Humen kehne do-62 and chhoti chhoti baten-65.
Some old time MDs like Damodar Sharma, Panchotiya etc became assistants or musicians in the younger MD’s orchestras. Such is the film industry.
The story of the film Lucky Number aka Khooni kaun-1961 was…..
Suman gets the news of her father -Raja Saab’s- sudden death. her friend Amit suspects foul play and to know the truth he and his friend Balram become servants in that household. Suman’s uncle Jaspal wants her married to the brother of his girlfriend.
Raja saab’s dog Romeo finds his last will, by chance. Amit reads it and comes to know who must be the murderer, Jaspal singh. Suddenly Jaspal appears , hits him unconscious, takes the will and runs away. Amit is saved by his friend Balram. With the help of the Police, Amit traces Jaspal and the police catch the murderer, with the will.Finally, all’s well that ends well. The audience is relieved that the film is over and they go home happily !
Today’s song is sung by Shankar Dasgupta, Mubarak Begum, Meena Kapur and an unidentified male voice.
Song – Kisi ne ishq waalon ke liye kaisi kahi achchi (Lucky Number)(1961) Singers- Mubarak begum, Shankar Dasgupta, Meena Kapoor , Unknown male voice,
Lyricist- Not known, MD- Anil Biswas
Mubarak Begam + Meena Kapoor
Shankar Dasgupta + unknown male voice
Lyrics
kisi ne ishq waalon ke liye, kaisi kahi achchi
ki inki dosti se to hai inki dushmani achchi
ki inki dosti se to hai inki dushmani achchi
kisi ne husn waalon
kisi ne husn waalon ke liye kaisi kahi achchi
kisi ne husn waalon ke liye kaisi kahi achchi
na inki dosti achchi
na inki dushmani achchi
na inki dosti achchi
na inki dushmani achchi
kisi ne husn waalon ke liye ae
aa aa aa aa aa aa
aa aa aa aa aa
bade maasoom ban ke
bade maasoom ban ke, ye nigaahen chaar karte hain
nigaahen chaar karte hain
jigar pe vaar karte hain
ye taareef hai inki
yahi taareef hai inki
o o o o o
o o o
ye le lete hain uski jaan
jise ye pyaar karte hain
ye le lete hain uske jaan
jise ye pyaar karte ahin
jise ye pyaar karte hain
jise ye pyaar karte hain
ki inki dosti se to hai inki dushmani achchi
lagi inki nigaahon ki
kisi ne ishq waalon ke liye kaisi kahi achchi
kisi ne ishq waalon ke liye ae
aa aa aa aa aa
aa aa aa aa
aa aa aa
baja ilzaam inka
haay
baja ilzaam inka
ham kahaan inkaar karte hain
milaa ke aankh lekin ham
milaa ke aankh lekin
kya bhala sarkaar karten hain
ke inke chaahane waale, na jeete hain na marte hain
o o o o
o o o o
o o o o
kuchh aisa haal unka, ye haseen dildaar karte hain
kuchh aisa haal unka, ye haseen dildaar karten hain
haseen dildaar karten hain
haseen dildaar karten hain
ye sach hai ke nahin hoti
nahin hoti
buton ki bandagi achchi
ye sach hai ke nahin hoti
buton ki bandagi achchi
na inki dosti achchi, na inki dushmani achchi
na inki dosti achchi, na inki dushmani achchi
kisi ne husn waalon ke liye, kaisi kahi achchi
kisi ne husn waalon ke liye kaisi kahi achchi
Bharat ke naujawaanon Bharat ke kaam aao
Posted by: Atul on: April 17, 2022
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
5021 | Post No. : | 16929 |
“Fariyaad”(1964) was produced and directed by Kidar Sharma for Show People, Bombay. The movie had Ashok, Zeb Rehman aka Preeti Bala, Dilip Dutt, Mohan Choti, Achala Sachdev, Gyani, Gopal Sehgal, Bela Bose, Apsara, Malik, Maria, Tuntun, Sayeeda, Najma, Shabani, Raj Maria etc in it.
“Fariyaad”(1964) had six songs in it. Five songs have been covered in the blog so far.
Here are the details of the songs covered so far:-
Blog post number | Song | Singer (s) |
---|---|---|
1510 | Haal e dil unko sunaanaa thaa | Suman Kalyanpur |
3634 | Wo dekho dekh rahaa thhaa papeehaa | Mahendra Kapoor, Suman Kalyanpur |
5705 | Aapne huzoor mujhe kya se kya bana diya | Suman Kalyanpur, Rafi |
5921 | Tu ne teri nazar ne mujhe kaafir bana diyaa | Rafi, Mubarak Begam |
16260 | Dilli se do behnen aayin | Mahendra Kapoor, Mubarak Begam |
The sixth and final song from the movie is sung by Mubarak Begam and Suman Kalyapur. Kidar Sharma is the lyricist. Music is composed by Snehal Bhatkar.
As can be noticed from the lyrics, this song is about Chinese aggression on a totally unprepared India in 1962. It exhorts the youth of India to come forward to protect the nation.
Only audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song.
Lyrics of the song were sent to me by Prakashchandra.
With this song, all the songs of “Fariyaad”(1964) have been covered in the blog. The movie thus joins the list of movies that have been YIPPEED in the blog.
Audio link:
Song-Bharat ke naujawaanon Bharat ke kaam aao (Fariyaad)(1964) Singers-Mubarak Begam, Suman Kalyanpur, Lyrics-Kidar Sharma, MD-Snehal Bhatkar
Both
Lyrics(Provided by Prakashchandra)
Bharat ke naujawanon
Bharat ke naujawanon
Bharat ke kaam aaaao
Bharat ke kaam aaaao
Bharat ke kaam aao
jo aa ghusey hain ghar mein
jo aa ghusey hain ghar mein
maaro inhein bhagaao
maaro inhein bhagaao
Bharat ke kaam aao
Chinaa huaa kameenaa
Chinaa huaa kameenaa
bhoolaa hai sab bhalaayee
Bharat pe kee chadhaayee
Bharat pe kee chadhaayee
iss ko sabak sikhaao
iss ko o sabak sikhaao
maaro issey bhagaao
maaro issey bhagaao
Bharat ke kaam aao
jo khoon hai ragon mein
jo khoon hai ragon mein
sheron ka khoon hai woh o
sheron ka khoon hai woh
ye khoon bahaa ke veeron
ye khoon bahaa ke veeron
maataa ka rin chukaao
maataa ka rin chukaa..aao
Bharat ke kaam aao
Bhaai..ee jinhein thhe samjhey
Bhaai..ee jinhein thhe samjhey
nikley ae wohi lutere
nikley wohi lutere
apnaa paraaya kal ko
apnaa paraaya kal ko
dhokhe mein ab na aa..aao
dhokhe mein ab na aa..aao
Bharat ke kaam aao
izzat pe mar mitey tum
izzat pe mar mitey tum
jo aaj tak jiye ho
jo aaj tak jiye ho
jo aaj tak jiye ho
phir mit ke aabroo par
phir mit ke aabroo par
tum aabroo bachaao
tum aabroo bachaao
Bharat ke kaam aao
Bharat ke naujawanon
Bharat ke naujawanon
Bharat ke kaam aao
Bharat ke kaam aao
Bharat ke kaam aao
Chori chori aayi gori milne piya dhhadke jiyaa
Posted by: Atul on: December 25, 2021
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
4908 | Post No. : | 16719 |
Today’s song is from the film Harihar Bhakti-1956. This was a story from Vishnu Puran. It is also mentioned in Shiv Puran as a story on Banasur. of course the story was adapted to suit the film requirements. When such stories are used for films, naturally there is plenty of room for adaptation and imagination, because every detail is not mentioned in the original story.
The 50’s decade for Hindi films was a Golden period for religious and Mythological films. Ever since the Talkie films started, the maximum and consistently religious films were made in this decade. In the 10 year period 124 religious films were made, which works out to an average of one such film per month for 10 continuous years. I have been watching films since the late 40s, but I too have seen maximum films in this decade only.
I loved seeing religious films. As such ours was a religious minded family. We had constructed a big Shiv temple within the compound of our house. It was open to all people, with a separate entry point. This was possible as it was about 30 feet away from our bungalow on an adjacent plot. Every festival was celebrated and Mahashivratri was a big event. Due to all this ,I became interested in reading Vedas, Purans and other religious books. I am not a religious person in actions. I hardly visit temples or do regular daily pooja at home. But I am a strong believer in my religion and I am convinced that the Hindu religion is the greatest in the world.However, I dont go out and show off my religious opinions. I believe that Religion is a Personal matter and one should limit it to his doorstep only.
Nevertheless, I am pained to see the apathy and ignorance of our religion in the younger generation. The other day, I saw one video in which questions on religion, Ramayan and Mahabharat were asked to college students and to my dismay 99 % of students gave wrong answers or no answers. It is not their fault. Today the lifestyles have become suchthat the parents themselves do not set any example for their children in this matter. Anyway, this is a different issue…..
Initially, I used to like religious films for their trick scenes and miracles. Later on I started observing how the original stories have been twisted, adapted or even changed to suit the cinematic needs. The efforts are to exaggerate in order to impress the audience, no matter if the story gets distorted.
I am sure that very few people today know there are two major sects in religion. They are ” SHAIV”s – those who worship Lord Shiv and the other is “VAISHNAV”s – those who worship Lord Vishnu. Few generations ago, there were no marriages between these two sects. Today, of course people do not even know which sect they belong to.
Film Harihar Bhakti-56 is about this division of sects and how in one case, Shiv ji and Vishnu ji came face to face in case of a Shiv devotee whom Shiv ji had given a Boon and Vishnu ji wanted to kill him for Mankind. HARIHAR BHAKTI-1956 is a story of the age-old feud between the Vaishnaites (Vishnu Bhakt) and the Shaivites (Shiv Bhakts).it tells us that the GOD is one,in different forms.
A Raghuvir chitra niketan film,it was produced and directed by C.Raghuvir.The music was by K.Datta(Datta Korgaonkar) and lyricists were S.P.Kalla,Odak and Agrawal.
BANASUR the king of Rakshasas was a great Shiv bhakta and after a hard tapasya,he gets a boon from Lord Shiva that he will NOT die at the hands of any mortal.Powered with this boon,he starts torturing Vaishnavites and converting them forcibly to Shaivites.
Banasur(Ulhas) has a daughter Usha(Asha Mathur).he wants her to marry only a Shiv Bhakta.Usha,one day sees a young man Anirudha(Vivek) in her dreams and falls in his love.he is grandson of Krishna.Chitralekha(Nayantara),her saheli brings Anirudha-in his sleep-to Usha and they get married.Banasur learns this and fights with Anirudha,throwing Sarp-Astra over him.His grandfather krishna comes to know this thru Naradmuni and he is ready to fight Banasur.Banasur calls for Shiva’s help.
Now Krishna and Shiva are against each other but knowing Krishna as an avatar of Lord Vishnu,Shiva allows him to kill Banasur.
It was a very interesting film with a lot of trick scenes and very melodious music by K.Datta.
The Bombay film industry has seen many talented artistes end their careers and lives sadly. S P Kalla is yet another such example.
TIME is not only a great healer but also a great crusher. Once upon a time, S P Kalla was moving in the Top bracket of the industry, but his TIME changed so much that he had to live all alone and one day end it all by himself !
Sooraj Prakash Kalla or S P Kalla was a resident of Jodhpur, Rajasthan. In the early 50s he was having a nice job in the state Secretariat in Jaipur. He was a good writer of songs. During his service tenure, once he visited Bombay casually and then stayed back here only, leaving the lucrative steady job, to enter the film industry as a lyricist. His first film was ‘Lanka Dahan’-52, in which he wrote all 8 songs. Due to his easy and meaningful Lyrics he started getting film after film. After about 20-25 films, he turned to Film direction and succeeded in this too. Some of the films he directed were, Aastik, Naya kadam, Shyam ki Jogan etc.
He acted in the film kailashpati-62. He directed films-Aastik-56, Shyam ki Jogan-57 and Naya Kadam-58. He wrote 49 songs in 8 films
Having won laurels here he became a Producer and that proved to be his nemesis. He lost everything he had earned. Family life became miserable and all friends deserted him. Finally he separated from his family and went back to Jaipur. There he got two Rajasthani films for direction. Then he got some serials and video films. Some of his serials on TV were ‘ Samay ki Dhara’ and ‘Teesmar khan’,which were popular.
He became an alcohol addict and closeted himself in a small room, where he ended his own life on 20-5-2007.
Today’s song is sung by Mubarak begum, Sulochana kadam and Chonkar. Enjoy the song….
Song- Chori chori aayi Gori milne piya dhadke jiya (Harihar Bhakti)(1956) Singers- Mubarak Begum, Sulochana Kadam , Chonkar, Lyricist- S.P.Kalla, MD- K.Datta
Lyrics
Chori chori aayi Gori milne piya
dhhadke jiyaa
o jee rasiyaa
Chori chori aayi Gori milne piya
dhhadke jiyaa
o jee rasiyaa
hum to aayenge teri galiyaan
kare kyon jiya
dil jo diya pyaar kiya
Chori chori aayi Gori milne piya
dhhadke jiyaa
o jee rasiyaa
laaj maren ye donon ankhiyaan
donon ankhiyaan aan aan
laaj maren ye donon ankhiyaan
kahin na dekh len bairi sakhiyaan
kahin na dekh len bairi sakhiyaan
mil na paayenge
suno jee piyaa
chhodo bainyya
padoon painyyaan
jaao sainyyaan
haule haule man bole suno batiyaan
beete ratiyaan
beete ratiyaan
haule haule man bole suno batiyaan
beete ratiyaan
beete ratiyaan
hum to aayenge teri galiyaan
?? kyon jiya
dil jo diya pyaaar kiya
Chori chori aayi Gori milne piya
dhhadke jiyaa
o jee rasiyaa
ab na chhodenge haathh tera
ab na chhodenge haathh tera
janam janam ka saath mera
saath mera
saath mera
janam janam ka saath mera
saath mera
saath mera
tumhaari yaad mein laage na jiyaa
bolo chhaliyaa
jaadoo kyon kiyaa
?? kyon liya
haule haule man bole suno batiyaan
beete ratiyaan
beete ratiyaan
Chori chori aayi Gori milne piya
dhhadke jiyaa
o jee rasiyaa
hum to aayenge teri galiyaan
?? kyon jiya
dil jo diya
pyaar kiyaa
da dir dir dir
di dir dir dir daani dum
dum dum
daani dum
din tananananana
de re na de re na
na dir dir dir dir
ditum ditum
dim tum
dim tum
dim tum
tananananana
dere de
dere na
Chori chori aayi Gori milne piya
dhhadke jiyaa
o jee rasiyaa
Chori chori aayi Gori milne piya
dhhadke jiyaa
o jee rasiyaa
Main samajh gayi kehte ho mujhse aankh milaa le
Posted by: Atul on: October 16, 2021
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
4838 | Post No. : | 16623 |
“Mamta”(1952) was produced by R B Haldia and J L Sharma and directed by Gunjal for Sishaat Films, Bombay. The movie had Sumitra Devi, Ulhas, Mirza Musharraf, Rajan Haksar, Kamal Mehra, Chitralekha, Bhagwandas, Ramesh, Rajni, Shantabai, Sadiq, Kaabil amritsari, Baby Salma, Master Raja, G P Srivastava, Sheila, paro etc in it.
The movie had eight songs in it that were penned for four lyricists.
Six songs have been covered in the past.
Here is the seventh song from “Mamta”(1952) to appear in the blog. This song is a duet which is sung by Premlata and Mubarak Begam. Verma Malik is the lyricist. Music is composed by Sonik.
Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of this rare song. It appears to me that the song is picturised as a stage performance song on two ladies, one of them playing the role of a male and lip syncing in Premlata’s voice, while the other lip syns in Mubarak Begam’s voice.
I have not been able to get a few words right. I request our readers with keener ears to help fill in the blanks/ sugest corrections wherever applicable.
This song is the 500th in the blog from movies released in the year 1952. Now movies of all the years of the decade of 1950s (except 1951) have 500 or more songs in the blog.
Song-Main samajh gayi kehte ho mujhse aankh mila le (Mamta)(1952) Singers-Premlata, Mubarak Begam, Lyrics-Verma Malik, MD-Sonik
Both
Lyrics
o o
sun sun sun(?) tamtam waale
o o
sun sun sun(?) tamtam waale
main samajh gayi
main samajh gayi
kehte ho mujhse aankh milaa le
main samajh gayi
kehte ho mujhse aankh milaa le
o ho ho
baadal hain kaale kaale
o o
baadal hain kaale kaale
main samajh gaya
main samajh gaya
kehti ho mujhko paas bulaa le
main samajh gaya
kehti ho mujhko paas bulaa le
o ho ho
dil mein kya hai
kaise bataaun
hoy dil mein kya hai
kaise bataaun
kar ke ishaare tujhe samjhaaun
tujhe samjhaaun
kehte kehte main sharmaaun
kya
o o o
dil le le o dil waale
o o o
dil le le o dil waale
main samajh gaya
main samajh gaya
kehti ho mujhko paas bulaa le
main samajh gaya
kehti ho mujhko paas bulaa le
o ho ho
?? tamtam waale
jabse dekha aisa nazaara
ho jabse dekha aisa nazaara
naach uthha hai jeewan saara
jeewan saara
jabse mera pyaar pukaara
kya
o o
?? tamtam waale
ho o
?? tamtam waale
main samajh gayi
main samajh gayi
kehto ho mujhse aankh milaa le
main samajh gayi
kehto ho mujhse aankh milaa le
o ho ho
sun sun sun tamtam waale
o ho ho
sun sun sun tamtam waale
main samajh gayi
main samajh gaya
main samajh gayi
kehto ho mujhse aankh milaa le
main samajh gaya
kehti ho mujhko paas bulaa le
ho ho ho
ho ho ho
ho ho ho
Dilli se do behnen aayin
Posted by: Atul on: March 10, 2021
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
4618 | Post No. : | 16260 |
—————————————————————————
Blog 10-Year Challenge (2011-2021) – Song No. 15
—————————————————————————
This date ten years ago (viz 10 march 2011) was a normal day for the blog. As many as six songs from six movies were covered on that day.
Here are the details of the six songs that were covered on that day :-
Blog post number | Song | Movie (Year) | Remarks |
---|---|---|---|
3633 | Tumne kahaa chhoo maine chhoo liyaa | Saawan(1959) | Movie YIPPEED by now |
3634 | Wo dekho dekh rahaa thhaa papeehaa | Fariyaad(1964) | Four songs covered by now out of 6 |
3635 | Aise to na dekho | Bheegi Raat(1965) | Movie YIPPEED by now |
3636 | Sun ae bahaar e husn mujhe tum se pyaar hai | Night in London(1967) | Movie YIPPEED by now |
3637 | Ho munna jaayegaa baazaar | Man Mandir(1971) | Three songs covered by now out of 6 |
3638 | Do bechaare bina sahaare | Victoria number 203 (1972) | Movie YIPPEED by now |
One can notice that four movies (out of six) whose songs were discussed ten years ago on that date have since been YIPPEED in the blog. So only two movies are eligible for blog ten year challenge today.
“Fariyaad”(1964) is one such movie. This movie was directed by Kidar Sharma for Show People, Bombay. The movie had Ashok, Zeb Rehman aka Preeti Bala, Dilip Dutt, Mohan Choti, Achala Sachdev, Gyani, Gopal Sehgal, Bela Bose, Apsara, Malik, Maria, Tuntun, Sayeeda, Najma,Shabani, Raj Maria etc in it.
The movie had six songs in it. Four songs have been covered in the past.
As blog ten year challenge today (10 march 2021), here is a song from “Fariyaad”(1964). Thia sonmg is sung by Mahendra Kapoor, Mubarak Begam and chorus. Kidar Sharma is the lyricist. Music is composed by Snehal Bhatkar.
Only the audio of the song is available. I request our knowledgeable readers to throw light on the puicturisation of the song.
Lyrics of this song were sent to me by Prakashchandra.
audio link:
Song-Dilli se do behnen aayin (Fariyaad)(1964) Singers-Mahendra Kapoor, Mubarak Begam, Lyrics-Kidar Sharma, MD-Snehal Bhatkar
Chorus
Lyrics(Provided by Prakashchandra)
Dilli se do behnein aayeen een
Dilli se ae ae ae ae
Dilli se do behnein aayeen
roop duhaayee rey ae
aei jee roop duhaayee rey ae
o zara sunn mere bhaai rey ae
o zara sunn mere bhaai rey ae
Rozie aur Daisy
oyye hoyye hoyye
har shayye angerzi
haayye haayye haayye
har baat mein tezi
oyye hoyye hoyye
baali umariya tirchhi najariyaa
jaadu naye jagaaye
main mar gayi jaadu naye jagaaye
main mar gayi jaadu naye jagaaye
baali umariya tirchhi najariyaa
jaadu naye jagaaye
main mar gayi jaadu naye jagaaye
main mar gayi jaadu naye jagaaye ae
ho o o ho o ho o o o
o dil pehloo o o o se ae
utth utth bhaagey ae ae ae ae
mukh se
nikse haayye
haaaaye
kaa hamri
o kaa hamri sudh budh bisraayi
daddy raam duhaayi rey ae
o zara sunn mere bhaai rey ae
o zara sunn mere bhaai rey ae
ankhiyaan matwaari
oyye hoyye hoyye
honthon par laali
haayye haayye hayye
latt kaali rey kaali
oho o o ho ho o hho o ho o o
haath milaayein haath hilaayein aen
baar baar kahen
haayye
haath milaayein haath hilaayein aen
baar baar kahey
haayye
inn ke charan chhuye bin bandhu
hamse rahaa naa jaaye
o raama
hamse rahaa na jaaye
kaissi ..eee
o kaissi mann mein
aggann lagaayi
daddy raam duhaayi rey ae
o zara sunn mere bhaai rey ae
o zara sunn mere bhaai rey ae
kya naach dikhaaye
oyye hoyye hoyye
sau sau bal khaaye
haayye haayye haayye
gardan mattkaayye
oyye hoyye hoyye
Naya naya fashion naya hai zamaana
Posted by: Atul on: September 22, 2020
- In: Asha Bhonsle songs | Blog ten year challenge (2010-2020) | Lyrics by Avinash Scrapwala | Lyrics contributed by readers | Mubarak Begam songs | Multi part song | Multilingual song | Multiple version song | Songs of 1950s (1951 to 1960) | Songs of 1957 | Sulochana Kadam songs | Theme song | Title song | Yearwise breakup of songs
- 2 Comments
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day?: |
4449 | Post No. : | 15906 |
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Blog ten year challenge (2010-2020)- Song Number 84
————————————————–
This day ten years ago (viz 22 september 2020) was another normal day for the blog, when six songs from six different movies were discussed. First post of the day appeared at 7:29 AM and the final post at 9:12 AM.
Here are the details:-
Song | Movie title-Year | Remarks |
---|---|---|
Raaton ki neend chheen lee aankhon ke intezaar ne | Shokhiyaan-1951 | All Songs covered |
Teri kaafir nigaah kar gayi dil ko tabaah | Miss Coca Cola-1955 | All Songs covered |
Yaad karoon tori batiyaan | Mr Lambu-1956 | All Songs covered |
Tum aur ham bhool ke gham | Fashion-1957 | 06 songs posted |
Mujhe gale se lagaa lo bahut udaas hoon main | Aaj Aur Kal-1963 | All Songs covered |
Jidhar dekhoon teri tasweer nazar aati hai | Mahaan-1983 | 01 song posted |
One can see from the above that four out of six movies whose songs were covered ten years ago have been YIPPEED by now,
“Fashion”(1957) was one of the two as yet unYIPPEED movies.
“Fashion”(1957) was directed by Lekhraj Bhakri for Kuldip Pictures production, Bombay. The movie had Pradeep Kumar, Mala Sinha, Chandrashekhar, Manoj Kumar, Jabeen Jaleel,Sunder, Jabeen Jalil, Jagdish Sethi, Kammo, Leela Misra etc in it.
The movie had eight songs in it. six songs have been covered in the past. Here are the details :-
Song | Posted On |
---|---|
Bahaaron se poochho ・laakh sambhaala magar kho gaya | 23.09.2009 |
Tum aur ham bhool ke gham | 22.09.2010 |
Madbhari hain pyaar ki palkein | 05.08.2012 |
Dharti ki goad mein aasmaan ke chhaaon mein | 19.07.2016 |
Honthon pe tera naam | 17.10.2016 |
Maati ko lajaanaa naa | 16.07.2019 |
It turns out that the last two songs of the movie were multiple version songs. The first part was a multilingual song sung by Sulochana Kadam and Mubarak Begam. The second part in Hindi was sung by Asha Bhonsle. Bharat Vyas was the lyricist. Music was composed by Hemant Kumar.
Part I is listed in HFGK as “Bindu baashi daao more haath, aaj nishi bazaari” which are in Bangla. This song is available as Bharat Ke Lok Geet. This fact is also mentioned in HFGK Part III footnote at page no.349 movie no.697.
On listening to the song, the Bangla portion is not to be found. Marathi, Gujarati, Marwadi and Punjabi portions can be heard. So it appears that the Bangla portion has got omitted for some reason.
Lyrics of this song and other BTYC details were sent to me by Avinash Scrapwala.
Lyrics of the first part (the multilingual one) as noted leaves a lot to be desired mainly because of lack of familiarity with the languages. I request our knowledgeable readers familiar with these languages to help fill in and suggest additions/ corrections in the lyrics.
With these songs, all the eight songs of “Fashion”(1957) get covered and the movie joins the list of movies that have been YIPPEED in the blog.
Moreover, Hemant Kumar now has 300 songs in the blog as a music director.
(Part-I)
Song-(Part I)Regional language folk song (Fashion)(1957) Singers-Sulochana Kadam, Mubarak Begam, Lyrics-Bharat Vyas, MD-Hemant Kumar
Song-(Part II)
Song-Naya naya fashion naya hai zamaana (Fashion)(1957) Singer-Asha Bhonsle, Lyrics-Bharat Vyas, MD-Hemant Kumar
Chorus
Lyrics (Provided by Avinash Scrapwala)
—————————————————–
Part I (Regional language song- Marathi/ Gujarati/ Marwadi/ Punjabi)
—————————————————-
sundaraa mhane dilbaraa aa
sundaraa mhane dilbaraa aa
raaj ambiraa
hasuni maj bola ji ee ee
ye kalaa
?
kuthoon tum aalaa ji
baai ga
ji ji ji ji
baai ga
ji ji ji ji
sundaraa mhane dilbaraa aa
sundaraa mhane dilbaraa aa
raaj ambiraa
hasuni maj bola ji ee ee
ye kalaa
?
kuthoon tum aalaa ji
baai ga
ji ji ji ji
baai ga
ji ji ji ji
ke garbo ghoome re gabbar ne gokh
ke garbo jaage re chaachar chowk
ke taaliyo
thaatar titar
thaatar titar vaage
ke garbo ghume re gabbar ne gokh
ke garbo jaage re chachar chowk
ke taaliyo
thaatar titar
thaatar titar vaage
ke garbo ghume re gabbar ne gokh
aaj mhane
aaj mhane jewar
?
aaj mhane jewar ??
mhaane bikaaneri
mhaane jodhaaneri
mhaane udiyaapur ni
chundadiyaa silaa di he maa
?
aaj mhane jewar ??
main heer teri
tu mera ve raajhnaa
main teri tu mera
ke teri meri ik jindadi ee bhai
ke teri meri ik jindadi ee bhai
ke saara jag vair pai gayaa
hadaa
ke ??
main heer teri
tu mera ve raajhnaa
main teri tu mera
ke teri meri ik jindadi ee bhai
ke teri meri ik jindadi ee bhai
ke saara jag vair pai gayaa
hadaa
ke ??
—————————
(Part-II)
—————————
nayaa nayaa fashion
nayaa hai zamaanaa aa
nayaa nayaa fashion
nayaa hai zamaanaa aa
badal do rang
badal do dhang
badal do rang
badal do dhang
badal do baahar bheetar
aagey peechhe
sab kuchh taanaa baanaa
bhes puraanaa aa
nayaa nayaa fashion
nayaa hai zamaanaa aa
badal do rang
badal do dhang
badal do baahar bheetar
aagey peechhe
sab kuchh taanaa baanaa
bhes puraanaa aa
nayaa nayaa fashion
nayaa hai zamaanaa aa
ek baat kahoon akkal ki
mat baat karo kal ki
kal ki duniyaa
sun meri muniyaa
aaj pad gayi halki ee ee
aaj pad gayi halki ee
ek baat kahoon akkal ki
mat baat karo kal ki
kal ki duniyaa
sun meri muniyaa
aaj pad gayi halki ee ee
baal kataa lo o
husn badhaa lo o
baal kataa lo
husn badhaa lo
badal do chaal
badal do dhaal
badal do
uttar dakshin
purab paschim
sab kuchh chhod ke taana
kahe zamaanaa aa
nayaa nayaa fashion
nayaa hai zamaanaa aa
badal do rang
badal do dhang
badal do baahar bheetar
aagey peechhe
sab kuchh taanaa baanaa
bhes puraanaa aa
nayaa nayaa fashion
nayaa hai zamaanaa aa
kapdon ka kharch bachaa lo
mat husn pe pardaa daalo
ghoonghat ke pat khol ke
jhatpat
chaar chaand chamkaa lo o
chaar chaand chamkaa lo
kapdon ka kharch bachaa lo
mat husn pe pardaa daalo o
ghoonghat ke pat khol ke
jhatpat
chaar chaand chamkaa lo o
duniyaa bhaage ae
badh gayi aage
duniyaa bhaage
badh gayi aage
badal do ?
badal do ?
badal do motor gaadi
tram ki sawaari
ud kar jaanaa
raah takta(?) hai zamaanaa aa
nayaa nayaa fashion
nayaa hai zamaanaa aa
badal do rang
badal do dhang
badal do baahar bheetar
aagey peechhe
sab kuchh taanaa baanaa
bhes puraanaa aa ・
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