Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘S H Bihari


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5249 Post No. : 17250

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Blog 10-Year Challenge (2012-2022) – Song No. 134
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On this date ten years back viz on 1 December 2012, Seven songs from seven movies were covered in the blog. Here are the details:-

Blog post number Song Movie (Year) Remarks
7101 Main wo dulhan hoon raas na aaya jise singaar Mahal (1949) Movie YIPPEED in the blog with this song
7102 Jawaan hai jahaan Nayaa Ghar (1953) Movie YIPPEED by now
7103 Mila gaye nain Aarzoo (1950) Movie YIPPEED by now
7104 Hari Om katha aarambh hoti hai Bindiyaa (1960) Movie YIPPEED by now
7105 Nazar ki kataari ye kaise chali Solvaa Saal (1958) Movie YIPPEED in the blog with this song
7106 Tum sabse haseen ho Mohabbat Zindagi Hai(1966) 5 songs out of 8 covered by now
7107 Tumhe dekha hai maine gulsitaan mein Chandan Ka Palna(1967) 6 songs out of 8 covered by now

One can observe that five movies (out of seven) whose songs were covered on this date ten years ago (on 1 december 2012) have since been YIPPEED in the blog. That leaves us with two unYIPPEED movies that are eligible for blog ten year challenge today (1 december 2022).

“Mohabbat Zindagi Hai” (1966) is one BTYC eligible movie today.

“Mohabbat Zindagi Hai” (1966) was produced by K C Gulati and directed by Jagdish Nirula for Roop Chaaya, Bombay. The movie had Dharmendra, Rajshree, Mehmood, Nazir Hussain, Chaand Usmani, Deven Verma, Badri Prasad, Sunder, Man Mohan, Madhavi, Kundan, Kesho(Keshav Rana), Parasram, Kirti aka Kirti Kumar, Raj Dewan, Dinanath, Johnny Whiskey, Prabhuji, Neelam, Geetanjali, Thelma, Sujata, Neeta Sinha, Krishna Duggal, Sameena etc. The movie also introduced Subhash, Kumar Anand, Mulki, Anita and Child Sweety Dutt.

“Mohabbat Zindagi Hai” (1966) had eight songs in it. Five songs have been covered so far.

Here is the sixth song from the movie to appear in the blog. The song is sung by Asha Bhonsle, Mahendra Kapoor and chorus. S H Bihari is the lyricist. Music is composed by O P Nayyar.

The song is picturised as a picnic song on lots of actors viz Rajshree, Deven Varma, dancer Edwina, Kirti Kumar etc.

Lyrics of the song and other details were sent to me by Prakashchandra.

Audio link:

video link:

Song-Mehfil mein dilwaalon ki(Mohabbat zindagi Hai)(1966) Singers-Asha Bhonsle, Mahendra Kapoor, Lyrics-S H Bihari MD-O P Nayyar
All chorus
Female chorus
Male chorus

Lyrics(Provided by Prakashchandra)

mehfil mein dilwaalon ki
aataa hai jo aane do o
mehfil mein dilwaalon ki
aataa hai jo aane do o
khoob mazey mein guzregee
khoob mazey mein aen
khoob mazey mein guzregee

gar mil jaayein deewaaney do
mehfil mein dilwaalon kee
aataa hai jo aane do o
mehfil mein dilwaalon ki

baaghon mein kaliyaan mehkeen
kheton mein sarson phooley
kheton mein sarson phooley…ae ae ae

aaa aaaa aaa aaa hha
aaa aaaa aaa aaaa
hanstey gaate yoon rahiye ae ae
aaa hhaaa
hhaa aaa
hanstey gaate yoon rahiye ae
jaisey saawan ke jhooley ae
jaisey saawan ke jhooley ae ae

deep jaley hain manzil ke
phool khile hain raahon mein
duniyaa ki rangeenee hai
aaj hamaari baahon mein aen aen
deep jaley hain manzil ke
phool khile hain raahon mein
duniyaa ki rangeenee hain
aaj hamaari baahon mein

aaj hamaarey dil jawaan hain
geet khushee ke gaa lo o o
mehfil mein dilwaalon ki
aataa hai jo aane do o
khoob mazey mein guzregi
gar mil jaayein deewaaney do
mehfil mein dilwaalon ki

in matwaali aankhon mein
madhoshee ka jaam bhi hai ae
madhoshi ka jaam bhi hai

aaaa aaaa
aaa aaa aaaaaaa aaa
aa aaa aaa
kaali kaali zulfon mein aen
aaa haaa haa aaa
kaali kaali zulfon mein
ek suhaani shaam bhi hai ae
ek suhaani shaam bhi hai ae

aanchal ko udd jaaney do
zulfon ko khul jaaney do
phoolon jaisey gaalon ko
shabnam se dhul jaaney do

aaj hamaarey dil jawaan hain
geet khushee ke gaa lo o o
mehfil mein dilwaalon ki
aataa hai jo aane do o o
khoob mazey mein guzregi
gar mil jaayein deewaaney do o
mehfil mein dilwaalon ki


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5211 Post No. : 17197 Movie Count :

4627

Today (24 october 2022), which is kaartik maas krishn paksh amaawasya in Panchaang is deepaawali, the festival of lights. Lord Ganesh and Goddess Laxmi are worshipped on this day.

Is there some rule that they should be worshipped only on this date ? Is there some rule that they should even be worshipped consciously ?

I have a feeling that majority of us who celebrate deepaawali on this particular day may have reduced it to a ritual imitating our day to day practices. It has sort of turned into like new year resolutions which cannot last for more than a few days after e make them.

If my earlier posts on the earlier occasions of deepaawali festival, I have discussed it in my own way. I have tried to stress the fact that performing the puja of goddess Laxmi in one day of the year will not make her to bless her. She is more likely to bless us if we perform the “puja” of Goddess Saraswati followed by that of Lord Vishwakarma, and that too in the proper way, not in the ritualistic way. “Puja” of Goddess Saraswati basically means educating ourselves, upgrading our skills, doing cutting edge research etc. All that takes years and in case of high tech skills decades and even centuries.

Once we educate ourselves we have to make use of that education to make goods and provide services of acceptable quality that could be sold to consumers. That is basically performing Vishwakarma puja. Based on quality of Saraswati Puja, our quality of Vishwakarma Puja is decided and that decides the degree of blessing from Goddess Laxmi.

To take a simplistic example, if our quality of education and skill is such that we can only manufacture low tech products like say garments, then Godess Laxmi will at the most bless us nominally and we will stay an LDC (least developed nation) or low income group nation. If our skill is of medium level (like say we are able to manufacture and export engineering goods) then we can beome a middle income group country. If our skill sets are such that we can develop cutting edge technology and sell that to rest of the world then we becaome High income group nation. That is when Goddess Laxmi actually starts to bless us abundantly.

Right now, India is a low ncome group nation with a per capita income of just over $ 2000 per annum. We will graduate to a middle income nation when our per capita income crosses $ 4000. It is easier said that done. Our neighbour Sri Lanka continues to hover around this mark and has failed to graduate to the ranks of Middle income group nation because they have failed to upgrade their skills to the level where they could break into the league of middle income group nations.

Likewise there are nations that are perpetually in middle income group ($ 4000 to $ 12000 per capita) but they have failed to break into the league of high income nations (per capita earning of over $ 12000) because that requires a different level of education, skill set and aptitude. This phenomenon is called middle income trap. Countries like Brazil and Argentina have fallen into this middle income trap.

High income group nations are those that have per capita income of above $ 12000. These counries are there because of their stress of high quality education and training, followed by strong manufaturing and services sector.

To cut a long story short, we still have a long long way to go before we can hope to be blessed by Goddess Laxmi adequately. We will hopefully becaome a middle income nation (per capita income of above $ 4000) by end of this decade and will not look back. Becoming a high income nation with a per capita income of above $ 12000 at current prices will take another two decades, depending on the level of education and skills that we are able to achieve for our masses. Hopefully we will reach there three decades from now. But that will not happen if we continue to carry on with our present habits. It is high time we stopped looking at education to be synonymous with acquiring degrees and government jobs. It is high time we shift the gear of our thinking. For long we are moving in second gear, whereas you need to shift to top gear if we have to race on the highway of progress.

I find it strange that the number of Deepaawali related songs in Hindi movies dwindled drastically after the golden era of HFM was over in 1980s.

“Pyaar Kiya Hai Pyaar Karenge”(1986) is one of the exceptions. It was produced by Suresh Bokadia and K C Bokadia and directed by Vijay Reddy for BMB Combines, Madras. The movie, which was a remake of Kannada Hit popular movie “NAA NINNA MAREYALARE”(Translation of Title “I will not forget you”) starring famous Kannada hero Late Dr.Raj Kumar, Julie Lakshmi, Shubha, Leelavathi etc.

The movie “Pyaar Kiya Hai Pyaar Karenge”(1986) had Anil Kapoor, Anita Raj, Padmini Kolhapure,Ashok Kumar, Sushma Seth,Deepak Parashar(in Special appearance),
Ramesh Deo, Seema Deo,Baby Guddoo, Satyen Kapoo,Naval Kishore,Bharat Bhatt etc in it.

The movie had six songs in it. Here is the first song from the movie to appear in the blog.

The song is sung by Mohammad Aziz. S H Bihari is the lyricist. Music is composed by Laxmikant Pyarelal.

The song is picturised on Anil Kapoor, Baby Guddu and Anita Raj.

Lyrics and other details were sent to me by Prakashchandra.

The movie “Pyaar Kiya Hai Pyaar Karenge”(1986) makes its debut with the song.

I take this opportunity to wish everyone a very happy, prosperous and safe Deepaawali. May Goddess Laxmi bless us all in a more fruitful manner than the blessing that most of us are used to from her.

audio link

Video link

Song-Meri chhoti si bagiya ki nanhi kali (Pyaar Kiya Hai Pyaar Karenge)(1986) Singer-Mohammad Aziz, Lyrics-S H Bihari, MD-Laxmikant Pyarelal

Lyrics (Provided by Prakashchandra)

meri chhoti si bagiyaa ki nanhi kali
meri chhoti si bagiyaa ki nanhi kali
mera jeevan hai teri hansi laadli
tu jo hans de ae ae
ho o o o
tu jo hans de
to saaraa jahaan hans de
ye zameen hanse
aasmaan hans de
meri chhoti si bagiyaa ki nanhi kali
mera jeevan hai teri hansi laadli

na diyaa ho kisi maa ne
woh pyaar doon
na diyaa ho kisi maa ne
woh pyaar doon
apnaa sab kuchch main tere liye haar doon
jahaan aati na ho gham ki parchhaayiyaan
jahaan aati na hon gham ki parchhaayiyaan
tujhko khushiyon ka aisaa main sansaar doon
tu jo hans de ae ae
ho o o o
tu jo hans de
toh saaraa jahaan hans de
ye zameen hanse
aasmaan hans de
meri chhoti si bagiya ki nanhi kali
meraa jeevan hai teri hansi laadli/em>

tu hi holi deewaali hai mere liye
tu hi holi deewaali hai mere liye
teri aankhon ke jalte rahein ye diye
laadli tujhko meri umar lag jaaye
laadli tujhko meri umar lag jaaye
hai duaa meri laakhon
baras tu jiye
tu jo hans de ae ae
ho o o o
tu jo hans de
toh saaraa jahaan hans de
ye zameen hanse
aasmaan hans de
meri chhoti si bagiyaa ki nanhi kali
mera jeevan hai teri hansi laadli

tera jeevan madhuban si bagiyaa bane
tera jeevan madhuban si bagiyaa bane
jo ke phoolon se har dum mehakti rahey
tu badi ho ke
pyaari dulhaniyaa bane
tu badi hoke
pyaari dulhaniyaa bane
maang teri sadaa motiyon se bhare
tu jo hans de ae ae
ho o o o
tu jo hans de toh saaraa jahaan hans de
ye zameen hanse
aasmaan hans de
meri chhoti si bagiyaa ki nanhi kali
mera jeevan hai teri hansi laadli
meri chhoti si bagiyaa ki nanhi kali
mera jeevan hai teri hansi laadli



This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4956 Post No. : 16824

Today’s song is from the film Nirdosh-1950.

There were 4 films with the same title – Nirdosh-1941, Nirdosh-1950, Nirdosh-1973 and Nirdosh-2018. The first film Nirdosh-1941 had singer Mukesh as Hero, opposite Nalini Jaywant and he sang his first film song on the screen. Film Nirdosh- 1950 was a film made by Filmistan Ltd.,Bombay and it was directed by Najmul Hasan Naqvi or simply Najam Naqvi. This shortening of his name had a history behind it.

Initially, when Najam came into the film line, he joined Bombay Talkies as an assistant doing odd jobs. However, soon ,looking at his interests, he was kept as a Continuity man in the direction department. In 1935, a handsome young man joined Bombay Talkies and the first film of Bombay Talkies-” Jawani ki Hawa”-1935 was made with Devika Rani and this young man-Najmul Hasan as the lead pair. The film was a Hit film. During the making of this film, he and Devika Rani fell in love. While their second film-” Jeevan Naiya”-1936 was on the floor, the Love Birds eloped to Calcutta. There was great commotion in the studio and everyone talked about it. The prestige of Bombay Talkies was at stake as the wife of the owner had run away with her lover.Eventually, Devika Rani was persuaded to return to Bombay. Najmul Hasan dared not come back. He continued in Calcutta, did some films and a roaring love affair with actress Kajjan, before migrating to Lahore.

The whole episode of elopement had become a matter of embarrassment for the continuity man; working in the same studio. His name too was Najmul Hasan. Because of the same name, this innocent chap -who had nothing to do with the elopement drama- had to suffer staring eyes and hush hush whisperings within the studio and the film circle of Calcutta !

He was Najmul Hasan Naqvi, born on 11-4-1913 at Moradabad-UP. He was working in Bombay Talkies doing odd jobs-continuity man and even as an actor in Achhut kanya-36. He was a very hardworking person. After this episode he changed his name to a shorter edition- Najam Naqvi.

He worked in the Direction department and his first film as an independent Director was PUNARMILAN-1940. He went on directing films like Raja Rani-42, Tasveer-43, Naya Tarana-43, Panna-44, Prithwiraj Sanyogita-46, Nateeja-47, Parayee Aag-48, Actress-48, Nirdosh-50, Rangili-52 and last film- Samrat-54.

In 1955, Najam Naqvi migrated to Pakistan and directed 7 films- Kunwari Bewa-56, Naghma e dil-59, Dil e nadaan-60, Qaidi-62, Ek manzil do rahein-62, Ek tera sahara-63 and lastly Payal Ki Jhankaar-66. Najam Naqvi died on 26-1-82 at Lahore. Due to the same name, many sites still mix up the filmography of these two artistes.

The cast of the film Nirdosh-1950 was Shyam, Rehana, Kuldeep Kaur, Om Prakash, K N Singh, Mukri and others. 3 Lyricists wrote the 10 songs of the film. They were S H Bihari, Asad Bhopali and RMA Khan. The Music Director was Shyam Sunder-one of my favourite MDs. He is one of the very few old time composers who composed some songs which will never fade away. He was not very prolific- just 20 films in a career of 10 years, but some of his songs are evergreen. he showed his talent right from his first film “Nai Kahani”-1943, by composing the beautiful song ” Neend hamari khwab tumhare”, sung so nicely by G M Durrani and sung on screen by the handsome B. Nandrekar.

To be famous and to shine in this world, mere Talent is not enough. You must also have Lady Luck with you. While it is generally true,it is more true in the case of our Film Industry.

It is said that LAXMI and SARASWATI do not stay together. Laxmi is the Goddess for Wealth and Saraswati stands for Arts,music and Wisdom. We have seen several examples of Actors,singers,Directors and composers,where,despite being talented,the person did not shine in life and had to remain unhonoured and unrecognised. But we have also seen cases where genuinely talented people in various fields do get honoured,recognised and become wealthy too.

So,what is the factor that binds Laxmi and Saraswati together ? It is ,Undoubtedly,LUCK ! Without having Luck,no one can get name,fame and wealth,however talented he may be.

But,what about those talented people who had almost everything coming their way,name,fame and wealth too,but just because of their own egos,bad tempers and bad habits,they lost everything and either died soon or spent their last days in neglect and sorrow ?

Yes,there are such examples too in the Film Industry. One such glaring example is that of Music Director SHYAM SUNDER. ( Another notable example is that of SAJJAD HUSAIN). Songs composed by Shyamsunder are one of my most favourite ones. His songs from Nai kahani,Bazar,Lahore and Village girl are to be remembered eternally.Bazar -49 song, ” Saajan ki galiyan ” is Lata’s No. 1 favourite song( so is mine ! ). The 6 songs of Noorjehan in Village Girl-45 are simply matchless.

Shyamsunder himself was a highly respected and preferred composer for singers and producers. He had the capacity to scale heights much higher than other composers of his time. But…Alas ! The habit of drinking and talking rubbish when drunk destroyed his career. Here is an anecdote of how much respected and remembered he was by the Ace singers like Noorjehan and Lata Mangeshkar…

Thirty five years after the partition and two wars between India and Pakistan; in the year 1982 the melody queen, Malika-e-Taranum Noorjehan visited India. It was certainly a grand occasion for millions of music lovers of the Indian sub-continent.

In her honour and to facilitate nostalgic music lovers, an impressive show was organised in Shanmukhanand Hall, Bombay which was attended by a large number of luminaries of Indian cinema. Notable amongst them were- Anil Biswas, Naushad, the maestro music composers and matinee idols- Devika Rani, Ashok Kumar, Dilip Kumar & nightingale of India Lata Mangeshkar to name a few.

Noorjehan came to the dais with a thunderous applause from the jam-packed auditorium and after a brief speech; as expected, she sang her most popular melody- ‘Awaaz de kahan hai, duniya meri jawan hei’ she recorded in India for film ‘Anmol Ghadi’ -Music was composed by Naushad.

Thereafter, it was Lata to sing, who found herself in a very difficult situation owing to a completely charged atmosphere all around the auditorium. She kept everyone guessing about the selection of her song.

Lata came out with one of her endearing melodies- ‘Saajan ki galian chhod chaley, dil roya aansoo beh na sakey’ from the film ‘Bazaar’ music for which was composed by Shyam Sunder. The applause was beyond imagination. The memory of the completely forgotten genius music director Shyam Sunder came alive, when in her next round Noorjehan sang– ‘Baithee hun teri yaad ka ley karkey sahara’ another immortal melody from film- ‘Village Girl’, music for which was composed by none other than Shyam Sunder.

The audience was indeed spellbound. Every one thought as to why she chose a completely forgotten Indian melody instead of a large number of songs she recorded in Pakistan after migrating from her performing place of origin- Bombay . Perhaps, it was in view of the fact that the singer and the composer of the film ‘Village Girl’ were from Punjab .

The momentous event continued with lots of nostalgic and tearful exchanges and it became a history in the annals of pre and post partition Indian art, culture, music and all such related aspects of humane

Why such a legendary music- composer has completely been forgotten,who composed music for some of the classics of his time, such as ‘Village Girl’- 1945, ‘Devkanya’ 1946, ‘Actress’ and ‘Ek Roz-1947, ‘Bazaar’ and ‘Lahore’- 1949, ‘Dholak’, ‘Kale Badal and Alif Laila’ -1951 just to name a few.

In 1943, he composed music for the film ‘Nai Kahani’. An alluring song of G.M. Durani and others–‘Neend hamari khwab tumhare, kitne meethe kitne pyare’ which became an instant hit. Even today after a gap of more than seventy years, the melody richly deserves an eloquent place in the list of popular melodies of yesteryears.

In his next film ‘Village Girl’ -1945, Shyam Sunder came with flying colours, wherein Noorjehan sang some of her fabulous melodies viz–‘Baithi hoon teri yaad mein ley karkey sahara’, ‘Kis tarah bhulega dil’ & ‘Sajan pardesi, balam pardesi’. In these vital numbers, the feelings immersed in the lyrics -written by Wali Saheb- she was in her complete command. The singer did not merely sing the words inscribed in the lyrics, but the depth of feelings. The class of accompanying instrumentation and the matching orchestration was superb and the genius of the composer was distinctively visible.

It is needless to reiterate that as and when a list of immortal melodies of previous century of Indian sub-continent in general and Noorjehan in particular will be drawn; these numbers will invariably find a prime place, music for which was composed by a totally forgotten genius called- Shyam Sunder.

For Shyam Sunder, after the exit of Noorjehan from Indian film music, there came the film ‘Actress’ in the year 1948, wherein Mohammad Rafi gave his initial introduction to the music world by singing – ‘Hum apne dil ka fasana unhe suna na sakey’ . This proved to be Rafi’s initial introduction. .

The music-creating journey of Shyam Sunder can be matched with another maestro called Sajjad Husain, who also composed music for just 14 films, but composed some of the finest melodies of his era.

Both the masters were highly perfectionists; but ill-tempered and uncompromising. Shyam Sunder, additionally in view of his addiction to liquor and excessive drinking, occasionally uttered abusive language and consequently used to lose control over his head and heart. During the making of the film ‘ Lahore ’, he had some abusive interaction with Lata Mangeshkar; as such, they were not on talking terms for a considerable time.

In the year 1952, when the film- ‘Alif Laila’ was in making, Shyam Sunder died in the recording studio, owing to excessive drinking and consequent heart attack; the music thereby was completed by his assistant- Madan Mohan. Due to his spat with Lata,she had stopped singing for him,but on his request she sang a song in his last film, Alif Laila-1953. She knew his calibre as a composer !

Shyamsunder was born in Multan (now in Pakistan). He was an expert Violin player and used to play in Jhande Khan’s orchestra in the early stage of his career. He started with Punjabi films from 1939. He gave a break to Mohd. Rafi in Punjabi film ‘Gul Baloch’. Nai kahani-41 was the beginning of his bright career and village girl-45,Lahore-49 and Bazar-49 were his pinnacle. He composed 187 songs in 20 films.

Shyamsundar died on 15-7-1952.

Some years back, Lata Mangeshkar had been interviewed on rediffmail.com, on 7-1-2011, in which she gave some short memory clips of her famous MDs. About Shyamsunder, she had this to say……

” During the period of 1946-1947, I was an employee of Master Vinayak.

One day he summoned me to his house in Dadar and told me that Shyam Sudner had come and wants to hear you sing. I complied and sang a Bandish. There was no reaction on Shyam Sunder’s face. Days passed by. Master Vinayak met an untimely end. I was searching for work.

Then one day, Shyam Sunder called for me.

I have sung many melodious songs for Shyam Sunder. I remember a qawaali from the film Chaar Din. The singers included Rafi, Shivdayal Batish, Rajkumari, Hamida, Johrabai and Iqbal. This qawaali, Haseenon ki adaein bhi by Shyam Sunder was very challenging and consisted of difficult taans.

Our rehearsal was going on. I was the focus of his attention. He was keen to know how I perform on a song which had a Punjabi style. I sang all the taans much to the delight of Shyam Sunder. He told everyone, “This is how to sing a song in Punjabi style.”

Shyam Sunder was a jovial person. Due to some misunderstandings, I was not singing for him for a period of time.

One day, I received a message from him. He had composed a song especially for me. The song Tujhko Bhulana Mere Basme Nahi from the film Alif Laila was the last song that I sang for him. He met a sad, untimely death. The song from his film Bazaar-1949 ” Sajan ki galiyan” is my favourite.”

Today’s song is also a typical Shyam Sunder song, sung by Shamshad Begum. This is the third song from this film here.


Song-Gaye wo mere dil ko veeraan kar ke (Nirdosh)(1950) Singer-Shamshad Begam, Lyrics-S H Bihari, MD-Shyam Sundar

Lyrics

na aaye thhe to zara itminaan thha dil ko
wo aa ke chal diye
phir bekraar karke mujhe ae

gaye wo mere dil ko veeraan kar ke
gaye wo mere dil ko veeraan kar ke
judaai mein rone ka saamaan karke
gaye wo mere dil ko veeraan kar ke
judai mein rone ka saamaan karke

jaate jaate saath apne ae
dil mera lete gaye
dard wo mujhko tadapne ke liye dete gaye ae ae
mila ye humen unse pehchaan karke
mila ye humen unse pehchaan karke
judaai mein rone ka saamaan karke
gaye wo mere dil ko veeraan kar ke
judaai mein rone ka saamaan karke

chaar din ki chaandni thhi ee
phir andheri raat hai ae
phir wahi tanhaaiyaan hain
aur gham ka saath hai
bada dukh hua unko mehmaan karke
bada dukh hua unko mehmaan karke
judaai mein rone ka saamaan karke
gaye wo mere dil ko veeraan kar ke
judaai mein rone ka saamaan karke


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4954 Post No. : 16821

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Blog 10-Year Challenge (2012-2022) – Song No. 16
————————————————————————————–

Ten years back in February’2012 the blog was posting songs at the rate of just above six songs per day. The final tally of the month of February’2012 was 178 songs. Regulars on the blog now-a-days or those associated with the blog in recent years would not believe this 😊 but, that is the fact.

Like on the eight day of the month, 9 february 2012 too saw as many as eight song-posts getting posted.

Following is the list of songs posted on 09.02.2012 in ascending order (i.e., the last song of the day appears at the bottom of this list below)

Song Movie title-Year Remarks
Ho o o mujhe kisise pyaar ho gayaa Barsaat(1949) All songs covered
Chham chham chali piya ki gali Ek Saal(1957) All songs covered
Tu mere saath main tere saath Apsara(1961) 5 of 18 songs posted
Achchaa sanam kar le sitam Teesra Kaun(1965) All songs covered
Zindagi mein jab tumhaare gham nahin thhey Dooriyaan(1979) All songs covered
Doosron ka dukhdaa door karne waale Dashehra(1956) 02 of 11 songs posted
Dil ka qaraar le gayaa Bhootnaath(1963) 03 of 07 songs posted
Tere iss pyaar ka shukriyaa Aag Aur Daagh(1971) 04 of 06 songs posted

From the above table we can see that out of eight movies represented on the blog on 09.02.2012 four movies ‘Barsaat-1949’, ‘Ek Saal-1957’, ‘Teesra Kaun-1965’ and ‘Dooriyaan-1979’ have been covered for all their songs on the blog and thus Yippeeee’ed.

That gives us the remaining four movies viz – ‘Apsara-1961’, ‘Dashehra-1956’, ‘Bhootnath-1963’ and ‘Aag Aur Daagh-1971’ where we can discuss a song from these movies.

I am presenting a song from the movie ‘Aag Aur Daagh-1971’.

Lyrics of this song were sent by Prakashchandra.

‘Aag Aur Daagh-1971’ was directed by A. Salam for ‘Movie Temple, Bombay’. It was produced by Swarn Singh.

It had Joy Mukherji, Komal, Jayant, Madan Puri, I.S. Johar, Helen, Bhagwan, Sudhir, Zeb Rehman, Rajan Haksar, Shetty, Kundan, Shefali, Paro, Majnu, Roopali, Uma Dutt, Shabana, Rajrani, Darshan, Amar, Subhash, Shaloo, Sameena, Master Rodney, Sumeet, Bipin Khosla and others.

This movie was written by Charandas Shokh. Editing of this movie was done by R.V. Shrikhande.

This movie was passed by Censor Board on 20.01.1971

This movie had six songs (including one two-part song) written by Noor Dewasi (one song) and S.H. Bihari (five songs, including one two-part song).

Music for ‘Aag Aur Daagh-1971’ was composed by N. Dutta.

Following is the list of songs in this movie as appearing in HFGK Vol-V (1971-1980).

S.No. Song Title Singer/s Lyricist Posted on
01 Ye pyaar ka jhagdaa hai Mohd Rafi Noor Dewasi 29.04.2012
02 Choli bheegi, lat bheegi Asha Bhonsle S.H. Bihari 16.04.2012
03 Hamse badhkar kaun hoga aap ka deewaanaa Mohd Rafi, Asha Bhonsle S.H. Bihari 06.07.2021
04 Aaj in haathon mein phir se zindagi…Tere is pyaar ka shukriyaa Mohd Rafi S.H. Bihari 09.02.2012
05 a) Iski ho gayi, uski ho gayi b) Naa baaba naa Mohd Rafi S.H. Bihari
06 Kam nahin sharaab se shokhiyaan shabaab ki Asha Bhonsle S.H. Bihari

As mentioned above four songs from this movie have been posted on the blog.

Today we will listen to a song sung by Asha Bhonsle which is lip-synced by Helen who is also performing a dance on this song.

Jayant, Joy Mukherji, Komal, Rajan Haksar and others are also seen in the picturisation.

Lyrics for today’s song are by S.H. Bihari and music is composed by N Datta.

With today’s song the movie will have five songs on the blog. Thus it will be only one song short of getting YIPPEED. Let us see when it finally gets the ‘Yippeeee’ status on the blog.

Let us now listen to today’s song … I am sure readers will like it and enjoy the composition …

Audio

Video


Song-Kam nahin sharaab se shokiyaan shabaab ki(Aag Aur Daag)(1971) Singer-Asha Bhonsle, Lyrics-S H Bihari, MD-N Datta

Lyrics (Provided by Prakashchandra)

aaj ki raat
faisley ki hai
aaj ki raat kaa
jawaab nahin
huhh..hh
chaahey jitnaa gunaah kar daalo
aaj iskaa koyi ee hisaab nahin

kam nahin een een sharaab se ae
shokhiyaan aan shabaab ki
ye hamaari mastiyaan
woh adaa aa janaab ki ee ee
kam nahin een een sharaab se ae ae

pyaar ke nashe mein hum jidhar nikal gaye ae ae
har qadam pe aashiqon ke dil machal gaye
pyaar ke nashe mein hum jidhar nikal gaye ae ae
har qadam pe aashiqon ke dil machal gaye
is adaa se mastiyon mein jhoomke chalein
yahaan wahaan pe saikadon jawaan fisal gaye
kam nahin een een sharaab se ae
shokhiyaan aan shabaab ki
ye hamaari mastiyaan
woh adaa aa janaab ki ee ee
kam nahin een een sharaab se ae ae ae

zindagi hai apni aisi pyaar ke binaa aa aa
jaise koyi baag ho bahaar ke binaa
zindagi hai apni aisi pyaar ke binaa aa aa
jaise koyi baag ho bahaar ke binaa
yaa ke aisaa phool jis mein dilkashi naa ho
yaa dulhan suhaag mein singaar ke binaa
kam nahin een een
hmm hmm hmm hmm
shokhiyaan aan aan
hmm hmm hmm
ye hamaari mastiyaan
woh adaa janaab ki ee ee ee ee
kam nahin een een sharaab se ae ae ae ae

aisi dil ki mehfilein milengi phir kahaan aan
husn hai shabaab hai sharaab hai yahaan aan
aisi dil ki mehfilein milengi phir kahaan aan
husn hai shabaab hai sharaab hai yahaan aan
jitnaa chaahe jo yahaan behak ke dekh le
har khataa muaa`aaf hai
huzoor ki yahaan aan
kam nahin een een sharaab se ae
shokhiyaan aan shabaab ki
ye hamaari mastiyaan
woh adaa aa janaab ki ee ee
kam nahin een een sharaab se ae ae ae


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4948 Post No. : 16807

“Naseehat”(1967) was produced by Dara Singh (Parduman Singh and Saudagar Singh are listed as producers) and directed by Om Patwar for Deedar Movies, Bombay. The movie had Darasingh, Rajshree (South), Randhawa, Savita, Madan Puri, Tiwari, Sapru, Rajan Haksar, Bhagwan Sinha, Leela Mishra, Kundan, Rajan Kapoor, Samson, Uma Dutt, Keshav, Rinku, Meena, Saudagar Singh, Helen, Madhumati , Mohan Choti, etc.

Memsaab, when she was active in her blogging, had done a detailed review of this movie in her characteristic inimitable style.

The movie had six songs in it. Five songs have been covered so far. Here are their details:-

Blog post number Song Date of post Singer (s)
2226 Zara dekhiye meri saadgi 9 December 2009 Mahendra Kapoor
5305 Kabhi hamaari muhabbat ka imtihaan na lo 16 January 2012 Asha Bhonsle
13739 Mujhko deewaana na kar 18 November 2017 Asha Bhonsle
16771 Aankhon se ishaara karke hamen 16 January 2022 Asha Bhonsle
16798 Teri aankhon ne in aankhon se jo baat kahi 28 January 2022 Asha Bhonsle, Kamal Barot, Mahendra Kapoor

Seeing that O P Nayyar was the music director, he had composed some listing music. He tended to have one male singer and one female singer who would sing for all the characters of the movie. The female singer of the movie, namely Asha Bhonsle, is thus used to give playback to the heroine REajshree (south) is three songs. In one song, she gives playback to Helen. In another song, (where Kamal Barot is another female singer), Asha Bhonsle gives playback to Helen clone, namely Madhumati.

If Asha Bhonsle was the female playback singer of choice for O P Nayyar, Rafi was his male playback singer of choice. But those days he had a falling off with Rafi, so he was forced to use another voice, namely Mahendra Kapoor for his male playback singing. This movie is one such movie.

Here is thew sixth and final song of “Naseehat”(1967) to appear in the blog. This song is sung by Mahendra Kapoor. S H Bihari is the lyricist. Music is of course by O P Nayyar.

Mahendra Kapoor had three songs in this movie. He had given playback for three different actors in these three songs.

In the song under discussion, Mahendra Kapoor givbes playback for Mohan Choti, who is seen wooing a lady whom I am unable to identify. This song appears to be part of comic side plot where another comedian pair are likewise seen running around trees in the recommended way of carrying out romance in Hindi movies of those days.

I request our knowledgeable readers to throw light on the picturisation of the song.

With this song, all the songs of “Naseehat”(1967) have been covered in the blog and the movie thus joins the list of movies that have been YIPPEED in the blog.


Song-Ya ke tum pe meri jaan shabaab aa gaya (Naseehat)(1967) Singer-Mahendra Kapoor, Lyrics-S H Bihari, MD-O P Nayyar

Lyrics

yaa yaa yaa
o ya ke tum par meri jaan shabaab aa gaya
ya ke phir mere marne ke din aa gaye
ya ke tum par meri jaan shabaab aa gaya
ya ke phir mere marne ke din aa gaye
ya ke tumko main apni khushi maan loon
ya ke phir aah bharne ke din aa gaye
ya ke tum par r

ye nazaare
ye nazaare jo mujhko deewana karen
hain bahaaron mein aise nazaare kahaan
door ho dil se dil ka andhera kabhi
aasamaanon mein aise sitaare kahaan
ya meri ee
ya meri aarzuon ki kaliyaan khilin
ya tumhaare sanwarne ke din aa gaye
ya ke tum par meri jaan shabaab aa gaya
ya ke phir mere marne ke din aa gaye
ya ke tum par

tumko dekha
tumko dekha
kadam dagmagaane lage
aisi masti fazaaon mein milti nahin
in mahakte huye gesuon ki kasam
aisi khushboo hawaaon mein milti nahin
ya ke dooba aa
ya ke dooba hua hoon main jazbaat mein
ya tumhaare ubharne ke din aa gaye
ya ke tum par meri jaan shabaab aa gaya
ya ke phir mere marne ke din aa gaye
ya ke tumko main apni khushi maan loon
ya ke phir aah bharne ke din aa gaye
ya ke tum par r


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4942 Post No. : 16798

‘Naseehat’ (1967) was produced by Dara Singh (though Parduman Singh and Saudagar Singh are listed as producers) and directed by Om Patwar for Deedar Movies, Bombay. The movie had Darasingh, Rajshree (South), Randhawa, Savita, Madan Puri, Tiwari, Sapru, Rajan Haksar, Bhagwan Sinha, Leela Mishra, Kundan, Rajan Kapoor, Samson, Uma Dutt, Keshav, Rinku, Meena, Saudagar Singh, Helen, Madhumati and others.

The movie had six songs in it. Four songs have been covered in the past.

Today (28 January 2022) is the 17th remembrance day of OP Nayyar (16 January 1926 – 28 January 2007). On this occasion here is a song from “Naseehat”(1967).

The song is sung by Asha Bhonsle, Kamal Barot and Mahendra Kapoor. SH Bihari is the lyricist. Music is composed by OP Nayyar.

The song is picturised as a dance song aboard a cruise liner. The music begins as a Beatles type western tune on guitar, but it soon gets converted into an arch-typical OP Nayyar punjabi bhangda dance music. The female dancers could be Helen or even her clone Madumati (both figure in the star cast). Male dancer could be Randhawa. I am not sure So I request our knowledgeable readers to help identify the dancers and others seen in the picturisation.

[Ed Note: As dear Prakash ji confirms, the lead dancers are Madhumati and Sheila Ramchandra, and two of the supporting dancers are Manjula and late Saroj Khan.]


Song-Teri aankhon ne in aankhon se jo baat kahi (Naseehat)(1967) Singers-Asha Bhonsle, Mahendra Kapoor, Kamal Barot, Lyrics-SH Bihari, MD-OP Nayyar
Asha Bhonsle + Kamal Barot
Asha Bhonsle + Kamal Barot + Mahendra Kapoor

Lyrics

teri aankhon ne
in aankhon se
jo baat kahi
hum jaan gaye

teri baaton mein
kya baat chhupi
hum baaton se pehchaan gaye
teri ankhon ne
in aankho se
jo baat kahi
hum jaan gaye
teri baaton mein
kya baat chhupi
hum baaton se pehchaan gaye

chaman mein jab kabhi
chali baade saba
dabi aawaaz mein
ye kaliyon se kaha
raho hoshiyar o o o
chaman waalon zara
raho hoshiyaar o o
chaman waalon zara

hoye kaun ye jaane
toot ke bijli
kab gir jaati hai
teri aankhon ne
in aankhon se
jo baat kahi
hum jaan gaye
teri baaton mein
kya baat chhupi
hum baaton se pehchaan gaye

tumhaare pyaar ki
koi meethhi nazar
ghadi bhar ke liye
sahaara de agar
to maujon mein rahoon oon
kinaara chhod kar
to maujon mein rahoon oon
kinaara chhod kar
ho pyaar hai jin ko
toofanon se
kab ghabraate hain

teri aankhon ne
in aankhon se
jo baat kahi
hum jaan gaye
teri baaton mein
kya baat chhupi
hum baaton se pehchaan gaye

yahi baanki ada
yahi deewaanapan
ye dil ki dhadkanen
ye manzil ki lagan

salaamat hai agar
to phir ae jaaneman
salaamat hai agar
to phir ae jaaneman
hoy chaar kadam tum chal kar dekho
manzil aa jaaye

teri aankhon ne
in aankhon se
jo baat kahi
hum jaan gaye
teri baaton mein
kya baat chhupi
hum baaton se pehchaan gaye
teri aankhon ne
in aankhon se
jo baat kahi
hum jaan gaye
teri baaton mein
kya baat chhupi
hum baaton se pehchaan gaye

aa aa aa aa aa
aa aa aa aa

aa aa aa aa aa aa
aa aa aaa
aa aa aa aa aa aa aa aa
o o o o
o o o

o mirzeaa..aa
o o o
aa aa aa aa aa
aa aa
aa aa aa aa aa

hurr
aah
hoy hoy hoy


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4744 Post No. : 16471

“Yaar Mera”(1971) was produced by Raja Ram and Satish Wagle and directed by Atmaram for RS Productions, Bombay. The movie had Jeetendra, Rakhee, Nazima, Helen, Paintal, Achala Sachdev, Jayant, Sajjan, Randhir, Murad, Sulochana Sr., Nana Palsikar, Radheshyam, Narbada Shankar, Krishan Dhawan, Manmohan, Raj, Darshan, MS Mehta, Fordil, A Kumar, Ram Sindhi, Mona, Ashok Bhalla. etc in it.

The movie had five songs in it. Four songs have been covered in the past. Here are the details of the songs already covered :-

Blog post number Song Date of posting
8694 Dil ki kitaab kori hai 13 September 2013
15882 Darr lagey to gaana gaa 12 September 2020
16162 Hari Om Hari Om Hari Om 15 January 2021
16321 Haay kuchh aisi adaa se wo mera yaar chala 15 April 2021

Here is the fifth and final song from “Yaar Mera”(1971). This song is sung by Asha Bhonsle. S H Bihari is the lyricist. Music is composed by Shankar Jaikishan.

The song is picturised as an archtypical Helen cabarat dance song that we are so familiar with. One can see Jeetendra, Manmohan and others in the picturisation as well.

Lyrics of this song were sent to me by Avinash Scrapwala.

With this song, all the songs of “Yaar Mera”(1971) are covered in the blog and the movie joins the list of movies that have been YIPPEED in the blog.

Audio (Longer)

Video (Partial)

Song-Husn waalon ke panje mein aa (Yaar Mera)(1971) Singer-Asha Bhonsle, Lyrics-S H Bihari, MD-Shankar Jaikishan

Lyrics(Provided by Avinash Scrapwala)

husn waalon ke panje mein aa
myaao
husn waalon ke panje mein aa
ke ho jaaye tujhko pataa
kya kya hotaa hai
kya kya hotaa hai
kya kya hotaa hai
raat ke andhere mein
myaao
husn waalon ke panje mein aa
ke ho jaaye tujhko pataa aaa
kya kya hotaa hai
kya kya hotaa hai
kya kya hotaa hai
raat ke andhere mein
myaao
husn waalon ke panje mein aa

kya jaane kyun tu
ghabraa gaya hai
dil hi to dil se ae
takraa gayaa hai
kya jaane kyun tu
ghabraa gaya hai
dil hi to dil se
takraa gayaa hai
aisaa sitam kya huaa aa
haan
aisaa sitam kya huaa aa aa haa
husn waalon ke panje mein aa
ke ho jaaye tujhko pataa aa
kya kya hotaa hai
kya kya hotaa hai
kya kya hotaa hai
raat ke andhere mein
myaao
husn waalon ke panje mein aa

raaton ki jagmag jitni suhaani
utni ghazab ki meri Jawaani ee
raaton ki jagmag jitni suhaani
utni ghazab ki meri jawaani ee
yaaron se dil to lagaa aa
yaaron se dil to lagaa aa aa aa
husn waalon ke panje mein aa aa
ke ho jaaye tujhko pataa aa
kya kya hotaa hai
kya kya hotaa hai
kya kya hotaa hai
raat ke andhere mein
myaao
husn waalon ke panje mein aa

ye gori gori chamkeeli baahen
inko samajh le jannat ki raahen
ye gori gori chamkeeli baahen
inko samajh le jannat ki raahen
baahon mein aaja zaraa
haan
baahon mein aaja zaraa aa aa ho o o
husn waalon ke panje mein aa
ke ho jaaye tujhko pataa aa
kya kya hotaa hai
kya kya hotaa hai
kya kya hotaa hai
raat ke andhere mein
myaao
husn waalon ke panje mein aa aa
ke ho jaaye tujhko pataa aa
hmm mm
kya kya hotaa hai
kya kya hotaa hai
kya kya hotaa hai
raat ke andhere mein
myaao
kya kya hotaa hai
raat ke andhere mein
myaao
kya kya hotaa hai
raat ke andhere mein
myaao


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws

Blog Day :

4736 Post No. : 16458

#the Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # 144 # Fifty years of ‘1971’ – 1
———————————————–—————————————-

The year 1971 completes ‘fifty’ years in this year ‘2021’. These days, we are discussing the movies released in the year ‘1971’. In this series today’s song is from the movie ‘Aag Aur Daagh-1971’.

Alphabetically ‘Aag Aur Daagh-1971’ is the first movie of the decade 1971-1980. It was passed by Censor Board on 20.01.1971. The first movie 0f ‘1971’, as per date of certification by censor board, is ‘Johar Mehmood In Hongkong’. It was passed by censor board on 04.01.1971.

Both these movies have been represented on the blog, and both are yet to be Yippeeee’ed 😊 and that gives us the opportunity for this post here.

‘Aag Aur Daagh-1971’ was directed by A. Salam for ‘Movie Temple, Bombay’. It was produced by Swarn Singh. It had Joy Mukherji, Komal, Jayant, Madan Puri, I.S. Johar, Helen, Bhagwan, Sudhir, Zeb Rehman, Rajan Haksar, Shetty, Kundan, Shefali, Paro, Majnu, Roopali, Uma Dutt, Shabana, Rajrani, Darshan, Amar, Subhash, Shaloo, Sameena, Master Rodney, Sumeet, Bipin Khosla and others.

This movie was written by Charandas Shokh. Editing of this movie was done by R.V. Shrikhande.

This movie had six songs (including one two-part song) written by Noor Dewasi (one song) and S.H. Bihari (five songs, including one two-part song).

Music for ‘Aag Aur Daagh-1971’ was composed by N. Datta.

Following is the list of songs in this movie as appearing in HFGK Vol-V (1971-1980).

S.No. Song Title Singer/s Lyricist Posted on
01 Ye pyaar ka jhagdaa hai Mohd Rafi Noor Dewasi 29.04.2012
02 Choli bheegi, lat bheegi Asha Bhonsle S.H. Bihari 16.04.2012
03 Hamse badhkar kaun hoga aap ka deewaanaa Mohd Rafi,
Asha Bhonsle
S.H. Bihari
04 Aaj in haathon mein phir se zindagi…Tere is pyaar ka shukriyaa Mohd Rafi S.H. Bihari 09.02.2012
05 a) Iski ho gayi, uski ho gayi b) Naa baaba naa Mohd Rafi S.H. Bihari
06 Aaj ki raat faisle ki raat hai Asha Bhonsle S.H. Bihari

We can see from the above table that, so far, three songs from this movie have been posted on the blog.

Incidentally all the three songs from this movie that have been posted were posted in ‘2012’ only and after that no song from this movie have been posted on the blog.

So, it’s a long gap of more than nine years now to have the next song from this movie here.

Today we will listen to a nice duet sung by Mohd Rafi and Asha Bhonsle from this movie. On screen Joy Mukherji and Komal are seen performing on this song and they are lip syncing in the voices of Mohd Rafi and Asha Bhonsle, respectively.

I have not watched this movie and neither I remember to have listen any songs from this movie.
I like today’s song and I feel it is better heard than watched (however Joy Mukherji is as good as ever in such type of songs, but the actress in this song seems to be performing as ‘unnatural’ as possible 😊

Lyrics for today’s song are by S.H. Bihari and music is composed by N. Dutta.

(Today’s song also seems to have missed the many ‘Asha-Rafi’ duets compilation albums released by HMV in the past).

Let us now listen to the song … I am sure you like it and enjoy the composition …

Video

Audio

Song-Hamse badhkar kaun hoga aap ka deewaana (Aag Aur Daagh)(1971) Singers-Rafi, Asha Bhonsle, Lyrics-S H Bihari, MD-N Datta

Lyrics

hamse badhkar kaun hoga
aapka deewaanaa
kitney din ki hai mohabbat
ye zaraa farmaanaa

hunh achchaa
waah waah
ho hamse badhkar kaun hoga
aapka deewaanaa aa
kitney din ki hai mohabbat
ye zaraa farmaanaa aa

chaahe jitney bhi kathin ho
zindagi ke raaste
zindagi saari hai dilbar
aap hi ke waaste ae
kya baat hai
chaahe jitney bhi kathin ho
zindagi ke raaste
zindagi saari hai dilbar
aap hi ke waaste
do kadam chal ke kahin
ruk jaaye naa deewaanaa
kitney din ki hai mohabbat
ye zaraa farmaanaa aa

haan hamse badhkar kaun hoga
aapka deewaanaa aa
hey kitney din ki hai mohabbat
ye zaraa farmaanaa

aaj to vaade bhi hain
kasmein bhi hain
aur pyaar bhi
pyaar ki baazi mein lekin
jeet bhi hai
haar bhi

hunh
chalegaa
aaj to vaade bhi hain
kasmein bhi hain
aur pyaar bhi
pyaar ki baazi mein lekin
jeet bhi hai
haar bhi

aag se dar jaaye jo
main wo nahin parwaanaa
hey kitney din ki hai mohabbat
ye zaraa farmaanaa aa

haan
haan
hamse badhkar kaun hoga
aapka deewaanaa aa
kitney din ki hai mohabbat
ye zaraa farmaanaa aa

kya pataa taqdeer ko
kuchh aur hi manzoor ho

chal pade hain
ab to manzil
chaahe jitni door ho
kya pataa taqdeer ko
kuchh aur hi manzoor hon

chal pade hain
ab to manzil
chaahe jitni door ho
reh nahin saktaa adhooraa
pyaar ka afsaanaa
kitney din ki hai mohabbat
ye zaraa farmaanaa aa


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4577 Post No. : 16186

Hullo Atuldom

“Khoon Ka Badla Khoon” (1978) had songs by the hit team of S.H. Bihari- O.P.Nayyar; the team that gave us “kajra mohabbatwala”, “haule haule chalo more saajna”, taarif karoon kya uski”, “bahut shukriya badi meherbaani” and many more such hits in the ’60s.

“KKBK” had Vani Jairam, Pushpa Pagdhare, Uttara Kelkar, Mohd. Rafi for playback singers. It was directed by K. Parvez a.k.a Kalpataru and produced by Ratan Mohan. It had seven or eight songs of which the blog has only one song.

The cast included Bindu, Asha Sachdev, Mahendra Sandhu, Vinod Khanna, Ajit, Jayshree T., Padma Khanna, Iftekar, Imtiaz Khan, Sudhir etc. Seeing that the movie had so many actresses who could dance, makes it clear why OPN used three different female playback singers.

“KKBK” seems to be one of the movies where Asha Sachdev must have been the main female protagonist or to put it simple -the heroine. Also the poster of the movie suggests that Vinod Khanna may have been paired with Bindu
Here is the next song from ‘KKBK’ on the occasion of Omkar Prasad Nayyar’s 14th remembrance day. It is sung by Vani Jairam. It was and is frequently heard on radio. Vani Jairam had four solos in the movie of which this is the most popular. I found a very short video which suggests that Asha Sachdev is out to woo Mahedra Sandhu who seems to be some kind of under-cover officer. Also the video shows Ajit giving instructions to his ‘No 9’ etc as was the norm in all movies featuring Ajit in that period of time.

The poster that is accompanying the longer version of the song, as is available on youtube shows a rather smart and handsome Vinod Khanna, trying to shoot some one even as he is on the run.
The brief synopsis of the film that is available on IMDB.com says this: The story-line of the film revolves around a Crime Branch’s Officer and a courageous girl from another agency, they are appointed to catch a criminal gang who leaves a trade mark at their every crime scene.

So, that means it was a run-of-the-mill masala thriller that should have been entertaining for the masses. I would love to know how it fared at the box-office.
This is song number 184 of S.H. Bihari and 484 of O P Nayyar who should be thanked for the legacy that is there for us to enjoy

Video (shorter)

Audio (Full)

Song-Zulf lehraayi yo saawan ka maheena aa gaya (Khoon Ka Badla Khoon)(1978) Singer-Vani Jairam, Lyrics-S H Bihari, MD-O P Nayyar

Lyrics(Provided by Prakashchandra)

zulf lehrayi toh
zulf lehraayi toh
saawan ka maheena aa gaya aa
zulf lehraayi toh
aasmaan par haaye ae
aasmaan par baadalon ko
paseena aa gaya
haaye
zulf lehraayi toh
zulf lehraayi toh
saawan ka maheena aa gaya aa
zulf lehrayi toh

haaye re meri shokh jawaani
meheke jaise raat ki raani
dil mein pyaar ke sapne sajakar
log maren jab meri adaa par
dil mein pyaar ke sapne sajakar
log maren jab meri adaa par
haaye
mujhko bhi jeena aa gaya
zulf lehraayi toh
zulf lehraayi toh
saawan ka maheena aa gaya aa
zulf lehraayi toh
aasmaan par haaye ae
aasmaan par baadalon ko paseena aa gaya
haaye
zulf lehraayi toh
zulf lehraayi toh saawan ka maheena aa gaya aa
zulf lehraayi toh

main kya janoon ooon
rang badalna
pi ke behakna aa aa
jhoom ke chalna
yaaron ne aankhon se pilaayi
banke pawan main bhi lehraayi
yaaron ne aankhon se pilaayi
banke pawan main bhi lehraayi
mujhko bhi peena aa gaya
zulf lehraayi toh
zulf lehraayi toh
saawan ka maheena aa gaya aa
zulf lehraayi toh
aasmaan par haaye ae
aasmaan par baadalon ko paseena aa gaya
haaye
zulf lehraayi toh
zulf lehraayi toh saawan ka maheena aa gaya aa
zulf lehraayi toh


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Blog Day :

4573 Post No. : 16177

———————————————–————————————
Blog 10-Year Challenge (2011-2021) – Song No. 4
———————————————————————————–

This day ten years ago, viz 24 January 2011 saw four songs getting discussed in the blog. Here are the details:-

Blog post number Song Movie (Year) Remarks
3450 Mere haal par na hanso chaand taaron Bandi (1957) Movie YIPPEED by now
3451 Gori chori chori jaana buri baat hai Ek Jhalak (1957) 8 songs covered out of 9
3452 O o o o baby Police (1958) 4 songs covered out of 7
3453 Aaj rona padaa to samjhe Girlfriend(1960)

Movie YIPPEED by now

One can see that two movies (out of four) whose songs were covered on 24 january 2011 are YIPPEED and so we have two movies available today whose songs can be discussed for Blog Ten Year Challenge.

“Ek Jhalak”(1957) is one of them. “Ek Jhalak”(1957) was produced by Deep Khosla and Pradeep Kumar and directed by Kalidas for Deep and Pradeep Productions, Bombay. The movie had Vyjyantimala, Pradeep Kumar, Anita Guha, Rajendra Kumar, Pran, Mubarak, Lalita Pawar, Bipin Gupta, Randhir, Om Prakash, Hira Sawant, Rashid Khan, Tuntun, CV Rao, Patanjali, Gajendra, Amin, Fazal Khan, Deep Khosla etc in it.

The movie had nine songs in it. Eight songs have been covered in the past.

Here are the details of the songs covered so far:-

Song Date of post Remark
Ye hansta huaa caravan zindagi kaa 5 December 2010
Aaja zaraa mere dil ke sahaare dilrubaa 23 January 2011 Multiple version song
Gori chori chori jaanaa buri baat hai 24 January 2011
Bahaaren bhi dekhi nazaare bhi dekhe 30 March 2015
Chal baadalon se aage 26 September 2017
Kis liye maathe pe bal hai 2 May 2019
Ye haawa ye fizaa ye raat hai taaron bhari 7 December 2020

The song being discussed today is not only the blog ten year challenge song, it is also the final song from the movie.

This song is a rare song. It is sung by Asha Bhonsle. S H Bihari is the lyricist. Music is composed by Hemant Kumar.

Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song. From the sounds of it, the song appears to be a club dance song.

Lyrics of the song were sent to me by Prakashchandra.

This song is the 2800th song of Asha Bhonsle as a playback singer in the blog. So unnoticeably, she becomes the third artist in the blog to touch this mark.


Song-Aaya kaun meri mehfil mein (Ek Jhalak)(1957) Singer-Asha Bhonsle, Lyrics-S H Bihari, MD-Hemant Kumar

Lyrics(Provided by Prakashchandra)

aayaa kaun meri mehfil mein
dil huaa hai deewaanaa
jhoom jhoom ke gaaye manwa
khushi ka taraana
aayaa kaun meri mehfil mein
dil huaa hai deewaanaa
jhoom jhoom ke gaaye manwa
khushi ka taraana
aayaa kaun meri mehfil mein ae

dil ne pukaaraa mere
dekho ye nazaarey
karey tujhe piya mera jiyaa ye ishaarey
dil ne pukaaraa mere
dekho ye nazaarey
karey tujhe piya mera jiyaa ye ishaarey
beet na jaaye kahin samaa ye suhaanaa
jhoom jhoom ke gaaye manwa
khushi ka taraana
aayaa kaun meri mehfil mein
dil huaa hai deewaanaa
jhoom jhoom ke gaaye manwa
khushi ka taraana
aayaa kaun meri mehfil mein ae

aake na jaaye koyi keh de bahaar ko
jaake sataaye na rulaaye mere pyaar ko
aake na jaaye koyi keh de bahaar ko
jaake sataaye na rulaaye mere pyaar ko
dekho achcha nahin hai dil ko dukhaanaa
jhoom jhoom ke gaaye manwa
khushi ka taraanaa
aayaa kaun meri mehfil mein
dil huaa hai deewaanaa
jhoom jhoom ke gaaye manwa
khushi ka taraana
aayaa kaun meri mehfil mein
dil huaa hai deewaanaa
jhoom jhoom ke gaaye manwa
khushi ka taraana
aayaa kaun meri mehfil mein ae ae


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over FOURTEEN years. This blog has over 17200 song posts by now.

This blog is active and online for over 5000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2022) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

17246

Number of movies covered in the blog

Movies with all their songs covered =1338
Total Number of movies covered=4642

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