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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘P L santoshi


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3503 Post No. : 14074

Today’s song is from the film Milan-46.

Bengali people, in general, are fond of reading. The literacy percentage of Bengal during last century and before that was quite noteworthy. The literate population of Bengal is divided in two parts. One is Bhadralok- a term used to indicate upper and middle class affluent educated class and the other was Madhabit ( or what we call a Middle class in rest of India). Both these classes of society in Bengal were the patrons of books and so there were many famous authors and writers like Rabindranath Tagore, Bankim chandra Chatterji, Sarat Chandra Chatterji, Sunil Gangopadhyaya, Bibhuti Bhushan Bandopadhyay, Satyajit Ray, Mahashweta Devi, Tarashankar Bandopadhyay, Shirshendu Mukhopadhyay, Shardendu Bandopadhyay, Humayun Ahmed, Kazi nazrul Islam, Michael Madhusudan, Manik Bandopadhyay, Premendra Mitra, Sukumar Rai, Jibanand Das, Rajnikant sen and many many others were popular in Bengal.

No wonder, then, that their novels, dramas and short stories became the basis of Bangla films, both in the Silent as well as Talkie era. In rest of India, almost all major production houses had their own Story departments’, where many Munshis, Pandits and the likes of them were employed to provide ‘made to order’ material to make films. The Lahore, Bombay and Madras centres depended heavily on Mythology, folk tales and History, stage dramas etc for their films.

Since Bangla films had their firm stories, their films were closer to the audiences in Bengal and Eastern India , in general. This was firmly engrossed in the minds of the film directors of the 30s to the 50s, in Bengal. When an exodus of actors, directors and technicians started from Calcutta to Bombay, in the 40s and 50s, most directors from Bengal made Hindi films based on Bangla novels, dramas and short stories. Some examples are, Do Bigha Zameen ( Salil Choudhari’s short story of 43), Devdas, Parineeta, Parivar, Biraj Bahu, Yahudi, Ratnadeep etc.

When Nitin Bose left Calcutta, came to Bombay and joined Bombay Talkies, no one was surprised. BT was known to attract Bangla talent and gave them opportunities to showcase their skills. Being owned by a Bengali-Himanshu Rai and managed by a Bengali-Shashadhar Mukherjee, Bangla cine artistes were always welcomed here. For his first directorial venture in Bombay, Nitin Bose suggested Rabindranath Tagore’s novel Nauka Doobi, published in 1925. This story was a favourite of producers. Already a Bangla film on it was made in 1932. Nitin Bose further suggested to make a Bilingual film-in Hindi and Bangla , for Bengal and Eastern India.

The year was 1946. Himanshu Rai had died in 1940, Devika Rani had left in 1945. S.Mukherjee left in 1942 with his friends. Bombay Talkies was in dire straits already. The powers at the company thought that making a biligual film will open doors to Bengal and other Eastern India states. While the Hindi version Milan was made in 1946, the Bangla version Nauka Doobi was made in 1947.

Dilip Kumar was an upcoming new Hero in Bombay Talkies. He had just done 2 films. Jwar Bhata in 1944 and Pratima in 1945. He was fixed for film Milan as its Hero. The film needed two Heroines. One Ranjana was already available. For the second Heroine, Bombay Talkies gave advertisements in newspapers. From several applicants, a new, Bengali speaking girl Meera Mishra was selected. She was to do Kamala’s role in Hindi version. For Bangla version Meera Sircar was selected. Ranjana was to do Hemnalini’s role in both versions.

Meera Mishra’s joining the films generated a lot of interest and excitement because she was the wife of an I.P.S. Officer. Meera reportedly answered an advertisement of The Bombay Talkies in newspapers and was called for an interview and was selected readily. Two films, bilingual , Naukadubi (Bengali) and Milan (Hindi) were being produced by Bombay Talkies and Meera was chosen to play Kamala in both versions. The Bengali film Naukadubi had Abhi Bhattacharya playing Ramesh, Meera Sarkar as Hemnalini and Pahari Sanyal as Akshay Babu.

The Hindi version Milan had Dilip Kumar as Ramesh and Meera therefore had Dilip Kumar as her first leading man. The Hindi version had Ranjana playing Hemnalini while it was Pahari Sanyal again as Akshay Babu in Milan. The film was directed by Nitin Bose and Anil Biswas was the music director. Parul Ghosh lent her voice in both the versions and here in Naukadubi she had some five Tagore songs, her only Bengali songs. Both Naukadubi and Milan did well and the initial plan of Meera was to retire after this one film. However, her I.P.S. husband Kripa Sindhu Mishra was killed in action during Delhi riots and Meera decided to carry on with her film career. She had a son Jishnu from the Late K P Mishra. Her other films included Abhijatya (1949), Eki Gramer Chhele (1950), Abarta (1950), Sandhyabelar Rupkatha (1950), Sabyasachi (Hindi-1948)-based on Sarat Chandra Chatterjee’s Pather dabi. She played the role of Sumitra, Bishnupriya (1949). Her other Hindi films included Ghar ki Numaish-49,Kashmir Hamara hai-50, Azadi ke baad-51, Chamakee-52, Chhoti Maa-52.

She quit films early and settled to married life again. Her husband was Mr Ranjit Gupta, Chief secretary to the Government of West Bengal.

Meera Mishra was born in Kanpur and died in Calcutta about ten years ago.

Film Milan-46 was produced for Bombay Talkies by Hiten Choudhury, who was with New Theatres earlier. He was the earliest member to leave New Theatres and join Bombay Talkies in Bombay. After Nitin Bose left Bombay Talkies, it was Hiten Choudhury who brought in Bimal Roy to Bombay Talkies to make film ‘Maa ‘-52. Bimal Roy, who had come to Bombay for the premiere of his film ‘Pehla Aadmi ‘-50, subsequently settled in Bombay. Asit Sen, B N Banerjee, Salil Choudhury, Hrishikesh Mukherjee and few others too left New Theatres to join Bimal Roy in Bombay.

Director Nitin Bose was working with Dilip Kumar for the first time. That time Dilip had not yet developed the nasty habit of interfering in director and composer’s work. He was still learning and he learnt a lot from Nitin Bose. It seems that the famous hair style of Dilip was also suggested bt Nitin Bose only, while shooting a boat scene for Milan. Dilip acknowledged that Nitin Bose had groomed him.

Later Nitin Bose directed Dilip again for Deedar-51 and Ganga Jamuna-61. Nitin Bose once wrote that during the shooting of Ganga Jamuna-61 he was sitting aside on a chair, watching helplessly Dilip kumar doing his job. By that time Dilip had obtained a Doctorate in this “art of interference”.

Dilip had become famous due to his early tragic films,when he used to die frequently in most of his films. In 1948 alone, out of his 6 films, he died 4 times. In the year 1955, he died in 3 films. In the entire 50’s decade he died 6 times. In his 57 films, Dilip kumar had died in 18 films. Interestingly his last film Qila-98 also saw him dead ! A real Tragedy king indeed !!! By the way, in his 57 films 39 Directors worked with him. S U Sunny directed him in 4 films. Nitin Bose, Bimal Roy and Subhash Ghai directed him in 3 films each.

Film Milan-1946 was based on Rabindranath Tagore’s novel Nauka Doobi, published in 1925. This story was a favourite of Producers. Nauka Doobi was made into Bangla Films in 1932, 1947, 1979 and 2011. Hindi versions came in as Milan-1946, Ghoonghat-1960 and Kashmakash-2011.

The cast of film Milan-46 was Dilip Kumar, Meera Mishra, Ranjana, Pahadi Sanyal, Shyam Laha, S.Nazir, Moni Chatterjee etc. The story is-

The story is set in 1905. Ramesh (Dilip Kumar) is studying law in Calcutta and has just appeared for his final exams. He is a friend and neighbour of Jogen who is also studying law. Jogen (Shyam Laha) lives with his father Annada Babu (Moni Chatterjee) and sister Hemnalini (Ranjana). Ramesh and Hemnalini are fond of each other and Ramesh visits their house most days for tea. Their association is disliked by another friend Akshay (Pahadi Sanyal) who also likes Hemnalini.

Ramesh has been asked to come back to his village for the holidays by his father but is dissuaded from going by Hemnalini. Ramesh’s father Braja Mohan (K. P. Mukherjee) is from the priestly caste and lives in the village. He receives an anonymous letter stating that his son is involved with the neighbour’s daughter who comes from a tradesman caste and that he spends his entire time there.

Braja Mohan goes to the city and brings Ramesh back with him to the village. He has arranged Ramesh’s wedding with a poor widow’s daughter. Ramesh tries to convince his father about his involvement with Hemnalini. His father after satisfying himself that Ramesh has as yet not committed himself to Hemnalini prevails upon Ramesh to marry Sushila because of the promise he had given to the girl’s mother. There is a storm at night when the wedding party from the groom’s side is returning to their village by boat. During the crossing the boat capsizes. Nearly all on the boat are drowned including Ramesh’s father and Ramesh appears to be the only one to survive. He sees a woman in bridal dress lying unconscious on the bank. He brings her to his village but soon understands that this is a case of mistaken identity. She continuously checks him when he calls her Sushila and tells him her name is Kamala ( Meera Mishra). He realises there was another bridal procession and their boat too had capsized.

After the formalities of his father’s funeral service Ramesh decides to take Kamala to Calcutta. He finds out about her only living relative, an uncle, and writes to him. A letter arrives telling him of the death of Kamala’s uncle but the sender has mentioned the husband’s name and profession. His name is Nalin and he’s a doctor. Ramesh starts searching for Dr. Nalin. He has made no mention of his marriage to Hemnalini or her family nor told anyone regarding the mistaken identity of his supposed bride to avoid any embarrassment to the girl.

On arrival in Calcutta, Ramesh suggests that Kamala get an education. After allaying her apprehension regarding her age he admits her in a girl’s boarding school in the same city. Akshay’s sister also studies in the same school and through her Akshay gets to know the truth about Ramesh’s marriage. In the evening he questions Ramesh in front of Hemnalini. Ramesh deflects the question and asks Hem to trust him. Preparations are on at Annada’s house for the wedding of Hemnalini and Ramesh. Their wedding is set for the coming Sunday but Ramesh is asked by the principal to take Kamala home for the weekend. Ramesh postpones the wedding and brings Kamala back from school. Akshay brings Jogen to Ramesh’s house where they see Kamala and on being questioned Ramesh keeps silent. Hemnalini goes into a state of shock when she’s told about Ramesh’s wife.

Her father takes her to Kashi to recuperate. Ramesh decides to leave Calcutta and he takes Kamala with him to Ghazipur. Kamala reads the letter Ramesh has written to Hem explaining the entire situation and mentioning Kamala’s husband’s name. She finally recognises the truth about her and Ramesh’s situation. She decides to kill herself and leaves the house. She is rescued and comes under Nalin’s mother’s care.

She realises that Nalin is her husband but finds out that Hem and he are to be betrothed. However, Nalin is not happy about the betrothal as he refuses to believe that Kamala is dead and wants to wait a while longer. Finally the truth comes out and she’s accepted by her husband and his mother while Ramesh and Hemnalini get back together.

The film had 8 songs. Today’s song is the 5th song to be posted. All other songs are also available on You Tube. Enjoy the video song.

(My thanks to Dr.J.P.Guha ji, the book Hero-I by Ashok Raj, HFGK,and my own notes)


Song-Gungun gungun boley bhanwra (Milan)(1946) Singer-Parul Ghosh, Lyrics-P L Santoshi, MD-Anil Biswas
Dilip Kumar
Ranjana

Lyrics

gungun gungun boley bhanwrva aa
hamaari bagiya mein aaike
wo gungun gungun bole bhanwrva aa
hamaari bagiya mein aaike
hamaari bagiya mein aaike ho bhanwra
gungun gungun boley
hamaari bagiya mein aaike
wo gungun gungun bole bhanwrva aa
hamaari bagiya mein aaike

madhuvan se laaye sandesha bahaar ka
madhuvan se laaye sandesha bahaar ka aa aa
taar(?) jaaye mere pyaar ka
veena baja ke
baawri bana ke
haumaari bagiya mein aaike ho bhanwra
gungun gungun bole
humaari bagiya mein aaike
wo gungun gungun bole bhanwrva aa
hamaari bagiya mein aaike

Dialogues
———————————
iraada badal bhi sakta hai
lekin uske liye ek munaasib bahaana gadhna padega

bahaana

haan aakhir pitaaji ka hukm
baghair kisi vajah ke thhode hi taala jaa sakta hai
aur aap kya samajh rahin hain
ham apni marzi se jaa rahe hain

oh

lekin ye sab ek shart par

kya shart

jo gaana abhi ham sun rahe thhe wo poora ho

poora hoga

aaiye
————————
gungun gungun boley bhanwrva aa
hamaari bagiya mein aaike
wo gungun gungun boley bhanwrva aa
hamaari bagiya mein aaike
wo jaan gaya re
jaan gaya re
wo jaan gaya re
mere man mein hai kya
jaan gaya re
kahta phire sab kaliyon se jaa
kahta phire sab kaliyon se jaa
mere man mein hai kya
jaan gaya re
jaan gaya re
dekh rahi thhi
main raah kisi ki
dekh rahi thhi
main raah kisi ki
ankhiyaan bichhaai ke
?? lagaay ke ae
ankhiyaan bichhaai ke
?? lagaay ke
hamaari bagiya mein aay ke ho bhanwra
gungun gungun boley
hamaari bagiya mein

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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3465 Post No. : 13907

I was vaguely aware that today (12 january 2018) was an anniversary of C Ramchandra. Subsequently, I came to know that it was no ordinary anniversary. It was the birth centenary of C Ramchandra (12 january 1918- 5 january 1982).

It goes without saying that C Ramchandra was one of the many pioneers of HFM who helped add considerably to the cause of HFM.

For someone who is known as a music director among music lovers, C Ramchandra did not start his career that way. His film career began as a lead actor in “Naganand”(1935). After a few stints as an actor, he turned a music director-and that too in a Tamil film !

He became a music director in Hindi movies with “Sukhi Jeewan” (1942).

C Ramchandra kept working as a music director as well as a singer for some time before he made it big in the second half of 1940s. He was a leading music director of Hindi movies for nearly one year before he found himself relegated to the background.

During his career as a music director C Ramchandra worked in 111 Hindi movies where he composed 907 songs. This blog has 484 of his compositions, which adds up to more than 53 % of all C Ramchandra compositions in Hindi movies.

As many as 30 of these movies have already been YIPPEED in the blog.

Today is an ideal day to showcase a rare C Ramchaandra composition which also happens to the the final song of the movie. The movie under question is “Sangeeta”(1950). The movie had ten songs in it and the song under dicussion is the tenth and final song from the movie.

This song is sung by C Ramchandra and Snehal Bhatkar. It must be one of very few occasions when two persons, better known as music directors rather than singers sang a duet !

P L Santoshi is the lyricist. Music is composed by C Ramchnadra, of course.

Only the audio of this rare song is available. I request our knowledgeable readers to throw light on the picturisation of this song.

With this song, “Sangeeta”(1950) joins the list of movies that have all their songs covered in the blog.


Song-Arre jaise hukke ke dhuyen se…teri haay ke saath(Sangeeta)(1950) Singers-C Ramchandra, Snehal Bhatkar, Lyrics-P L Santoshi, MD-C Ramchandra

Lyrics

haaye
haaye
haaye
haaye
haaye

arre jaise hukke ke dhunye se
dhuaan mil jaaye
jaise chilam ke dhunye se dhuaan mil jaaye
haan aan aan aan aan aan aan
arre haaye
teri haaye ke saath niklegi meri bhi haaye
teri haaye ke saath niklegi meri bhi haaye
are haaye re haaye re haaye re haaye
teri haaye ke saath niklegi meri bhi haaye
are haaye re haaye re haaye re haaye re haay
teri haaye ke saath niklegi meri bhi haaye
are haaye re haaye re haaye re haaye re haay
teri haaye ke saath nikalegi meri bhi haaye

jahaan tumhaara bahe paseena
ham sab khoon baha den
are khoon ki nadiyaan bhi baha den
ishq mein marke majnu aur farhaad ka naam mita den
ha unka bhi nam ek dam dho daalenge yaar
agar hame bhi koi laila aur shirin mil jaaye
are haaye re haaye re haaye re haaye re haay
teri haaye ke saath niklegi meri bhi haaye
teri haaye ke saath niklegi meri bhi haaye
are haaye re haaye re haaye re haaye
teri haaye ke saath niklegi meri bhi haaye
are haaye re haaye re haaye re haaye re haay
teri haaye ke saath niklegi meri bhi haaye

ek baar dil dekar dekho
uska dil na dukhaana
gale lagaao yaar
uska dil mat dukhao
soch samajh kar chalna hero
bahut bura hai zamaana
bahut bura hai
ek dum
kahin jaal mein phansi chiraiya
furr se na ud jaaye
are haaye re haaye re haaye re haaye re haay
teri haaye ke saath niklegi meri bhi haaye
teri haaye ke saath niklegi meri bhi haaye
are haaye re haaye re haaye re haaye
teri haaye ke saath niklegi meri bhi haaye
are haaye re haaye re haaye re haaye re haay
teri haaye ke saath niklegi meri bhi haaye


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3460 Post No. : 13883

“Sangeeta” (1950) was directed by Ramanlal Desai for Sudha Pictures Production. The movie had Shyam, Nigar Sultana, Suraiya Choudhary, Ramsingh, Radha Krishnan, Pran, Mumtaz Ali etc in it.

The movie had ten songs in it. Eight songs have been covered in the blog. Here is the ninth song from “Sangeeta” (1950) to appear in the blog.

This rare song is sung by Lata and chorus. P L Santoshi is the lyricist. Music is composed by C Ramchandra.

Only the audio of this song is available. My guess is that this song is picturised on Nigar Sultana. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Chhupne waale…Pyaar karne waalon ko nazron ka ishaara kaafi hai(Sangeeta)(1950) Singer-Lata, Lyrics-P L Santoshi, MD-C Ramchandra
Chorus

Lyrics

Chhupne waale kahin chhupen
par dhoondh hi lenge dhoondhne waale
aankhen bhed bata hi dengin
laakh lagaao munh par taale

nazron ka ishaara
aankhon ka ishaara
nazron ka ishaara kaafi hai
pyaar karne waalon ko jee pyaar karne waalon ko
pyaar karne waalon ko
aankhon ka ishaara kaafi hai
pyaar karne waalon ko jee pyaar karne waalon ko
nazron ka ishaara kaafi hai

raat din aankhon mein ghooma karti hai soorat teri
mujhko sab kuchh mil gaya
jo mil gayi ulfat teri
jeene ka sahaara
jeene ka sahaara kaafi hai
pyaar karne waalon ko jee pyaar karne waalon ko
nazron ka ishaara kaafi hai
pyaar karne waalon ko jee pyaar karne waalon ko
aankhon ka ishaara kaafi hai

tum baat karo na baat karo
ya door raho hamse roothhe ae ae ae
kuchh aur tamanna karne waale
aashiq duniya mein jhoothhe
deedaar tumhaara
deedaar tumhaara kaafi hai
pyaar karne waalon ko jee pyaar karne waalon ko
nazron ka ishaara kaafi hai
pyaar karne waalon ko jee pyaar karne waalon ko
aankhon ka ishaara kaafi hai

hai bheed yahaan par laakhon ki
laakhon ki daulat liye khade ae ae ae
koi aah kare koi waah kare
ko haath jode paanv pade
bas ishq ka maara
bas ishq ka maara kaafi hai
pyaar karne waalon ko jee pyaar karne waalon ko
nazron ka ishaara kaafi hai
pyaar karne waalon ko jee pyaar karne waalon ko
aankhon ka ishaara kaafi hai


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3459 Post No. : 13878

“Sangeeta” (1950) was directed by Ramanlal Desai for Sudha Pictures Production. The movie had Shyam, Nigar Sultana, Suraiya Choudhary, Ramsingh, Radha Krishnan, Pran, Mumtaz Ali etc in it.

As many as seven songs from this movie have been discussed in the past. Here is the eighth song from the movie to appear in the blog. This song is sung by Lata. P L Santoshi is the lyricist. Music is composed by C Ramchandra.

Only the audio of this song is available. My guess is that this song is picturised on Nigar Sultana. I request our knowledgeable readers to throw light on the picturisation of this song.

The uploader has displayed the picture of Pran and Suraiyya with the audio of this song, unaware that the Suraiyya Chaudhary in the star cast of this movie is different from the singer-actor Suraiyya. Nigar Sultana and Shyam were the lead actors of this movie and Lata’s voice had appeared in eight out of ten songs of the movie.


Song-Dil loot liya anjaane mein (Sangeeta)(1950) Singer-Lata, Lyrics-P L Santoshi, MD-C Ramchandra

Lyrics

dil loot liya aa aa aa
dil loot liya
dil loot liya anjaane mein
ham aa gaye unki ee aankhon ke behkaane mein ae
dil loot liya

nazron se nazren chaar huyin een een een
nazron se nazren chaar huyin
jab dekha pehli baar unhen
kuchh keh na saki
par chupke chupke
karne lagi main pyaar unhen
ho karne lagi main pyaar unhen

maaloom na thha aa aa aa
maaloom na thha dil kho jaayegaa
aankh se aankh milaane mein
ham aa gaye unki ee aankhon ke behkaane mein aen
dil loot liya

do din ki wo pehchaan
haaye ae ae ae
do din ki wo pehchaan
haaye ab chain nahin
aaraam nahin
din kat jaaye par raat na beete
subah kate to shaam nahin
ho subah kate to shaam nahin

hardam hai unka intzaar
hardam hai unka intzaar
der hai kitni aane mein
ham aa gaye unki ee aankhon ke behkaane mein ae
dil loot liya
dil loot liya aa aa aa
dil loot liya


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Saudaagar”(1951) was produced by S V Moongre and directed by M I Dharmsey for West Hind Pictures, Bombay. The movie had, Rehana, Naseer Khan, Suraiyya Choudhary, Bhudo Advani, Shakuntala, Ratan Kumar, Balam, K N Singh etc in it.

This movie had ten songs in it that were sung by six singers, penned by three lyricists and composed by two music directors.

Three songs from the movie have been covered in the past.

Here is the fourth song from “Saudaagar”(1951) to appear in the blog. This song is sung by Lata and chorus. P L Santoshi is the lyricist. Music is composed by C Ramchandra.

Only the audio of this joie de vivre song is available. My guess is that this song was picturised on Rehana.

I think that this is a nice joyous song just appropriate for the first day of the week, first day of the month and first day of the year that today (1 january 2018) happens to be. I take this opportunity to greet everyone a very happy new year 2018.


Song-Main hoon kali teri tu hai bhanwar mera (Saudaagar)(1951) Singer-Lata, Lyrics-P L Santoshi, MD-C Ramchandra
Chorus

Lyrics

main hoon kali teri
tu hai bhanwar mera
main hoon nazar teri
tu hai jigar mera
guli gulera gulera
guli gulera gulera
guli gulera gulera
guli guli gulera
guli gulera gulera
guli gulera gulera
guli gulera gulera
guli guli gulera

(aa aa aa
aa aa aa)

nayi zindagi hai
nayi hai kahaani
roop se galey mili aake jawaani
kunjon ki chhaaya mein raat chhupi hai
daane daane mein khila hai sawera
khila hai sawera
guli gulera gulera
guli gulera gulera
guli gulera gulera
guli guli gulera

dulha chaman ho
dulhan bahaar ho
dulhan bahaar ho
dulhan bahaar ho
dulhan bahaar ho
dulhan bahaar ho
dulhan bahaar ho

phoolon ke rangon ka
chhitka huaa pyaar ho
chhitka huaa pyaar ho
chhitka huaa pyaar hai
chhitka huaa pyaar hai
chhitka huaa pyaar hai
chhitka huaa pyaar hai

saanson ki galiyon mein komal si kaliyon mein
nikle hain do dil basaane basera
basaane basera
guli gulera gulera
guli gulera gulera
guli gulera gulera
guli guli gulera

main hoon kali teri
tu hai bhanwar mera
main hoon nazar teri
tu hai jigar mera
guli gulera gulera
guli gulera gulera
guli gulera gulera
guli guli gulera


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Saanwariya”(1949) was directed by Nusrat A Mansuri for Filmistan, Bombay. This movie had Hafeez Jahaan, Rehman, Veera, Nusrat, S L puri, Leela Mishra etc in it.

This “social” movie had ten songs in it. Five of these songs have been covered in the past.

Here is the sixth song from “Saanwariya”(1949) to appear in the blog. This song is sung by Shamshad Begam. P L Santoshi is the lyricist. Music is composed by C Ramchandra.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Bedard zamaane mein dekho..duniya waalon dil khol hanso (Saanwariya)(1949) Singer-Shamshad Begam, Lyrics-P L Santoshi, MD-C Ramchandra

Lyrics

bedard zamaane mein dekho
hum dard ki duniya liye chale
duniya waalon dil khol hanso
hum sar ko neecha kiye chale
hum sar ko neecha kiye chale
duniya waalon dil khol hanso
hum sar ko neecha kiye chale
hum sar ko neecha kiye chale

itni si bhool hui hum se
jo pyaar kiya humne un se
itni si bhool hui hum se
jo pyaar kiya humne un se
us bhool mein hanste hanste
hum do ghoont zahar ke piye chale
do ghoont zahar ke piye chale

in aankhon mein barsaat chhipi
haaye gham ki kaali raat chhipi
in aankhon mein barsaat chhipi
haaye gham ki kaali raat chhipi
eik yaad laga kar seene se
hum mar mar ke bhi jiye chale
hum mar mar ke bhi jiye chale
duniya waalon dil khol hanso
hum sar ko neecha kiye chale
hum sar ko neecha kiye chale


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Saudaagar”(1951) was produced by S V Moongre and directed by M I Dharmsey for West Hind Pictures, Bombay. The movie had, Rehana, Naseer Khan, Suraiyya Choudhary, Bhudo Advani, Shakuntala, Ratan Kumar, Balam, K N Singh etc in it.

This movie had ten songs in it that were sung by six singers, penned by three lyricists and composed by two music directors.

Two songs from the movie have been covered in the past.

Here is the third song from “Saudaagar”(1951) to appear in the blog. This song is sung by Lata. P L Santoshi is the lyricist. Music is composed by C Ramchandra.

Only the audio of this song is available. My guess is that this song was picturised on Rehana.

I have not been able to get one word/phrase right in the song (may be more)/ I request our readers with keener ears to help fill in the blanks/ suggest corrections as applicable.


Jab aankhon mein laali chhaane lage (Saudaagar)(1951) Singer-Lata, Lyrics-P L Santoshi, MD-C Ramchandra

Lyrics

Jab aankhon mein laali chhaane lage
aur ghadi ghadi angdaayi aane lage
to samjho ke aayi jawaani deewaani
jawaani deewaani jaawaani
to samjho ke aayi jawaani deewaani
jawaani deewaani jawaani

aa aa aa
jab chhinn chhinn mein ankhiyaan phadken
aur rah rah ke dil ye dhadke
dil ye dhadke
to samjho ke aayi jawaani deewaani
jawaani deewaani jawaani
to samjho ke aayi jawaani deewaani
jawaani deewaani jawaani

jab dil na rahe apne bas mein
ik bijli si daude nas nas mein aen aen aen aen aen
to samjho ke aayi jawaani deewaani
jawaani deewaani jawaani
to samjho ke aayi jawaani deewaani
jawaani deewaani jawaani

aa aa aa
jab soona lage man ka kona
aur so na sake chaahe sona
ho chaahe sona
ae ji o o o
o o o
o o o
jab soona lage man ka kona
aur so na sake chaahe sona
ho chaahe sona
to samjho ke aayi jawaani deewaani
jawaani deewaani jawaani
to samjho ke aayi jawaani deewaani
jawaani deewaani jawaani
jab aankhon mein laali chhaane lage
aur ghadi ghadi angdaayi aane lage
to samjho ke aayi jawaani deewaani
jawaani deewaani jawaani


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Saudaagar”(1951) was produced by S V Moongre and directed by M I Dharmsey for West Hind Pictures, Bombay. The movie had, Rehana, Naseer Khan, Suraiyya Choudhary, Bhudo Advani, Shakuntala, Ratan Kumar, Balam, K N Singh etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Malika e Alam Noorjahaan”(1954) was produced by Mafatlal D Shah and directed by Gunjal for Amar Keerti Pictures, Bombay. The movie had Asha Mathur, Kamal Kapoor, Jageerdaar, Pradeep Kumar, Jankidas, Noorjahaan, Indu Pal, Jagdish Kamal, Khwaza Sabir, M A Aziz, Rajan Kapoor, Jago etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Chaalis Baaba Ek Chor”(1954) was produced by Kamini Kaushal and it was directed by P L Santoshi. The movie had Kamini Kaushal, Balraj Sahni, Smriti Biswas, Om Prakash, David, Chandabai, Jagdeep etc in it.
Read more on this topic…


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for more than nine years. This blog has over 14000 song posts by now.

This blog is active and online for over 3500 days since its beginning on 19 july 2008.

Total number of songs posts discussed

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Movies with all their songs covered =1084
Total Number of movies covered =3841

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Blog Start date: 19 july 2008

Active for more than 3500 days.

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