Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for August 2011


As long back as 1939, there was a fun movie called “Brandy Ki Bottle” . In this movie, a man (Master Vinayak) is asked by his boss to bring a bottle of Brandy to cure the illness of his boss’ kid. This man is not aware what is Brandy, and that leads to hilarious scenes throughout the movie.
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We have been discussing one K L Saigal song as the first song of this blog for the last three months, and now we have reached a stage when we have almost exhausted all K L Saigal movie songs to be discussed. Now only the non movie songs (about 20 odd) are yet to be discussed. Within one month, we can expect to have all the available K L Saigal songs to be covered in this blog. And this is something we can really be proud of.
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“Chaand Mere Aaja” (1960) is a movie that had Bharat Bhushan, Nanda, Maruthi Rao, B.M.Vyas, Achala Sachdev, Lalitha pawaar,jeevan, D.K.sapru, Veena etc in it. This was a Murli Movies productions and it was directed by Raam Dariyaani.
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“Chakradhaari” (1954) is a religious/mythological movie and one expects its songs to be mainly prayers etc. And indeed there are several such songs. But this movie also has songs that are more “mainstream” in the sense that they have more to do more with human relations rather than with the Almighty.
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“Baap Beti” (1954) is a very obscure movie and its songs are even more obscure. But what nice songs this movie has !

Here is a lovely song from this movie. This song is sung by Lata and chorus. Only the audio of this song is available, so it is difficult to guess how and whom this song is picturised. My guess is that a music teacher is teaching music to her pupils in this song.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

When the year 1952 dawned, Geeta ji had been singing in Hindi films now for about 6 years, and had an incredible 500+ songs already behind her. On the other hand, the soon to be famous OP Nayyar had composed the background score for Kaneez in 1949, and this film, Aasmaan, was going to be his debut as an independent music director. He became known as a maverick composer and the Melody Maestro in the coming years. OP Nayyar went through a phase in the 50s when All India Radio shunned his music as being too trendy, and Radio Ceylon became the remote beacon for music lovers to listen to his songs. In the mid to late 1950s, he became the highest paid composer in the industry, and the first one to command contracts worth one lakh (and more) for composing.
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“Namoona” (1949) is a movie that had Kishore Sahu, Kamini Kaushal, Dev Anand and Leela Chitnis in lead roles. In this movie, Kamini Kaushal’s father fixes her wedding with Kishore Sahu, though she is in love with Dev Anand. And as is the case in Hindi movies, he resorts to emotional blackmail to get her to marry the person of his choice. Dev Anand, who overhears their conversation, also concurs with the old man and advises Kamini Kaushal that they needed to sacrifice their love for the sake of practical considerations.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Saigal Saab, for whom the legendary classical singer of that time, Ustad Faiyaaz Khan Saaheb, has said, “We are born in music, and have generations of musical heritage to follow, and yet, we cannot even think of becoming like Kundan Lal Saigal, who so effortlessly continues to sing, on and on.” An appreciation and endorsement coming from a singer of Ustad Saab’s stature, is of a great consequence. It is said that Faiyaaz Saab himself proposed that KL Saigal should become his pupil, a proposal which Saigal Saab accepted wholeheartedly. A promise that was kept with a formal ceremony of initiation complete with getting the traditional taaveez from Faiyaaz Saab.
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