Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for January 2013


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

I have experienced this many times, and maybe you too could have experienced the same. The music of his songs has the quality to transport the listener to another place, another time. Just close your eyes and relax – and listen to a song like “Parbaton Ke Pedon Par Shaam Ka Baseraa Hai”(film ‘Shagoon’, 1964). The flowing waves of music will transport the listener to a vista of hills and trees with the sun slowly descending the western horizon. Or the song “Bahaaro, Mera Jeevan Bhi Sanwaaro” (film ‘Aakhri Khat’, 1966). Or the song “Apne Aap Raaton Mein Chilmanein Sarakti Hain” (film ‘Shankar Hussain’, 1976). Or the song “Simti Hui Ye Ghadiyaan” film ‘Chambal Ki Kasam’, 1979). Or the song “Aa Jaa Re Aa Jaa Re O Mere Dilbar Aa Jaa”(film ‘Noorie’, 1979). Or the quintessential gem “Shaam-e-Gham Ki Kasam, Aaj Ghamgeen Hain Hum” film ‘Footpath’, 1953).
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Among the film producers and directors of early days of talky films, Kidar Sharma was one among a few producer-directors who evoked my interest in knowing him. My information about him was limited to what I had known from print media and interviews on Doordarshan in 70s and 80s. He was known for introducing new faces like Raj Kapoor, Madhubala, Geeta Bali in the Hindi film industry who subsequently attained the star status. He also introduced Snehal Bhatkar and Roshan as music directors. Kidar Sharma was a multifaceted personality – painter, photographer, story/screen play/dialogue writer, poet, lyricist, actor, director and producer as I came to know much later when I read his autobiography ‘ The One and Lonely Kidar Sharma’ (2002).
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“Krorepati” (1961) was a Saigal Brothers Production. It was produced by Om Prakash Saigal and directed by Mohan Saigal. The movie had Kishore Kumar, Shashikala (Producer’s wife), Kumkum, K. N. Singh, Anoop Kumar, Mirza Musharaff, Radhakishan, Haroon, S. Bannerjee, Ramlal, Shamlal, Brahm Bharadwaj, Daya Devi, Pal Sharma, Prem, Dev Chand etc in it.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

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The Voice of Mukesh #12
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After being the relative wilderness of unfamiliar artists from 1941 to 1944, Mukesh’s career took an upwards turn in 1945 with the release of ‘Pehli Nazar’. And 1946 turned out to be the best years thus far for him. In this year, Mukesh got singing assignments with five films. He sang for music director MA Mukhtar in the film ‘Chehraa’ – one solo and one duet with
Shamshad Begum. Both these songs have been discussed here on this blog recently, He sang a duet with Beenapani Mukherjee for the film ‘Druban’. There is a little uncertainty about the music director for this film (more about that later). Then, under the baton of Hansraj Behl, he rendered a wonderful duet with Sushila Rani for the film ‘Gwaalan’ –
Lagat Najar Tori Chalaiyya morey gore badan ko. This song also already appears on this blog. Then for the film ‘Raajputaani’, he sang a solo and a duet, under the music direction of Bulo C Rani. And lastly, he sang another duet song for music director Hanuman Prasad in the film ‘Raseeli’. Going up to seven songs in one year was a whole lot better than an average of two or three songs per year for the prior five years (1941-45).
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“Krorepati” (1961) was a Saigal Bothers Production. It was produced by Om Prakash Saigal and directed by Mohan Saigal. The movie had Kisore Kumar, Shashikala, Kum Kum, K. N. Singh, Anoop Kumar, Mirza Musharaff, Radhakishan, Haroon, S. Bannerjee, Ramlal, Shamlal, Brahm Bharadwaj, Daya Devi, Pal Sharma, Prem, Dev Chand etc in it.
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