Posts Tagged ‘Pt Indra Chandra’
- In: 10th Anniversary Celebration Song | Anil Biswas Solo Songs | Anil Biswas Songs | Devnagri script lyrics by Sudhir | Free Spirit Song | Guest posts | Journey Song | Lyrics contributed by readers | MD-Singer Song | philosophical song | Post by Mahesh Mamadapur | Song of 1939 | Songs of 1930s (1931 to 1940) | Yearwise breakup of songs
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This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3647 | Post No. : | 14481 |
ASAD 10th Anniversary Celebrations – 3
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“A journey of a thousand miles begins with a single step.”
– Lao Tzu
main akela hi chala tha janib e manzil magar
log saath aate gaye aur karwaan banta gaya
– Majhrooh Sultanpuri
On 19 July 2008, a single step was taken by our Atul ji, the day on which the first song was posted on the blog. It was followed by yet another Roshan number the next day and the journey continues to this date and beyond, much akin to the above sh’er by Majhrooh Saab.
Looking back at the last decade, there is a deep sense of excitement and contention amongst all readers and especially the important contributors. However what is equally true is that the responsibilities and the hope of tracing and introducing obscure songs has only increased. This hope itself is the proof of the immense popularity that the blog enjoys all over the world. I am sure the blog has become a one-stop destination for all readers in search for old Hindi songs and the correct and reliable information that it serves and continues to provide. About 4000 movies and nearly 15,000 songs covered, the blog has a visitors hits number of more than 10.5 million. Mind-blogging numbers indeed and one can only feel proud of being a part of this great musical extravaganza.
Since it is a special occasion of a decade of the blog’s existence, I suppose, I am at liberty to write a few words about my association with it.
Old Hindi Film songs were a common feature in my house, especially with SLBC and its special program ‘purani filmon ka sangeet’, which is played to this day and to which I am addicted to this day (ask our whatsapp group 🙂 ). With the advent of internet facility, the hobby of listening and gathering information naturally started dominating the searches. And, for people with music interest this blog was a no-escape and also a welcome addiction.
In the initial days, I just tried to absorb and admire the contents. It was not long that the longing to be a part of the blog started to grow. A few comments and corrections here and there started. Seeing that a lot of songs known to self were yet to be represented, I toyed with the idea of sending the lyrics. I ended up sending lyrics for 3-4 songs, but the greed to get more involved did not stop.
It was then that I starting writing posts. After a few posts and with the ideas and plots for writing posts difficult to come by, I started a mini-series on Mukesh and his composers. There is a small contribution of self in this series with 14 posts and 04 posts in another series titled Mukesh and his co-singers. Apart from the posts on Mukesh, I feel proud to have written about Rafi saab, Talat saab and Lata Mangeshkar. There are individual posts on Shamshad Begum, Uma Devi, etc. I have also written about Ghulam Mohammed and Shankar Jaikishan whose compositions, I enjoy immensely.
Of the 30 odd posts, “Sab Thhaath Pada Reh Jaavegaa” has had a great influence on me and especially the verses.
jo paaya hai wo baant ke kha
kangaal na kar kangaal na ho o
jo sab ka haal kiya toone
ek roz wo tera haal na ho o
is haath se de us haath se le
ho jaave sukhi ye jag saara
There was time when some songs of Mukesh were not to my liking. This view is particularly for a few songs at the fag end of his career wherein you find him singing all types of songs without the Midas touch of late 1940’s and 1950’s. Not having understood the lyrics properly, I had counted the above song also in that category. However, while writing the post and especially after Sudhir ji’s English translation, the song seems to be nothing short of philosophy of life that one must follow.
And then, “Lo Mil Gayi Degree Pyaar Ki” had its own story before it was put up as a post. A virtual Kishore Kumar solo was converted into a Mukesh post just because he had two words in the song. It was the last song of Mukesh-Roshan to be introduced to the blog and there was no way, I could lose the opportunity. Many eminent personalities were contacted who held different views on how Mukesh could fit in as he was not part of the movie etc.
Lastly, “Gokul Nagri Jaana” remains the oldest song sung by Mukesh on the blog. I have special memories of writing this post, as I was aware that I had touched upon a gold mine of 06 special songs of his career. Two of them remain untraced to date, but then there have been many surprises on this blog and I am sure all six will be accounted for.
The past year has been hectic for me from job and work point of view. However, with this post, I have barely managed to avoid the guilt of not having contributed for an entire year. I expect saner time allotment for this hobby again.
Coming back to the blog, I consider the following to be a few unique and unparalleled aspects about it.
- Accuracy and authenticity of the contents
- Complete and correct lyrics
- Responsible, authoritative and sound contributors
- The classification and arrangement of songs under various heads
- Easy accessibility of information on Hindi songs
- Common platform for like-minded Hindi songs enthusiasts
- Due recognition and importance accorded to various artists
- Accurate statistics of songs and artists contribution.
There could more important USP’s of the blog; however, the following two aspects are also quite important.
- Opportunity for contributors to pen their thoughts on the blog
- A unique friendship circle amongst the regulars
I think every reader and especially the contributors can never thank Atul ji and Sudhir ji enough, to acknowledge and appreciate the opportunity given to us to pen down our thoughts and represent songs on the blog. This is a very selfless and noble deed of Atul ji. Like-minded people met online on this blog and started a very special and unique circle, with quite a few sessions, visits etc. A whatsapp group is also formed with a few of the regulars and is more active than the blog itself now. 🙂
For me personally, the opportunity to interact with Mr. Harish Raghuwanshi ji was a great personal fulfilment. He has always helped me with my lists in the posts and also with information which would have been nearly impossible to trace elsewhere. Similarly, being in touch with eminent film historians and authors and knowledgeable personalities such as Shri Arun Kumarji, Harmandir Singh ji and many others has added new dimensions to our lives. In a fast moving world with technological advances, catching up with matters of yesteryears is so soothing and heart fulfilling. When we talk of ‘good old days’, here is a platform that binds us together.
Coming back to the series on Mukesh, a sort of regret that will always remain with me is not having a post on the collaboration of Mukesh with composer Anil Biswas. People fond of Hindi music need no explanation to elaborate the influence of Anil Da and stepping stone in Mukesh’s singing career with reference to “Dil Jaltaa Hai To Jalne De”. Of the 22 odd songs that Mukesh sang for Anil Da, all have been covered on the blog. Not to give a sense of false hope, I would like to clarify that the song that I am presenting here today has nothing to do with Mukesh.
Instead, I would like to write on Anil Biswas.
What can one write about the ‘Bhishm Pitamah’ of Hindi film music that has not been written earlier. A pioneer of playback singing in India and the composer who gave the initial breaks to singers like Parul Ghosh, Meena Kapoor, Mukesh, Talat Mahmood, Sudha Malhotra etc. He is credited with coaching Lata Mangeshkar with breath control techniques during recording of songs. Begum Akhtar’s timeless classics in the film ‘Roti’ (1942) were scored by him. Mukesh, Talat Mahmood, Suraiya et al have sung several of their classic songs under his composition. Lata having sung under various composers has a lot of numbers under his composition too and these songs will always remain on a higher plane. The fame achieved by the songs in ‘Kismet’ (1943) will be discussed and mentioned for a very long time.
There is enough material on the net on Anil Biswas, his life in Mumbai and Delhi, the many pioneering aspects of his compositions, how the mighty composers of later-years were his assistants earlier etc. And then there is also a detailed wikipage dedicated to him. However, I would like to draw the attention of readers to AK ji’s blog songsofyore.com.
Seventh of July, last week was the birth anniversary of Anil Da. Four years back, 2014 was his centenary year and the AK ji’s blog has a wide range of tributes and had dedicated an entire year on Anil Biswas starting with his daughter’s introductory post which one can find here. The eighth and last post on this special series can be found here.
The last post referred above also contains in its first paragraph links to the other six posts on Anil Biswas posted in his centenary year. I think die-hard fans of Anil Da can look no further than these posts to enjoy the complete range of his compositions for various artists and well himself.
Yes, he did sing for himself and I present here one such song composed and also sung by him.
I have no words to express my happiness in writing this post and introducing the song composed as well as sung by Anil Biswas to the blog. The immense gratitude to Atul ji and Sudhir ji for giving me yet another opportunity to write goes without saying.
This solo song is from the film ‘Ek Hi Raasta’ (1939). Only one of the potential twelve songs in the film has been posted on the blog so far and this is only the second song from the film to be posted.
To conclude the post, I once again congratulate Atul ji and Sudhir ji on this stupendous achievement of one decade of existence of the blog. There is a long way to go and many more milestones to be achieved. As we complete one decade of existence and march into the second, then to silver jubilee and beyond, the journey itself has become the destination for Atulites.
Long live the music of vintage and golden era, long live the passion of Atulites and long live the longevity of the blog. 🙂
Song – Bhai Hum Pardesi Log Hamen Kaun Jaane (Ek Hi Raasta) (1939) Singer – Anil Biswas, Lyrics – Pt Indra Chandra, MD – Anil Biswas
Lyrics
bhai hum pardesi log
hamen kaun jaane
o bhai hum pardesi log
hamen kaun jaane
na koi apna na koi apni..ee..ee
sabhi paraaye log
na koi apna na koi apni
sabhi paraye log
hamen kaun pehchane re
bhai hum pardesi log
hamen kaun pehchane re
bhai hum pardesi log
hamen kaun jaane
khud hi rijhaaen khud man jaaen
chaahe ramaaye jog
khud hi rijhaaen khud man jaaen
chaahe ramaaye jog
chaahe bane diwaane re bhai
chaahe bane diwaane re bhai
hum pardesi log
hamen kaun jaane
sab se milte phir bhi akele..ey..ey
sab se milte phir bhi akele..ey..ey
apne dil ka rog
apne dil ka rog
koi kya jaane re bhai
koi kya jaane re
bhai hum pardesi log
hamen kaun jaane
o bhai hum pardesi log
hamen kaun jaane
na koi apna na koi apni
sabhi paraaye log
na koi apna na koi apni
sabhi paraaye log
hamen kaun pehchane re
bhai hum pardesi log
hamen kaun pehchaane re
bhai hum pardesi log
hamen kaun jaane
o bhai hum pardesi lo..o..ogg
————————————–
Devnagri script lyrics (Provided by Sudhir)
—————————————
भई हम परदेसी लोग
हमें कौन जाने
ओ भई हम परदेसी लोग
हमें कौन जाने
ना कोई अपना ना कोई अपनी॰॰ई॰॰ई
सभी पराये लोग
ना कोई अपना ना कोई अपनी
सभी पराये लोग
हमें कौन पहचाने रे
भई हम परदेसी लोग
हमें कौन पहचाने रे
भई हम परदेसी लोग
हमें कौन जाने
खुद ही रिझाएँ खुद मन जाएँ
चाहे रमाएं जोग
खुद ही रिझाएँ खुद मन जाएँ
चाहे रमाएं जोग
चाहे बने दीवाने रे भाई
चाहे बने दीवाने रे भाई
हम परदेसी लोग
हमें कौन जाने
सबसे मिलते फिर भी अकेले॰॰ए॰॰ए
सबसे मिलते फिर भी अकेले॰॰ए॰॰ए
अपने दिल का रोग
अपने दिल का रोग
कोई क्या जाने रे भाई
कोई क्या जाने रे
भई हम परदेसी लोग
हमें कौन जाने
ओ भई हम परदेसी लोग
हमें कौन जाने
ना कोई अपना ना कोई अपनी
सभी पराये लोग
ना कोई अपना ना कोई अपनी
सभी पराये लोग
हमें कौन पहचाने रे
भई हम परदेसी लोग
हमें कौन पहचाने रे
भई हम परदेसी लोग
हमें कौन जाने
ओ भई हम परदेसी लो॰॰ओ॰॰ओग
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3609 | Post No. : | 14393 |
“Gunsundari”(1948) was directed by Ratibhai Punatkar for Ajit Pictures, Bombay. This “social”movie had Nirupa Roy, Manhar Desai, Dulari, Chhagan Romeo, Saraswati, Babu Raje, Jalejar Reutor, Kamlesh Thakkar, Nazeera, Ibrahim, Chandramukhi, Master Pransukh etc in it.
The movie had 14 songs in it that were composed by three music directors viz. Bulo C Rani, Hansraj Bahl and Avinsh Vyas.
Three songs have been covered in the past.
Here is the fourth song from “Gunsundari”(1948) to appear in the blog. This song is sung by Geeta Dutt. Pt Indra Chandra is the lyricist. The music director of this song is not known even though there were three music directors in the movie.
Only the audio of the song is available. The song is a fun song where a devrani (husband’s younger sister) teases her bhaabhi and exhorts her to be modern in her outlook. The list of things that made an Indian lady look modern in 1948 makes for interesting reading.
Here is this fun song from “Gunsundari”(1948). I request our knowledgeable readers to throw light on the picturisation of this song. I also request our knowledgeable readers to throw light on the music director of this song. My guess is that it could be Avinash Vyas.
Song-Bhaabhi o bhaabhi (Gunsundari)(1948) Singer-Geeta Dutt, Lyrics-Pt Indra Chandra
Lyrics
bhaabhi o bhaabhi
bhaabhi o bhaabhi
badlo thhoda thhoda rang
chalo fashion ke sang
chalo fashion ke sang
bhaabhi o bhaabhi
badlo thhoda thhoda rang
chalo fashion ke sang
chalo fashion ke sang
baanki curly zulf banaao
honthon pe laali lagaao
baanki curly zulf banaao
honthon pe laali lagaao
chapti chappal chaal bigaade
oonchi aedi ke boot mangaao
chapti chappal chaal bigaade
chapti chappal chaal bigaade
oonchi aedi ke boot mangaao
badlo chaal dhang
chalo fashion ke sang
chalo fashion ke sang
badlo thhoda thhoda rang
bhaabhi o bhaabhi
badlo thhoda thhoda rang
chalo fashion ke sang
chalo fashion ke sang
kitni badi lagaai bindiya
kyun pahni paayaliya
kitni badi lagaai bindiya
kyun pahni paayaliya
jheeni jheeni pade chunariya
jheeni jheeni pade chunariya
sagri dega batiyaan
kuchh laao naye ka rang
chalo fashion ke sang
chalo fashion ke sang
badlo thhoda thhoda rang
bhaabhi o bhaabhi
badlo thhoda thhoda rang
chalo fashion ke sang
chalo fashion ke sang
kuchh nakhre kuchh latak matak ho
kuchh masti nainan mein
kuchh nakhre kuchh latak matak ho
kuchh masti nainan mein
laakh adaayen
??
laakh adaayen
??
is tirchhi chitwan mein
tab chadhe piya pe rang
chalo fashion ke sang
chalo fashion ke sang
badlo thhoda thhoda rang
bhaabhi o bhaabhi
badlo thhoda thhoda rang
chalo fashion ke sang
chalo fashion ke sang
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3571 | Post No. : | 14310 |
“Pardesi Mehmaan”(1948) was directed by Aspi for Ranjit Movietone, Bombay. The move had Kamal Kapoor, Husn Banu, Rajrani, Ghulam Mohammed, Sheikh Hasan, Abdul Rehman, Afghan Sandow, Azim, Bipin Gupta, Kaizer etc in it.
The movie had 11 songs in it. Four of these songs have been covered in the past.
Here is the fifth song from “Pardesi Mehmaan”(1948) to appear in the blog. The song is sung by Husn Bano. Pt Indra is the lyricist. Music is composed by Hansraj Bahl.
Only the audio of this rare song is available. Seeing that Husn Bano’s name is there in the cast, it can be safely assumed that the song is picturised on herself. From the lyrics, this song is obviously the dukhda of a dukhiyaari who is expected to lead her life while suffering in silence. 🙂
Song-Pee aansoo pee aansoo pee aahen bhar bhar jee(Pardesi Mehmaan)(1948) Singer-Husn Bano, Lyrics-Pt Indra, MD-Hansraj Bahl
Lyrics
pee aansoo pee aansoo pee
pee aansoo pee aansoo pee
aahen bhar bhar jee
aahen bhar bhar jee
pee aansoo pee aansoo pee
aahen bhar bhar jee
aahen bhar bhar jee
sab kuchh sahna kuchh na kahna
sab kuchh sahna kuchh na kahna
dheeraj dharna chup ho rahna
dheeraj dharna chup ho rahna
preet ki reet yahi
preet ki reet yahi
aahen bhar bhar jee
aahen bhar bhar jee
maut se ladna aahon se jalna
aahon se jalna
maut se ladna aahon se jalna
aahon se jalna
banke bigadna
ji se gujrna
banke bigdna
ji se gujrna
preet mein peer bhari
preet mein peer bhari
aahen bhar bhar jee
aahen bhar bhar jee
hogi sunaani prem kahaani
prem kahaani
hogi sunaani prem kahaani
prem kahaani
jalti nishaani
aankhon ka paani
jalti nishaani
aankhon ka paani
paani mein aag bhari
paani mein aag bhari
aahen bhar bhar jee
aahen bhar bhar jee
pee aansoo pee aansoo pee
pee aansoo pee aansoo pee
aahen bhar bhar jee
aahen bhar bhar jee
Haay rasiya badaa naadaan
Posted on: February 3, 2018
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3487 | Post No. : | 14005 |
‘Pardesi Mehmaan’ (1948) was directed by Aspi for Ranjit Movietone, Bombay. The move had Kamal Kapoor, Husn Banu, Rajrani, Ghulam Mohammed, Sheikh Hasan, Abdul Rehman, Afghan Sandow, Azim, Bipin Gupta, Kaizer etc in it.
The movie had 11 songs in it. Three of these songs have been covered in the past.
Here is the fourth song from ‘Pardesi Mehmaan’ (1948) to appear in the blog. The song is sung by Husn Bano. Pt Indra is the lyricist. Music is composed by Hansraj Bahl.
Only the audio of the song is available. Seeing that Husn Bano’s name is there in the cast, it can be assumed that the song is picturised on herself.
Song-Haay rasiya bada naadaan (Pardesi Mehmaan)(1948) Singer-Husn Bano, Lyrics-Pt Indra, MD-Hansraj Bahl
Lyrics
haay ae
rasiya bada naadaan
raat bhar chaand nihaare re
raat bhar chaand nihaare re
haay ae
jal jaaye meri jaan
raat bhar dhoom machaawe re
raat bhar dhoom machaawe re
haay
rasiya bada naadaan
raat bhar chaand nihaare re
raat bhar chaand nihaare re
main paayal shor sunaaun
main paayal shor sunaaun
wo sune kook koyal ki
bedardi mud mud dekhe
bedardi mud mud dekhe
na jaane baat wo dil ki
mere ae
sisak rahe armaan
haay haay piya pukaare re
haay haay piya pukaare re
haay ae
rasiya bada naadaan
raat bhar chaand nihaare re
raat bhar chaand nihaare re
kyun dil mera dhadak raha hai
kyun dil mera dhadak raha hai
kya rasiya tadap raha hai
kyun gin rahin pyaasi aankhiyaan
kyun gin rahin pyaasi aankhiyaan
haay piya milan ki ghadiyaan
haay ae
dil mein uthhe toofaan
lage kab naav kinaare re
lage kab naav kinaare re
haay ae
rasiya bada naadaan
raat bhar chaand nihaare re
raat bhar chaand nihaare re
haay ae
jal jaaye meri jaan
raat bhar dhoom machaawe re
raat bhar dhoom machaawe re
raat bhar dhoom machaawe re
raat bhar dhoom machaawe re
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
हाए॰॰ए
रसिया बड़ा नादान
रात भर चाँद निहारे रे
रात भर चाँद निहारे रे
हाए॰॰ए
जल जाये मेरी जान
रात भर धूम मचावे रे
रात भर धूम मचावे रे
हाए
रसिया बड़ा नादान
रात भर चाँद निहारे रे
रात भर चाँद निहारे रे
मैं पायल शोर सुनाऊँ
मैं पायल शोर सुनाऊँ
वो सुने कूक कोयल की
बेदर्दी मुड़ मुड़ देखे
बेदर्दी मुड़ मुड़ देखे
ना जाने बात वो दिल की
मेरे॰॰ए
सिसक रहे अरमान
हाय हाय पिया पुकारे रे
हाय हाय पिया पुकारे रे
हाय॰॰ए
रसिया बड़ा नादान
रात भर चाँद निहारे रे
रात भर चाँद निहारे रे
क्यों दिल मेरा धड़क रहा है
क्यों दिल मेरा धड़क रहा है
क्या रसिया तड़प रहा है
क्यों गिन रहीं प्यासी अखियाँ
क्यों गिन रहीं प्यासी अखियाँ
हाय पिया मिलन की घड़ियाँ
हाय॰॰ए
दिल में उठे तूफान
लगे कब नाव किनारे रे
लगे कब नाव किनारे रे
हाय॰॰ए
रसिया बड़ा नादान
रात भर चाँद निहारे रे
रात भर चाँद निहारे रे
हाए॰॰ए
जल जाये मेरी जान
रात भर धूम मचावे रे
रात भर धूम मचावे रे
रात भर धूम मचावे रे
रात भर धूम मचावे रे
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Rajputaani”(1946) was directed by Aspi for Ranjeet Movietone, Bombay. This “historical” movie had Veena, Jairaj, Bipin Gupta, Ghulam Mohammad, Altaf Hussain, Azeem, Baby Mumtaz, Noorie, Usha Devi etc in it.
The movie had nine songs in it. Two songs from the movie have been covered in the past.
Here is the third song from “Rajputaani”(1946) to appear in the blog. this song is sung by Hamida Bano. Pt Indra Chandra is the lyricist. Music is composed by Bulo C Rani.
Hamida Bano had lent her voice in five out of nine songs. That plus the words of this and other songs sung by her makes me guess that she had sung for the leading lady playing the title role, which had to be Veena. So my guess is that this song was picturised on Veena.
I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.
Song-Oonche mewaadi parwat par koi mor boley ho (Rajputani)(1946) Singer-Hamida Bano, Lyrics-Pt Indra Chandra, MD-Bulo C Rani
Lyrics
mor boley ae ae
oonche mewaadi parwat par koi mor boley ho
oonche mewaadi parwat par koi mor boley ho
mor boley ho
morey hirday ki phulwaari mein chitchor boley ho
morey hirday ki phulwaari mein chitchor boley ho
koyal aur papeeha boley
koyal aur papeeha boley
main samjhi morey rasiya boley
main samjhi morey rasiya boley
more mithbole boley ki boli
jab chahoon oar boley ho
more mithbole boley ki boli
jab chahoon oar boley ho
mor boley ho
oonche mewaadi parwat par koi mor boley ho
more hirday ki phulwaari mein chitchor boley ho
preet rang se bhar bhar jholi
preet rang se bhar bhar jholi
khel rahe morey naina holi
khel rahe morey naina holi
naina dor mila ke
chaand chakor boley ho
naina dor mila ke
chaand chakor boley ho
koi mor boley ho
oonche mewaadi parwat par koi mor boley ho
morey hirday ki phulwaari mein chitchor boley ho
Mol hua anmol jeewan ka
Posted on: September 28, 2017
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Wo Zamaana”(1947) was directed by Manibhai Vyas for Ranjeet Movietone, Bombay. This “historicl” movie had Khursheed (Junior), Lalita Pawar, Altaf, Padma bannerji, Subhadra Devi, Sheikh Hasan, S N Tripathi, Pt Iqbal, Joshi, Ramswaroop, Nafeez Khalili, Kaabuli, Iqbal Hussain, Ibrahim, Bhupatrai Ojha etc in it.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Today’s song is from film Nishan-49. the film was made by Gemini Studios,Madras and the Director was S.S.Vasan. Music for this costume drama was by a team of 3 Gemini composers,namely – Rajeshwar Rao, M.D.Parthasarathy and B.K.Kalla. For the song under discussion, the composer was B.K.Kalla.
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