Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Hamida Bano solo songs’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Janmpatri”(1949) was directed by K P Shahani for Popular Productions, Bombay. This “social” movie had Sudha Rao, Hameed, Zebunnissa, Chandabai, Vijay Kumar, Leela Gupte, A Shah, Susheela, Mazeer Kashmiri, Pran, Ratan Piya, Khatana, Shamo, Abdul etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Bikhre Moti”(1951) was directed by S M Yusuf for Great India Productions, Bombay. The movie had Kamini Kaushal, Nigar, Jeevan, Jayant, Neelam, Ranjna, Sherry etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

PARAAYI AAG (1948) was produced under the banner of Great India Pictures and was directed by Najam Naqvi. The star cast included Munawwar Sultana, Ulhas, Mumtaz (Madhubala), Sheri, A Shah, W M Khan, Jilloo Bai etc. The story of the film revolves around the mistaken identities of the two prospective brides and bridegrooms. This leads to first, the comical situations and later, to some melodrama before misunderstandings are sorted out.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Paraayi Aag” (1948) was directed by Najam Naqvi for Great Indian Pictures production. The movie had Munawwar Sultana, Madhubala, Ullhas, Jilloo Maa, Sheri, Khalil, W. M. Khan etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Pati Seva”(1947), by now an obscure movie was directed by S M Yusuf. The movie had Sulochana Chatterji, Trilok Kapoor, Dulaari, Shakir, Sharda, Roop Kamal, Shabnam, Saiyyad Ahmad, Bibi, Agha Jaan, Ismail, Nirmal Kumar, Dhanraj, Yakoob etc in it.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

I came across this song long back during my routine browsing. At that time I had not started looking for ‘Films with same title’.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Raunaq”(1944) was directed by Dwarka Khosla for Saubhagya Pictures, Bombay. The movie had Motilal, Charlie, Chandramohan, Swarnlata, Chandraprabha etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today (14 july 2015) is the 40th death anniversary of Madan Mohan (25 june 1924- 14 july 1975). Madan Mohan made his debut as a music director in 1950 with “Aankhen”(1950). He composed some 630 plus songs in 90 plus movies in his 25 year long career. It includes movies whose music were released after his death. I have a detailed moviewise breakup of all Madan Mohan songs which I will discuss sometime in future. The blog at present has 461 Madan Mohan compositions out of 630, so we have another 170 odd Madan Mohan compositions to go.

As a tribute to Madan Mohan, here is a song from “Anjaam”(1952). This song is sung by Hamida Bano who was predominantly a singer from the 1940s. This song sounds very much like a song from 1940s.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Past few days have been very slow on the blog.  Concerns have been expressed in the mails being exchanged not only between the regular team members, but also enquiries are coming from other readers and friends.  Some expressions include statements saying that this blog has become such an integral part of their individual routine of the day.  And on days when we have no posts – dot balls, or even maiden overs, as Atul ji likes to refer to such days, folks have expressed that something seems to be lacking in the day.  And personally, I wholeheartedly agree with this sentiment.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The Many Colors of Love #29 – The Stories of Broken Hearts
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And so wrote the scribe

ik dil ke tukde hazaar huye
koi yahaan gira koi wahaan gira
(‘Pyaar Ki Jeet’, 1948)

Walking the passages of love, one encounters enchanting emotions and charming music – heady feelings that will lure heart and mind into gardens with blossoming springs, chirping birds and fragrant flowers.  But the discerning eyes will also see, the pathways strewn with fragile fragments, unobtrusively lying by the side, that tell another story.  These are the delicate pieces of broken hearts that have suffered the pains of separation and the agony of desertion, an agony that is at times, too intense for the sensitive hearts to bear.  And the feelings inside are as if the heart has been torn asunder, crushed and broken into a thousand pieces.  And then thrown by the wayside.
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