Archive for the ‘NFS’ Category
Hauley hauley hawaayen doley
Posted on: May 5, 2012
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
The tribulations of life keep jumping from one whirlwind to another. Here is a bit of information that I should have shared on the blog some time back. So there is this loosely knit group of music lovers in Delhi, and they are planning a year long stint of programs to celebrate the 100th year of Indian Cinema.
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Chhod musaafir maaya nagar
Posted on: March 5, 2012
I have mentioned it in the past that I did not like “old” songs when I was young. Those days (1970s), anything more than five years old was old for me. Today, I love listening to songs that are fifty, sixty and sometimes even seventy years old. Things have changed. I would like to believe that I have “matured”. Of course, I will not say that I was wrong as a kid.
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Mera pyaar mujhe lauta do
Posted on: March 4, 2012
This article is written by Khyati Bhatt, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Hindi Cinema has given us the treasure of so many melodious singers who never restricted their ability only for the movie songs. The list includes K.L.Saigal, Pankaj Mulick, Jagmohan, C.H.Atma, Lata Mangeshkar, Mohd.Rafi, Asha Bhonsle, Mukesh, Manna Dey, Talat Mahmood, Geeta Dutt, Kishore Kumar( which is something new to me and thanks to Arunji for that info) and may be few more.
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Na tum mere na dil mera
Posted on: March 4, 2012
Kamla Jharia is one of the earliest,biggest and most respected names among singers in the world of Hindi NFS.
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Chupke chupke bol maina
Posted on: March 4, 2012
Most music lovers,including me, are aware of the music composed in Hindi movies, but only a small fraction of these music lovers have been exposed to NFS that were also created during the same era.
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Though movie songs have been the staple diet for Indian music lovers over the decades, there used to be a small and loyal market for non film songs (NFS), also known as private songs. Singers like Jagmohan Sursagar, Talat Mehmood, C H Atma, Juthika Ray etc were the biggest names on the private music circles.
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Main jo dinan ki thhoree
Posted on: September 11, 2011
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Kidar Sharma ‘Hasrat’, the famous lyricist, writer and filmmaker, recounts his association with Saigal Saab, while working on the film Tansen and Bhanwara. It was early 40s, and Saigal Saab was still associated with the New Theatres in Calcutta on a contract basis. Chandulal Shah of Ranjit Movietone (Bombay) planned the film Tansen, and the obvious choice for the title role was Saigal Saab. After some negotiations with New Theatres, Chandulal Shah obtained permission for having Saigal Saab work temporarily with Ranjit Movietone. The understanding was for a fixed period of time, and not for completing an assignment.
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Suno suno hey Krishn kaalaa
Posted on: July 10, 2011
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
With the songs of Saigal Saab, there is an interesting phenomena; every time you listen to one of his renditions, the mind’s response is that there is nothing better than this soulful song or ghazal just heard. And then one gets to hear another song or ghazal, and the mind searches for newer adjectives now to suit another creation by this perceptive artist.
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Ae mere watan ke logon
Posted on: January 26, 2011
I have discussed many patriotic songs from Hindi movies in this blog. But one of the most popular of all Hindi patriotic songs in a non movie song. This song , “ae mere watan ke logon” was created by C Ramchandra to boost the morale of the Indian Army who were then fighting external aggression against heavy odds.
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Preetam aan milo
Posted on: September 18, 2009
C H Atma was a singer who was a devotee of K L Saigal and sang in K L Saigal style. There were many people who sang in Saigal style in 1940s during K L Saigal’s heydays. But C H Atma continued to sing in Saigal style in 1950s even when playback singing style had changed and Bollywood had moved on from 1940s.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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