Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘NFS’ Category


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Most of the people other than the die hard connoisseurs of filmy and non-filmy music, may not be aware that Sachin Dev Burman (S D Burman) started his musical career as a singer on All India Radio Calcutta (Kolkatta) in early 30s. During his early period of musical journey, he had sung many Bengali non-filmy songs some of them written by such distinguished personalities like Jasimuddin and Kazi Nazrul Islam. I was pleasantly surprised to know that he had also rendered Hindustani classical thumris like preet mein huye badnaam in concerts at Allahabad and Calcutta.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

After listening to some of the evergreen non-filmy songs during the last few days, I have come to the conclusion that non-filmy songs have their own style of compositions with tunes and melody getting primacy over orchestration. The musical instruments used in such songs are minimum. Most of these songs give a feel of devotional songs in one way or the other. In romantic songs, there is the devotion towards lovers/beloved. The patriotic songs are devotion to the country. Of course, the bigger canvass of the devotional songs (bhajans) is the spiritualism and devotion to the Almighty. In the 60s, ghazals and bhajans formed a bulk of the non-filmy songs.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Presently, I am on a nostalgic journey of the 60s when I was blessed with listening to some popular non-filmy songs sung by the top playback singers and other singers of that time. In fact some of non-filmy songs of that time were as popular as Hindi film songs. Almost all top playback singers of that time like Talat Mehmood, Mohammed Rafi, Manna Dey, Mukesh, Geeta Dutt, Lata Mangeshkar, Asha Bhonsle had recorded non-filmy songs at one time or the other. If Hindi films songs have hidden gems which are being unearthed on this blog every day, there are also lesser known gems in non-filmy song segment which need to be brought to the notice of the readers of this blog for the sake of posterity.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

A few days back, one of the readers of this blog commented on the song arree hato kaahe ko jhoothhi banaao batiyaan sung by Manna Dey that he is not a versatile singer. Well, the reader has given his view which we respect in line with ‘pasand apni apni khayal apna apna’. Of course, with such a sweeping statement, there were responses by some of the regulars of this blog. A few examples of songs in support of Manna Dey’s singing versatility were also listed. There is no doubt that Manna Dey is a complete singer. His repository of singing encompasses classical, patriotic, romantic, light comedy, ghazal and more. His versatility goes beyond the different genres of songs. Take for instance the variations in his renditions within the genre of romantic songs of expressing love – tera haath haath mein aa gayaa, roop tumhaaraa aankhon se pi loon, tum jo aao to pyaar aa jaaye and some non-filmy songs like ‘ye awaara raatein ye koyi si baatein’ and ‘ nazaaron mein ho tum khayaalon mein ho tum’.
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We in this blog typically have two main causes of celebrations- one is blog century post and other is artist century post. We have so far seen 66 blog centuries. As many as 51 artists have completed their centuries (one of them in two different categories, viz as a singer and as a music director).
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

And so, yesterday as I was conversing back and forth with Harish ji Raghuvanshi (resident of Surat, compiler of the ‘Mukesh Geet Kosh’) regarding information on the lyricist SH Behari, we started to discuss the general topic of hugely talented lyricists that spent a very small time in the industry, contributed a small number of very wonderful songs and then somehow did not work anymore for Hindi films. Their filmi careers are lost under obscurity.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

During the summer of 1940, Mahatma Gandhi was in Simla, as part of his travels around the country. A public meeting was arranged that was to be addressed by him. Incidentally, the same day, another public function was scheduled. This program was a music program, and a small child, little more than 12 years in age, was to sing. The public made a beeline for the music program and it is on record that Gandhi ji expressed irritation that his call for a public meeting was largely ignored, and the people preferred to attend a music presentation by a child artist.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

A ‘raagini’ coming alive – that would be an experience worth paying for with everything in life, including life itself. Imagine the circumstance – a private ‘sangeet sabha’ – musical congregation. The singer singing at the request of and in the honor of his spiritual guru. He renders Raag Jaunpuri, with such intense affection – and after some time a moment comes to pass where the entire gathering is transported into a magical surrealism, and the people present actually envision a very beautiful lady bedecked in fine jewellery and attire, slowly ambling amongst them. It is not an individual experience, but a vision perceived by many who were present. A worried guru motions the singer to slow down, and fade away the singing. But the vision persists. Eventually, the guru directs the singer to render Raag Bhairavi, and slowly the apparition fades away.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

‘Kehat Kabeer Suno Bhai Saadho. . .’

A refrain that is now a well known by line by which one can recognize that a particular bhajan is by Kabeer. A name that is now a household word wherever Hindi is spoken and understood. And a poet whose verses and dohas (couplets) have found their way into the everyday spoken Hindi, as proverbs and adages. Yesterday, the Jayeshtha Poornima, was the birth anniversary of this great poet saint of India.
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This article is written by Shekhar Gupta, a fellow enthusiast of Hindi movie music and a contributor to this blog.

Feroza Begum was the better-half of the famed music director Kamal Dasgupta who composed many Bangla movie and private songs and some unforgettable Hindi ones too – in particular for Jawab (1942) and Hospital (1943) which numbers are very much availableon this blog.
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