Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1953’ Category


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

hain aur bhi duniyaa mein sukhanwar bahut achchhe
kahte hain ki Ghalib kaa hai andaaz-e-bayaan aur

Whenever I remember this maqta of Ghalib’s ghazal, Majrooh Sultanpuri’s name props up in my mind. I always felt how apt it would be if words ‘duniyaa’ and ‘Ghalib’ from the maqta she’r were replaced with ‘filmi jahaan’ and ‘Majrooh’. During Majrooh Sultanpuri’s time, there were renowned poet-lyricists like Sahir Ludhianvi, Shakeel Badayuni, Shailendra, Kaifi Azmi, Jan Nisar Akhtar and later, Gulzar, Javed Akhtar etc. but Majrooh’s andaaz-e-bayaan , the sophistication even in his teasing, racy and light hearted lyrics in Hindi film songs was something which became the hallmark of his style of song writings. He wrote songs trending with the time. Perhaps this explains why Majrooh Sultanpuri had one of the longest innings of over five decades in the Hindi film industry, penning songs for most of the well known music directors – from Naushad in 1946 to A R Rehman in 2000.
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“Rangeela” (1953) was Produced and directed by Bhagwan under his banner of Bhagwan Art Production. The movie had Bhagawan, Poornima, Vivek, Badri Prasad, Baburao, Nazeera, Bimal Devi, Heera Sawant, Indira, Rambha, Usha Shukla, Afgan Sundae, Inamdar, Madhav Kale, Radheshyam, Ramlal, Deepak, Balram, Harish, Hanuman, Swami, Swartha, Sitara, Shera, Kammo, Kukku, Maruti etc in it.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Chaar Chaand -1953 was one of those non-descript movies which leave no trace behind them, once they go off the screen.

I had not seen this film and I did not get any information about this film anywhere on the net or in any books or magazines. With a star cast of B grade, like Shyama, Suresh, Bhagwan, Shaikh, Majnu, Cuckoo etc, even its production banner was not well known- Fine art films, Bombay.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

There are two types of films, for which sure shot captive audience are readily available anytime. They are-
1. Religious or mythological films and

2. Tear jerkers or films depicting extreme pitiable conditions of women, like, for example- Aurat teri yehi kahani, Bhabhi or bhabhi ki choodiyan etc.

Some producers play smart and combine the two types of movies, like Jai Santoshi Maa or Krishna Sudama or Solah Somvar Vrat etc.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

A few days back, I had discussed hamri munder boley kaaga sakhi ri from the film BAABLA (1953) on this blog. But well before this song, I had come across another song ‘lehron ke rele sang naiya mori khele’ from the same film sung by Hridaynath Mangeshkar. The voice sounded girlish. My first reaction was that it must have been some mistake on the part of uploader of the audio clip to name him as a singer of this song. My doubt stemmed from the fact that Hridaynath Mangeshkar was born on October 27, 1937. At the time of recording this song, he must be around 15 years by which time the voice of a boy should have turned in to a boyish or a male voice. So I kept this song in the loop for some time until I made fairly sure that this song was really sung by him.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

KAPOOR Khandaan is called the First family of Bollywood, not for nothing !

Starting with Prithwiraj Kapoor till Kareena and Ranbir, all through the generations, they have been shining in the film industry. This is not just because they belonged to the Kapoor khandaan. In film industry, particularly in the acting field, one can not survive for long, if one has no talent or if he is not doing hard work. One’ s ancestry alone is not acceptable to the Indian audience. This has been proved time and again. For example, Raaj kumar, Raj Babbar, Rajendra Kumar or Shashi Kapoor were successful actors, but what happened to their sons ?
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