Posts Tagged ‘Hridaynath Mangeshkar’
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5315 | Post No. : | 17429 |
Tribute to Lata Mangeshkar – 2
Yaraa seeli seeli
birha ki raat ka jalnaa
dholaa seeli seeli
yeh bhi koyi jeenaa hai
yeh bhi koyi marnaa
O how slow is the night(lamp)
Burning to ambers, Oh love
Oh love, the slow burn
of the lonely lamp.
is this way of the living?
Or it is the way of the dead.
tooti hui choodiyon se
jodoon yeh kalaayi main ae
pichhli gali mein jaane
kya chhod aayi main
beetee huyi galiyon se ae
phir se guzarna yaraa
broken are they,
the bangles I try to adorn.
(They were whole once-my loved ones)
In the lane behind me,
What have I left behind.
(something in the previous life)
Those same lanes, call me,
I must pass by them again, love.
pairon mein na saaya koyi
sar pe na saayin re
mere saathh jaaye naa
meri parchhaayi re
baahar ujaalaa hai
andar veeraana
No one beside me, no shade (for feet).
No Lord(benevolent),
even to care for me.
No one goes with me,
not even my shadow.
All brightness is on the outside.
Inside it is all dark and desolate, my love.
In 1990, I was fascinated with this song. Not seen the song anywhere, only heard it on the radio. I don’t remember what else I knew about it, only that Dimple Kapadia was the actress, singing this on screen. I was working in a private firm’s office in Santacruz. There was this girl working there called ‘Heather’, who was looking to change jobs. She asked me to accompany her for interview somewhere at Bandra. In my turn, I also persuaded her to come with me to watch this movie at Liberty Cinema. After the interview, we reached the city and were late for the movie. It had already started, and ‘Heather tried to change my mind, about wasting the ticket money. But having gone so far, I was not in the mood to go back home without watching the movie. It was 3 to 3:30, almost 1 hour of the movie was over. We got the tickets and went inside the hall. In that red carpeted hall, it was as if we were alone in there. Soon interval came, and to our astonishment, there was no one to be seen. Heather said it is not safe to sit in there for us 2 girls and we should just get out. Finally, some I came to my senses we left the cinema.
That incident in 1991, and my ‘khwaahish’ to see this movie remained unfulfilled. Until a few years ago, when I again remembered this film and saw it on YouTube. Ah! What would we have done without YouTube. All the while I was listening to this song, and may have seen it somewhere on TV. Or found it on YouTube.
The awards list of this song is also impressive.
• 1991 – Filmfare Awards – Best Lyricist – Gulzar
• 1990 – National Film Awards – Best Female Playback Singer – Lata Mangeshkar
• 1990 – National Film Awards – Best Lyrics – Gulzar
Trivia:
This song was based on the Punjabi song “Ve Main Chori Chori” composed and sung by the Pakistani folk artist Reshma.
The folk flavour of this song, and the fresh analogies that Gulzar has made in lyrics of this song, made it very special. The super rendition by Lata Mangeshkar has also won her the National Award, yet again.
The following 3 songs are posted in the blog.
| Song | Date of posting |
|---|---|
| Main ek sadi se baithhi hoon | 6 February 2022 |
| Suniye jee araj mhaaro | 26 October 2012 |
| Surmayee shaam is tarah aaye (Lekin) | 18 august 2022 |
This song is a significant one as the film music scene was just picking up, sufiana and Punjabi folk was gaining momentum. Here again, the relevance of Lata Mangeshkar, as a grand doyen of female playback singers, was established. She was singing for R. D. Burman, Laxminkant Pyarelal, of the old brigade and also for new breed of musician through the 90’s.
Video:
Audio:
Live song:
Song-Yaara seeli seeli birha ki raat ka jalna (Lekin)(1990) Singer-Lata Mangeshkar, Lyrics-Gulzar, MD-Hridaynath Mangeshkar
Lyrics
Yaraa seeli seeli
birha ki raat ka jalnaa aa
yaraa seeli seeli
yaraa seeli seeli
ho yaraa seeli seeli
dholaa seeli seeli
yaraa seeli seeli
birha ki raat ka jalnaa aa
yeh bhi koyi jeenaa hai
yeh bhi koyi jeenaa hai
yeh bhi koyi marnaa
yaraa seeli seeli
birha ki raat ka jalnaa aa
yaraa seeli seeli
dholaa seeli seeli
tooti hui choodiyon se
jodoon yeh kalaayi main
pichhli gali mein jaane
kya chhod aayi main
tooti hui choodiyon se
jodoon yeh kalaayi main ae
pichhli gali mein jaane
kya chhod aayi main
beetee huyi galiyon se ae
beetee huyi galiyon se ae
phir se guzarna yaraa
seelli seelli
dholaa seeli seeli
ho yaraa seeli seeli
birha ki raat ka jalnaa aa
yaraa seeli seeli
dholaa seeli seeli
pairon mein na saaya koyi
sar pe na saayin re
mere saathh jaaye naa
meri parchhaayi re
pairon mein na saaya koyi
sar pe na saayin re
mere saathh jaaye naa
meri parchhaayi re
baahar ujaadaa hai
baahar ujaadaa hai
andar veeraana
yaraa seeli seeli
o dholaa seeli seeli
ho yaraa seeli seeli
birha ki raat ka jalnaa aa
yaraa seeli seeli
dholaa seeli seeli
yaaraa aaaa
dholaa aaaa
yaaraa aaaa
dholaa aaaa
yaaraa aaaa
dholaa aaaa
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5213 | Post No. : | 17202 | Movie Count : |
4629 |
Today 26th October 2022 is the eighty-fifth birth anniversary of (born on 26th October 1937) Music Director-Singer Hridaynath Mangeshkar.
When I noticed his birth anniversary yesterday, I sincerely wished that I should give a try to send a write-up with a song for this occasion to Atul ji.
We still have many movies to present a song from, where the music of these movies is composed by Hridaynath Mangeshkar. Out of all the movies with Hridaynath Mangeshkar as music director, So far only one movie ‘Dhawaan-1981’ has been ‘Yippeeee’ed’ on the blog.
The number of Hindi movies where music is composed by Hridaynath Mangeshkar is not much, but still he has given some timeless classics and unforgettable songs to Hindi movies.
Today morning, I was a little bit confused as which movie I should take a song from. First I decided to pick a song from the eighties and had almost finalized the movie ‘Suabh-1982’. But later, I remember that the today’s movie ‘Chaani’ is yet to make its debut on the blog. So, I am presenting a song from this movie ‘Chaani-1977’ today to grace the today’s occasion.
‘Chaani-1977’ was produced and directed by V. Shantaram.
It had actress Ranjana making her debut in Hindi movies, and also Master Sushant Ray making his debut. They were supported by Yashwant Dev, Prem Kumar, Gauri Kamat, Durga Senjit, Arvind Deshpande, Kamini, Suhas Bhalekar, Shankar, Vinita, Hemant, Jagannath, Kandalgaonkar, B. Majnalkar, Madhumati and Sagar (another debutant in the movie).
This movie was based on a novel written by C.T. Khanolkar, which was inspired by a true of story of a girl named ‘Chaani’.
‘Chaani-1977’ was passed by Censor Board on 22.03.1977. ( This movie was also made in Marathi).
Here is a brief mentioned about this movie , which I have taken from indiancine.ma and reproducing the text as it is …
‘Shantaram intended the film to be part of New Indian Cinema’s vanguard, adapting a difficult work from the innovative contemporary Marathi writer C.T. Khanolkar. The story, written in 1970 and set on the Konkan coast features a woman born of an ‘incident’ between an Englishman and a local fisherwoman, now only discussed as a hushed rumour except by a boatman who loudly curses the girl whenever he ferries his boat across the river.’
(I have edited the next and last line from the above text which is a comment on the movie.)
Ranajna Deshmukh known by her first name ‘Ranjana’ only was the actress who played the title role in this movie. She was also a distant relative of V. Shantaram. She was a famous actress of Marathi movies.
‘Chaani-1977’ had four songs written by Bharat Vyas and composed to music by Hridaynath Mangeshkar.
Today I am presenting a song from this movie which is sung by Lata Mangeshkar. Only audio of this song is available so far. I guess that this song is lip-synced on screen by Ranjana.
Let us wish Hridaynath ji a very happy birthday and healthy and peaceful life today.
Today also happens to be the birthday of our beloved Atulites Raja Saab and Mahesh ji’s daughter Baby Pooja. I wish both of them a very happy birthday and a healthy, wealthy, peaceful and exciting musical life ahead …
Over to the song now…
song-Main to jaaungi jaaungi re us paar (Chaani)(1977) Singer-Lata Mangeshkar, Lyrics-Bharat Vyas, MD-Hridaynath Mangeshkar
Lyrics
aa aa aa aa
aa aa aa aa aa aa aa
hmm hmm hmm hmm hmm …
hmm hmm
main to jaaungi jaaungi
re us paar
jahaan mehlon ki khidki khole khada
mere sapnon ka rajkumar
main to jaaungi oho ho re us paar
hmmhmm hmm hmm hmm hmm
hmm hmm hmm hmm
mujh hirni ki aas adhoori
mujh hirni ki aas adhoori
maang sajaa wo kar dega poori
galey varmaala phoolon ki
galey varmaala phoolon ki
daaroongi
daaroongi
main to charnon mein rakh doongi pyaar
main to jaaungi
jaaungi
re us paar
jaaungi oho ho re us paar
mera bhaiyya
pyaara bhaiyya
senapati wo hi banega
mera bhaiyya
pyaara bhaiyya
senapati wo hi banega
dushmanon ke sar jhukenge
jung wo aisa ladega
jeetenge ham
ahaa haa ho ho ho
jeewan mein apne jhoomke ae
aayegi aisi bahaar
main to jaaungi jaaungi
re us paar
jahaan mehlon ki khidki khole khada
mere sapnon ka rajkumar
main to jaaungi aha ha re us paar
mera baba hoga pradhaan
mera baba hoga pradhaan
rajya ki wo hi badhaayegaa shaan
sukhi kar dega chutki mein ae
sukhi kar dega chutki mein
goonjegi goonjegi sadaa
apni hi jai jai kaar
main to jaaungi jaaungi
re us paar
jahaan mehlon ki khidki khole khada
mere sapnon ka rajkumar
main to jaaungi oho ho re us paar
Surmayee shaam is tarah aaye
Posted on: August 18, 2022
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5144 | Post No. : | 17106 |
Today 18th August 2022 is the eighty-eighth birthday of Poet, Lyricst, Writer, Director, etc. Shri Sampooran Singh Kalra whom we know by his pen name ‘Gulzar’ (born on 18.08.1934).
Gulzar Saab has come a long way in the film industry starting from ‘Shriman Satyawadi’ (1960) and ‘Kabuliwaala’ (1961) to the recently released (on OTT) ‘Darlings-2022’ (where he wrote lyrics for a song).
Much has been written about him and most of us are well aware of his ‘cinematic excellence’ and his unique ‘poetry’ where he uses the ‘similes’ in his unique ways in his poetry and lyrics in Hindi Film Music.
There have been numerous posts on the blog about Gulzar Saab and there will be many coming in future. So, today, I am not going into the details of his movies and lyrics list which I like most or which have left an indelible mark on my mind. But I would like to mention here that while Gulzar Saab have done so much in all areas of writing, cinema, and poetry I have yet to read many of his works other than movies. However, in the case of movies I can say that I have watched many of the movies directed by him. And l loved them all.
One more thing which I am very fond of Gulzar Saab is his writings for children or his lyrics for the movies for children and the non-filmi albums of his for children (like ‘Karadi Tales etc). I would also like to mention his commentary in two audio albums one for film music i.e., ‘Fursat Ke Raat Din’ and one for Bhupen Hazarika’s song ‘Main Aur Mera Saaya’ which I like very much. Finally, I would like to mention his song for tele serial ‘Mirza Ghalib’ which is also one of my most favorite albums.
There are many things which one can write about him and his works in cinema and other than ‘cinema’. However, today we leave this for another day and straightway come to today’s song to celebrate Gulzar Saab’s birthday on the blog. (This song is lying with us since almost a decade now 😊).
This song is from the 1990 movie ‘Lekin’.
‘Lekin’ was directed by Gulzar for Dinanath Kala Mandir. Hridaynath Mangeshkar and Bal Phoole were the producers of this movie. It was presented by Lata Mangeshkar. This movie was passed by Censor Board on 29.08.1990.
It had Vinod Khanna, Dimple Kapadia, Amjad Khan, Alok Nath, Moon Moon Sen, Vijayendra Ghatge, Beena, Manohar Singh, Ram Mohan, Ajit Vachhani, Sunil Advani, Shabir Abbas, Masood Akhtar, Yash Sharma, GP Singh, Bashir Khan, Mohafiz Haider, S Madan, Harmeet Singh, Umesh Vyas, Mansi Upadhyay, Sapna Awasthy, Rashmi, Ahmed Siddiqui, and Baby Shabana Khan. Hema Malini made a guest appearance in this movie.
The story of this movie was written by Gulzar, who also wrote the screenplay, dialogues, and lyrics for this movie. Editing of this movie was done by Sadanand Shetty, Ravi, and Aadinath Mangeshkar.
This movie has eight soundtracks as mentioned on the blurb of the audio cassette of this movie. Music is composed by Hridaynath Mangeshkar. I like all songs of this movie very much and this is one of my most favorite albums. Today’s song is sung by Suresh Wadkar and on screen it is lip-synced by Vinod Khanna.
This movie is an interesting movie to watch, so nothing more about the movie here 😊
Let us listen to today’s song and enjoy Gulzar Saab’s poetry …
We wish Gulzar Saab a very happy birthday today and a happy, healthy and peaceful life ahead …
Over to the song now …
Video
Audio
Song-Surmayee shaam is tarah aaye (Lekin)(1990) Singer-Suresh Wadkar, Lyrics-Gulzar, MD-Hridaynath Mangeshkar
Lyrics
surmayee shaam is tarah aaye ae ae ae
surmayee shaam is tarah aaye
saans lete hain jis tarah saaye ae
surmayee shaam is tarah aaye
saans lete hain jis tarah saaye ae
surmayee shaam
koi aahat nahin badan ki kahin
phir bhi lagta hai tu yahin hai kahin
koi aahat nahin badan ki kahin
phir bhi lagta hai tu yahin hai kahin
waqt jaata sunaayee deta hai
tera saaya dikhayee deta hai ae
jaise khushboo nazar se chhoo jaaye
jaise khushboo nazar se chhoo jaaye
saans lete hain jis tarah saaye
surmayee shaam
din ka jo bhi pahar guzarta hai
koi ehsaan sa utarta hai
din ka jo bhi pahar guzarta hai
koi ehsaan sa utarta hai
waqt ke paaon dekhta hoon main
roz yeh chhaaon dekhta hoon main
aaaye jaise koi khayaal aaye
aaye jaise koi khayaal aaye
saans lete hain jis tarah saaye ae
surmayee shaam is tarah aaye
saans lete hain jis tarah saaye
surmayee shaam
————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
————————————————
सुरमई शाम इस तरह आए
सुरमई शाम इस तरह आए
सांस लेते हैं जिस तरह साये
सुरमई शाम इस तरह आए
सांस लेते हैं जिस तरह साये
सुरमई शाम
कोई आहट नहीं बदन की कहीं
फिर भी लगता है तू यहीं है कहीं’
कोई आहट नहीं बदन की कहीं
फिर भी लगता है तू यहीं है कहीं’
वक़्त जाता सुनाई देता है
तेरा साया दिखाई देता है
जैसे खुशबू नज़र से छू जाये
सांस लेते हैं जिस तरह साये
सुरमई शाम
दिन का जो भी पहर गुज़रता है
कोई एहसान सा उतरता है
दिन का जो भी पहर गुज़रता है
कोई एहसान सा उतरता है
वक़्त के पाँव देखता हूँ मैं
रोज़ ये छांव देखता हूँ मैं
आए जैसे कोई खयाल आए
आए जैसे कोई खयाल आए
सांस लेते हैं जिस तरह साये
सुरमई शाम इस तरह आए
सांस लेते हैं जिस तरह साये
सुरमई शाम
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4988 | Post No. : | 16878 |
Today we have a 2-part song from the film Guzara-1954.
The film was made by Aina pictures-owned by S.M.Yusuf. The film was produced and directed by S.M.Yusuf himself. he also did a small role in this film- the only film role he ever did in his film career. There were 3 lyricists- Raja Mehdi Ali Khan (5 songs), Fauk Jami (2 songs) and Munir Lucknowi (1 song) for the film’s 8 songs. Music Director was Ghulam Mohammad.
I have not seen this film. However, from what I have learnt about the film from various sources is that , the film was based on the life of a middle class family who finds it difficult to run the family in the limited income that the family had. The story concluded that mental happiness with our own people is the greatest happiness compared to rich living ! A typical Nehruvian philosophy- very popular in those times. Even big filmmakers like Mehboob Khan were also sold on this ideology. These were the days of rationing and shortages, increasing corruption and black marketing. The common man was broken in pieces but was fed the socialistic wine to keep him quiet !
The cast of the film was Karan Dewan, Paro, Jabeen jalil, Chand Burke, Baby Naaz, Romi, Tiwari, Balam and many others. This was the film in which actress Jabeen Jalil made her Debut.
In the early days of cinema, people joined the film industry for various reasons like…
1) joining filmline did not need any special skill
2) language, religion, education was not a consideration
3) need to earn
4) readiness to do any work
As the Talkie film era started, the requirements changed. For acting, one needed the ability to speak Hindi/Urdu fluently. A reasonably good looking personality and knowledge of singing were additional qualifications. For other technical departments, readiness to do hard work and a will to learn were required. During this phase many girls from singing families (read Tawaifs) were preferred and for them entry into films was easier compared to others. Many girls joined the filmline to get a good husband and settle as a housewife with dignity. Thus many Gujarati Sethiyas married actresses.
There was a very small but distinct category of artistes, who joined films as a “time pass’ or a passion for a short period. These artistes had no intention to continue in the film line.Their interests were varied and different from only doing work in films. included in this category were Classical singers like Manik Varma, Hirabai badodekar, Ram Marathe, Phiroz Dastoor, actresses like Shakuntala Paranjpye, Vasanti, Renuka Devi etc, writers like Dewan Sharar, Lyricists like Moti,B.A., MD like Mukund Rai Trivedi, actors like Kaycee Mehra, Shashi Kapoor Sr. etc, classical instrument players like Ravi Shankar, Pannalal Ghosh, Alla Rakha, Ali Akbar khan etc.
Nevertheless 99% of people joined because they needed to earn money. In the cast of today’s film Guzara-54, you see a name Jabeen Jalil. She is one such artiste who needed to earn money. Jabeen Jalil was a short petite but attractive actress.She was born on 1st April 1936 in Delhi, but was educated in Japan and Bombay, as her father was in foreign services of India.
She used to take part in college dramas and in one such drama the judges were Nigar Sultana and her director husband S.M.Yusuf. They offered her a film as a Heroine. Jabeen’s father had expired and only mother and younger brother were there. She accepted the offer. Her first film was Guzara in 1954. Her second film in 55 was Lutera. Her first hero was Karan Dewan and second was Nasir khan.
She became famous in New Delhi-56, in the role of Kishore’s sister Nikki’s role. She acted in 29 films, out of which 6 were unreleased. She also acted in 4 Punjabi films. She got a National award in 1962 for a Punjabi film in which her Hero was Prem Chopra.
She married Ashok Kak, a kashmiri Brahmin in 1968 and she did her last movie in 1974 Vachan. In 1989 they went to the US for 10 years and came back to Mumbai.Her son Divvij Kak is also an actor and Jabeen became a producer with Jabeen International.
She lives in Dadar, Mumbai nowadays.
Jabeen was a very short, thin and small frame girl. Some other actresses like her were Nimmi, Chand Usmani,and Smriti Biswas who all always looked like young girls.
The Hero of the film was Karan Dewan.
In Hindi films, there have been three actors who were very handsome and very lucky but zero in acting – Karan Dewan, Pradeep Kumar and Bharat Bhushan. They all appeared in leading roles opposite all leading actresses of their times. They had the best films, best songs and best roles. Karan Dewan had about 25 Silver Jubilees to his credit and was considered a lucky star. Bharat Bhushan had the most musical films to his credit like ‘Baiju Bawra’ (1952), ‘Shabaab’ (1954) and ‘Mirza Ghalib’ (1954) etc. Pradeep Kumar had ‘Anarkali’ (1953) and ‘Taj Mahal’ (1963).
All three had their brothers producing films for them. Gemini Dewan made films for Karan Dewan, R Chandra made films for Bharat Bhushan and Kalidas for Pradeep Kumar. Unfortunately, in later years, all three lost everything and died in poverty and neglectful anonymity. Karan Dewan was a manager with BR Chopra’s production company. When he died no one came for his funeral except for Chandrashekhar and Manmohan Krishan from the Cine Artists Association. Bharat Bhushan worked as a watchman in a film studio, in his last days. Even he died unsung and only the men from the Association were present at the cremation.
Pradeep Kumar’s case is the saddest. He lay seriously ill in the ICU of a Calcutta nursing home, abandoned by his relatives. The hospital was not discharging unless the bills were paid. Luckily one Mr. Pradeep Kondaliya, an estate agent, recognised him, despite his grown beard. He paid the huge outstanding bill of the hospital and took Pradeep Kumar to his home, where he passed away after a few days. He was cremated by his fan. Such is the film industry – cruel and ruthless, where the recognition lasts only till one is successful.
Dewan Karan Chopra aka Karan Dewan ( 6-11-1917 to 2-8-1979 ) youngest of three brothers, was born at Gujranwala, Punjab (now in Pakistan), British India. He studied in Lahore, where he became interested in Journalism and started editing a film magazine in Urdu, Jagat Lakshmi. One of the local distributors he met was Tarachand Barjatya, who was then the Manager of Chandanmal Inder Kumar’s distribution office at Lahore. Through his connection with Barjatya he landed in Calcutta, and in 1939, made his acting debut as Puran in the Punjabi feature film Puran Bhagat
Dewan started his film career with the role of Puran in Puran Bhagat in Punjabi in 1939 in Calcutta. It was produced by Raisaheb Sukhlal Karnani and directed by Roop K. Shorey’s father R. L. Shorey. His second film Mera Maahi (1941) was also a Punjabi film, directed by Shankar Mehta at Lahore and starring Ragini and Manorama. This was the movie in which he sang songs for the first time in the movies under the baton of legendary music director Shyam Sunder. Later, in Rattan, he sang for the first time in Hindi movies for Naushad. B R Chopra, then working as a film journalist in Lahore, helped Karan Dewan to get in touch with Devika Rani, who invited Dewan to come to Bombay. When this did not help Dewan get films, he taught “Urdu pronunciation to actors and actresses”.
In 1944, Karan Dewan acted in Rattan, a musical romantic drama, directed by M. Sadiq, which became one of the most popular films of that year. “A tremendous hit”, it paired Dewan with Swarnalata. His decisive film was Rattan (1944), which was produced by his brother Jaimini Diwan, and this movie turned out to be the biggest hit of 1944. He also sang songs in this movie under music director Naushad, and his song “Jab Tum Hi Chale Pardes” became popular. He sang in films such as Piya Ghar Aaja (1947), Mitti Ke Khiloune (1948) and Lahore (1949). His other important films were Zeenat (1945), Lahore (1949), Dahej (1950), Bahar (1951) and Teen Batti Char Rasta (1953). Known as a “jubilee star”, about twenty of his films are stated to have been jubilee (twenty-five weeks or more) hits.
Dewan married co-actress Manju in 1944 following the release of Rattan, in which she had a character role. By 1966, he was working as a casting agent for the film unit of Maya (1966). He continued to work in the 1960s and 1970s playing supporting parts in films such as Apna Ghar (1960), Shaheed(1965), Jeene Ki Raah (1969) and Nadaan (1971), with the last film in which he was credited, being Sohanlal Kanwar’s Atmaram (1979).
He worked in 73 films and sang 18 songs in 9 films. He worked with all leading actresses of his times,including Noorjehan and Nargis. At the end of his career, however, he was down financially and had to work as a Manager with B R Chopra’s company. When he died, except two workers of the Cine artistes association, no one else from the Film industry was present.
Today’s song is the 3rd song from the film Guzara-1954. In the part 2 song you will be surprised to hear the voice of Pt.Hridaynath Mangeshkar. It sounds just like a girl’s voice. I was confused but on inquiry, our Sadanand Kamath ji confirmed that the voice was that of Hridaynath only. Enjoy…
Part I
Part II
Song- Rang Rangeele pyaare pyaare laaye hum khilaune (Guzaara)(1954)- Singer- Lata / Hridaynath Mangeshkar– Lata, Lyrics-Raja Mehdi Ali Khan, MD-Ghulam Mohammad
Lata + Hridaynath Mangeshkar
Lyrics
——————————–
Part I- Lata Mangeshkar
——————————-
o o o o o
Rang Rangeele pyaare pyaare
laaye hum khilaune
Rang Rangeele pyaare pyaare
laaye hum khilaune
laaye hum khilaune
bachchon ke ye dil ke tukde
le lo aune paune
laaye hum khilaune
mausi ye gudiya tumhaari
ee ee ee ee ee ee
mausi ye gudiya tumhaari
bahu ban ke aayegi
haan bahu ban ke aayegi
pyaar se rakhogi usey
tumhaari ban jaayegi
tumhaari ban jaayegi
usko tum sataana na
zulm ispe dhhaana na
samdhan ko rulaana na
karogi rasoi ye bhi
bichaayegi bichaune
Rang Rangeele pyaare pyaare
laaye hum khilaune
bachchon ke ye dil ke tukde
le lo aune paune
laaye hum khilaune
?? ghar ki
udhar na lagaana
bhabhi aur bhaiyya ne maara
maara maari na karaana
maara maari na karaana
dulha miyaan dekho duniya
pyaar ki basaana
miyaan biwi jhagdenge to
hansega zamaana
dek bahu
nanad ko sataana na
saas ko jalaana na
susar(??) ko phudaana na
tum ?? seekhna
A B C D seekhna
theek hai beti
baaten nahin meri
mithhai ke ??
Rang Rangeele pyaare pyaare
laaye hum khilaune
bachchon ke ye dil ke tukde
le lo aune paune
laaye hum khilaune
———————————
Part II (Lata- Hridaynath Mangeshkar)
———————————-
Rang Rangeele pyaare pyaare
laaye hum khilaune
bachchon ke ye dil ke tukde
le lo aune paune
laaye hum khilaune
babujee namaste
mausi jee namaste
pyaare bhaiyya
tum hi le lo
mere khilaune saste
ho o o
pyaare bhaiyya
tum hi le lo
mere khilaune saste
chaar aane mein gudiya doongi
chulha aur bichaune
chaar aane mein gudiya doongi
chulha aur bichaune
Rang Rangeele pyaare pyaare
laaye hum khilaune
bachchon ke ye dil ke tukde
le lo aune paune
laaye hum khilaune
seth jee
o seth jee
arre chal chal chal
jhidkiyaan de log denge
hum na kuchh bhi zabaan se
maare maare kyun phirte hain
poochho ye bhagwaan se ae ae
poochho ye bhagwaan se
bheekh nahin lenge baaba
le lo ye khilaune
bheekh nahin lenge baaba
le lo ye khilaune
Rang Rangeele pyaare pyaare
laaye hum khilaune
bachchon ke ye dil ke tukde
le lo aune paune
laaye hum khilaune
chalte chalte tum hamaare
dil ke tukde kar gaye
dil ke tukde kar gaye
ek thhokar se tumhaare
jeete jee hum mar gaye
jeete jee hum mar gaye
dil toota khilaune toote
aankhen lagi rone
dil toota khilaune toote
aankhen lagi rone
Rang Rangeele pyaare pyaare
laaye hum khilaune
bachchon ke ye dil ke tukde
le lo aune paune
laaye hum khilaune
Main Ek Sadi Se Baithi Hoon
Posted on: February 6, 2022
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4951 | Post No. : | 16816 |
Lata Mangeshkar – 1929-2022
A lifetime of music passed by, and then today morning, that voice of the century descended into the forever sleep, from where no one returns. The fears have been there for almost a month – the time she spent in the hospital. And there were prayers also – prayers by millions – millions who have loved and revered this voice that has been singing for the past almost seventy five years. This voice will not be heard again.
And yet, this voice will continue to ring till there is time, and there are lovers of music. Her legacy and her memories will keep alive. Thousands of songs that have been sung by her and recorded – these songs will continue to please the ears till there music lives. The voice will live forever.
नाम गुम जाएगा
चेहरा ये बादल जाएगा
मेरी आवाज़ ही पहचान है. . .
Goodbye Didi. . . it has been a terrific inning – 1929 – 2022.
================================================
Recently when I updated my list of pending songs shared earlier, I noted that the top two songs are from the movie ‘Lekin’ (1990). Both the songs were shared long back in 2012. Since these were pending since long, I thought I should try to add a write-up to them and send for posting. I like all the songs from this movie very much, and I must have listened to them innumerable times.
I was staying at Kota (Rajasthan) then when the music for this film was released. I had bought the cassette for this film on 12.01.1991. (The film was dedicated to the ‘girl child’). Music was released by HMV in September’1990. That is now almost thirty-one years back now. Hushh…!! how time flies? … 😊 to me its only like few months back. Only thing is now I didn’t get to listen these songs regularly because the cassette-recorder-player has gone out of order and cannot be repaired now. (Maybe I need to buy a new one. Otherwise, I am afraid that the cassettes will also deteriorate).
I like the songs of this movie very very much, but I did never get to watch this movie. When I checked on internet the movie was already available, so I decided to watch it, and had watched it few weeks back. Sadly, the film available seems to be a re-recorded one and not an original print. Also, this version has the songs deleted from it. And that means all songs are deleted from this version. Though videos of the songs are available separately. But their absence from the movie takes out all the joy of enjoying the movie. But nevertheless, one can enjoy this movie for the mystery it contains.
I liked this movie very much. It has all the ingredients that I love to watch – the palaces of Rajasthan, the ruins, the sand-dunes, train journey, the inside view of the special coaches of the train (in this case it the first class coach, I think), library, books, mystery wrapped in time, wandering soul (we can see that 😊 in the movie), and above all the captivating and mesmerizing music – classical as well as folk of Rajasthan – the thrill of those ‘Ragas’ -the poetry in the songs – the divine singing voice – all these takes one to a different planet. I would not like to spoil the interest of those who intend to watch this movie, so I will not write much about the movie in details.
This movie is said to be inspired from one the famous Rabindranath Tagore story ‘Kshudhit Paashaan’ (Angry Stones).
[Auth. Note: I do have this story book in my library and this I realized when I read about this movie based on this story and then I remember, yes, I think I have this book. Then I look for it in the shelves and it was there. No mystery in this 😊 my younger daughter always pushes me to read the books that I have collected and not to add newer ones unless I read the older ones all 😊.]
Coming back to the today’s movie now. ‘Lekin’ was directed by Gulzar for Dinanath Kala Mandir. Hridaynath Mangeshkar and Bal Phoole were the producers of this movie. It was presented by Lata Mangeshkar. The star cast includes Vinod Khanna, Dimple Kapadia, Amjad Khan, Alok Nath, Moon Moon Sen, Vijayendra Ghatge, Beena, Manohar Singh, Ram Mohan, Ajit Vachhani, Sunil Advani, Shabir Abbas, Masood Akhtar, Yash Sharma, GP Singh, Bashir Khan, Mohafiz Haider, S Madan, Harmeet Singh, Umesh Vyas, Mansi Upadhyay, Sapna Awasthy, Rashmi, Ahmed Siddiqui, and Baby Shabana Khan. Hema Malini made a guest appearance in this movie. This movie was passed by Censor Board on 29.08.1990.
Story of this movie is written by Gulzar. Gulzar also wrote the screenplay, dialogues, and lyrics for this movie. Editing of this movie was done by Sadanand Shetty, Ravi and Aadinath Mangeshkar.
This movie had eight soundtracks as mentioned on the blurb of the cassette and the details are given below.
|
Sl. No. |
Song Title | Singer/s |
Posted On |
| 01 | Yaaraa Seeli Seeli | Lata Mangeshkar | |
| 02 | Sunio Ji Ek Araj Mhaari | Lata Mangeshkar | 26.10.2012 |
| 03 | Surmai Shaam Jis Tarah | Suresh Wadkar | |
| 04 | Kesariya Balamaa | Lata Mangeshkar | |
| 05 | Kesariya Balamaa | Lata Mangeshkar | |
| 06 | Joothhe Nainaa Bole | Asha Bhonsle, Satyasheel Deshpande | |
| 07 | Main Ek Sadee Se | Lata Mangeshkar | |
| 08 | Jaa Jaa Re | Lata Mangeshkar, Hridaynath |
Coming back to the today’s song it is sung by Lata Mangeshkar and on screen lip-synced by Dimple Kapadia. This song is beautifully picturized in the ruins and deserts of Rajasthan. I am sure listening to this song will give one a lot of pleasure and will take one far away in the ‘desert’. I stayed at Kota for almost eight years, but never visited the ‘desert-triangle’. I wish I will visit them soon. Though during my stay, I visited palaces and forts at Jaipur, Udaipur, Chittorgarh, Bundi and at Kota. Whenever I visit there, I used to jokingly say my friends that in my previous birth I was a King and ruled there 😊 …
As mentioned above only one song from this movie has been posted on the blog on 26.10.2012 just few months more and this movie will complete a decade on the blog. Let us now listen to the today’s song.
Main ek sadi se baithhi hoon
Video
Video
Song – Main Ek Sadi Se Baithi Hoon (Lekin)(1990) Singer – Lata Mangeshkar, Lyrics – Gulzar, MD – Hridaynath mangeshkar
Lyrics
hmm hmm hmm
hmm hmm hmm hmm
hmm hmm hmm hmm
hmm hmm
main ek sadi se baithhi hoon
main ek sadi se baithhi hoon
is raah se koi guzra nahin
kuchh chaand ke rathh to guzre thhe
kuchh chaand ke rathh to guzre thhe
par chaand se koi utara nahin
main ek sadi se baithhi hoon
main ek sadi se baithhi hoon
din raat ke donon pahiye bhi
kuchh dhool udaa kar beet gaye
beet gaye
din raat ke donon pahiye bhi
kuchh dhool udaa kar beet gaye
main man aangan mein baithhi rahi
main man aangan mein baithhi rahi
choukhat se koi guzraa nahin
main ek sadi se baithhi hoon
main ek sadi se baithhi hoon
aakash bada boodhaa baba
sab ko kuchh baant ke jaata hai
jaata hai
aakash bada boodhaa baba
sab ko kuchh baant ke jaata hai
aankhon ko nichoda maine bahut
aankhon ko nichoda maine bahut
par koi aansoo utra nahin
main ek sadi se baithhi hoon
main ek sadi se baithhi hoon
————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
————————————————
हम्म हम्म हम्म
हम्म हम्म हम्म हम्म
हम्म हम्म हम्म हम्म
हम्म हम्म
मैं एक सदी से बैठी हूँ
मैं एक सदी से बैठी हूँ
इस राह से कोई गुज़रा नहीं
कुछ चाँद के रथ तो गुजरे थे
कुछ चाँद के रथ तो गुजरे थे
पर चाँद से कोई उतरा नहीं
मैं एक सदी से बैठी हूँ
मैं एक सदी से बैठी हूँ
दिन रात के दोनों पहिये भी
कुछ धूल उड़ा कर बीत गए
बीत गए
दिन रात के दोनों पहिये भी
कुछ धूल उड़ा कर बीत गए
मैं मन आँगन में बैठी रही
मैं मन आँगन में बैठी रही
चौखट से कोई गुज़रा नहीं
मैं एक सदी से बैठी हूँ
मैं एक सदी से बैठी हूँ
आकाश बड़ा बूढ़ा बाबा
सब कुछ बाँट के जाता है
जाता है
आकाश बड़ा बूढ़ा बाबा
सब कुछ बाँट के जाता है
आँखों को निचोड़ा मैंने बहुत
आँखों को निचोड़ा मैंने बहुत
पर कोई आँसू उतरा नहीं
मैं एक सदी से बैठी हूँ
मैं एक सदी से बैठी हूँ
Ag chaand gufaa mein
Posted on: October 18, 2021
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4840 | Post No. : | 16626 | Movie Count : |
4529 |
Yearwise discussion of Lata Mangeshkar songs in HFM: Part LVI: Year 2002
———————————————————————————————————
In this episode, the 56th episode, we discuss Lata Mangeshkar songs that she sang in Hindi movies released in 2002.
In 2002, 75 Hindi movies containing 539 songs were released. Lata Mangeshkar got to sing in 2 of these movies and she sang 8 songs in these movies. So Lata Mangeshkar’s voice was heard in 2.6 % of the movies released in 2002. Her voice was heard in 1.5 % of the songs appearing in the movies of 2002.
Here are the details of songs sung by Lata Mangeshkar in Hindi movies released in 2002 :-
| S N | Movie | Music director | Lata song in the blog | Lata HFM songs recorded in the year | Lata solo songs | Male duet | Female duet | Other songs | Lyricists |
|---|---|---|---|---|---|---|---|---|---|
| 1 | Laal Salaam | Hridaynath Mangeshkar | 0 | 5 | 3/td> | 2 | 0 | 0 | Gulzar |
| 2 | Mujhse Dosti Karoge | Rahul Sharma | 0 | 3 | 0 | 3 | 0 | 0 | Anand Bakshi |
| Total | 2 movies | 2 MDs | 0 | 8 | 3 | 5 | 0 | 0 | 2 lyricists |
Lata Mangeshkar worked with 2 music directors and 2 lyricists in these 2 movies released in 2002. Laxmikant Pyarelal were the most prolific music directors with Lata, with 664 songs in HFM with Lata Mangeshkar by the end of 2002. Shankar Jaikishan with 457 songs in the voice of Lata Mangeshkar were in the second position. R D Burman with 332 Lata Mangeshkar and Kalyanji Anandji with 307 songs were next ahead of C Ramchandra with 275 songs. Other top music directors for Lata Mangeshkar were Chitragupta (239), Madan Mohan (195), S D Burman (179),Naushad (146), Roshan (144), Hemant Kumar (127), Anil Biswas (120), Bappi Lahiri (112), Rajesh Roshan (111), Salil Chaudhary (109), Husnlal Bhagatram (108), and Vasant Desai (104). Together these seventeen music directors composed 3733 songs out of 5225 songs that Lata Mangeshkar had sung in Hindi movies till end of 2002. Anand Bakshi with 731 songs was the top lyricist with Lata Mangeshkar. Other leading lyricists with Lata Mangeshkar were Rajinder Krishan (555), Majrooh Sultanpuri (407), Shailendra (361), Hasrat Jaipuri (301), Prem Dhawan (201), Bharat Vyas (193), Shakeel Badayuni (189), Sahir Ludhianvi (161) and Indeewar (156). These ten lyricists had penned 3252 songs sung by Lata Mangeshkar till that time.
Here is the summary of Lata Mangeshkar’s playback career in Hindi movies till end of 2002 :
| Year | Movie count | Lata song in the blog | Lata HFM songs recorded in the year | Lata solo songs | Male duet | Female duet | Other songs | Remarks |
|---|---|---|---|---|---|---|---|---|
| 1946 | 3 movies | 4 | 4 | 4 | 0 | 0 | 0 | |
| 1947 | 3 movies | 5 | 5 | 3 | 1 | 0 | 1 | |
| 1948 | 17 movies | 51 | 57 | 42 | 8 | 4 | 3 | |
| 1949 | 40 movies | 141 | 160 | 105 | 35 | 13 | 7 | |
| 1950 | 36 movies | 116 | 143 | 93 | 32 | 14 | 4 | |
| 1951 | 49 movies | 190 | 223 | 158 | 52 | 10 | 3 | |
| 1952 | 43 movies | 150 | 177 | 138 | 31 | 4 | 4 | |
| 1953 | 45 movies | 170 | 195 | 149 | 35 | 5 | 6 | |
| 1954 | 43 movies | 142 | 172 | 144 | 23 | 4 | 1 | |
| 1955 | 50 movies | 172 | 218 | 177 | 30 | 10 | 1 | |
| 1956 | 49 movies | 174 | 204 | 153 | 35 | 13 | 3 | |
| 1957 | 47 movies | 132 | 160 | 110 | 38 | 7 | 5 | |
| 1958 | 35 movies | 104 | 132 | 95 | 25 | 10 | 1 | |
| 1959 | 58 movies | 190 | 211 | 131 | 68 | 12 | 1 | |
| 1960 | 48 movies | 142 | 166 | 102 | 50 | 9 | 5 | |
| 1961 | 44 movies | 128 | 152 | 88 | 55 | 5 | 4 | |
| 1962 | 40 movies | 119 | 129 | 84 | 40 | 5 | 0 | |
| 1963 | 37 movies | 105 | 111 | 62 | 38 | 8 | 3 | |
| 1964 | 46 movies | 123 | 133 | 91 | 31 | 8 | 3 | |
| 1965 | 42 movies | 84 | 91 | 71 | 17 | 1 | 2 | |
| 1966 | 49 movies | 105 | 133 | 110 | 14 | 8 | 1 | |
| 1967 | 44 movies | 94 | 106 | 67 | 38 | 8 | 3 | |
| 1968 | 33 movies | 84 | 84 | 59 | 19 | 5 | 1 | |
| 1969 | 43 movies | 78 | 97 | 67 | 27 | 2 | 1 | |
| 1970 | 54 movies | 91 | 130 | 84 | 39 | 3 | 4 | |
| 1971 | 52 movies | 107 | 126 | 71 | 52 | 3 | 0 | |
| 1972 | 62 movies | 99 | 151 | 86 | 60 | 3 | 2 | |
| 1973 | 60 movies | 93 | 138 | 94 | 37 | 3 | 4 | |
| 1974 | 55 movies | 71 | 104 | 66 | 33 | 0 | 5 | |
| 1975 | 45 movies | 62 | 90 | 50 | 35 | 3 | 2 | |
| 1976 | 41 movies | 58 | 97 | 53 | 39 | 1 | 4 | |
| 1977 | 50 movies | 50 | 96 | 59 | 27 | 8 | 2 | |
| 1978 | 46 movies | 60 | 90 | 48 | 34 | 3 | 5 | |
| 1979 | 42 movies | 38 | 66 | 37 | 25 | 2 | 3 | |
| 1980 | 43 movies | 28 | 71 | 43 | 21 | 3 | 4 | |
| 1981 | 46 movies | 40 | 88 | 48 | 34 | 2 | 4 | |
| 1982 | 45 movies | 28 | 82 | 41 | 37 | 1 | 3 | |
| 1983 | 33 movies | 29 | 73 | 36 | 37 | 0 | 0 | |
| 1984 | 39 movies | 11 | 70 | 32 | 33 | 4 | 1 | |
| 1985 | 40 movies | 21 | 72 | 39 | 31 | 0 | 2 | |
| 1986 | 27 movies | 4 | 41 | 22 | 17 | 0 | 2 | |
| 1987 | 12 movies | 4 | 21 | 13 | 8 | 0 | 0 | |
| 1988 | 21 movies | 9 | 43 | 24 | 17 | 1 | 1 | |
| 1989 | 19 movies | 10 | 38 | 20 | 16 | 1 | 1 | |
| 1990 | 9 movies | 4 | 12 | 3 | 9 | 0 | 0 | |
| 1991 | 16 movies | 6 | 57 | 35 | 20 | 1 | 1 | |
| 1992 | 12 movies | 3 | 25 | 12 | 13 | 0 | 0 | |
| 1993 | 14 movies | 3 | 49 | 22 | 23 | 2 | 2 | |
| 1994 | 12 movies | 5 | 39 | 9 | 28 | 0 | 2 | |
| 1995 | 4 movies | 2 | 8 | 3 | 4 | 0 | 1 | |
| 1996 | 5 movies | 2 | 14 | 7 | 7 | 0 | 0 | |
| 1997 | 5 movies | 1 | 21 | 2 | 14 | 4 | 1 | |
| 1998 | 3 movies | 4 | 11 | 3 | 7 | 0 | 1 | |
| 1999 | 7 movies | 3 | 14 | 6 | 7 | 0 | 1 | |
| 2000 | 2 movies | 3 | 5 | 1 | 2 | 0 | 2 | |
| 2001 | 6 movies | 2 | 12 | 6 | 5 | 0 | 1 | |
| 2002 | 2 movies | 0 | 8 | 3 | 5 | 0 | 0 | |
| Total upto 2002 | 1874 movies | 3752 | 5225 | 3381 | 1508 | 213 | 123 |
It can be seen from the table of 2002 that Lata Mangeshkar sang 8 songs in 2 movies released in 2002.
No Lata song from 2002 are covered in the blog. That leaves us with all eight songs from two movies of 2002 for discusussion in the blog.
alphabetically, the first movie of 2002 that offers us a Lata Mangeshkar song to discuss is “Laal Salaam”(2002).
This movie was produced by Sanjiv Karambelkar and directed by Gaganvihari Borate for Manas Communications. The movie had Nandita Das, Sharad Kapoor, Makarand Deshpande, Vijay Raj, Rajpal Yadav, Anant Jog, Akhilendra Mishra, and Sayaji Shinde, Introducing Hemangini (Indroduction role), Vishwajeet Pradhan,Sushil Johri,Dwarika, Mahindra, Jyoti,Prithvi Singh,Sanjay Sonu, Ashraf, Ramayan, Nagesh Bhosle, Lallan Singh,Sanjay Shrivastav,Sivam,Anup, Subrow, Parveen Banu, Sumanth Chandramani, Uday Tikekar, Pramodini etc in it.
The movie had six songs in it. Five songs had the voice of Lata Mangeshkar in them.
Here is that song from “Laal Salaam”(2002). This song is sung by Lata Mangeshkar. Gulzar is the lyricist. Music is composed by Hridaynath Mangeshkar.
Only the audio of the song is available. It is almost certain that the song was picturised on Nandita Das.
Lyrics of this song and other details were sent to me by Prakashchandra.
With this song, “Laal Salaam”(2002) makes its debut in the blog.
Song-Ag chaand gufaa mein (Laal Salaam)(2002) Singer-Lata, Lyrics-Gulzar, MD-Hridaynath Mangeshkar
Lyrics
ag chaand gufaa mein
raain hamaari beeti gaaa aa aa aa
aga chaand gufaa mein
raain hamaari beeti gaaa aa aa aa
arrey hamko bhee ee ee ee ee ee ee
arrey hamko bhee daag lagaa gayi preeti gaa aa
baayi gaa aa aaa aa ahaa haa aa
baayi gaaa aa
baayi gaa aa aaa
hha aa baai gaa
aga chaand gufaa mein
raain hamaari beeti gaaa aa aa aa
baayi gaaa aa aa aa aa
hha aa baai gaa aa
arrey preet ka paudhaa dard bharaa kehlaaye aey ae aey ae
kaanch ke phool aankh se tapkaaye aey ae aey ae
arrey preet ka paudhaa dard bharaa kehlaaye aey ae aey ae
kaanch ke phool aankh se tapkaaye aey ae aey ae
jab neend udey sapney ae dikhaaye preeti gaa aa
baayi gaa aa aaa aa
baayi gaa aa aaa
baayi gaa aa aaa aa
baayi gaa aa aaa
ag chaand gufaa mein
raain hamaari beeti gaaa aa aa aa
baayi gaaa aa aa aa
baai gaa aa
arrey log kahen jab meh barsey bujh jaaye ae rey
preet ki aag saawan mein badh jaaye ae ae
arrey log kahen jab meh barsey bujh jaaye ae rey ae aey
preet ki aag saawan mein badh jaaye ae ae ae
ek aag bujhey ek aag lagaaye preeti gaa
baayi gaa aa aaa aa ahha aaaa
baayi gaa aa aaa
baayi gaa aa aaa aaa
baayi gaa aaa aaa
agga chaand gufaa mein rain hamaari beeti gaaa aa aa
arrey hamko bhee ee ee ee ee ee
arrey hamko bhee daag lagaa gayi preeti gaa aa
hahh baai gaa aa aaa aahhaa aa
baayi gaa aaa aa
baayi gaaa aa aaaa aaa
baayi gaaa aa aaaa aaa
baayi gaaa aa aaaa aaa ahaaha
baayigaa
baayi gaaa aa aaaa aaa ahaaha
baayigaa
Badlegi ye duniya
Posted on: November 27, 2020
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4515 | Post No. : | 16068 |
“Sanskaar”(1952) was produced and directed by V M Vyas for Sunrise Pictures, Bombay. This social movie had Mumtaz Shanti, Purnima, Veera, Pran, Razi, Shashi Kapoor, Ishwar lal, Mirza Musharraf, Murad, Kalyani, Pappu, Baby Naaz, Indira Mumtaz etc in it.
The movie had seven songs in it.
Six songs from the movie have been covered in the past. That leaves only one song to be covered, the one which appears at number 1 in the HFGK song list of this movie.
Here are the details of the songs of this movie :-
| Song | Posted On |
|---|---|
| Badlegi, ye duniya ik din badlegi | Being covered today |
| Jeenewaale o matwaale zindagi se pyaar kar | 24.07.2018 |
| Andhi qismat kise le chalegi kahaan | 15.09.2016 |
| Hanse tim tim tim chhote chhote taare | 24.11.2020 |
| Preet nibhaani balmaa tum kya jaano | 09.01.2016 |
| Do nainon ne jaal bichhaayaa | 26.04.2012 |
| Muhabbat ke jhoothhe sahaaron ne loota | 24.11.2010 |
Here is the seventh and final song from the movie. It is sung by Hridaynath Mangeshkar, then a child. Shailendra is the lyricist. Music is composed by Roshan.
Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song.
Lyrics of this song were sent to me by Avinash Scrapwala.
Audio
Song-Badlegi ye duniya (Sanskaar)(1952) Singer-Hridaynath Mangeshkar, Lyrics-Shailendra, MD-Roshan
Lyrics(Provided by Avinash Scrapwala)
badlegi
ye duniya badlegi ee
badlegi ee
badlegi ye duniya
ik din badlegi
badlegi
aasmaan ki bitiyaa dharti
girkar phir se sambhlegi ee
badlegi duniya
ik din badlegi
badlegi
badlegi ye duniya aa
ham bachche laaye hain
apni qismat apni mutthhi mein
ham bachche laaye hain
apni qismat apni mutthhi mein
gud’di mein laal hazaaron
heere bikhre mitti mein
ik din ham bachchon ki toli
chaand sitaare chhoo legi
badlegi duniya
ik din badlegi
badlegi
badlegi ye duniya aa
oonche aasan baithhne waalon
dam bhar dharti par aao
oonche aasan baithhne waalon
dam bhar dharti par aao
jeewan reet seekh lo hamse
ya hamko sikhlaao
jeewan reet seekh lo hamse
ya hamko sikhlaao
har chhoti si baat pe tum
aapas mein lad marte ho
har chhoti si baat pe tum
aapas mein lad marte ho
phailaa itnaa zehar ki tum
ganga jal se bhi darte ho
bachchon ki maasoom nazar
ye reet badal kar dam legi ee
badlegi duniya
ik din badlegi
badlegi
badlegi ye duniya aa
soch liyaa hai
ham bachchon ne
nayaa zamaana kaisaa ho o
soch liyaa hai
ham bachchon ne
nayaa zamaana kaisaa ho o
maata jaisa dil ho jiska
pyaar pitaa ke jaisaa ho o
maata jaisa dil ho jiska
pyaar pitaa ke jaisaa ho
sukh mein jo lori gaaye ae
rote bachchon ko behlaaye ae
sukh mein jo lori gaaye ae
rote bachchon ko behlaaye ae
mel mohabbat mehnat mein
jo jeenaa marnaa sikhlaaye ae
duniya duniya tab hogi
jab hans ke har dukh jhelegi
badlegi duniya
ik din badlegi
badlegi
badlegi ye duniya aa
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4483 | Post No. : | 15995 |
Sahir Ludhianvi & His Music Directors-1 – (one movie collaboration only)
————————————————————————————
Welcome all to this post.
Some of you would be surprised to see a ‘Sahir’ related post here today again, because we celebrated Sahir yesterday on his ‘Remembrance Day’ and paid our tributes.
But today’s day is also important for us. It the birthday of one of the founding members of this blog and our beloved Raja Saab. So here is wishing Raja Saab a very happy birthday and ‘many many happy returns of the day’ and ‘healthy, peaceful and ‘full of music- life’ ahead.
And I am sure he is going to enjoy this song in ‘Punjabi’ folk based song as I am aware of his love for ‘Punjabi folk based’ songs.
Well he is also a Sahir fan so a song from Sahir. And he is Kaka fan too. So, we have Rajesh Khanna making an appearance in this song in the movie ‘Dhanwaan-1981’, and if I am correct, he lip-syncs the one stanza in Amit Kumar’s voice. But that is not covered in the video of the song though the audio version of this song is having it.
Not only that we have one more ‘celebration’ here today.
Regulars on the blog might be remembering that I had mentioned in my earlier post with the ‘couplet song’ ‘aap abhi ishq ki tehzeeb se aagaah nahin’ from ‘Dil Hi To Hai’ (1963), that I had prepared an excel sheet for Sahir and his music directors with the number of songs in the movies where Sahir Ludhianvi was lyricist and was going to share it with a new series.
But somehow this series got delayed and what a better occasion than today. Today we discuss Sahir’s association with music directors where they collaborated for only ‘one movie’ (or ‘only one song in some cases).
Today’s song is composed by Hridaynath Mangeshkar from the ‘1981’ movie ‘Dhanwaan’.
And today 26th October’2020 (born on 26th October 1937) is the eighty-third birth anniversary of Hridaynath Mangeshkar. So here is wishing him too a very happy birthday and healthy and peaceful life ahead.
Coming to the list of music directors where Sahir had only one film association the list as given below; (I have tried to compile the details accurately as possible, and would request readers to bring to my notice if any mistake is there and forgive me for that error).
| S.no | Name of the Movie | Year | Music Director | Songs of lyricist in the blog | Song penned by lyricist in movie as per HFGK | Song penned by lyricist in movie as per the book -The People’s Poet |
|---|---|---|---|---|---|---|
| 1 | Aazadi Ki Raah Pe | 1948 | G.D. Kapoor | 1 | 4 | 4 |
| 2 | Alif Laila | 1953 | Shyam Sundar | 8 | 8 | 8 |
| 3 | Humsafar | 1953 | Ali Akbar Khan | 7 | 8 | 8 |
| 4 | Sholey | 1953 | Dhani Ram | 1 | 1 | 1 |
| 5 | Saavdhan | 1954 | Vasant Ramchandra | 7 | 7 | 7 |
| 6 | Chingaari | 1955 | Manohar | 1 | 1 | 1 |
| 7 | Didi | 1959 | Sudha Malhotra | 1 | 1 | 1 |
| 8 | Laal Nishaan | 1959 | Nirmal Kumar | 1 | 1 | 1 |
| 9 | Girl Friend | 1960 | Hemant Kumar | 7 | 7 | 7 |
| 10 | Maasoom | 1960 | Robin Banerjee | 1 | 1 | 1 |
| 11 | Bahurani | 1963 | C. Ramchandra | 7 | 7 | 7 |
| 12 | Bhaai Ho To Aisa | 1972 | Sonik Omi | 1 | 5 | 5 |
| 13 | Nawaab Saahib | 1978 | C. Arjun | 5 | 4 | 5 |
| 14 | Kaalaa Patthar* | 1979 | Rajesh Roshan | 7 | 6 | 7 |
| 15 | Dhanwaan | 1981 | Hridaynath Mangeshkar | 4 | 5 | 5 |
| Total | 15 movies | 59 | 66 | 67 |
(*jageya jageya considered as two-part song)
Coming back to the today’s movie, Dhanwaan-1981” was directed by Surendra Mohan for ‘Film Nagar, Bombay’. It was produced by Sohanlal Kanwar.
This movie had Rajesh Khanna, Reena Roy, Rakesh Roshan, Shakti Kapoor, Pinchoo Kapoor, Vijayendra, Mazhar Khan (there were two persons with same name Mazhar Khan(reference-HFGK)), Aruna Irani, Birbal, Kamal Deep, Chandrashekhar, Ajit Kumar, S.N. Tripathi, Madhok Sharma, Baljeet Mineria, Master Vikas, Om Prakash and others.
This movie was passed by Censor Board on 01.07.1981.
This movie had five songs (to be corrected on the blog) written by Sahir Ludhianvi and composed by Hridaynath Mangeshkar.
Here is the list of songs as per their appearing order in HFGK Vol-VI (1981-1985). Four songs have already been posted on the blog;
| Song | Posted On |
|---|---|
| Idhar aa aa aa bhi jaa | 21.02.2013 |
| Kuchh log mohabbat ko vyopaar samajhte hain | 07.01.2020 |
| Ye aankhen dekh kar ham saari duniya bhool jaate hain | 11.09.2008 |
| Maaro bhar bhar kar pichkaari | 13.03.2017 |
| Ho balle balle bhai reshmi dupatta waaliye … | Being posted today |
Last but not the least, to add the above celebrations, this movie ‘Dhanwaan-1981’ gets ‘Yippeeee’ed’ on the blog today with all its songs covered.
Let us now enjoy today’s ‘nok-jhonk’ song 😊 sung by Lata Mangeshkar, Mahendra Kapoor and Amit Kumar…
Mazhar Khan and Aruna Irani are lip syncing in the voices of Mahendra Kapoor and Lata Mangeshkar respectively. I guess that the Amit Kumar’s voice is for Rajesh Khanna who resolves the ‘nok-jhonk’ and make Aruna Irani accept the proposal of Mazhar Khan. However, the video for the Amit Kumar part is not available. The lyrics as per the audio link which is a longer version.
Let us now enjoy this foot tapping entertaining song. 😊
Video (Partial)
Audio (Full)
Song-Ho balle balle bhai reshmi dupatte waaliye (Dhanwan)(1981) Singers-Mahendra Kapoor, Lata, Amit Kumar, Lyrics-Sahir Ludhianvi, MD- Hridaynath Mangeshkar
All
Male chorus
Female chorus
Lyrics
ho balle balle
bhai reshmi dupatte waaliye
ho balle balle
bhai reshmi dupatte waaliye
tera roop lashkaare maare
reshmi dupatte waaliye ae
ho tauba tauba
ye gora rang aafat hai
tauba tauba
ye gora rang aafat hai
peechhe pad gaye saare kunwaare
gora rang aafat hai
ho balle balle
bhai duniya ke jamghat mein
sabhi dil milne ke mele ae
duniya ke jamghat mein ae
haa jaa jaa
jaa jaa ke main naa tere haath aaun
chaahe laakh tu paapad bele ae
main naa tere
haath aaun
hai ke jamghat mein ae
sabhi dil milne ke mele ae
main naa tere
haath aaun
chaahe laakh tu paapad bele ae
ho balle balle balle
maan jawaani ka
gori aashiqon ki qadar naa jaane
maan jawaani ka
ha jaa jaa jaa jaa
ke main naa tere munh lagti ee
badaa aaya qadar karaane ae
main naa tere munh lagti
ho balle balle bhai
ham hi mein aib kya hai
tujhe kisika to ghar hai basaana
ham hi mein aib kya hai
tauba
tauba
tauba
tauba
tauba
haaye
tauba
haaye
tauba
haaye
tauba
tauba
tauba tauba ke main naa tere ghar jaaun
chaahe pad jaaye thaane jaanaa
main naa tere ghar jaaun
baliye ae ae ae ae
goriye
soniye
baliye ae
baliye
ho balle balle
ke buddhi ho ke tarsegi
koyi aayega na haath pakadne
buddhi ho ke tarsegi
are jaa jaa
jaa jaa
ke tere jaise laakhon hain
kayi aayenge naak ragadne
tere jaise laakhon hain
ho balle balle
bhai reshmi dupatte waaliye
ho tera roop lashkaare maare
reshmi dupatte waaliye ae
aa haa
jawaani phir naa aaye
karegi haaye haaye
aa haa karegi haay haaye
mera gham tu kyun khaaye
tujhe kyun neend na aaye
aa haa
tujhe kyun neend na aaye
jo tujhpar aankh tikaaye ae ae
wo tera maan badhaaye
jo tujhpar aankh tikaaye
wo tera maan badhaaye
wo tera maan badhaaye
tu chaahe mar bhi jaaye
ye jatti haath na aaye
aa haa
ye jatti haath na aaye
naa jab tak haan kahlaaye
ye jatt waapas naa jaaye
aa haa
ye jatt waapas naa jaaye
jo mujhko haath lagaaye ae
wo apnaa sar tudwaaye
jo mujhko haath lagaaye
wo apnaa sar tudwaaye
wo apnaa sar tudwaaye
jo mujhko haath lagaaye
wo apnaa sar tudwaaye
aa haa
wo apnaa sar tudwaaye
ho balle balle
bhai tere aage haath jodtaa
ho balle balle
bhai tere aage haath jodtaa
jaat jisne akhaade jeete ae
tere aage haath jodtaa
baliye ae ae ae
soniye
soniye
baliye baliye
balle balle
bhai tere aage haath jodtaa aa
achchaa achchaa to aaj maine
haan kar di
achchaa achchaa to aaj maine
haan kar di
ise taalte bahot din beete ae
aaj maine haan kar di
ho balle balle
bhai reshmi dupatte waaliye
ho balle balle
bhai reshmi dupatte waaliye
oye tera roop lashkaare maare ae
reshmi dupatte waaliye ae
aa haa
- In: Devnagri script lyrics by Avinash Scrapwala | Lata solo | Lata song | Lyrics by Avinash Scrapwala | Lyrics contributed by readers | Rajesh Khanna present (without lip syncing) | Rajesh Khanna songs | Songs of 1980s (1981 to 1990) | Songs of 1981 | Stage song | Yearwise breakup of songs
- 6 Comments
This article is meant to be posted in atulsongaday.me.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4190 | Post No. : | 15372 |
Today (7 january 2020) is the 63rd birthday of Reena Roy (DoB 7 january 1957). She made her debut in Hindi movies with B R Ishara who cast her in “Zaroorat”(1972) in a “bold” role. She was considered suitable for songs that are these days considered item songs. “Jaise Ko Taisa”(1973) may not be remembered today, but someone like me associate this movie with the song “able saawan mein jee dare rimjhim tan pe paani gire”. This song was picturised on Reena Roy and Jeetendra.
Reena Roy formed a hit pair with Shatrughan Sinha beginning with “Kallicharan”(1976) followed by “Vishwanath”(1978)- 16 movies in all. She also formed a hit pair with Sunil Dutt. She figured in “Naagin”(1976), “Jaani Dushman”(1979) etc with Sunil Dutt.
Reena Roy’s pairing with Jeetendra in typical Madrasi family dramas led to some memorable tear jerkers viz. Apnapan(1977), Badalte Rishtey(1978), Asha(1980), Pyaasa Saawan(1982), Arpan(1983) etc (22 movies in all). She won Filmfare award for best supporting actress for her role in “Apnapan”(1977).
Reena Roy also got to work with Rajesh Khanna, after he was no longer a superstar. They worked together in four movies. One such movie was “Dhanwan”(1983). Here Reena Roy plays the widow of Rakesh Roshan- another of her “strong” roles that she was known for in 1980s.
On this occasion, here is a song from “Dhanwaan”(1981). This song is sung by Lata. Sahir Ludhianvi is the lyricist. Music is composed by Hridaynath Mangeshkar.
The song is picturised as a stage dance song where Rajesh Khanna has bought the entire show and he is the only one in the hall watching the performance. The same situation would later arise with Jaya Prada and Amitabh Bachchan is another movie, viz “Sharaabi”(1984). 🙂
Lyrics of this song were sent to me by Avinash Scrapwala.
Video
Audio (containing wrong poster)
Song-Kuchh log mohabbat ko vyopaar samajhte hain (Dhanwaan)(1981) Singer-Lata, Lyrics-Sahir Ludhianvi, Md-Hridaynath Mangeshkar
Lyrics(Provided by Avinash Scrapwala)
Mohabbat ka aa taalluk
Shaan o shaukat se nahin hota
Ye saudaa
Aisa aa saudaa hain
Jo daulat se nahin ee ee ee hota
Kuchh log mohabbat ko
Kuchh log mohabbat ko
Byopaar samajhte hain ae ae
Duniya ko khilaunon ka
Baazar samajhte hain ae ae ae
Kuchh log mohabbat ko
Byopaar samajhte hain ae ae
Kuchh log mohabbat ko
Daulat ka nashaa inn ko
Kuchh itna jyaada hai
Daulat ka nashaa inn ko
Kuchh itna jyaada hai
Duniya ki har ik shay ko
Aa aa aa aa aa
Duniya ki har ik shay ko
Paane ka iraada hain
Apne ko do aalam ka aa
Apne ko do aalam ka
Mukhtaar samajhte hain ae
Kuchh log mohabbat ko o
Dil kya hain wafaa kya hain
Ye log na samajhenge
Dil kya hain wafaa kya hain
Ye log na samajhenge
Mitne ki adaa kya hain
Aa aa aa aa aa
Mitne ki adaa kya hain
Ye log na samajhenge
Har shahks ko bikne par
Har shakhs ko bikne par
Taiyyar samajhte hain ae ae
Kuchh log mohabbat ko o
Kahiye bhi to inn jaise
Dildaaron ko kya kahiye
Kahiye bhi to inn jaise
Dildaaron ko kya kahiye ae ae
Mazboor hain aadat se
Aa aa aa aa aa
Mazboor hain aadat se
Bechaaron ko kya kahiye
Ham aise dimaagon ko
Ham aise dimaagon ko
Ham aise dimaagon ko
O o o
Ham aise dimaagon ko
Beemaar samajhte hain ae ae
Kuchh log mohabbat ko
Byopaar samajhte hain ae ae
Kuchh log mohabbat ko
——————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
———————————
मोहब्बत का आ ताल्लुक
शान ओ शौकत से नहीं होता
ये सौदा
ऐसा आ सौदा हैं
जो दौलत से नहीं ई ई ई होता
कुछ लोग मोहब्बत को
कुछ लोग मोहब्बत को
ब्योपार समझते हैं ए ए
दुनिया को खिलौनों का
बाज़ार समझते हैं ए ए ए
कुछ लोग मोहब्बत को
ब्योपार समझते हैं ए ए
कुछ लोग मोहब्बत को
दौलत का नशा इन को
कुछ इतना ज्यादा है
दौलत का नशा इन को
कुछ इतना ज्यादा है
दुनिया कि हर इक शय को
आ आ आ आ आ
दुनिया कि हर इक शय को
पाने का इरादा है
अपने को दो आलम का आ
अपने को दो आलम का
मुख्तार समझते हैं ए
कुछ लोग मोहब्बत को ओ
दिल क्या हैं वफ़ा क्या हैं
ये लोग न समझेंगे
दिल क्या हैं वफ़ा क्या हैं
ये लोग न समझेंगे
मिटने कि अदा क्या है
आ आ आ आ आ
मिटने कि अदा क्या है
ये लोग न समझेंगे
हर शख्स को बिकने पर
हर शख्स को बिकने पर
तैयार समझते हैं ए ए
कुछ लोग मोहब्बत को ओ
कहिये भी तो इन जैसे
दिलदारों को क्या कहिये
कहिये भी तो इन जैसे
दिलदारों को क्या कहिये ए ए
आ आ आ आ आ
मजबूर हैं आदत से
बेचारों को क्या कहिये
हम ऐसे दिमागों को
हम ऐसे दिमागों को
हम ऐसे दिमागों को
ओ ओ ओ
हम ऐसे दिमागों को
बीमार समझते हैं ए ए
कुछ लोग मोहब्बत को
ब्योपार समझते हैं ए ए
कुछ लोग मोहब्बत को
Rimim Jhimimwa, Suno Balamwa
Posted on: January 9, 2019
- In: "Helen" song | Aspirations of Love | Classical composition | Dance song | Devnagri script lyrics by Sudhir | Enticement Song | Feelings of heart | Group Dance | Guest posts | Lata solo | Lata song | Lyrics contributed by readers | Post by Sudhir | Semi Classical song | Songs of 1960s (1961 to 1970) | Songs of 1970 | Yearwise breakup of songs
- 2 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
3827 | Post No. : | 14831 | Movie Count : |
4055 |
Missing Films of 1960s – 90
– – – – – – – – – – – – – – –
What a wonderful gem of a song this one is. The memory banks hold this from the radio listening days. Such a beautiful semi-classical creation, and also very popular in its time – I am amazed it has waited so long in the wings to make its place here on our blog.
The film is ‘Harishchandra Taramati’ from 1970. It is produced under the banner of Kala Mandal, Bombay and is directed by BK Adarsh. Star cast of this film is listed as Pradeep Kumar, Jaimala, Boby, BM Vyas, Jeevan, Shyama, Madan Puri, Tiwari, Bela Bose, Bipin Gupta, Helen, Madhumati, Jaishri Talpade, Tuntun, Sapru, Manorama, and Mehmood (Junior) etc.
The seven songs of this film are all written by Virendra Mishra and the music is created by Hridaynath Mangeshkar. The singing voice in this song is Lata ji, supported by chorus.
As I am checking the films from 1970, I came across this film, but it did not ring any bells at first. The mind is more familiar with the other film of same name from 1963, whose songs are penned by Kavi Pradeep. But then, as I checked the list of songs in this film, the mind sat up with a jerk when I read the title line of this song. All I could think of then was – WOW.
This song is such an exquisite creation, and such a pleasurable experience to listen. The opening verses simply capture the heart,
rimim jhimimwa
suno balamwa
naram garam hui saram
jhuke nainwa
For reference purposes, I checked the Raag-o-Pedia compiled by Shri KL Pandey. The listing informs us that this song is composed using three Raags – Bhairavi, Khamaaj and Malkauns.
As I started this post day before yesterday, I did not have access to the video of this song. Keen to know on whom this song is picturized, I started searching for this film. It turned out that although this film is more recent vintage than similar named films from 1952 and 1963, yet this one is more rare in terms of availability. After some messages exchanged with my other collector friends, I was able to secure the video clip of this song from one of them. The clip is not of good quality; it appears that it has been extracted from a VHS tape that has been over used. I have now uploaded this clip. Despite the poor quality, one can make out that this dance song is filmed on Helen, and a group of supporting dancers, and that Pradeep Kumar is the sole audience of this performance.
In the film, Pradeep Kumar plays the lead role of Raja Harishchandra. Sage Vishwamitra, who is jealous of his fame of truthfulness and righteousness, resolves to test the limits of Harishchandra’s good attributes. As the first step, he sends Menaka, the apsara from swarg lok to woo and enchant Harishchandra. Regulars will recall that Menaka is the same apsara whom Indra, the king of swarg lok, had sent to disturb the penance and meditation of Vishwamitra. In that episode, Vishwamitra had lost the battle, and was swayed by Menaka’s enchanting beauty. Now, he sends the very same apsara to sway the sensibility of Harishchandra. In the film, this episode is presented as a dream sequence.
Just listen to this song, as it makes its way through multiple ragas, all coming together for such a perfect listening experience. A wonderful re-discovery.
(Audio)
(Video)
Song – Rimim Jhimimwa, Suno Balamwa (Harishchandra Taramati) (1970) Singer – Lata Mangeshkar, Lyrics – Virendra Misra, MD – Hridaynath Mangeshkar
Chorus
Lyrics
ho oo oo oo
rimim jhimimwa
suno balamwa
rimim jhimimwa
suno balamwa
naram garam hui saram
jhuke nainwa
naram garam hui saram
naram garam hui saram
jhuke nainwa
tum jo miley
mujhse tum jo miley
arre haan tum jo miley
to main kisi
pyaar bhare gaaon mein pahunch gayi
jhuke nainwa..aa..aa
rimim jhimimwa
suno balamwa
dhadhkan ka phool khila
ho khila
ho khila
manwa
manwa
manwa ke taal mein
hansti hai jal ki pari
ho pari
ho pari
machhuye ho machhuye ke jaal mein
he he ri haiyya ho ho ri
he he ri haiyya ri
ho ho ri haiyya haiyya ri
aaa aaa aaaaaaaa
ek lehar
uthi jo ek lehar
arre haan ek lehar
tair tair main tumhaari naao mein pahunch gayi
jhuke nainwa..aa..aa
rimim jhimimwa
suno balamwa
ma dha ni dha
sa ga ma ga ma ga sa ga ni dha
mann mo..ora doley hai
mann mo..ora doley hai
un bole naam se
mann mora mora doley hai
un bole naam se..ey..ey
pehli pehchaan hai
satrangi shaam se..ey..ey..ey..ey
daiyya ri daiyyaa
ma ga ma dha ni sa
dha ni sa
ni sa ni ni dha dha ma ma ga
ga sa
dha ma ga sa
ni dha ma ga sa
ta ni dha ma ga sa
dha ma ni dha ma ga
ga ga ma ga ma dha
ma dha ni sa
dha ni sa
dha ni sa
main kya karoon
kaho ji main kya karoon
arey haan main kya karoon
aayi preet paayaliya paaon mein pahunch gayi
jhuke nainwa..aa..aa
rimim jhimimwa
suno balamwa
parbat pe gaaon mera
ho mera
ho mera
ghaati
ghaati
ghaati mein chhanv hai
chhaaya mein hai nadi
ho nadi
ho nadi
nadiya mein
nadiya mein naav hai
chhammak chhaiyya chhamam ri
chhammak chhaiyya ri
chhammak chhaiyya chhamam ri
aaaa aaaa aaaaaa
bin chaley hi
dagari bin chaley hi
arre haan bin chaley hi
bin chaley hi
main madhur padaav mein pahunch gayi
jhuke nainwa..aa..aa
rimim jhimimwa
suno balamwa
rimim jhimimwa
suno balamwa
———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-
हो ओ ओ
रीमिम झिमिमवा
सुनो बलमवा
रीमिम झिमिमवा
सुनो बलमवा
नरम गरम हुई सरम
झुके नयनवा
नरम गरम हुई सरम
नरम गरम हुई सरम
झुके नयनवा
तुम जो मिले
मुझसे तुम जो मिले
अरे हाँ तुम जो मिले
तो मैं किसी
प्यार भरे गाँव में पहुँच गई
झुके नयनवा॰॰आ॰॰आ
रीमिम झिमिमवा
सुनो बलमवा
धड़कन का फूल खिला
हो खिला
हो खिला
मनवा
मनवा
मनवा के ताल में
हँसती है जल की परी
ओ परी
मछुए हो मछुए के जाल में
हे हे री हइय्या हो हो री
हे हे री हइय्या री
हो हो री हइय्या हइय्या री
आs आs आssss
एक लहर
उठी जो एक लहर
अरे हाँ एक लहर
तैर तैर मैं तुम्हारी नाव में पहुँच गई
झुके नयनवा॰॰आ॰॰आ
रीमिम झिमिमवा
सुनो बलमवा
म ध नी ध
स ग म ग म ग स ग नी ध
मन मो॰॰रा डोले है
मन मो॰॰रा डोले है
अनबोले नाम से
मन मोरा मोरा डोले है
अनबोले नाम से॰॰ए॰॰ए
पहली पहचान है
सतरंगी शाम से॰॰ए॰॰ए॰॰ए॰॰ए
दइय्या री दइय्या
म ग म ध नी स
ध नी स
नी सा नी नी ध ध म म ग
ग स
ध म ग स
नी ध म ग स
त नी ध म ग स
ध म ग नी ध म ग
ग ग म ग म ध
म ध नी स
ध नी स
ध नी स
मैं क्या करूँ
कहो जी मैं क्या करूँ
अरे हाँ मैं क्या करूँ
आई प्रीत पायलिया पाँव में पहुँच गई
झुके नयनवा॰॰आ॰॰आ
रीमिम झिमिमवा
सुनो बलमवा
परबत पे गाँव मेरा
हो मेरा
हो मेरा
घाटी
घाटी
घाटी में छाँव है
छाया में है नदी
हो नदी
हो नदी
नदिया में
नदिया में नाव है
छम्मक छईय्या छम्मम री
छम्मक छईय्या री
छम्मक छईय्या छम्मम री
आss आss आsssss
बिन चले ही
डगरी बिन चले ही
अरे हाँ बिन चले ही
बिन चले ही
मैं मधुर पड़ाव में पहुँच गई
झुके नयनवा॰॰आ॰॰आ
रीमिम झिमिमवा
सुनो बलमवा
रीमिम झिमिमवा
सुनो बलमवा
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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