Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1954’ Category


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In around mid-50s, I used to often hear a song ‘chal chal re musaafir chal’ and I liked it. But I had no idea or rather I never ventured to know as to which film this song belonged. It was sometime in early 70s when I came across an used 78 RPM record of this song that I became aware of the film’s name and other details. The film was POOJA (1954) and it was a kind of surprise to me that the film which had Shanker-Jaikishan as music director had become an obscure film. No doubt, this film is yet to make a debut in this blog. Recently, I heard some more songs from this film on the internet. What a treasure of songs the film had.
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“Naaz”(1954) was a S K Films Production, S K Ojha was the producer and director of this movie. The movie had Ashok Kumar, Nalini Jaiwant, Murad, Arif, Tiwari, Veena, Nawab, S. Nazir, Amar, K. Sabir etc in it.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The tribulations of life keep jumping from one whirlwind to another. Here is a bit of information that I should have shared on the blog some time back. So there is this loosely knit group of music lovers in Delhi, and they are planning a year long stint of programs to celebrate the 100th year of Indian Cinema.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Ever since Ghulam Haider introduced dholak (belonging to the percussion family) as a major musical instrument for song compositions in the super hit film ‘Khazaanchi’ (1941), it has become an inseparable part of Hindi film songs. In fact in the 50s, prominent music directors started engaging specialist dholak players in the songs’ orchestration. The introduction of dholak in the Hindi film songs has made some of them so rhythmic that a music lover consciously or unconsciously replays the rhythmic beats with his fingers on whatever place he find near him, be it on a sofa hand rest or on a table top or play it on any of the kitchen vessels as Bhagwan did in ‘ kismet ki hawa kabhi garam kabhi naram’ (Albelaa-1951).
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The past two three weeks have been somehow overtly busy and a run around for me, and I must apologize that I have not been very regular in writing and posting. Just too many things seem to be happening on the domestic and professional front, and time is at a premium. Being connected to email most of the time, I do follow the posts on email, all the day, but have been delinquent in responding regularly.
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