Posts Tagged ‘Amar’
Baaj rahi shehnaayee
Posted on: June 22, 2022
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws
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Blog Day : |
5087 | Post No. : | 17012 |
“Janam Janam Ke Phere”(1957) was produced by Subhash Desai and directed by Manmohan Desai for Mukta Films, Bombay. The movie had Nirupa Roy, Manhar Desai,
B.M.Vyas, S.N.Tripathi, Satish Vyas, Amar, Pandey, Kanta Kumari, Malay Sarkar, Champaklala, Krishna Kumari, Mahipal(Guest artiste) etc in it.
The movie had nine songs in it. Eight of these songs have been covered in the blog. Here are the details of the songs:-
| Sr.No. | Song Title | Singer/s | Posted On |
|---|---|---|---|
| 01 | Janam janam ke phere …saanjh savere sabko ghere, inse na koyi bache re | Rafi, chorus | 16 February 2013 |
| 02 | Tu hai ya nahin bhagwan… kabhi hota bharosa kabhi hota bharam | Lata, Rafi, Manna Dey | 16 June 2012 |
| 03 | Bhadak uthhi hai…aaja naag tohe man mein basaa loon | Lata Mangeshkar | 04 January 2020 |
| 04 | Raah se dharam ki hataanewaala kaun | Lata Mangeshkar | 16 June 2022 |
| 05 | Man ka andhiyaaraa… tan ke tamboore mein do saanson ke taar boley | Manna Dey | 03 June 2012 |
| 06 | Rang birange phoolon ki jhoomein re daaliyaan… kaali kaali ankhiyon ki chhalke re Pyaaliyaan | Geeta Dutt, Manna Dey, chorus | 14 March 2022 |
| 07 | Aatma ki ye … zaraa saamne to aao chhaliye | Mohd Rafi, Lata Mangeshkar | 25 December 2008 |
| 08 | Baaj rahi shehnaayi dekho baaj rahi shenaayi | Lata Mangeshkar | Being discussed today |
| 09 | Ghanan ghanan ghan baaje… aayi mohan milan ki bela | Shamshad Begum, Mohd Rafi, chorus | 05 April 2020 |
Only one song from the movie is left to be covered.
Here is that final song from the movie. The song is sung by Lata Mangeshkar. Bharat Vyas is the lyricist. Music is composed by S N Tripathi.
The song is picturised on Nirupa Roy playing a bride and getting married to the wrong groom. She would not point this out to her elders, rather she would make the most of this opportunity to sing a melancholic song. Singing a melancholic song,(when wronged by fate) was considered the ultimate act of Bhartiya Nari in Hindi movies of those days. Nirupa Roy was one of the leading Bhartiya Naaris of those days. subsequently she graduated to the role of the ultimate Hindi movie maa. 🙂
Amar is also visible in the picturisation.
Lyrics of the song were sent to me by Prakashchandra.
With this song, all the nine songs of “Janam Janam Ke Phere”(1957) get covered in the blog. The movie thus joins the list of movies that have been YIPPEED in the blog.
Audio link:
Video link:
Song-Baaj rahee shehnaayee dekho baaj rahi shehnaayee (Janam Janam Ke Phere)(1957) Singer-Lata, Lyrics-Bharat Vyas, MD-S N Tripathi
Lyrics
baaj rahee shehnaayee…ee..ee
baaj rahee shenaayee
dekho baaj rahee shehnaayee
angnaa mein
baaj rahee shenaayee
ye duniya diwaani dekho
karti hai manmanee rey ae
ye duniya deewaani dekho
karthi hai manmanee
haayye
jaaney na peer paraayee rey
paraayee rey paraayee
dekho baaj rahee shehnaayee
angnaa mein aen
baaj rahee shenaayee
sab sakhiyaan meri maang sajaayein ae..aen..aen
sab sakhiyaan meri maang sajaayen
main ansuwan haar piroun rey ae ae
duniyaa to hansti hai khil khil aur
main jhar jhar roun rey ae
duniya to hansti hai khil khil aur
main jhar jhar roun re
bin bhanwar kalee murjhaayee murjhaayee
murjhaayee..eee
dekho baaj rahee shehnaayee
angnaa mein aen
baaj rahee shenaayee
sakhiyaan meri mehandi se aey ae ae ae ae ae
sakhiyaan meri mehandi se rangti hain haath rey ae ae
woh kyaa jaanen meraa hai suhaag nahin saath rey ae ae
woh kyaa jaanen meraa hai suhaag nahin saath
mere piyaa ne sudh bisraayee
bisraayee bisraayee..eee
dekho baaj rahee shehnaayee
angnaa mein ae
baaj rahee shenaayee..ee..eee
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4618 | Post No. : | 16259 |
‘Lalaji’ (1942) was produced by Mehboob Khan under the banner of National Studios and was jointly directed by Chimanlal Gandhi and Lalitchandra Mehta. The star cast included Krishnakant, Yashodara Katju, Yakoob, Vatsala Kumthekar, Amar, Sunalini Devi, Maya Devi, AR Kabuli, Kayam Ali etc. I have no idea about the story of the film. The montages of the film indicate that it was a comedy film with Yakub having an important role as Hiralal and A R Kabuli as Lalaji though the lead pairs of the film were Yashodara Katju and Krishnakant.
There were 12 songs in the film of which one song has been covered in the Blog. As many as 8 songs were written by Arzoo Lucknawi. Two songs were written by Neelkanth Tiwari. The name of the lyricist was not mentioned in respect of one song. That leaves one song which created some curiosity in me as this song was a ghazal attributed to Mirza Ghalib. However, I could not locate the audio clip of this ghazal on any video sharing platform. Finally, I could listen to this song in full on gaana.com and got it confirmed that this ghazal was written by Mirza Ghalib as his name de plume, ‘Ghalib’ appears in the last she’r of the ghazal.
The problem was not yet over as the audio quality of the ghazal was not up to the mark. Moreover, there were some high sounding Urdu/Persian/Arabic words used in the ghazal which made my task difficult to decipher the ghazal. http://www.rekhta.org came to my rescue as fortunately, this ghazal was listed under Mirza Ghalib.
I am presenting the second song from the fiim, ‘Lalaji’ (1942) – hum se khul jaao ba-waqt-e-mai-parasti ek din which is a ghazal written by Mirza Ghalib and sung by Vatsala Kumthekar and Amar. The ghazal is set to music by Vasant Kumar Naidu.
The original ghazal have 5 she’rs while the ghazal in the film has 4 she’rs. But the second she’r in the ghazal used for the film is not a part of the original ghazal of Mirza Ghalib. Even while reading the ghazal, the second she’r sounds off-kilter with the rest of the ghazal. My own guess is that probably, Arzoo Lucknawi who had written 8 songs in the film may have written this she’r keeping in view the situation in the film.
The ghazal is written as imageries of conversation of the poet with his beloved. Let me attempt English translation of 3 she’r of the original ghazal included in the song with the help of the meanings of some of the high-sounding Urdu/Persian/Arabic words, given by Ali Sardar Jafri in his book ‘Diwan-e-Ghalib’.
hum se khul jaao ba-waqt-e-mai-parasti ek din
warna hum chhedenge rakh kar uzr-e-masti ek din
ba-waqt-e-mai-parasti= at the time of drinking wine.
uzr-e-masti= pretext of pleasure (intoxication)
You be frank and open up to me while I am drinking wine some day.
Or else, in the pretext of drunkenness, one day, I will tease you (creating a nuisance).
qarz ki peete thhe mai lekin samajhte thhe ki haan
rang laayegi hamaari faaqa-masti ek din
faqa-masti=pleasure in adversity.
I drank wine on credit and yes, I thought that my wine-induced
cheerfulness in the midst of debt would be rewarded one day.
dhaul-dhappa uss saraapa-naaz ka shewa nahin
hum hi kar baithhe thhe ‘Ghaalib’ pesh-dasti ek din
dhaul-dappa=fist-fight
saraapa-naaz= proud from head to toe, coyness from head to toe.
shewa=habit, manner.
pesh-dasti=taking initiative, first move.
She, who is coquettish from head to toe is not in the habit of fighting.
I was the one who did the first move one day to make that (fight) happen.
The role of Vatsala Kumthekar as I understand from IDMb is that of a mujra dancer. Since Amar is acting in the film and is also singing along with her in this ghazal, I thought that the song may have been picturised on Vatsala Kumthekar and Amar. But the last she’r of the ghazal gives a hint that Amar may have sung this song for Yakub when he sings ….
hum hi kar baithhe thhe ‘Ghaalib’
nahin nahin
hum hi kar baithhe thhe ‘Hira’ pesh-dasti ek din
In this film, Yakub plays the role of ‘Hiralal’.
Audio Link:
Song-Hum se khul jaao ba-waqt-e-mai-parasti ek din (Lalaji)(1942) Singers-Vatsala Kumthekar, Amar, Lyrics-Mirza Ghalib, MD-Vasant Kumar Naidu
Lyrics
hum se khul jaao ba-waqt-e-mai-parasti ek din
hum se khul jaao ba-waqt-e-mai-parasti ek din
warna hum chhedenge rakh kar uzr-e-masti ek din
warna hum chhedenge rakh kar uzr-e-masti ek din
tujh se aankhen lad gayin aur dil machal kar rah gaya
kaise
tujh se aankhen lad gayin
aur dil machal kar rah gaya
doob gayi re
lut gayi
haay
haay
lut gayi re lut gayi is dil ki basti ek din
lut gayi re lut gayi is dil ki basti ek din
aa aa aa aaa
qarz ki peete thhe mai
lekin samajhte thhe ki haan
haan aah aaah
qarz ki peete thhe mai
lekin samajhte thhe ki haan
rang laayegi hamaari faaqa-masti ek din
rang laayegi hamaari faaqa-masti ek din
dhaul-dhappa uss saraapa-naaz ka shewa nahin
dhaul-dhappa uss saraapa-naaz ka shewa nahin
hum bhi kar baithhe thhe ‘Ghaalib’
nahin nahin
hum bhi kar baithhe thhe ‘Hira’ pesh-dasti ek din
hum se khul jaao ba-waqt-e-mai-parasti ek din
hum se khul jaao ba-waqt-e-mai-parasti ek din
hum se khul jaao ba-waqt-e-mai-parasti ek din
Haay dil haay dil
Posted on: September 30, 2019
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4091 | Post No. : | 15233 | Movie Count : |
4186 |
Today’s song is from the film Vijay-42 – a very obscure film. The film was made by National studios. It was directed by Mohan Sinha. Lyrics of all the 10 songs of the film were by Dr. Safdar Aah Sitapuri, which were composed by Anil Biswas.
Due to heavy losses and the general effects of the second world war, Sagar Movietone was in the red and it joined hands with Yusuf Fazal Bhoy (of RCA)’s company General Films to start a new venture ” National Studios “, in which even Tatas invested some money. National studios made a total of 16 films, before it was wound up. Chimanlal Desai of Sagar left after the first 3 films,namely Aurat, Pooja and Sanskar – all in 1940, and started his own Amar pictures.
The cast of film Vijay was Durga Khote, Harish, Husn Bano, Sankatha Prasad, Vaskar, Maya Devi, Ansari, Agha etc etc.
In our life, there are times when we think of ” Lucky and Unlucky”. Human nature, in general is such that it tends to consider certain things as Lucky for him. It can be people, place or even inanimate things. I have noticed that mostly those people whose livelihood revolves round their physical performance, say like Sports, Acting or other artists believe in Lucky-Unlucky most. There was that famous Cricketer who always entered the playing field with his right foot first. Another one put on his left shoe first. Everybody’s method of wooing the Luck factor is different.
A performance industry like Film Industry is not immune from this Lucky-Unlucky factor. Individual actors or MDs, Lead Pairs, Film Titles, Film stories etc have been labelled Unlucky unabashedly, by the industry. Let us see some examples…
Composer Daan Singh had 6 films in hand, but 4 remained incomplete and only 2 got released. Even his 2 Rajasthani films remained unfinished. He was promptly labelled Unlucky and had to go back to his native place. Kamal Rajasthani had the same story. Out of 9 films on hand, 7 were unfinished and only 2 C grade films were released. He too was called Unlucky.
Rajendra Kumar- Waheeda Rahman was an unlucky pair. Dalsukh Pancholi gave them lead roles in his film ‘Nirmala’. He died and the film was shelved half way. Film ‘Palki’-67 was under making, when its director S U Sunny died. The film was somehow competed but it flopped miserably. Then S S Vasan brought them together in film Shatranj-69. He died during the shootings and it was left incomplete. In film Dharti-70, this pair was in lead, but the director’s mother died on the sets and the film was left stranded. Is it a wonder, if the pair was called ‘Unlucky’ ?
Another Unlucky pair was Dev Anand- Meena Kumari. In film Sanam-51, Meena Kumatri was a side Heroine. From this film Dev-Suraiya pair separated for ever. Its director Nandlal Jaswantlal started his downfall and subsequently died later. The pair came again in films Tamasha and Baadbaan , made by the employees of Bombay Talkies. Both films flopped and Bombay Talkies closed down for ever. Another of their film “Kinare Kinare” was delayed for almost 10 years, finally releasing in 1963, but flopped to such an extent that its producer Nyay Sharma got heart attack due to high debts. No one dared to bring this pair again in any film !
Finally, the curious case of unlucky actor Gajanan Jagirdar. In 1941, Jagirdar worked in Prabhat’s film ” Padosi”. After this film , V. Shantaram and Jayashree left Prabhat. In 1944, Jagirdar directed and acted in and as “Ramshastri” for Prabhat. During the film shooting, Prabhat’s partner Vishnupant Damle expired and Prabhat became rudderless. Third time when Jagirdar went to Prabhat to act as and in ” Lokmanya Tilak”, Prabhat not only closed down but was also auctioned ! Jagirdar acted in film “Mahatma” in English, Hindi and Marathi in 1953 for Alhad Chitra’s Datta Dharmadhikari. Due to high debts, the company not only closed down, but the wife of Dharmadhikari had to cook and make Tiffins to survive ! Finally, when he acted in film ” Shahir Parshuram”-61, made by Mangal pictures, the company closed down and was sold out ! No wonder, in film circles, Jagirdar was typedcast as ” Unlucky ” !!
Why I remembered this Lucky-Unlucky matter was the title of today’s film – Vijay. The name Vijay has a special significance in film industry. When Amitabh Bachhan was going through a real bad patch in his career, he got the film “Zanjeer”-73, by chance and this film changed his life for ever and he never looked back. This hit film had Amitabh as Vijay in it as his name. Amitabh was so much enamoured with the name Vijay, that he started insisting that in every film his name should be Vijay – for luck. And sure enough, in films like Deewar, Hera Pheri, Trishul, Shahenshah, Agneepath (My name is Vijay Deenanath Chavan), Shaan, Shakti, Don, Dostana etc he was named Vijay and the films succeeded. Even in film Sholey, his name was Jay – a short form of Vijay, to pair with name Veeru !
According to one film site, Amitabh was named Vijay in as many as 20+ films from 1973 to 2000. Since finding name Vijay successful, many other actors too wanted this name and consequently, Jeetendra was Vijay in 18 films, Mithun Chakrawarty was Vijay in 16 films. Additionally Shashi Kapoor in 7, Shatrughna Sinha in 6, Raj Babbar in 6, Jacky Shroff in 5, Sunil Dutt in 4 films. Further Govinda, Rajesh khanna, Vinod Khanna etc also had Vijay name by choice in their films.
So much for the concept of Lucky – Unlucky !
Film Vijay-42 was directed by Mohan Sinha. Mohan Sinha was born on 2-12-1903 at Indore. He studied upto Matriculation in Indore. His uncle was General Bhavnani Singh, who was in the Indore state army. With his help, Mohan got in state army as a Lieutenant. However, he did not continue for long and left the army. In 1933, he started a film company at Indore-Navyug films. But due to lack of opportunities in Indore, it was closed soon.
Mohan came to Bombay, floated Krishna Films and made and directed a film ” Fashionable India”-35. It was a hit film and he got offers from Rajputana films,General Pictures, Circo and National. He worked with all of them. Sinha went to Calcutta and started Murli pictures. He made ” Swaraj ke sipahi”-37, which was a flop. He came back to Bombay and directed Industrial India-38, for General films. Then came Swastik-39, Laxmi-40,Anuradha-40 and Vanmala-41. He floated Murari Pictures in 1942 and made Badlati Duniya-43 and Krishnarjuna yudha-45 ( This film was appreciated by Dr. Rajendra prasad, Dr. Shamaprasad Mukherji, Veer Savarkar and Acharya kriplani also)
In 1946, Mohan Sinha directed K L Saigal in Omar Khayyam, Surendra in 1857, Raj Kapoor in Dil ki Rani-47 and Dev Anand in Jeet-49. Mohan Sinha directed in all 32 films. He wrote lyrics for 62 songs in 7 films. His last film was Shaan E Hind-60. He died in 1984. Mohan Sinha’s granddaughter Vidya Sinha was an actress. Vidya’s mother was Mohan’s daughter and she died while giving birth to Vidya. From what I had read somewhere, Vidya’s father PRATAP RANA was so grief stricken that he refused to see his new born daughter and it was Mohan who brought her up and even named the little one after her Late mother VIDYA and gave her his own surname.
All the songs of film Vijay-42 were written by Dr.Safdar Aah Sitapuri. It was director Mehboob, who brought Safdar as a Lyricist for his film Aurat-40, made by National Studios. The composer was Anil Biswas. The pair of Anil Biswas and Safdar lasted for many films. In fact, Dr. Safdar wrote his last song for film Maan-54 for which Anil Biswas composed the music.
Dr. Safdar gave songs to many films of National Studios like, Asra, behan,Roshni, Roti, Vijay etc. His best known song was was the famous Mukesh song ‘ Dil jalta hai to jalne de” from Pehli Nazar-45. He wrote 197 songs for 28 films. He also tried his hand at directing 2 films, namely Bhookh-47 and Maan-54.
Today’s song is a very rare song. According to the uploader, our own Sadanand Kamath ji, it is probably the only song which used the word ” Dilchasp’ in the lyrics.
The song is very melodious and is a duet of Anil Biswas and Amar- an occasional singer. The real name of Amar was Nasir. He was from Punjab. He was born in 1920. After doing bit roles in some films,he got a major break in film Sanyasi-45,in which he sang 5 duets and 1 solo. His solo song,’ Tooti hui kashti’ became very popular.
In 1946,he was the Hero of film Bindiya, where Ragini ( who later migrated to Pakistan) was his Heroine. MD was Kamal Dasgupta, who gave him 3 songs.
Then he was Hero of Suraiya in Natak-47. He sang 1 duet with her and 2 solos. Later he did films like Maang, Lalaji, Vijay, Shukriya, Keemat etc. After 1950 he was doing character roles till 1970. He acted in total 89 films and sang 18 songs in 8 films. He died in 1980.
With this song, “Vijay”(1942) makes its debut in the blog.
Song- Haay dil haay dil (Vijay)(1942) Singers- Anil Biswas, Amar, Lyrics- Dr. Safdar Aah Sitapuri, MD- Anil Biswas
chorus
Lyrics
haay dil
haay dil
haay dil
haay dil
kaash khoya hua mera mil jaaye dil
kaash khoya hua mera mil jaaye dil
haay dil
haay dil
haay dil
haay dil
ye haseenon ka dilchasp baazaar hai
jisko dekho wo dil ka khareedaar hai
ye haseenon ka dilchasp baazaar hai
jisko dekho wo dil ka khareedaar hai
kaise bach kar yahaan se bhalaa jaaye dil
kaise bach kar yahaan se bhalaa jaaye dil
haay dil
haay dil
haay dil
haay dil
koi kahta hai dilwaale aana idhar
koi kahta hai dilwaale aana idhar
koi zaalim chalaata hai teer e nazar
koi zaalim chalaata hai teer e nazar
sa yahi chaahte hain ki mit jaaye dil
sab yahi chaahte hain ki mit jaaye dil
haay dil
haay dil
haay dil
haay dil
kaash khoya hua mera mil jaaye dil
kaash khoya hua mera mil jaaye dil
haay dil
haay dil
haay dil
haay dil
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
BINDIYA (1946) was produced under the banner of Sun Art Pictures and was directed by Chimanlal Luhar. The star cast included Amar, Ragini, E Billimoria, Kamal Zamindar, Leela Mishra, Pratima Devi, Shakir, Bhagwandas, Leela Pawar etc. The film was reviewed in August 1946 issue of ‘Filmindia’. I was surprised to find for a change that the review was somewhat lengthier than the usual. After reading the review, I came to know as to why it was so. The additional length of the review was utilised for heavily criticising the director of the film for his inapt handling of the emotional scenes and for Prabhulal Dwivedi, the story writer for the film story based on a mix of several mythological stories.
Read more on this topic…
Ik Dil Ne Kahaa Ik Dil Ne Sunaa
Posted on: December 24, 2015
- In: "Broken heart" song | "Shama Parwaana" song | Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | Lyrics contributed by readers | Missing the loved ones | Post by Mahesh Mamadapur | Rafi solo | Rafi songs | sad song | Separation song | Songs of 1940s (1941 to 1950) | Songs of 1949 | Yearwise breakup of songs
- 4 Comments
This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Mohammed Rafi, a name which hardly goes unheard for each day of our lives and a voice which has filled our lives with ever-lasting songs for every occasion and reason.
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- In: "Naag" song | "Sacrificing in love" song | "been" song | Artist century song in blog | Blog century song | Century songs for the blog | Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | Lata solo | Lata song | Lyrics contributed by readers | Post by Sudhir | Song involving a snake | Songs of 1950s (1951 to 1960) | Songs of 1960 | Yearwise breakup of songs
- 3 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Songs to Tickle Your Memory – 27
– – – – – – – – – – – – – – – – – –
मजरूह का गीत हो
चित्रगुप्त संगीत हो
लता की आवाज़ हो
और कुमकुम का नाच हो॰॰॰
॰॰॰ तो कैसे आए ना नाग बस में
majrooh ka geet ho
chitragupt sangeet ho
lata ki awaaz ho
aur kumkum ka naach ho. . .
. . .to kaise aaye na naag bas mein
Welcome all. The blog is compounding its riches, and is coming to another century milestone today – this halt being the 10,500th song. Congratulations to all friends, readers and contributors.
Read more on this topic…
Saagar mein uthhi do maujen
Posted on: February 4, 2015
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
VINTAGE NAUSHAD…Song No. 11….Last song of the series.
————————————————————-
We have come to the end of this series on the early music of Naushad from 1940 to 1946. Today’s song is from the film Keemat-46, a Kardar Production which celebrated Silver Jubilee. Naushad gave music to 3 films in 1946 and all 3 got turned out to be Silver Jubilee hits. Films were Keemat, Anmol Ghadi and Shahjehan. I have not discussed any songs from Naushad’s famous successes, namely Rattan-44, Anmol Ghadi-46 and Shahjehan-46, in this series.
Read more on this topic…
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Sanyaasi” (1945) was produced and directed by A K Kardar. The movie had Ghulam Mohammad (actor- different from the music director), Shamim Bano, Amar, Shyam Kumar, Mishra, Shakir etc in it.
Read more on this topic…
Bhool ja ae dil wo baaten bhool ja
Posted on: May 18, 2014
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Naatak” (1947) was produced by AR Kardar under the banner of Kardar Productions, and it was directed by SU Sunny. The movie had Suraiyaa, Amar, Sofia, Kanwar, Sham Kumar, Pratima Devi, Nazir Bedi, Amir Ali, Suleiman, Murtaza, Nazir Ahmed, Nawab etc in it.
Read more on this topic…
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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