Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘1934


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Aaj Kal” (1934) is one of the earlier Hindi talkies. It was directed by R S Chaudhary for Golden Mohar Sound Pictures, Bombay. The movie had Jal Merchant, Shanta Kumari, Ghulam Mohammad, Mohammad Hadi, Armelene (Sudha Bala), Baba Vyas, Afzal Bai etc in it.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Sometimes in happens in nature. When particular facility is absent, the nature makes up for it by bestowing extra capabilities in other facilities. No other example is more eminent and more gifted in the Indian film industry, than KC Dey – an artist who lost his eyesight completely, just as he entered his teen years. And this apparent handicap was compensated by nature, by gifting the young Krishna Chandra with exceptional memory, an extraordinary understanding of the finer nuances of music, and a brilliant creativity that enabled him to be an outstanding artist in ways more than one.

Remembering the legendary KC Dey on the anniversary of his passing away (28th November).
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

LOST AND FOUND-GEMS FROM UNRELEASED FILMS…Song No. 12…LAST SONG OF THIS SERIES
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Today’s song is a real Gem in this series. In the period 1931 to 1940, there were only 7 unreleased films, out of which information is available on the records of only 3 films. This is/may be because though having records for the film songs issued commercially had started from 1932, it had not caught momentum till late 30s. Madhuri-1932 was the FIRST film for which commercial records were issued with the Film and Singer’s name mentioned on the Record label. Obviously, this film ‘Stove Tragedy’ whose song we are going to enjoy today, must have been made after 1932.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Chandidas”(1934) was directed by Nitin Bose for New Theatres, Calcutta. The movie had K L Saigal, Uma Shashi, M Nawab, M Anwari, I H Siddiqui, Pahadi Sanyal, Parbati Devi, Anwari Bai etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Chandidas”(1934) was directed by Nitin Bose for New Theatres, Calcutta. The movie had K L Saigal, Uma Shashi, M Nawab, M Anwari, I H Siddiqui, Pahadi Sanyal, Parbati Devi, Anwari Bai etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Chandidas”(1934) was directed by Nitin Bose for New Theatres, Calcutta. The movie had K L Saigal, Uma Shashi, M Nawab, M Anwari, I H Siddiqui, Pahadi Sanyal, Parbati Devi, Anwari Bai etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Chandidas”(1934) was directed by Nitin Bose for New Theatres, Calcutta. The movie had K L Saigal, Uma Shashi, M Nawab, M Anwari, I H Siddiqui, Pahadi Sanyal, Parbati Devi, Anwari Bai etc in it.
Read more on this topic…


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

My interest in Urdu ghazals is as old as my interest in Hindi film songs of the golden era. For me, Talat Mehmood, Madan Mohan, Sahir Ludhinavi, Kaifi Azmi were synonymous with filmy ghazals of golden period. Of course, I was already aware of one of the greatest Urdu poets of Indian sub-continent, Allama Iqbal’s name associated with ‘saare jahaan se achcha Hindustan hamaara’ from my school days. The ghazals of the film ‘Mirza Ghalib’ (1954) expanded my horizon of Urdu poetry of Mirza Ghalib and some other poets like Daagh through non-filmy ghazals. From 1972 onwards, TV became a major medium through which I could watch the programmes of Urdu ghazal singing covering singers like Rajkumar Rizvi and his wife Indrani Rizvi, Rajendra Mehta and his wife Neena Mehta, Chandan Das, Peenaz Masani, Talat Aziz and many more.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

During the early 50s, whenever there was any function, or a marriage or Upnayan ceremony in some relative’s place, I alongwith all my cousins used to have a field day. Such functions were usually held during summer vacations,so there was no tension of Exams or studies. There were about 15-16 of us, both boys and girls put together. One favourite game that we used to play was called ” Bhendya “. This was similar today’s ‘Antakshari ‘. In those times our game consisted of only Marathi songs-Bhavgeets or cinema songs.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The year is 1935.

A young Anil Biswas is preparing to record a song for a newly arrived Heroine-RATTAN BAI. She had come from Calcutta, after working in the big banner ” New Theatres”. Having worked in films like ‘Subah ka Sitara’ and Yahudi ki Ladki-1933, with the legendary singer Sehgal, her name had become famous already. She had also worked in Rooplekh-34 and karvaan-e-hayaat-35.
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