Posts Tagged ‘1943’
Toot gaya ek taara man ka
Posted on: May 7, 2014
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Kaanoon” (1943) was produced and directed by A R Kardar. The movie had Shahu Modak, Mehtab, A Shah, Gajanan Jagirdar, Badri Prasad, Ulhas, Nirmala etc in it.
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Aankhon mein muskuraaye jaa
Posted on: May 7, 2014
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
THE VIBRANT 40S (Episode No. 12)
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Initially, when the Talkie films started, most of the actors and actresses of the silent era, who could speak Hindi/Urdu and sing a little got entry into these films. Soon many Anglo-Indian girls and actors like master Vithal, who could not speak Hindi properly, leave aside singing, had to be excluded from Talkie films.(Master Vithal who was selected as the Hero for India’s First Talkie film,”Aalam Ara”-1931, based on his looks,Physique and his silent film credentials-over the capable Mehboob Khan- gave such pathetic performance in his Hindi/Urdu dialogues that he had to be shown as Unconcious almost throughout the film to hide his poor diction of Hindi/Urdu dialogues.)
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Chaand sa nanha aaye
Posted on: May 6, 2014
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Shakuntala” (1943), as the name suggests, was about the mythological tale of Shakuntala and Dushyanta as contained in Mahabharat. Shakuntala’s son was Bharat (according to legends-the county was named after him) and his descendents were Kaurav and Pandav. The tale of Shakuntala was described by Kalidas in his Sanskrit drama called “Abhigyaan Shankuntalam”.
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Ek dil tera ek dil mera
Posted on: May 6, 2014
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Regulars may have noticed that no song was discussed in the blog yesterday till late at night. It is not that I could not find time yesterday. The whole morning was available to me. Regulars may be noticing that I discuss one Suraiyya song every day which is often one of the first songs to be discussed for the day and that has been going on for the past three months.
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Tumhe prasann yoon dekh ke
Posted on: May 4, 2014
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Shakuntala” (1943), as the name suggests, was about the mythological tale of Shakuntala and Dushyanta as contained in Mahabharat. Shakuntala’s son was Bharat (according to legends-the county was named after him) and his descendents were Kaurav and Pandav. The tale of Shakuntala was described by Kalidas in his Sanskrit drama called “Abhigyaan Shankuntalam”.
Read more on this topic…
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
THE VIBRANT 40s (Episode No. 3)
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The Hindi film industry has been very dynamic throughout its history. From the beginning till today, plenty of new ideas, experiments and changes have improved the industry in many of its departments. Of course, it is not always that improvement in Technique improves the quality. As per the latest Technology, nowadays,to record a Duet song with chorus, it is not necessary for both the singers to be available at the same time and sing the song together. With 24 track tapes, nowadays, each singer comes as per his appointment to the recording studio, sings and records his part of the song and goes away. Same with the chorus party also. Once everyone has sung his part of the song, then the entire song is mixed and rerecorded together with the track of music and chorus included in it. Lo and Behold….Your New song is ready !
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Kadam kadam badhe chalo
Posted on: April 11, 2014
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
THE VIBRANT 40s (Episode No. 2)
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In the first episode, we have described the period of 40s as the decade of experimentation and changes. Stunt films had started from the era of silent films itself, but sporadically. This genre prospered in the 40s as many films featuring deadly stunt scenes( actually done, not trick scenes) came on the screen. Among the actors who were famous for stunt films in the 40s were Master Vithal, Master Bhagwan, Fearless Nadia and few others. But no one became as successful and popular as Fearless Nadia in stunt film genre. Fearless Nadia who became famous from her First stunt film ” Hunterwali”-1935 itself, worked exclusively for Wadia Brothers, who discovered her. She worked for Wadia Movietone from 1933 to 1942 and for Basant Pictures from 43 to upto her retirement. She worked in 37 films in all. Her first film was ‘Lal e Yaman’-1933 and the last one was ‘ Khiladi’-1958.
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Poone se laayi paan re
Posted on: April 8, 2014
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
THE VIBRANT 40s……(Episode 1)
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We are starting a New series from today and the name of the series is THE VIBRANT 40s.
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Papeehara re
Posted on: March 27, 2014
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Sanjog” (1943) was an interesting fun movie based on the theme of mistaken identities.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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