Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘1943


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Namaste” (1943) was directed by M Sadiq and S U Sunny. This movie had R Wasti, Protima Dasgupta, Jagdish Sethi, Nayampalli, Mishra, Rajkumari Shukla, But Kashmiri, Ghulam Rasool, Alluddin, Amir Ali, Jetha N Lakhani etc in it.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

GEMS FROM THE MIGRATORS….Song No. 6
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After Partition, the film industry in Pakistan was at its lowest ebb. Main reason was that most of the film activities were taking place only in one place-Lahore. During the riots, most studios were either burnt or damaged and there was a shortage of Financers, Distributors and technical staff. Composers who migrated from here to there had got accustomed to working in an organised sector and in Pakistan almost everything was in a mess. It is to the credit of few dedicated people in Lahore that by 1948 the first film, entirely made in Pakistan, with the entire crew from within the country, rolled out successfully. Despite lack of facilities, talented composers created inspired music and most composers succeeded there.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

GEMS FROM THE MIGRATORS….song No. 3
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Private life of a celebrity has always been a matter of curiosity for the common man and if the celebrity is from the show world like films ,then there is all attempts to dig out the ‘ behind the scene’ stories about the famous people.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Kaanoon” (1943) was produced and directed by A R Kardar. The movie had Shahu Modak, Mehtab, A Shah, Gajanan Jagirdar, Badri Prasad, Ulhas, Nirmala etc in it.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

THE VIBRANT 40S (Episode No. 12)
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Initially, when the Talkie films started, most of the actors and actresses of the silent era, who could speak Hindi/Urdu and sing a little got entry into these films. Soon many Anglo-Indian girls and actors like master Vithal, who could not speak Hindi properly, leave aside singing, had to be excluded from Talkie films.(Master Vithal who was selected as the Hero for India’s First Talkie film,”Aalam Ara”-1931, based on his looks,Physique and his silent film credentials-over the capable Mehboob Khan- gave such pathetic performance in his Hindi/Urdu dialogues that he had to be shown as Unconcious almost throughout the film to hide his poor diction of Hindi/Urdu dialogues.)
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Shakuntala” (1943), as the name suggests, was about the mythological tale of Shakuntala and Dushyanta as contained in Mahabharat. Shakuntala’s son was Bharat (according to legends-the county was named after him) and his descendents were Kaurav and Pandav. The tale of Shakuntala was described by Kalidas in his Sanskrit drama called “Abhigyaan Shankuntalam”.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Regulars may have noticed that no song was discussed in the blog yesterday till late at night. It is not that I could not find time yesterday. The whole morning was available to me. Regulars may be noticing that I discuss one Suraiyya song every day which is often one of the first songs to be discussed for the day and that has been going on for the past three months.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Shakuntala” (1943), as the name suggests, was about the mythological tale of Shakuntala and Dushyanta as contained in Mahabharat. Shakuntala’s son was Bharat (according to legends-the county was named after him) and his descendents were Kaurav and Pandav. The tale of Shakuntala was described by Kalidas in his Sanskrit drama called “Abhigyaan Shankuntalam”.
Read more on this topic…


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

THE VIBRANT 40s (Episode No. 4)
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In this world there are only two things which are certain, the First is CHANGE and the second is DEATH.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

THE VIBRANT 40s (Episode No. 3)
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The Hindi film industry has been very dynamic throughout its history. From the beginning till today, plenty of new ideas, experiments and changes have improved the industry in many of its departments. Of course, it is not always that improvement in Technique improves the quality. As per the latest Technology, nowadays,to record a Duet song with chorus, it is not necessary for both the singers to be available at the same time and sing the song together. With 24 track tapes, nowadays, each singer comes as per his appointment to the recording studio, sings and records his part of the song and goes away. Same with the chorus party also. Once everyone has sung his part of the song, then the entire song is mixed and rerecorded together with the track of music and chorus included in it. Lo and Behold….Your New song is ready !
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