Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Shyam Kumar


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Blog Day : 4945 Post No. : 17804

“Rustam e Hind”(1965) was produced by Kedar Kapoor and R S Sharma and directed by Kedar Kapoor for K R Films, Bombay. The movie had Dara Singh and Mumtaz in lead roles. Others in the movie included Helen, Laxmi chhaya, Sham kumar, K.N.Singh, Parveen Paul, Rajan Haksar, Mridula Rani, Randhir, Maruti Rao, TunTun, Mohan Choti, Bihari, Hansa, Haroon, Khurshid, Madhumati, Roopesh Kumar, Parashuram etc.

The movie had six songs in it. One song has been covered in the blog. That was more than ten years ago.

Here is the second song from “Rustam e Hind”(1965). The song is sung by Asha Bhonsle. Qamar Jalalabadi is the lyricist. Music is composed by Hansraj Bahl.

The song is picturised on Laxmi Chhaaya. Shyam Kumar, K.N.Singh, Maruti etc are also visible in the picturisation.

Lyrics of this song were sent to me by Prakashchandra.


Song-Nazar meri badhi idhar se (Rustam e Hind)(1965) Singer-Asha Bhonsle, Lyrics-Qamar Jalalabadi, MD-Hansraj Bahl

Lyrics(Provided by Prakashchandra)

nazar meri badhi idhar se
nazar teri badhi udhar se
nazar phir mili nazar se
nazar phir gayee ee
lad lad lad
nazar meri badhi idhar se
nazar teri badhi udhar se
nazar phir mili nazar se
nazar phir gayee …ee
lad lad lad

teraa zaalim ishaaraa
churaaye dil hamaaraa
jidhar chaahe tu le jaa…aaaaa
haayye haayye haayye
teraa zaalim ishaaraa
chhuraayee dil hamaaraa
jidhar chaahe tu le jaa…aaa aaa
haayye
tu aankhon se bulaaye
main khinchee khinchee aaoon
tu aissa kare jadoo palatt ke na jaaoon
baat ik chali idhar se
baat ik chali udhar se
baat phir nikli baat se
baat phir gayee…eeee….ee
badh badh badh
haa..aaaa…aaaa..haaye
haa…aaa….aaa..haaaa….haaa
hhaaa….haaaaaa…aahaaa

ye aashiq hain shikaari
ghazab ke hain khilaadi
suno inn kaa fasaanaa…aaaa
hoyye hoyye hoyye
ye aashiq hain shikaari
ghazab ke hain khilaadi
suno inn kaa fasaanaa….aaaa
hoyye
rahey ye khoye khoye
na soye ye na jaagey
haseenaa jahaan dekhen
ye peechhe peechhe bhaagen
teer ek chalaa idhar se
teer ek chalaa udhar se
teer do miley falak ke
dilon mein gaye
adh adh adh
hhaaa hhhaaaa hhhaaa…..aaaa
aahhaaa hhaaa hhaa haa aa
aahhhaaa haaa hhaa haaa

phizaayein hain gulaabi
zamaanaa hai sharaabi
bhulaa de tu bhi taubaa …aaaa
haayye haayye haayye
phizaayein hain gulaabi
zamaanaa hai sharaabi
bhulaa de tu bhi taubaa…aaaa
hoyye
hawaaon ko deewaanaa banaati jaaoon main
yoon peetaa jaaye tu
pilaati jaaoon main
jaam ek chalaa idhar se
jaam ek chalaa udhar se
jaam do miley chhalkte
nashaa phir gayaa …aaa
chadh chadh chadh

nazar meri badhi idhar se
nazar teri badhi udhar se
nazar phir mili nazar se
nazar phir gayee …eeee
lad lad lad


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4454 Post No. : 15921

In my last three articles, I have discussed Hindi film dancers, Mohana Cabral, Sheila Vaz and Minu Mumtaz. One common factor in all the three dancers was that they had active Hindi film careers of around 5-6 years after which they got married and quit Hindi films when they had not even attained 25 years of age. They took the responsibilities as house-wives and lived happily with more or less the same level of comfort and life style as they would have got had they continued their filmy careers. To this list of three Hindi film dancers, I am adding one more dancer who also quit Hindi films after her active years of Hindi film career during 1960-66. The name of the dancer is Jeevankala. She got married in 1969 when she was 25.

I got background information on Jeevankala from her two interviews – one in 1964 which was published in ‘Picture Post’ magazine and republished in ‘Cineplot’ on January 1, 2012. The other interview was of recent origin which was taken by Shishir Krishna Sharma in December 2018 and published in his Blog, ‘Beete Hue Din’ on March 31, 2020. Based on these two interviews, the main highlights of the profile of Jeevankala and her journey with Hindi film industry are given below:

Jeevankala (also written as Jeevan Kala) was born on June 29, 1944 at Pune to Dattatreya and Gangubai who were actors in silent films and later in Marathi films when sound films started in 1931. However, after Jeevankala was born, the parents gave up their film career. Incidentally, the name, ‘Jeevankala’ was suggested by her neighbour, Lata Mangeshkar. Jeevankala did her primary schooling in Pune. Simultaneously, knowing his daughter’s interest in dances, the father put her under the tutelage of Babsaheb Gokhale for Kathak dance and Professor Gaekwad for Bharatnatayam dance for a period of 7 years. Later, she learnt all other formats of dances by herself.

In 1957, Jeevankala’s family shifted to Mumbai as she got a job of assiatant dance teacher in Bharatiya Vidhya Bhawan and taught Kathak dance to students. She was also participating in Lata Mangeshkar’s musical shows in Mumbai in which she used to give her dance recitals. She also attended the night school and completed her Matric in 1960.

In one of Jeevankala’s dance recitals, producer-director K Amarnath saw her skill in dancing and offered her a role of a dancer in his film, ’Kal Hamaara Hai’ (1959) in which she had two dance songs. However, she also said that ‘Goonj Uthi Shehnai’ (1959) was her debut film in which a song “Akhiyaan Bhool Gayi Hain Sona” was picturised on her. [As per her filmography, she had already acted in 8 films during 1956-58. I will come to it later].

After she was noticed in her dance skills in ‘Kal Hamaara Hai’ (1959) and ‘Goonj Uthi Shehnai’ (1959), Jeevankala started getting many films offers. Starting as a dancer, over a period of time, she started getting character actor’s roles and also romantic roles pairing with comedians. She also got the role of a vamp in ‘Mr. X in Bombay’ (1964) and ‘Saraswatichandra’ (1968).

In 1969, Jeevankala got married to Ram Kelkar, the story, screen-play and dialogue writer in Marathi films. It was a marriage arranged by Sulochana Latkar who was like ‘God Mother’ to her after the death of her mother in 1965. After marriage, Jeevankala quit the film industry. Her husband, Ram Kelkar became a successful story, screen-play and dialogue writers for Hindi films like ‘Beimaan’ (1972), ‘Aap Ki Kasam’ (1974), ‘Sanyaasi’ (1975), Kaalicharan’ (1976), ‘Asha’ (1980), ‘Hero’ (1983), ‘Ram Lakhan’ (1989), ‘Khalnaayak’ (1993) etc.

On the basis of Jeevankala’s filmography checked from the various sources, I have been able to list 110 Hindi films in which she worked during 1956 to 1968. A few films of her were released late up to 1974. Her active years of film career was during 1960-1966, appearing in 70 films. In the 1964 interview, Jeevankala gave the impression of ‘Kal Hamara Hai’ (1959) as her first Hindi film and in the 2018 interview, she mentioned ‘Goonj Uthi Shehnai’ (1959) as her debut film. It is interesting to note that in ‘Goonj Uthi Shehnai’ (1959), Jeevankala has not been accredited in the credit titles of the film. But she appears in one song of the film.

A further interesting observation about Jeevankala’s filmography is that before 1959, she had worked in as many as 8 films which include ‘Alam Ara’ (1956), ‘Paristaan’ (1957), ‘Khota Paisa’ (1958) and ‘Detective’ (1958). In ‘Khota Paisa’ (1958), a dance song “O Jaan e Jaan Muddat Ke Baad” has been picturised on her.

Jeevankala, who started with big banners film producing companies like Prakash Pictures’ ‘Goonj Uthi Shahnai’ (1959) and K Amarnath Productions’ ‘Kal Hamaara Hai’ (1959), drifted into ‘B’ grade movies in the genres of fantasy, action, costume drama, thriller etc. In such films, heroes would be like Sheikh Mukhtar, Ranjan, Daljeet, Dara Singh and heroines would be like Chitra, Vijaya Chowdhary, Parveen Chowdhary, Nishi etc. Of course, she also continued to be associated with big banner films like ‘China Town’ (1962), ‘Taj Mahal’ (1963), ‘Mere Sanam’ (1965), ‘Khandaan’ (1965), ‘Himalaya Ki God Mein’ (1965), ‘Saawan Ki Ghata’ (1966), ‘Saraswatichandra’ (1968) etc.

Jeevankala has also worked in some Marathi films. In ‘Putra Whava Aisa’ (1961), she was in lead role opposite Vivek in which an immortal song,  जिथे सागरा धरणी मिळते beautifully rendered by Suman Kalyanpur was picturised on Jeevankala. A laavani  song, रेशमाच्या रेघांनी, लाल काळया धाग्यांनी from ‘Marathi Tituka Melwava’ (1964) was also picturised on Jeevankala as a laavani dancer.

In the interview of December 2018, Jeevankala has claimed that about 70 songs have been picturised on her. Our Blog has covered 38 songs picturised on her and 17 songs, the video clips of which are available on video sharing platforms are yet to be covered on the Blog. Thus, the total songs picturised on Jeevankala works out to 55. In addition, there could be a few more of her songs for which video clips are not available as some of her films are not traceable as of now.

During the listing of songs picturised on Jeevankala, I came across an obscure  film ‘Panch Ratan’ (1965) (In the credit titles it is written as ‘पंच-रतन’ in Hindi) which was directed by Kamran. The star cast consisted of Randhawa, Parveen Chowdhary, Kamran, Kamal Mehra, Amarnath, Shyam Kumar, Randhir, Sadhana Khote, Jeevankala, Laxmi Chhaya, Meenaxi, Aruna etc. The full film is available for viewing in HD quality and it belongs to the ‘Action-Costume Drama’ genre. Probably, this film was meant for those audience who used to enjoy wrestling bouts between Dara Singh, King Kong and others in the 60s at Sardar Vallabhbhai Patel Stadium, Worli in Mumbai. In addition, there are sword fights in the film for such audience.

The film has 5 songs written by 2 lyricists – Anjaan (4) and Upendra (1). I am presenting the song, “Kya Ho. . . Kahin Miley Do Nigaahen” from ‘Panch Ratan’ (1965). The song is rendered by Suman Kalyanpur and Kamal Barot and is picturised on Laxmi Chhaya and Jeevankala, respectively. In the audience, Parveen Chowdhary,  Randhawa, Kamal Mehra, Meenaxi and Shyam Kumar can be seen among others.

The song is written by Anjaan which is set to music by Sardar Malik.

Song – Kya Ho. . Haaye Kya Ho (Panch Ratan) (1965) Singer – Suman Kalyanpur, Kamal Barot, Lyrics – Anjaan, MD – Sardar Malik
Suman Kalyanpur + Kamal Barot

Lyrics

kya ho
haaye kya ho
kahin miley do nigaahen
phir kya ho
arre kya ho
haaye kya ho
tumhen kaise samjhaaye phir kya ho
puchho na
jaan e jaan

baat hai
raaz ki

haaye kya ho
 
jab jawaan hasraton ka
jaam ho chhalka chhalka
dagmagaate ho armaan
ho nasha halka halka
aise mein
jab koi
dekh le
pyaar se

phir kya ho
kahin miley do nigaahen phir kya ho
arre kya ho
tumhen kaise samjhaayen phir kya ho
puchho na
jaan e jaan

baat hai
raaz ki

haaye kya ho
 
ho sama aashiqaana
dil mein bhi bachpana ho
aisi naazuk ghadi mein
unse jo saamna ho
dil dagaa
de hamen

dhadkane
jaayen tham

phir kya ho
kahin miley do nigaahen
phir kya ho
haay kya ho
tumhen kaise samjhaayen phir kya ho
puchho na
jaan e jaan

baat hai
raaz ki

haaye kya ho

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

क्या हो
हाय क्या हो
कहीं मिलें दो निगाहें
फिर क्या हो
अरे क्या हो
हाय क्या हो
तुम्हें कैसे समझाएँ फिर क्या हो
पूछो ना
जान ए जां
बात है
राज़ की
हाय क्या हो

जब जवां हसरतों का
जाम हो छलका छलका
डमगाते हों अरमां
हो नशा हल्का हल्का
ऐसे में
जब कोई
देख ले
प्यार से
फिर क्या हो
कहीं मिलें दो निगाहें फिर क्या हो
अरे क्या हो
तुम्हें कैसे समझाएँ फिर क्या हो
पूछो ना
जान ए जां
बात है
राज़ की
हाय क्या हो

हो समा आशिक़ाना
दिल में भी बचपना हो
ऐसी नाज़ुक घड़ी में
उनसे जो सामना हो
दिल दगा
दे हमें
धड़कनें
जाएँ थम
फिर क्या हो
कहीं मिलें दो निगाहें फिर क्या हो
अरे क्या हो
तुम्हें कैसे समझाएँ फिर क्या हो
पूछो ना
जान ए जां
बात है
राज़ की
हाय क्या हो


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today, it is the turn of this 1973 Vinod Khanna starrer – ‘Dhamki’ to join the list of Yippeee films on our blog.
Read more on this topic…


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

#the Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 36 # Manna Dey (Solo) – 1
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Veer Chhatrsaal – 1971
—————————————————

‘Veer Chhatrasaal-1971’ was directed by Harsukh Bhatt for Shree Ganesh Films, Bombay. As the ‘title’ suggests this film was a ‘Historical’ genre film and based on the life of the Great Warrior of Bundela Maharaj Chhatrasaal (4 May-1649 – 20 December 1731) who established his own kingdom ‘Bundelkhand’.
Read more on this topic…


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today’s song is from the film ‘Nirmal ‘-52. It is sung by Shyam Kumar and Geeta Roy. Music is by Bulo C Rani. The song was written by Moti B.A.. The cast of the film was Purnima, Amarnath, Mirza Musharraf, Shyam Kumar, Cuckoo etc.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

As is my wont, my attention to films of recent origin is scant and very selective.  Rather, I must say that my attention has to be drawn, nay, dragged towards a recent film, by others in my family, to make me watch one.  The 2005 film ‘Parineeta’, is one of them.  A film that I watched after it was recommended to me.  I would still consider the 1953 edition starring Meena Kumari and Ashok Kumar as the better, more mature portrayal, but nonetheless, I am verily impressed by this newer incarnation of this filming of Sarat Chandra’s classic starring Saif Ali, Vidya Balan and Sanjay Dutt.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Pehle Aap”(1944) was produced and directed by AR Kardar under the banner of his home company – Kardar Productions, Bombay. The movie had Shamim, Vasti, Jeevan, Anwar, Dixit, Vidya, Laila, Chandabai, Allauddin, Amir Ali, Sham Kumar etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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Atul Song-A-Day 10K Song Milestone Celebrations – 11
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –

These days, we are introducing the regular contributors of the blog to the readers of this blog. We know most of our regulars for several years and we think that we have good information about many of them, but it is only when one begins to write about them that one comes across some unknown facts about our regulars.

Next in the series of our regular contributors, the name that I have taken up for discussion is Vidur Sury.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Kaanoon” (1943) was produced and directed by A R Kardar. The movie had Shahu Modak, Mehtab, A Shah, Gajanan Jagirdar, Badri Prasad, Ulhas, Nirmala etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Regulars may have noticed that no song was discussed in the blog yesterday till late at night. It is not that I could not find time yesterday. The whole morning was available to me. Regulars may be noticing that I discuss one Suraiyya song every day which is often one of the first songs to be discussed for the day and that has been going on for the past three months.
Read more on this topic…


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This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over THIRTEEN years. This blog has over 17000 song posts by now.

This blog is active and online for over 5000 days since its beginning on 19 july 2008.

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Total number of songs posts discussed

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Movies with all their songs covered =1325
Total Number of movies covered=4609

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