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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Vasant Desai


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3497 Post No. : 14055

“Sheesh Mahal”(1950) was produced by Sohrab Modi for Minerva Movietone. The movie had Sohrab Modi, Naseem Bano, Nigar Sultana, Pushpa Hans, Amarnath, Jawahar Kaul, Pran, Mubarak, Leela Mishra in it.

The story of the movie, as discussed by Mr Arunkumar Deshmukh, our beloved inhouse enyclopaedia, is as following:-

Thakur Jaspal Singh ( Sohrab Modi) lives in the prestigious and palatial house called the Sheesh Mahal. He is badly in debt, yet continues to live a lifestyle far over and above his means. His son and two daughters are concerned, and try to stop him from over-spending, but he disregards them. Then one day the inevitable happens, and Jaspal Singh has to leave Sheesh Mahal, which must now be sold by auction to pay off his debts.

Jaspal and his children move into a small room in the nearby slums, where they hope to spend the rest of their lives. Jaspal’s son, Vikram (Jawahar Kaul) finds employment in a mill, but unfortunately meets with an accident, and in order to save his life, the doctors amputate his leg, leaving his unemployed and dependent. Jaspal’s daughter, Ranjana ( Naseem Bano), attempts to secure employment, but proud Jaspal will not hear of this.

Ranjana gets employment, but she does not tell her father about it. Ranjana meets with a young man, Vikram (Amarnath) and both fall in love with each other. When this young man’s father, Durgaprasad ( Mubarak), comes to ask Jaspal for Ranjana’s hand, Jaspal finds out that he is the new owner of Sheesh Mahal, and that Ranjana has been working as a maid there.

Jaspal is furious, and taking his sword, he rushes over to the Sheesh Mahal with a clear intent of killing Ranjana, and anyone else who dares to stop him.

There he encounters Durgaprasad, who opens his eyes by telling him on his face the reality and that he is living in his past, which does not exist anymore. He warns him not to destroy the future and happiness of his children to pamper his false ego. Thakur realises his mistake. he drops his sword, but he too falls suffering from massive heart attack. He breathes his last accepting all his faults, but it is too late.

The movie had nine songs in it. Eight of these songs have been covered in the past. Here are the details of these songs :

Song Title

Post No.

Post Date

Aayi hai deewali 183 27-Oct-08
Jise dhoondhti phirti hai meri nazar 3820 23-Apr-11
Zehar khaanaa magar dil lagaanaa nahin 3829 28-Apr-11
Tum dekh rahe ho ke mite saare sahaare 4005 15-Jun-11
Muqaddar ke haathhon jahaan ghoomtaa hai 4139 6-Jul-11
Aadmi wo hai museebat se pareshaan na ho 6422 12-Aug-12
Ham kheton ke mahaaraaj hamen darr kaahe ka 12791 10-Jan-17
Bhoole zamaane yaad na kar 14044 11-Feb-18

Here is the ninth and final song from “Sheesh Mahal”(1950) to appear in the blog. This song is sung by Pushpa Hans and it is picturised on her as well.

Lyricist is credited as Aaziz. I wonder whether he is a new name or someone who is known to us by some other name. I request our knowledgeable readers to throw light on him.

Music is composed by Vasant Desai.

With this song, “Sheesh Mahal”(1950) joins the list of movies that have all their songs covered in the blog.


Song-Taqdeer banaane waale ne kaisi taqdeer banaayi hai (Sheesh Mahal)(1950) Singer-Pushpa Hans, Lyrics-Aziz, MD-Vasant Desai

Lyrics

taqdeer banaane waale ne
kaisi taqdeer banaayi hai
barbaadi likh di kismat mein
ye apni shaan dikhaayi hai
taqdeer banaane waale ne
kaisi takdeer banaayi hai

aashaaon ki maala toot gayi
ummeed ke moti bikhar gaye
ummeed ke moti bikhar gaye
armaan bhi jal kar khaaq huye
armaan bhi jal kar khaaq huye
ab jaan pe aafat aayi hai
taqdeer banaane waale ne
kaisi taqdeer banaayi hai

ik jhonka hawa ka aaya thha
aaya aur aa kar nikal gaya
aaya aur aa kar nikal gaya
ham thhandi saans bhi le na sake
ham thhandi saans bhi le na sake
har shaakh e chaman murjhaai hai
taqdeer banaane waale ne
kaisi taqdeer banaayi hai
taqdeer banaane waale ne

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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3496 Post No. : 14050

Mohammed Rafi – Duets – ‘अ’  से  ‘ह’ तक  (From ‘अ’ to ‘ह’) – 5
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –

/‘ऊ’/

‘ए’ – एक दिल हैं एक जान हैं

तुम मुझे यूं भुला ना पाओगे
जब कभी भी सुनोगे गीत मेरे
संग संग तुम भी गुनगुनाओगे॰ ॰ ॰

क्या सच ब्यान कर गए आप, रफी साब॰ ॰ ॰

Your voice, and your songs are so imprinted on the memory, that the mind sings along the verses, every time it hears any of your songs. These memories are now lifelong; they will not be deserted till the last breath.

Moving forward with the series of duets – I am skipping ‘ऊ’ because no duet song starting with this vowel is available. So I come to ‘ए’, as the starting letter for today’s song.

This song is from the 1976 film ‘Shaque’, a taut psychological thriller starring Shabana Azmi, Vinod Khanna, Utpal Dutt, Bindu, Durga Khote, Farida Jalal, Master Atul, Arvind Deshpande, Suhas Bhalekar, Satya Kumar Patil, VP Kaale, and AK Banerjee. The film is produced and directed by the husbsand-wife team of Aruna and Vikas, under their own banner – Avikam, Bombay. The five songs in this film are penned by Gulzar (four) and Hafiz (one), and the music direction is by Vasant Desai. This was the last film that Vasant Desai composed the music for, before his unfortunate demise in an unexpected and zany lift accident.

The film deals with a slinking doubt that creeps into the lives of a happily settled couple. Doubts, that go way back into the past, when the couple were less affluent, and a criminal event had happened at the workplace of the husband. The circumstances of the event eventually left the case open, as the guilt of any specific individual could not be established. Years later, that lack of closure becomes the source of doubt and distrust between the couple. The film is very down to earth and very sensibly handled by the director’s team.

This song is one of that rare category of songs that seems to be have been created and recorded as a complete song, but then are used partially in the film, plus they re not released in any other format. So the part of the song that is included on the film’s sound track is the only part that is available. Folks will recall the unlisted song of film ‘Pyaasa’ (1957) – “Peechhe Peechhe Duniya Aage Aage Hum“, that got posted in July last year as a partial song which is available only on the film’s soundtrack. That is a similar example. Then in the 1987 film ‘Susman’, there are one or maybe two bhajans by Kabir, that play in the background, in many parts, throughout the film. They too are not available, other than from the film’s soundtrack. Another example that comes to mind is the complete ghazal “Dil Ka Bharosa To Nahin” from the 1961 film ‘Shama’ – that too is not available anywhere else other than the sound track only. I am sure there are many more such songs and partial songs sitting only in the film’s soundtrack waiting to be discovered.

The online link that is provided actually plays the song more than once. The actual length of the available snippet is just a tad over one minute. The uploader has created a longer piece by splicing and pasting together the available snippet multiple times.

Even this one minute snippet is a wonderful example of how Vasant Desai has taken the free metre verses penned by Gulzar and weaved them into a delectable song. Enjoy this minute long sojourn of beautiful sound.

Song – Ek Dil Hai Ek Jaan Hai Ek Jaan e Jaan (Shaque) (1976) Singer – Asha Bhosle, Mohammed Rafi, Lyrics – Gulzar, MD – Vasant Desai

Lyrics

aaa aaa aaa aaa
aa haa
o ho
o ho
oo oo oo
oo oooo ooo oooo

ek dil hai
ek jaan hai
ek jaan e jaan
jaan e jaan miley jahaan
wahin mera jahaan
wo mera jahaan

kahaan
hmmm
kahaan

tum zara zameen pe rakh do
paaon ke nishaan
jhuk ke choom lega
us zameen ko aasmaan
tumhaare paaon ke nishaan

wo nishaan
hain kahaan

chhaaon chhaaon chal raha hai
dhoop ka dhuaan
aaa aaaaa aaaa aaaaa
dhuaan?
haan. . . dhuaan
chhaaon chhaaon chal raha hai
dhoop ka dhuaan
dhoondhta hua tumhaare paaon ke nishaan
aaaa aaaa aaaa
aa haa
ho ho
o ho
ho oo oo oo
ho oo ooo ooo

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
आ आ आ आ
आ हा
ओ हो
ओ हो
ओ ओ ओ
ओ ओsss ओs ओsss

एक दिल है
एक जान है
एक जान ए जान
जान ए जान मिले जहां
वहीं मेरा जहान्
वो  मेरा जहान्

कहाँ
हम्मम
कहाँ

तुम ज़रा ज़मीन पे रख दो
पाँव के निशान
झुक के चूम लेगा
उस ज़मीन को आसमान
तुम्हारे पाँव के निशान

वो निशान
हैं कहाँ

छांव छांव चल रहा है
धूप का धुआँ
आss आssss आsss आssss
धुआँ?
हाँ॰॰॰ धुआँ
छांव छांव चल रहा है
धूप का धुआँ
ढूँढता हुआ तुम्हारे पाँव के निशान
आ आ आ
आ हा
हो हो
ओ हो
हो ओ ओ ओ
हो ओ ओ ओss

 


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3495 Post No. : 14044

Today (11 february 2018) is the birth anniversary of Thomas Alva Edison (February 11, 1847 – October 18, 1931). People may argue that he has nothing to do with HFM, but I would argue back that there would be no HFM but for Edison. One out of Edison’s countless inventions was the invention of phonograph, which made it possible to record sound. All the HFM music that we are listening to now owe their existence to this paradigm shifting invention in human existence. We have no way of knowing how the great personalities of the past sounded like, but thanks to Edison, we got a device that could record the voices of people for posterity. That way the contemporaries of Edison and those who came later has their lives enriched to a degree that is beyond our imagination.

Of course, motion picture camera and light bulb are also his inventions. One can safely say that the modern life that we take for granted these days owes a lot to the inventions of Edison. All these inventions led to creation of major industries !

Lots and lots of other discoveries and inventions by lots and lots of other people have taken place since then. In the past, there was no way to preserve voice for postrity. Now it can not only be preserved, but now it can be shared with others easily with people that may be living on the other side of the globe, without leaving the comforts of our own homes ! What is more, these recordings can even be edited, enhanced etc. For instance, there are quite a few recordings that are of poor quality. But tchnology is now available that enables us to improve their quality quite dramatically.

It goes without saying that our blog makes use of lots of technologies that Thomas Edison and many others have created over that last 150 years or so.

Take the song under discussion for example. This song is from “Sheesh Mahal”(1950). Sheesh Mahal had nine nine songs in it. Seven songs have been covered in the blog. Out of the remaining two songs, one song is available in good audio quality (even video is available). But there is one song which seems to be missing from the movie and its audio, as available leave much to be desired.

But as noted above, technology comes to the rescue. There are audio softwares available that can help reduce noise and enhance audio quality. I am not much experienced in such matters but still I have been able to reduce the noise in this audio to an extent where the audio quality is bearable. May be with experience, I will become better.

So, on the occasion of Thomas Alva Edison’s 171st birth anniversary, here is this rare song from “Sheesha Mahal”(1950). This song is sung by Pushpa Hans. She had acted in it as well, so assuming that this song was picturised, it was picturised on herself.

Shams Lucknowi is the lyricist. Music is composed by Vasant Desai.

This song becomes the 500th song of 1950 to appear in the blog. That way, 1950 becomes the second year, after 1949, to have 500 songs in the blog. 1959 and 1960 are two years that are waiting in the wings to join this group.


Song-Bhoole zamaane yaad na kar (Sheesh Mahal)(1950) Singer-Pushpa Hans, Lyrics-Shams Lucknowi, MD-Vasant Desai

Lyrics

bhoole zamaane yaad na kar
yaad na kar
bhoole zamaane yaad na kar
yaad na kar

duniya ki yahi baaten hain
duniya ki yahi baaten hain
din hain to phir kabhi raaten hain
din hain to phir kabhi raaten hain
dil ko tu naashaad na kar
naashaad na kar
yaad na kar
bhoole zamaane yaad na kar
yaad na kar

zaalimon ki ye basti hai
zaalimon ki ye basti hai
rone pe duniya hansti hai
rone pe duniya hansti hai
aansuon se fariyaad na kar
fariyaad na kar
yaad na kar
bhoole zamaane yaad na kar
yaad na kar

ae dost hamen gham sahne de
ae dost hamen gham sahne de
kisi(?) ki nishaani rahne de
kisi(?) ki nishaani rahne de
shaad na kar
barbaad na kar
barbaad na kar
yaad na kar
bhoole zamaane yaad na kar
yaad na kar


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3478 Post No. : 13975

Missing Films of 1960s – 52
– – – – – – – – – – – – – – –

A bit of a coincidence here that the song of this series posted yesterday “O Chanda. . . Aaj Ki Raat Na Dhalna”, and today’s next song in this series, both are ‘chaand’ songs. Yesterday’s song got posted early in the morning, and later I was thinking – posting a ‘chaand’ song at sunrise time is wholly inappropriate. And so, today’s ‘chaand’ song I am bringing to you at an appropriate time in the evening – a waxing moon is in the skies.

Today’s film is ‘Bharat Milap’ from 1965. The film was produced under the banner of KP Productiond, Bombay, and the director’s name is Babubhai Mistry. The cast of actors includes Sohrab Modi, Sulochana, Ashish Kumar, Indrani Mukherjee, Leela Misra, Anand Kumar, and Mridula amongst others.

The film has seven songs, all from the pen of Bharat Vyas. Music is by Vasant Desai. Today’s song is a duet in the voices of Lata Mangeshkar and Mahendra Kapoor. Unless I am mistaken, the actors performing this song on screen are Ashish Kumar and Indrani Mukherjee. I request other knowledgeable readers to correct me in case I am in error.

The storyline of the epic ‘Ramayan’ is quite well known. After Shri Ram departs from Ayodhya to spend fourteen years as an ascetic in the woods, Bharat ji makes one attempt to bring him back. He goes to meet him at Chitrakoot. The entire portrayal in this epic is a guidance for the right things to do in life. The meeting at Chitrakoot is very significant. The various dialogues that happen here are so full of deep learnings for mortal humans, on how to conduct themselves in real life. The decision at this juncture is that Bharat ji will return to Ayodhya, and continue look after the administration of the kingdom, and take care of the family and the people. Shri Ram along with Sita ji and Lakshman ji will continue his stay away from Ayodhya, till the specified time.

Bharat ji returns with the ‘charan paduka’ (sandals) of Shri Ram, and places them on the throne of Ayodhya. And he places himself on the ground next to the throne, while administering the kingdom, asking for inspiration and guidance at every step, from the ‘charan paduka’. He further resolves that he will not stay in the palace, for the duration that Shri Ram is traveling in the woods. He also has a hut made for himself in a small village, Nandigram, next to Ayodhya, and stays there only. Even inside the hut, he does not sleep on the ground. He digs a cavity or a trench in the ground, a couple of feet deep, and he sleeps at that level. He says he will not sleep on the same ground on which Shri Ram is walking bare footed for fourteen years. He forsakes all the comforts and luxuries, and also all the pleasures and shared nearness in his own personal life. His spouse, Mandavi, stays in the palaces, but they do not share any proximity.

The tale and the teachings of ‘Ramayan’ are the best examples of personal sacrifices that individuals make for the sake of their dear ones, and for the sake of moral and uprightness in life. I may be digressing here, but I would like to briefly tell about the role of Shatrughan, the youngest of the four brothers, in these complex circumstances.

It is stated that Lakshman ji had taken a vow that he would not sleep for all the time that Shri Ram is away from home, and that he would always be standing guard for the safety and well being of his elder brother and bhabhi (sister in law). What is not well known is that even Shatrughan ji followed a similar stringent regime. All during the day, he would be assisting Bharat ji with the matters of the kingdom. And in the night, he would make one round of the kingdom, and then come and sit on a stone at the gates of the kingdom, keeping vigil, till dawn.

Taken in the right spirit, this tale is the pinnacle of a visionary and inspirational lesson. To keep the honor of a promise, all the four brothers make unparalleled sacrifices. One leaves home with the resolve to live like an ascetic in the woods, for fourteen years. Another resolves to accompany him to secure the comfort and safety of his elder brother, forsaking even sleep. The third brother declines to sit on the throne, gives up his own comforts and resolves to also live like an ascetic for the same period, albeit in his own kingdom. He also resolves to sleep in a pit below the ground, and not on the ground on which his elder brother walks barefoot. And the fourth brother, also forsakes his comforts, and sleep, keeping vigil over a kingdom which all acknowledge belongs to the eldest brother. All the four brothers forsook family life for the duration of this exile. A tale like this has no parallels anywhere in the annals of world history or literature.

This is a wonderfully crafted song, that is simultaneously moving at two levels. Both the levels are expressions of love. But one level is expressing love for a beloved spouse, and at the other level, the love being expressed is for a beloved elder brother. The expression of love in the second level is amounting to love for God Himself. Mandvi, the wife of Bharat ji, is calling out to her husband, expressing her emotions of missing him, and feeling incomplete within herself. Bharat ji is singing the same song at the same time, only that his call is directed towards Shri Ram, reminding Him that his (Bharat ji’s) life is in a precarious balance, if He does not return on time, as promised.

A lovely melody created by Vasant Desai, and a memorable song this one is.

Video (Some skipped words)

Audio (Complete)

Song – Chandrama Ja Un Se Keh De  (Bharat Milap) (1965) Singer – Lata Mangeshkar, Mahendra Kapoor, Lyrics – Bharat Vyas, MD – Vasant Desai

Lyrics

chandrama ja un se keh de
na bano itne kathor
baat takte ho gai
geeli mere palkan ki kor
chandrama ja un se keh de
na bano itne kathor
baat takte ho gai
geeli mere palkan ki kor
chandrama ja un se keh de

kehna tujh bin adhkhila
maathe ka tika hai
kehna tujh bin ye mera
sansaar pheeka hai
oo oo oo
chandrama ja un se keh de

kehna ab na seh sakoongi
vireh ki jwaala..aa
toot jaaye na kahin
meri saans ki maala
oo oo oo
chandrama ja un se keh de

ye basanti raat kaate se
nahin kat’ti
ye ghadi nishthur
ghadi bhar bhi nahin ghat’ti
un charan ki raah mein
ye nain bhatke hain
un ke darshan ke liye
ye praan atke hain

oo oo oo
chandrama ja un se keh de
na bano itne kathor
baat takte ho gai
geeli mere palkan ki kor
chandrama ja un se keh de

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
चंद्रमा जा उनसे कह दे
ना बनो इतने कठोर
बाट तकते हो गई
गीली मेरे पलकन की कोर
चंद्रमा जा उनसे कह दे
ना बनो इतने कठोर
बाट तकते हो गई
गीली मेरे पलकन की कोर
चंद्रमा जा उनसे कह दे

कहना तुझ बिन अधखिला
माथे का टीका है
कहना तुझ बिन ये मेरा
संसार फीका है
ओ ओ ओ
चंद्रमा जा उनसे कह दे

कहना अब ना सेह सकूँगी
विरह की ज्वाला॰॰आ
टूट जाये ना कहीं
मेरी सांस की माला
ओ ओ ओ
चंद्रमा जा उनसे कह दे

ये बसंती रात
काटे से नहीं कटती
ये घड़ी निष्ठुर
घड़ी भर नहीं घटती
उन चरण की राह में
ये नैन भटके हैं
उनके दर्शन के लिए
ये प्राण अटके हैं

ओ ओ ओ
चंद्रमा जा उनसे कह दे
ना बनो इतने कठोर
बाट तकते हो गई
गीली मेरे पलकन की कोर
चंद्रमा जा उनसे कह दे


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Mausi”(1958) was directed by Prabhat Kumar for Rajkamal Kala mandir, Bombay. The movie had Sumati gupte, Vandana, Baburao Pendharkar, Reshma, Ranjana Shukla, Asha Devi, Ramesh Deo, Rajkamal, R V Rane, Putlibai, Baby Mumtaz, Rajguru Deshmukh, Roohi, K Date etc in it.
Read more on this topic…


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This article is a tribute to an actor whom I started admiring for his acting calibre only a couple of years back. He became a star actor without having any godfather in Hindi film industry. During his filmy career of less than 15 years (1934-48), he donned the different kind of roles, mostly in negative shades, in around 30 films most of which became box office hits. Had there been a concept of super star in his days, he would have been the one among K L Saigal, Motilal, Surendra etc. The actor is Chandra Mohan and today, July 24, 2017 happens to be his 111th birth anniversary.
Read more on this topic…


This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Happy birthday to you
Happy birthday to you
Happy birthday, dear atul-song-a-day blog
Happy  birthday to you

🙂

Yes, it’s that special day of the year again. It’s our blog’s happy happy birthday. It was born on 19th July 2008, so today it completes 9 years. And we, wherever we are in the world, are definitely not going to let the occasion go by without celebration.  Maybe we don’t have cakes and candles, but we have enough blog handles. 🙂 (Ok, admittedly, that was a terrible one!).
Read more on this topic…


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Wishing our Dear Atul ji, a very Happy Birthday. May this day be celebrated on this blog many, many, many more times.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Jeewan Yatra”(1946) was directed by Vinayak for Rajkamal Kala mandir, Bombay. This social film had Nayan Tara, Yakub, Baburao Pendhhrkar, Pratima Devi, Lata Mangeshkar, Shantarin, Sunalini Devi, Mehar Sultana, Sundar Bai, Dixit, Chandrakant, Daamu Anna Mavlankar, Nimbalkar, Parshuram, Kamal, Janki Das, Vikas etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Jhaansi Ki Raani”(1953) which deals with the story of the famous Rani of Jhaansi, was produced and directed by Sohrab Modi fpr Minerva Movietone, Bombay. This movie had Mehtab (in title role), Sohrab Modi, Mubarak, Ulhas, ram Singh, Sapru, anil Kishore, Baby Shikha, Kamalkant, Michael Shea, Marconi, Nayampalli, Gloria Gasper, Shakeela, Dar Kashmiri (Jeewan), Chaube ji, Srinath, Burhanuddin, Jagdish Kamal, Baby Feroza, Bonani Chaudhary, Master Salim, Raja nandlal, Nandu Khote, Kabeer, Bhoop Kishore, Homi Sethna, Jerry, Chitralekha, Anant Joshi etc in it.
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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for more than nine years. This blog has over 14300 song posts by now.

This blog is active and online for over 3500 days since its beginning on 19 july 2008.

Total number of songs posts discussed

14344

Number of movies covered in the blog

Movies with all their songs covered =1146
Total Number of movies covered =3914

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Blog Start date: 19 july 2008

Active for more than 3500 days.

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