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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Hansraj Bahl


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3885 Post No. : 14914

Our blog regulars have a whatsapp group. One of major hghlights of this group are the good morning mwessages and thoughts of the day by our beloved inhouse encyclopaedia Mr Arunkumar Deshmukh. Nowadays ourinhouse rocket scientist Gajendra Khanna has also started sharing thoughts of the day in the morning.

I almost invariably find myself wholeheartedly agreeing with these thoughts of the day. I need not not them down for use, because I find that I already practice them. I share some of these messages with my wife that I think she needs.

Like these ones-

“Never stop doing little things for others. Sometimes, those little things occupy the biggest part of their hearts”

“Don’t let anyone’s ignorance, hate, drama or negativity stop you from being the best person you can be”

“Don’t permanently damage someone’s feelings just because you are temporarily upset”

“Leadership is not about ruling others, it is about showing others the right path”

“Motivation is what gets you started. Habit is what keeps you going”

“success also hurts when you do not have a loved one to congratulate you. Failure also looks beautiful when you have a loved one to support you”

“Challenges are what make life interesting and overcoming them is what makes life meaningful”

“Everything you need is already inside you. Do’t wait for others to light your fire. You have your own matches.”

“The real education is our attitude and behaviour with others. It defines our entire personality, no matter how qualified we are.”

“The height of candles may differ but they yield same brigtness. It is not your position but your ability that makes you shine”

“Respect is the most important element of your personality., It is like an investment whatever you give to others it will return to you with profit.”

“Everyone may not be nice. But there is something nice in everyone.Never keep a fixed image for anyone. because people act differently with different people.”

“If you light a lamp for someone else, it will also brighten up your path.”

“Silence is the best answer to someone who does not value your words”

“The pessimist sees difficulty in every opportunity. The optimist sees the opportunity in every difficulty.”

“People understand the true value of the right person only after they suffer from the wrong person”

“Love and kindness are never wasted. They bless the one who receives them, and they bless you (the giver).”

and many others.

Then there is this basic message that is hardwired into me- “Do unto others you would have them do unto you“. In other words, treat others with respect, and help them if you are in a position to. Because that is what I or anyone else expects from others.

It was day before yesterday (6 march 2019) when I was seated in my office chamber, when the door opened and I found a lady hesitantly asking if she could come in. Normally I expect a peon bring in a chit from the visitor where the name of the person is written (along with purpose of visit). But she obviously came in when no peon was at hand to stop her.

I had no idea if she was an employee or some outsider (like say a salesperson) but I allowed her to come in. She tried to explain what she wanted to say but she was not able to as she was unable to stop her from crying. But from the little she was able to speak and the paper she showed me, I was quickly able to find out that she was an employee of my place. She wanted to get herself transferred to another place. All the necessary approvals from competent authorities were obtained a few weeks ago. She needed to be relieved from the workplace so that she could join at her next place. But she was not getting relieved. The dealing clerk was telling her for the last three weeks that her case was “under process”. She wanted to get releved so that she could join her family. Her crying was mainly because of her young child who was away from her.

I tried to console her and asked her to get seated while I called for the dealer. It turned out that the dealer was not available. I asked the personal officer to come.

While I was waiting for the personal officer, I asked the lady how she was posted in this place while her family was elsewhere. She informed me that she had got her appointment here on compassionate ground as her father was an employee here and he had died while he was in service. Her husband was posted in Ranchi and her child was there with him there. Her old mother in law had to take care of the child while her husband went out on his work.

I tried to make her comfortable by telling her that I too had grown up in Ranchi though I have not been to that place for last 25 years. She asked where I studied. I informed her the name of my college and school, and also added that my school has now shifted to another location, whereas I had studied in this school when it was located in a location near Ranchi Railway station. She seemed to be aware of this place because she told me that her residence in Ranchi was in the same area of Ranchi where my school was earlier located.

I was feeling a bit nostalgic about Ranchi and would have talked some more about Ranchi but then the personal officer arrived. Iinformed him that the lady sitting there had applied for transfer to Ranchi and necessary permissions have already come three weeks back. The dealer is harassing her telling her that her case is under “process”. Please make sure that she is relieved within one hour.

I then turned to the lady and assured her that she would get relived and she should plan to leave for Ranchi on the same day.

She was barely able to belive her eyes. She did not belive that her work could get done so fast. She thanked me. I said it was alright. But she kept thanking me again and again. I told her that it was in my nature to help people and that is what I was doing now as well. She sought water. I asked her to walk into the adjacent room where she would get a glass of water. She went to the adjacent room and there I heard voices offering her water and consoling her telling her to get calmed and to compose herself.

After a while the personal officer brought me a file seeking my approval to get her relived. I signed the file silently. I did not remind him to quickly get it done with as that instruction was already given earlier.

In the second half, I wondered if the lady had received her relieving letter. I thought about enquiring from the personal officer. But before I could do that, I found the same lady entering my chamber informing me with glee that she had got her relieving letter. I expressed happiness that she had finally been relieved.

She left the chamber. I began to wonder when she would reach Ranchi. There is one direct train to Ranchi but that takes a very long semicircular route instead of taking a straight route and takes 24 hours. On checking on internet, I found that if one went to Varanasi (six hours journey) then there were lots of direct trains from Varanasi to Ranchi that took around ten hours to reach there. I was sure that people going to Ranchi, including the lady, may already be aware of this route.

I wondered whether I should have asked her for her travel plan, but then told myself that it was not needed. I had done her a good deed. She was quite broken and disconsolate when she had entered my chamber earlier in the morning. In the afternoon, she was a happy and relieved person, who was looking forward to get reunited with her family for all times to come. And I had made it possible for her. I was sure that lots of good words and blessings may have come my way behind my back. She may have phoned her family back home and may have informed them that she met me and she got her papers in a matter of hours. Not only she, even her family members back at Ranchi may have given their blessings to me.

That was two days ago. I am sure she must have arrived Ranchi by now and would have reported at her new place of posting in Ranchi. In a less sombre light, I wondered if she would visit the cricket ground to watch the ODI that is takng place at Ranchi today. Of course not. She would be too overwhelmed at the moment and she would be getting visited by her relatives and friends. And her young child must have felt mightily relieved and happy to see her mother.

In the evening, my wife called me on phone. It is her habit that she tells me daily about whatever happens in her workplace. She too had done some blessing worthy job in her workplace and she told me about that. I in turn informed her about my nek work. She felt happy as well. I was dreading at her next follow up question, but fortunately she did not ask that question. That question would have been- “You helped that lady get united to her spouse. When will you try to do the same for yourself as well ?” As things stand, she keeps reminding me every now and then that I should try and get myself transferred to MP. That is there in the rules as well-“If a spouse in in state service and another one in central service then the spouse in central service will apply to get transferred to the state where the other spouse in posted and the employer of the central government will try his best to post the central government employee to that state.”

My wife feels the need more than me, because she is a working lady herself. She needs my support and advice on his professinal work almost every day. At the same time, she is far more empowered and strong that most working ladies. So she is able to take care of herself in a far better manner that say the lady whom I helped. But the principles remain the same, of course. Now I shudder to think how she almost single handedly raised our daughter alone while I was posted at places different than her place. It helped though that I was posted in the same state while our daughter began to go to school. No matter what the situation, every child needs and deserves to ive with both of his/her parents.

I realised that today (8 march 2019) is women’s day. And in a way, I inadvertently gave a nice Women’s day gift to the lady. Today, I will be attending a Women’s day function in the office. I think that I may have already done something more worthwhile that mouthing a few platitutes in that gathering. And I feel quite satisfied and proud of myself.

On this occasion, here is a suitable song that tells us that we should do good for others because what we do to others comes back to us. The song is from “Khul Ja Sim Sim”(1956). The song is sung by Rafi (an appropriate singer for a song of this genre, if I must add). Asad Bhopali is the lyricist. Music is composed by Hansraj Bahl.

Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Ye hai kaanoon uska jisne ye duniya banaai hai(Khul Ja Sim Sim)(1956) Singer-Rafi, Lyrics-Asad Bhopali, MD-Hansraj Bahl

Lyrics

aa aa aa
ye hai kaanoon uska
jisne ye duniya banaai hai
ye hai farmaan uska
jiski ye saari khudaai hai

o o o o
o o o
bhalaai kar bhala hoga
buraai kar bura hoga
bhalaai kar bhala hoga
buraai kar bura hoga
bhalaai kar bhala hoga
buraai kar bura hoga
koi dekhe na dekhe
par khuda to dekhta hoga

isi duniya mein jannat hai
yahi duniya jahannum hai
agar aamaal achche hain
to phir kis baat ka gham hai
tere aamaalnaame se hi tera faisla hoga
bhalaai kar bhala hoga
buraai kar bura hoga
koi dekhe na dekhe
par khuda to dekhta hoga

bhala hoga
aa aa
bhala hoga
aa aa aa

yahaan neki badi do raaste hain
gaur se sun le
tujhe jaana hai kis manzil pe
apna raasta chun le
kadam uthne se pahle soch le
anjaam kya hoga
bhalaai kar bhala hoga
buraai kar bura hoga
koi dekhe na dekhe
par khuda to dekhta hoga

bhala hoga
aa aa
bhala hoga
aa aa aa

gareebon ki madad kar
bekason ka saath deta ja
ye sauda naqad hai
is haath de is haath leta ja
wahi kaam aayega tere
jo toone de diya hoga
bhalaai kar bhala hoga
buraai kar bura hoga
koi dekhe na dekhe
par khuda to dekhta hoga

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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3882 Post No. : 14906

“Roomaal”(1949) was directed by Ramchandra Thakur for Varuna Films, Bombay. This “social”movie had Nargis, Rahman, Jeewan, Indu, Jairaj, Badri Prasad, Majnoo, Jillobai, Cuckkoo, Ramesh Thakur, Urwashi, Jankidas, Deepak, Pitu, Boy Ratan, Azim, Shamu, Mukesh, Sohanlal, Ahmad etc in it.

The movie had ten songs in it. Five songs have been covered in the past.

Here is the sixth song from “Roomaal”(1949) to appear in the blog. This song is sung by Meena Kapoor. Nazim Panipati is the lyricist. The movie had two music directors in it, viz Hansraj Bahl and Aziz Khan, but the distribution of songs among them is not known. There have been indirect ways to verify thouh that some songs were composed by Hansraj Bahl. Seeing that another Hansraj Bahl song (thus indirectly identified) had lyics by Nazim Panipati, my guess is that this song with lyrics by Nazm Panipati could be a Hansraj Bahl composition as well.

Only the audio of this rare song is available. I request our knowledeable readers to throw light on the picturiusation of this song.


Song-Wo ankhiyaan mila kar chale gaye (Roomaal)(1949) Singer-Meena Kapoor, Lyrics-Nazim Panipati, MD-Hansraj Bahl

Lyrics

wo ankhiyaan milaa kar
wo ankhiyaan milaa kar chale gaye
main rah gayi ankhiyaan malti re
main rah gayi ankhiyaan malti re
wo ankhiyaan milaa kar chale gaye
main rah gayi ankhiyaan malti re
main rah gayi ankhiyaan malti re

kyun dukhiyaa dil ko tod gaye
hamen kiske sahaare chhod gaye
hamen kiske sahaare chhod gaye
kyun dukhiyaa dil ko tod gaye
hamen kiske sahaare chhod gaye
hamen kiske sahaare chhod gaye
wo aag lagaa kar
wo aag lagaa kar chale gaye
main rah gayi aag mein jalti re
main rah gayi aag mein jalti re
wo ankhiyaan milaa kar chale gaye
main rah gayi ankhiyaan malti re
main rah gayi ankhiyaan malti re

wo chale gaye
wo chale gaye aur wahin hoon main
hoon aise jaisi nahin hoon main
hoon aise jaisi nahin hoon main
wo chale gaye aur wahin hun main
hoon aise jaisi nahin hoon main
wo paas bulaa kar
wo paas bulaa kar chale gaye
kyaa ho gayi mose galti re
kyaa ho gayi mose galti re
wo ankhiyaan milaa kar
wo ankhiyaan milaa kar chale gaye
main rah gayi ankhiyaan malti re
main rah gayi ankhiyaan malti re


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3806 Post No. : 14801

Today’s song is a very very special song. It is from film Roomal-49. Four songs from this film are already discussed. Luckily, this song was yet to be discussed, as if waiting for me. It is a duet of Mohd. Rafi and Asha Bhosle. Written by Nazim Panipati, it is composed by Hansraj Behl. HFGK is silent on the MD’s name for all songs, though there were two of them- Hansraj Behl and Aziz Khan. However, there are other references to confirm that Behl was composer for this song, namely 1. The uploader has mentioned his name 2. Rafi’s Excel sheet mentions his name and 3. Behl’s name is mentioned for this song in book ‘ Rafinama’ by Isak Mujawar.

Now, coming to the point why this song is special.The reason is….this is the First ever duet of Rafi and Asha Bhosle. Rafi had started Playback recording from 1944 and Asha started from 1948. Within one year, Asha sang a duet with Rafi in film Roomal-49. Another film Lekh was also made in 1949 and they sang in that film too, but Roomal duet was the First one to be recorded.

Incidentally, Asha and Rafi had the maximum duets in HFM. They sang a total of 806 duets from 1949. Their last duet came on the screen in film Kala Coat-1993 ( 13 years after Rafi had left us.)-MD Iqbal Gill. Asha Bhosle and Rafi created 3 records during their journey together-
1. Maximum duets – 806
2. Maximum duets in one MD’s films – 92 duets in OPN’s films.
3. Rafi-Asha maximum duets in one film- Basant-60 – 11 duets
(Ed note-The blog has 514 Rafi-Asha Duets, including this song.)

Mohd. Rafi was the only singer who sang duets with the 3 major female actor singers of the 40s. He sang with Noorjehan (Jugnu-47), Khurshid ( Aage Badho-47) and Suraiya (Kajal-48 and in 11 more films).

Besides the known and well known female singers, Rafi sang duets with some ‘ not so well known ‘ female singers too. Some of them are Laxmi Rai, Kumudini Dikshit, Lakshmi shankar, Gandhari Rane, Promodini Desai, Razia Begum, Malti Pande, Pushpa Huns, Ramola, Pushpa Pagdhare, Pratibha, Kanchan, Poornima, Meena Patki, Jyoti, Kamla Sista, Kaushi Gidwani, Savita Suman, Sumitra Lahiri, Sagarika Mukherji, Krishna Bose, Krishna Mukherji, etc etc.

Rafi sang maximum songs with Laxmikant-Pyarelal (369), followed by Shankar-Jaikishen – 341, Chitragupt-247, Ravi-235, O P Nayyar-197, Kalyanji – Anandji – 169, Naushad-149, Madan Mohan-169, R D Burman-122, Usha Khanna-114, Sonik- Omi-104 and N Dutta-102. ( all figures from book Rafinama by Isak Mujawar).

Rafi sang only 1 duet with Meena Kapoor in film Aabroo-56. There is another song having voices of Meena, Rafi,Asha and Manna Dey in Tajmahal-63). This is understandable considering Anil da’s opinion about Rafi’s singing !

Film Roomal-49 was directed by Ramchandra Thakur. He was born on 17-12-1908 at Suver ( noe Umedgadh) in Sabarkantha Dist. Gujarat. From his 9th year onwards he was educated in Bombay. He completed his M.A. in Pali language, to become a Teacher but not so good results forced him to join Film industry. He had already written articles on films. He had also translated sound recordist Minoo Katrak’s book in Hindi and Gujarati.
He joined the Marketing department of Sagar Movietone. After Baburao Patel headed that department, he was shifted as asstt. director. He co directed film Gramophone Singer, along with Virendra Desai-the owner’s son-who later married Nalini jaywant despite he being already married.

Thakur’s first film as an independent director was ‘Civil Marriage’-40, in which Snehprabha Pradhan made her debut. He worked for Ranjit, Prakash and other banners. Her directed 20 films. His last film was Nawab Sirajuddoula-67. He mainly directed Mythologicals, social and comedy films.
He was a multifaceted person. He knew and could speak 11 languages. He wrote scripts for film Baiju Bawra-52 and several Gujarati films. He also directed 2 Gujarati films. He wrote 4 research based Novels. His article on Sagar Movietone has become a reference point for researchers.
Ramchandra Thakur died on 31-10-1992. (adapted from ‘ Sagar Movietone’-Biren kothari)

The cast of film Roomal-49 was Nargis, Rehman, Jairaj, Jeevan, Badriprasad, Jillobai, Cuckoo, Jankidas etc etc.

Jillobai (real name Zuleikha Ibrahim), born in 1905, in Bombay, was a Tawayef from Delhi. She started from stage dramas and then silent films. During this period, Master Nissar was attracted towards her, but being a shrewd woman, she spurned his advances, only after lot of money was spent on her by him. She acted in more than 100  Talkie films and also sang 3 songs in 3 films initially. Her first talkie film was  India’s first Talkie film Aalam Ara-1931, in which she sang one song also. She acted in many popular films like Anarkali-35, Kissan Kanya-37, Pukar-39, Sikander-41, Taqdeer-43, Zeenat-45, Jugnu- 47, Mother India-57, Mughal-e-Azam-60 etc etc. Her last film seems to be Suhani Raat-74. (I thank Sudhir ji and Pramod Godbole ji for providing additional information) .

Nazim Panipati, who wrote the songs of film Roomal-49, along with Mulkraj Bhakri and Rupbani, was born in lahore in 1920. His real name was Muhammed Ismail Khan. He was the younger brother of Dirctor/Lyricist Wali sahab. Due to his hobby of writing shairi, he was introduced to Dalsukh Pancholi and Roop k. Shorey. He first wrote songs for Punjabi films. His first film as a Lyricist in Hindi was Zamindar-42. He shifted to Bombay and wrote 80+ songs in 25 films. His last film in India was Sheesham-52. Then he migrated to Pakistan. He wrote more than 120 songs for Pak Television and Punjabi/Urdu films. He died in Lahore on 18-6-1998.

Today’s song by Rafi, Asha and chorus looks to be a fun comedy song. Enjoy this song….


Song-Lo dum daba ke Bhaage….hamen darr kaahe ka(Roomaal)(1949) Singers- Rafi, Asha Bhonsle, Lyrics-Nazim Panipati, MD- Hansraj Bahl
Both
Unidentified Male Voice 1, Unidentified Male Voice 2, Unidentified Male Voice 3
Chorus

Lyrics

aa
ha aa aa aa
aa aa aa
lo dum dabaa ke bhaage
warrant laane waale ae
khud ban gaye hain ulloo
ulloo banaane waale

aji haan aan aan
ulloo banaane waale
haan aan
ulloo banaane waale

haan aan aan aan aan aan aan
ulloo banaane waale
haan aan
ulloo banaane waale

ham sab ke sab
ham sab ke sab
ham sab ke sab
ham sab ke sab
hoshiyaar
hamen darr kaahe ka
hamen darr kaahe ka
hamen darr kaahe ka
hamen hai darr kaahe ka
hamaara beda ho gaya paar
beda ho gaya paar

hamaara beda ho gaya paar
hamen darr kaahe ka
hamen darr kaahe ka
hamen darr kaahe ka
hamen hai darr kaahe ka

paas nahin hai
paisa dhela
babu ji paisa dhela
lala ji paisa dhela
oy hoy hoy hoy
paisa dhela
phir bhi laga hua hai
mela
hai mela
ab to mangal
shukkar hafta
ab to mangal
shukkar hafta
har din hai itwaar
aji haan
har din hai itwaar
laa la
lallalalla
lallalalla laa
hamen darr aah
hamen darr ee
hamen darr ooh
hamen darr kaahe ka
hamen hai darr kaah
e ka

khelo koodo naacho gaao
every thing is happy now
every thing is happy now
kuchh na kuchh to
mil jaata hai
kuchh na kuchh to mil jaata hai
naqd ho ya udhaar aar
naqd ho ya udhaar
mere yaar
khushi mein naach
tu apni maan
mere dildaar
hamen darr
hamen darr
hamen darr
hamen darr kaahe ka
hamen hai darr kaahe ka

ham hain engine
tum ho lorry
dil hai armaanon ka thhaana
ham hain thaanedaar
aji haan
ham hain thaanedaar
aji haan
ham hain thaanedaar

o thhaanedaar
o thhaanedaar
o thhaanedaar
o thhaanedaaaaar
hamen darr
hamen darr
hamen darr
hamen darr kaahe ka
hamen hai darr kaahe ka

ka..ahe ka

ka..ahe ka

 


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3706 Post No. : 14631

“Dost”(1954) was produced was Kuldip Sehgal and directed by Rajendra Sharma for Kuldip Pictures Limited, Bombay. The movie had Usha Kiran, Suresh, Majnu, Randheer, Ramesh Thakur, Khairati, Uma Dutt, Kammo, Mohana, S Kapoor, S Nazeer etc in it.

The movie had seven songs in it. Five songs have been covered in the past.

Here is the sixth song from “Dost”(1954) to appear in the blog. HFGK is silent about the singer of the song. It is clear that the song is sung by Lata (though there appears to be another female voice in it) alongwith chorus. Butaram Sharma is the lyricist. Music is composed by Hansraj Bahl.

Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song.


Song-Sharaab e ishq jaati hai pilaayi pi nahin jaati(Dost)(1954) Singer-Lata, Lyrics-Butaram Sharma, MD-Hansraj Bahl
Chorus

Lyrics

sharaab-e-ishq jaati hai pilaayi
pi nahin jaati
aa aa
sharaab e
sharaab-e-ishq jaati hai pilaayi
pi nahin jaati
ye ho jaati hai apne aap
ulfat ki nahin jaati
ye ho jaati hai apne aap
ulfat ki nahin jaati

meri aankhon mein usne
pyaar se jab daal di aankhen
aa aa aa
nigaahon mein hi dil ki baat
dil se kah gayi aankhen
hai dekhi humne jis din se
iski shabnami aankhen
aa aa aa
usi din se humaari
intzaari mein lagi aankhen
tamanna preet ki aji haan
tamanna preet ki
tamanna preet ki aji haan tamanna preet ki

haan tamanna preet ki
phir se khadi bhugti nahin jaati
ye ho jaati hai apne aap
ulfat ki nahin jaati
ye ho jaati hai apne aap
ulfat ki nahin jaati


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3692 Post No. : 14605

“Raaj Raani”(1950) was directed by Satish Nigam for Jagat Pictures, Bombay. The movie had Meena Shorey, Rehman, Sohan, Usha Kiran, Cuckkoo, Vyas, Mehta, Shashikala etc in it.

This “social” movie had seven rare songs in it that included six female solos-two each by Shamshad Begam, Surinder Kaur and Lata, whereas there was one duet sung by Shamshad Begam and Rafi.

Two Surinder Kaur solo songs from the movie have been covered in the past.

Here is a Lata solo from the movie. The song is penned by D N Madhok. Music is composed by Hansraj Bahl.

Only the audio of this “bhanwra-kali” genre of song is available. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.


Song-Bhanwra beimaan gaaye mohabbat ke gaane (Raaj Raani)(1950) Singer-Lata, Lyrics-D N Madhok, MD-Hansraj Bahl

Lyrics

bhawra beimaan
bhanwra beimaan
gaaye muhabbat ke gaane
bade mastaane
suhaane lubhaane
kali phooli na samaaye
boli lipat ras lei ja
chipat ras lai ja
mere bag mein koi shikwe na gaaye
bhawra beimaan

bana ras ka lobhi
udhar muskuraata aa aa
bana ras ka lobhi
udhar muskuraata
taraane madhur madbhare gungunaata
bola lipat ras dai ja
chipat ras dei ja
fiza mein bade ashq humne bahaaye
bhanwra beimaan
gaaye muhabbat ke gaane
bade mastaane suhaane lubhaane
kali phooli na samaaye
boli lipat ras lei ja
chipat ras lai ja
mere baag mein koi shikwe na gaaye
bhawra beimaan

ye sun kar bekali mein
wo kali bhanwre se yoon boli
mera tum ho na ho
o ras ke lobhi
main teri ho li
arre aa jaao
arre aa ja
lipat ras lei ja
chipat ras lai ja
bahaaron ki rut jaa ke aaye na aaye
bhanwra beimaan
gaaye mohabbat ke gaane
bade mastaane suhaane lubhaane
kali phooli na samaaye
boli lipat ras lei ja
chipat ras lai ja
mere baag mein koi shikwe na gaaye
bhawra beimaan


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3687 Post No. : 14594

“Raaj Raani”(1950) was directed by Satish Nigam for Jagat Pictures, Bombay. The movie had Meena Shorey, Rehman, Sohan, Usha Kiran, Cuckkoo, Vyas, Mehta, Shashikala etc in it.

This by now forgotten “social” movie had seven rare songs in it that included six female solos-two each by Shamshad Begam, Surinder Kaur and Lata, whereas there was one duet sung by Shamshad Begam and Rafi.

One song from “Raaj Raani”(1950) has been covered in the blog. Here is another song from the movie. This song (like the earlier one) is sung by Surinder Kaur. D N Madhok is the lyricist. Music is composed by Hansraj Bahl.

Only the audio of this “broken heart” song is available. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song so that we can know who played this dukhiyaari naari in the movie. 🙂


Dharti hamaari pe tu nit nit jhaanke chanda(Raaj Raani)(1950) Singer-Surinder Kaur, Lyrics-D N Madhok, MD-Hansraj Bahl

Lyrics

dharti hamaari pe tu nit nit jhaanke chanda
paapi ki nagri basa(?)
jo sukh leke hamen dukh deke gaya aa aa

jisko dil de kar hamne jaan ko hai rog lagaaya
pyaar ke badle mein jisne hamko hai bada sataaya
parmeshwar mere
usey bhi rula
jo sukh le ke hamen dukh deke gaya aa aa
dharti hamaari pe tu nit nit jhaanke chanda
paapi ki nagri basa(?)
jo sukh leke hamen dukh deke gaya aa aa

dil ke armaan mere
ro ro ke so gaye
palkon mein tadap tadap kar aansu chup ho gaye
aaye na aaye ab saanwariya
jo sukh le ke hamen dukh deke gaya aa aa
dharti hamaari pe tu nit nit jhaanke chanda
paapi ki nagri bata
jo sukh le ke hamen dukh deke gaya aa aa aa


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3601 Post No. : 14371

“Milan” (1958) was directed by Kedar Kapoor for N C Films, Bombay. The movie had Ait, Nalini Jaywant, Nishi, Daisy Irani, Maruti, Narbada Shanker, Jagdish Kanwal, Helen, Tiwari etc in it.

The movie had eight songs in it. Four songs from the movie have been covered in the past.

Here is the fifth song from “Milan” (1958) to appear in the blog. This song is sung by Rafi and Geeta Dutt. Prem Dhawan is the lyricist. Music is composed by Hansraj Bahl.

I request our knowledgeable readers to throw light on the picturisation of the song. The song is a chhed-chhad song between spouses.


Song-Maine kaha ji ye mausam hai suhaana (Milan)(1958) Singers-Rafi, Geeta Dutt, Lyrics-Prem Dhawan, MD-Hansraj Bahl
Both

Lyrics

o maina kaha ji
ye mausam hai suhaana
achcha nahin yoon kisi se roothh jaana
o maine kaha ji
ye mausam hai suhaana
achcha nahin yoon kisi se roothh jaana
ada hai haseenon ki yoonhi tadpaana
maine kaha ji o
maine kaha ji
na karo yoon bahaana
seedhha nahin hai roothhon ko manaana
o maine kaha ji

o
bada dard hai sar mein
zara sar ko daba do
beemaar ko apne aanchal ki hawa do
ho ye dard hai dil ka
baaten na banaao
aji taan ke chaadar chup se so jaao
aji mardon ke dil ko ye rog hai puraana
mardon ke dil ko ye rog hai puraana
maine kaha ji

ye mausam hai suhaana
achcha nahin yoon kisi se roothh jaana
o maine kaha ji

o aaya jo gussa
o nakhre waali
haaye aur bhi aa gayi gaalon pe laali
na chhedo ji hamko chhodo bhi kalaayi
jaag uthhegi ye duniya jab doongi duhaai

tu biwi hai meri ye jaane sab zamaana
biwi hai meri ye jaane sab zamaana
o biwi ji
na karo yoon bahaana
seeda nahin hai roothhon ko manaana o miyaan ji

o hai ghar mein ladaai aur baahar sardi
mar jaaunga dar pe tere o bedardi
na na
maren apne dushman
aisa mat bolo
takraar se meri
na pyaar ko tolo
gussa ye laali hai pyaar ka bahaana
gussa ye laali hai pyaar ka bahaana
maine kaha ji
ye mausam hai suhaana
achcha nahin jee kisi se roothh jaana

maine kaha jee
arre maine kaha jee
o maine kaha jee
maine kah jee jee jee
mausam hai suhaana


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3575 Post No. : 14321

“Chunariya” (1948) was produced by Kuldeep Sahgal and directed by Ravindra Dave for Kuldeep Pictures Ltd, Bombay. The movie had Wasti, Manorama, Pran, Randhir, Cuckoo, Narbada Shanker etc in it.

The movie had ten songs in it. Seven of these songs have been covered in the past.

Here is the eighth song from “Chunariya” (1948) to appear in the blog. The song is sung by Geeta Dutt. Mulkraj Bhakri is the lyricist. Music is composed by Hansraj Bahl.

Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song.

This song is the 2900th song from the decade of 1940s to appear in the blog. An “artificial” yet significant century in the blog. 🙂


Singer-Tere milne ko jee dhadke (Chunariya)(1948) Singer-Geeta Dutt, Lyrics-Mulkraj Bhakri, MD-Hansraj Bahl

Lyrics

tere milne ko ji dhadke
haaye
tere milne ko ji dhadke
kahaan gaye patthar ka dil karke
kahaan gaye patthar ka dil karke
tere milne ko ji dhadke
kahaan gaye patthar ka dil karke
kahaan gaye patthar ka dil karke

din tadap tadap kar beete
main mar gayi jeete jeete
din tadap tadap kar beete
main mar gayi jeete jeete
haaye main mar gayi jeete jeete
kabhi chale aao mere paas
sajan milne ka bahaana karke
sajan milne ka bahaana karke

sab jhooth thhe tere waade
ik baar tu aake kah de
sab jhooth thhe tere wade
ik baar tu aake kah de
haaye ik baar tu aake kahde
kyun haath pakad ke chhod diya
mera dil deewaana karke
haaye mera dil deewaana kar ke

sun o saajan bedardi
kyun jaan dukhon se bhar di
sun o saajan bedardi
kyun jaan dukho se bhar di
haaye kyun jaan dukhon se bhar di
tune to basa li duniya
mera andher zamaana kar ke
mera andher zamana kar ke
tere milne ko jee dhadke
haaye tere milne ko ji dhadke
kahaan gaye patthar ka dil kar ke
kahaan gaye patthar ka dil kar ke


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3571 Post No. : 14310

“Pardesi Mehmaan”(1948) was directed by Aspi for Ranjit Movietone, Bombay. The move had Kamal Kapoor, Husn Banu, Rajrani, Ghulam Mohammed, Sheikh Hasan, Abdul Rehman, Afghan Sandow, Azim, Bipin Gupta, Kaizer etc in it.

The movie had 11 songs in it. Four of these songs have been covered in the past.

Here is the fifth song from “Pardesi Mehmaan”(1948) to appear in the blog. The song is sung by Husn Bano. Pt Indra is the lyricist. Music is composed by Hansraj Bahl.

Only the audio of this rare song is available. Seeing that Husn Bano’s name is there in the cast, it can be safely assumed that the song is picturised on herself. From the lyrics, this song is obviously the dukhda of a dukhiyaari who is expected to lead her life while suffering in silence. 🙂


Song-Pee aansoo pee aansoo pee aahen bhar bhar jee(Pardesi Mehmaan)(1948) Singer-Husn Bano, Lyrics-Pt Indra, MD-Hansraj Bahl

Lyrics

pee aansoo pee aansoo pee
pee aansoo pee aansoo pee
aahen bhar bhar jee
aahen bhar bhar jee
pee aansoo pee aansoo pee
aahen bhar bhar jee
aahen bhar bhar jee

sab kuchh sahna kuchh na kahna
sab kuchh sahna kuchh na kahna
dheeraj dharna chup ho rahna
dheeraj dharna chup ho rahna
preet ki reet yahi
preet ki reet yahi
aahen bhar bhar jee
aahen bhar bhar jee

maut se ladna aahon se jalna
aahon se jalna
maut se ladna aahon se jalna
aahon se jalna
banke bigadna
ji se gujrna
banke bigdna
ji se gujrna
preet mein peer bhari
preet mein peer bhari
aahen bhar bhar jee
aahen bhar bhar jee

hogi sunaani prem kahaani
prem kahaani
hogi sunaani prem kahaani
prem kahaani
jalti nishaani
aankhon ka paani
jalti nishaani
aankhon ka paani
paani mein aag bhari
paani mein aag bhari
aahen bhar bhar jee
aahen bhar bhar jee
pee aansoo pee aansoo pee
pee aansoo pee aansoo pee
aahen bhar bhar jee
aahen bhar bhar jee


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3536 Post No. : 14202

“Inquilaab”(1956) was produced by Kailash Kapoor and J P Sahgal and directed by Kedar Kapoor for W S Films, Bombay. This movie had Ranjan, Shyama, Kuldeep Kaur, Tiwari, Ramesh Sinha, S K Prem, Indu Paul, Praveen, Khairati, Pt Iqbal, Pal Sharma, Khursheed, Bihari, Bakshi, Sando, Bachcha, Sundar etc in it with guest appearances by Helen, Sapru, Bhagwan and Johny Walker.

“Inquilaab”(1956) had eight songs in it. Seven songs from the movie have been covered in the past. Here are the details of the songs of “Inquilaab”(1956) already showcased in the blog:-

Song Title

Post No.

Post Date

Tauba tauba tauba dar lage huzoor se 3785 14-Apr-11
Tere jahaan se ham chale 3791 15-Apr-11
Ae baad e sabaa paighaam mera 4986 11-Nov-11
Rangeele rangeele meri nazron ke do jaam pee le 5118 8-Dec-11
Dil dil na lage hai dildaar binaa 5124 10-Dec-11
Dilbar se pyaar chhupaane mein bada maza hai 14188 21-Mar-18
Kitna achcha hota maalik agar main ladki hota 14196 23-Mar-18

Here is the eighth and final song from “Inquilaab”(1956) to appear in the blog. The song is sung by Rafi, Balbir and chorus. Raja Mehdi Ali Khan is the lyricist. Music is composed by Hansraj Bahl.

The song is picturised as a lighthearted qawwaali lip synced by lots of people including Johny Walker, Sundar etc. Their qawwali is being watched by many people including Shyama and her friend (whom I am unable to identify). There is no clear cut demarcation about who sings in whose voice. we find Johny Walker lipsyncing in Rafi’s voice and also Balbir’s voice. Same is the case with Sundar and a few others.

The qawwaali half jokingly mentions lovers missing their beloved at “raat ke paune teen baje”(at 2:45 AM after midnight) 🙂

I thought of posting this writeup at “raat ke paune teen baje” but then thought better of that. Most of us HFM lovers do not miss out beloved at “raat ke paune teen baje”, I am sure. 🙂

I request our knowledgeable readers to help identify the actors visible in the picturisation of this song.

With this light hearted qawwaali song, “Inquilaab”(1956) joins the list of movies that have all their songs covered in the blog.


Song-Teri yaad mein ashq bahaate hain (Inquilaab)(1956) Singers-Rafi, Balbir, Lyrics-Raja Mehdi Ali Khan, MD-Hansraj Bahl
Rafi + Balbir
Chorus

Lyrics

aa aa aa
mere kooche mein jaalim
apni galiyaan chhod ke aaja
aa aa aa
tujhe roka hai kisne ae ae
dil ka taala tod ke aaja

aa aa aa aa aa aa
teri
waah bhai waah
o teri yaad me ashq bahaate hain
teri yaad mein ashq bahaate hain
hum raat ke paune teen baje
hum raat ke paune teen baje
hum raat ke paune teen baje

aa aa aa aa aa aa
deewaaron se ser takaraate hain

aa aa aa aa
deewaaron se ser takaraate hain
deewaaron se sar takaraate hain
hum raat ke paune
teen baje
hum raat ke paune teen baje
hum raat ke paune teen baje

aa aa aa aa aa
aa aa aa aa
rah rah ke hume yaad aata hai

kya
haaye jalwa us harjaayi ka
aa aa aa aa
kabhi uthata hai

o ho ho ho
ek kabhi baithata hai
aah
is dil mein dard judaai ka
haan haan

aa aa aa
geedad ki tarah chillaate hain
aa aa aa
geedad ki tarah chillaate hain

geeidad ki tarah chillaate hain
hum raat ke paune
teen teen teen teen baje
hum raat ke paune teen baje
hum raat ke paune teen baje

aa aa aa aa aa
aa aa aa aa aa
armaan humaare raaton ko
murgon ki tarah se ladte hain
murgon ki tarah se ladte hain
murgon ki tarah se ladte hain

ye aankhen pathhraa jaati hain
jab ishq ke daure padte hain
jab ishq ke daure padte hain
jab ishq ke daure padte hain

oho amma amma
aho beta
amma amma chillaate hain
amma amma chillaate hain
amma amma chillaate hain
hum raat ke paune teen teen teen teen teen baje
hum raat ke paune teen baje
hum raat ke paune teen baje

aa aa aa aa aa aa
jab pyar bhari donon aankhen
tere khwaabon mein kho jaati hai
tere khwaabon mein kho jaati hai
tere khwaabon mein kho jaati hai
haay
tere khwaabon mein kho jaati hai
tere baap ki wo lambi moonchhen
rah rah ke humen yaad aati hai
rah rah ke humen yaad aati hai
ye badi badi moonchhen
rah rah ke hume yaad aati hai

khatiya ke tale haaye haaye
khatiya ke tale chhup
aa aa aa
khatiya ke tale chhup jaate hain

khatiya ke tale chhup jaate hain
hum raat ke teen teen teen teen baje baje baje baje
hum raat ke paune teen baje
hum raat ke paune teen baje

aa aa aa aa aa
hum raat ke paune teen baje
hum raat ke paune teen baje

aa aa aa aa aa aa
haaye hum raat ke paune teen baje
hum raat ke paune teen baje

oy oy oy oy oy
hoye hum raat ke paune teen baje
hum raat ke paune teen baje

aa aa aa aa aa
hum raat ke paune teen baje
teen baje teen baje teen baje
teen baje teen baje teen baje


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(© 2008 - 2019) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TEN years. This blog has over 14900 song posts by now.

This blog is active and online for over 3900 days since its beginning on 19 july 2008.

Total number of songs posts discussed

14994

Number of movies covered in the blog

Movies with all their songs covered =1167
Total Number of movies covered =4103

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Blog Start date: 19 july 2008

Active for more than 4000 days.

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