Posts Tagged ‘1979’
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5750 | Post No. : | 18274 | Movie Count : |
4948 |
‘Maan Apmaan’ (1979) was produced and directed by N V Deshpande. The cast included Sanjeev Kumar, Kanan Kaushal, Sushma Shiromani, Usha Solanki, Gajanan Jagirdar, Dhumal. Mohan Choti, Ratnamala, Asit Sen, Jayshree T, Shammi, Vishwa Mehra, Neelam etc. As per IMDb, the film was in the making since 1968 with Sanjeev Kumar and Kanan Kaushal (who, at that time, were yet to established as successful actors). The film got delayed and at one time it was almost shelved. It was only when Sanjeev Kumar became a star and Kanan Kaushal came into limelight with her box office hit film, ‘Jai Santoshi Mata’ (1975), the film was revived, reshot and released in August 1979. The film was dubbed in Gujarati also.
The film’s lead actress, Kanan Kaushal (real name: Indumati Sheth) was born on March 21, 1939, in Baroda (now Vadodara). She belongs to Konkani speaking Gomantak Maratha Samaj, mainly concentrated in around Goa. Her interest in acting began during the school days but got a fillip during her college days when she started participating in plays during college’s cultural festivals. After completing MA in Economics and History, Indumati got involved in Marathi, Gujarati and Hindi theatres. In 1964, she got married to Shashikant Paigankar and became known as Indumati Paigankar. So, she started her filmy career after her marriage.
Indumati Paigankar came into limelight when she worked in a Hindi play, ‘Do Jahaan Ke Beech’ with Haribhai Jariwala (Sanjeev Kumar) and Leela Chitnis. Her acting in this play got attention from Hindi filmmakers. In 1964-65, she got roles in ‘Prahar’, ‘Asha Ke Deep’ and ‘Aakhri Din Pehli Raat’. Unfortunately, her first three Hindi films remained incomplete/shelved. During the making of ‘Aakhri Din Pehli Raat’ (shelved), the director, Kamal Amrohi suggested to change her name from Indumati Paigankar to Kanan Kaushal which she accepted. He also suggested the film’s hero, Haribhai Jariwala to change his name. So, he adopted his name to Sanjeev Kumar. Despite the film being shelve, both of them retained their new screen names for all their subsequent Hindi films. (Note: Kanan Kaushal’s profile of her early years is based on a Marathi write-up which appeared on maharashtranayak.in)
Kanan Kaushal’s first released Hindi film was ‘Sati Sulochana’ (1969) in which she was in a subsidiary role with Anita Guha and Premnath. Her first film in a lead role was ‘Maan Apmaan’ (1979) with Sanjeev Kumar, which started sometime in 1968. However, it got delayed for a long time. In ‘Pardesi’ (1970), Kanan Kaushal got a major role along with Mumtaz.
Kanan Kaushal had already worked in about a dozen Hindi films, mostly in supporting roles, but she had not established herself in terms of the the box office success. Then came the film ‘Jai Santoshi Mata’ (1975) in which Kanan Kaushal got a major role along with Anita Guha. This low budget film created an history in 1975 by becoming the second highest grossing film next to ‘Sholay’ (1975). As happens in Hindi films most of the time, Kanan Kaushal also got typed cast for mythological films. She did over a dozen films in this genre over the next 5 years in succession.
It is said that Kanan Kaushal after her successful role in ‘Jai Santoshi Mata’ (1975), got an image of a religious and a pious woman which she wanted to retain it. That made her to reject bold roles in Hindi films. Later on, when she shifted to doing character roles in the 1980s onwards, she was almost type-cast as a suffering wife/mother, more like Nirupa Roy type of roles. ‘Sanam Aap Ke Kaatir’ (1992) was her last Hindi film.
‘Ekati’ (1968) was Kanan Kaushal’s first Marathi film in which she paired with Kashinath Ghanekar. She worked in around 30 Marathi films under her original name, Indumati Paigankar. She also worked in about 16 Gujarati films and 4 Bhojpuri films in addition to about 40 Hindi films.
Kanan Kaushal retired from the films sometime in 1990s. Post retirement from films, she pursued her hobby as a Beautician. She has written and published two books in Marathi – ‘Roopsadhana’ (1994) and ‘Vadhucha Saajshrungar’. Her husband, Shashikant Paigankar passed away in 2001. They have one son and a daughter. The son, Parag Paigankar is an Executive Director in one of the well-known financial services companies in Mumbai. Her daughter is Meelan Samant.
The story of ‘Maan Apmaan’ (1979) is as under:
Thakur (Gajanan Jagirdar), a wealthy landlord, stays with his family consisting of his wife, Laxmi (Ratnamala), his two grown-up daughters – Parvati (Kanan Kaushal), Kamini (Neelam) and a son, Pratap (Mohan Chandola). Shankar (Sanjeev Kumar) is an orphan who has been brought up since his childhood by Thakur and also stays in the house. Thakur’s eldest daughter, Savitri (Usha Solanki) has already got married. Despite belonging to a wealthy family, Parvati is a simple, cultured and self-respected girl. Shankar is a simple man, and he is close to Parvati among other members of the family.
One day, Pratap sees both Shankar and Parvati outside a temple talking in an intimate manner and reports this to his mother, Laxmi. Paravati overhears their conversations and feels bad about Shankar getting a bad name for his closeness to her. She tells her mother that she would marry Shankar to remove any impression about him being in a scandalous relationship. Shankar is hesitant to marry her but Parvati persuades him for the marriage.
Thakur is dead against the marriage as it is not palatable to him as to how his daughter could marry a orphan who has no house to stay and no money to sustain. However, Parvati’s threat to commit suicide if her marriage with Shankar is denied, forces Thakur to agree for the marriage for which he offers financial assistance as well as allowing them to stay in the house. Both of them refuse the offer. After marriage, Shankar and Parvati leave the house to stay with Shankar’s friend, Ramdas (Asit Sen). However, due to unpleasant behaviour of Ramdas’s wife (Shammi), Shankar and Parvati leave the house and shift to his grandparent’s abandoned cottage in a different village. Shankar repairs the house and settles in the village.
Parvati gives birth to a baby boy. Thakur and his wife visit to see the child. However, after seeing them living in an abject poverty, they return home after Thakur insults them. After a few years, Shankar and Parvati receive an invitation to attend the marriage of her younger sister, Kamini. While Parvati’s mother is happy to see them after a long time, other members of the family give them a cold response. On the contrary, Savitri accuses Parvati of stealing her jewellery. A humiliated Shankar and Parvati return home with a vow never to visit them.
Years pass. Shankar and Paro receive an invitation to attend the marriage of her younger brother, Pratap. After humiliation during the marriage of her younger sister, Parvati and Shankar decide not to attend the marriage. Instead, she writes a letter to Pratap sending her best wishes for the marriage. However, her mother’s health deteriorates after the marriage as it was a shock for her that her daughter, Parvati could not attend the marriage. After few days, she passes away. After completion of the religious ceremonies, Thakur and his family members realise their mistakes of ill treatment to Shankar and Parvati. They all visit Shankar and Parvati’s house and reconcile with them.
The film had 3 songs written by Bharat Vyas which were set to music by Laxmikant-Pyarelal. I am presenting the first song, ‘ye geet kaun mere madhuban mein gaa rahaa’ to appear on the Blog. The song is rendered by Mohammed Rafi and Anuradha Paudwal. The song is picturised on Sanjeev Kumar and Kanan Kaushal reflecting their happiness over the news of becoming expectatant parents.
Video Clip:
Audio Clip:
Song-Ye geet kaun mere man madhuban mein gaa rahaa (Maan Apmaan)(1979) Singers-Anuradha Paudwal, Rafi, Lyrics-Bharat Vyas, MD-Laxmikant Pyarelal
Both
Lyrics
hmm hmm
hmm hmm hmm
hmm hmm hmm hmm hmm
hmm
aa aa aa aaa
aa aa aa aaa
aa aaaaa
ye geet kaun
mere mann madhuban mein gaa rahaa
ye geet kaun
mere mann madhuban mein gaa rahaa
mere soye praanon ko
meethhe meethhe sur se jagaa rahaa
ye geet kaun
mere mann madhuban mein gaa rahaa
ye geet kaun
mere soye praanon ko
meethhe meethhe sur se jagaa rahaa
ye geet kaun
raat ki belaa
main thhaa akelaa
chupke se ye kaun aayaa
raat ki belaa
main thhaa akelaa
chupke se ye kaun aayaa
door kabhi kyaa rah sakti hai
kaaya se apni chhaayaa
palkon mein jo basti hai
koi useykyun bulaa rahaa
ye geet kaun
mere mann madhuban mein gaa rahaa
ye geet kaun
bheegaa hai mausam
milte hain hum tum
bheegi hawaayen gaatee hain
bheegaa hai mausam
milte hain hum tum
bheegi hawaayen gaatee hain
pedon se lipti
komal lataayen
dekh hamen sharamaati hain
jaane ye kaisi khusbhoo udi
jo dil pe nashaa saa chhaa rahaa
ye geet kaun
mere mann madhuban mein gaa rahaa
ye geet kaun
deep mein jyoti
seep mein moti
teraa meraa mel yahi
deep mein jyoti
seep mein moti
teraa meraa mel yahi
saagar mein saritaa
lahron mein kavitaa
pyaar kaa paawan khel yahi
bhar ke apni baahon mein
mujhe koi jhoolaa jhulaa rahaa
ye geet kaun
mere mann madhuban mein gaa rahaa
mere soye praanon ko
meethhe meethhe sur se jagaa rahaa
ye geet kaun
ye geet kaun
hmm hmm
hmm hmm hmm
hmm hmm
hmm hmm hmm
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5748 | Post No. : | 18271 |
“Jeena Yahaan” (1979) was produced by N P Ali and directed by Basu Chatterjee for Jamu Productions. The movie had Shekhar Kapoor, Shabana Azmi, Amol Palekar, Zarina Wahab, Dina Pathak, Kiran Vairale, Vidya Sinha, Devendra Khandelwal, Arvind Deshpande etc. in it. This movie, a low budget “art” movie was based on a short story written by a well-known Hindi writer, Mannu Bhandari.
Sadanand Kamath jee had given the story of this movie while covering the previous song from the movie. Here is the story :
Shekhar (Shekhar Kapoor) and Lekha (Shabana Azmi) are from small towns who had made Mumbai their work place. Both are in love with each other and wants to get married. But their families are against this marriage because both belong to different castes. One day, both of them get married under Special Marriage Act, without the knowledge of their respective parents and start living in a small rented tenement. In the evening they spend time with their theatre friends with Sushma (Zarina Wahab) and Dinesh (Amol Palekar) being part of their friend circle, among others.
Sushma and Dinesh love each other but Sushma’s father is against this marriage. The real cause for the opposition to the marriage is that Sushma is the only bread-winner for the family, her father being unemployed for months. Both of them are encouraged by Shekhar and Lekha to get registered marriage which they follow and a date is decided for the registered marriage. In the group, there is Sipra (Vidya Sinha) who has lost her husband at a very young age with a small kid to look after. Lekha encourages her to start a play school for the small children and arranges the students and a place to start the play school. She is helped by her theater friends. (I think, the characters of Sushma, Dinesh and Sipra have been introduced just to jextapose the problems which have been faced by Shekhar and Lekha).
In all these efforts and also due to change of climate from town to Mumbai, Lekha is not keeping good health. Shekhar advises her to visit his parent’s house in a small town for few days for a change which she reluctantly agrees. Earlier, she had visited the place with Shekhar after the marriage for a very short stay. This time, Lekha stays for a longer period and during the initial period, she is quite happy with open sky, greenery all around and more importantly, the easy life away from the hustle bustle of Mumbai.
Within a few days of her stay, Lekha realises that all is not well in the house. The house has been divided into two parts with one part being occupied by Shekhar’s uncle and his family. Shekhar’s house is run by his mother (Dina Pathak) and Lekha’s mother-in-law (here after I will call her as ‘matriarch’) who is the final decision-maker in the house. Her father-in-law (Arvind Deshpande) has no say in the running of the house.
Shekhar’s younger brother, Shanker who is studying for BA wants to change his spectacles as his number has changed and he is getting head-ache. But his mother is not prepared to spend money for a new spectacles. On the other hand, she is prepared to spend money for some rituals to be conducted by a swami. Lekha tries to convince the matriarch by saying that Shankar’s study will be affected but it is of no use as she thinks that Shanker wanted to change the spectacle for more fashionable frame. (This shows the misplaced priorities for spending money in a rural/semi-urban setting).
In the house, the elder daughter-in-law who has become widow is looked down by the mother-in-law. Her younger brother, Diwakar (Devendra Khandelwal) occasionally visit her widow sister in the pretext of enquiring her well-being. But the real reason for this visit is to meet Gauri (Kiran Vairale), the younger sister of Shekhar. Both like each other but the matriarch is against Gauri meeting him since he happens to be the brother of her elder daughter-in-law whom she hates. With all these problems, Lekha feels suffocated even under the vast open place and a leisure life. She thinks of returning to Mumbai.
The matriarch finally decides to get Gauri married to a widower who is almost double the age of Gauri. Lekha tries to convince the matriarch that Gauri should get married to Diwakar who not only loves Gauri, but is also educated. Again, the matriarch has her own way and fix the date for Gauri’s marriage with a widower. Lekha is frustrated. She has to stop this marriage. Since Lekha has already decided to return to Mumbai, she tells both Gauri and Diwakar to run away from the town and board the same train in which she is returning to Mumbai. While Gauri agrees, Diwakar develops cold feet and politely refuse to become the part of the escape to Mumbai with Gauri. Lekha has no option but to take Gauri with her to Mumbai to stop her forcible marriage to a aged widower. In this plan, she takes into confidence, the matriarch’s sister-in-law and her elder daughter-in-law.
In Mumbai, Sushma and Dinesh have got married and are staying in Shekhar’s house while Lekha was out of Mumbai. They are happy as their parent have reconciled to the marriage. Shekhar and Lekha offer Dinesh and Sushma to continue to stay in their house until they find a house for themselves. She consoles Gauri that they will look for a suitable bridegroom for her in Mumbai. The film ends with Lekha’s dialogues as under:
‘Hum log yahin achche hain.
Ye muthi bhar aasmaan, ye chhoti si jagah
Lekin yahaan din mein hosla to hai’[We are happy here (in Mumbai).
A fistful of sky, a small room.
But here there is an encouragement to survive].
“Jeena Yahaan”(1979) had three songs in it. Two songs have been covered so far.
Here are the details of the songs covered so far:-
| SNo in Blog | Song Title | Singer/s | Lyrics | Posted On | Remarks |
|---|---|---|---|---|---|
| 12917 | Ham nahin dukh se ghabraayenge | Lata Mangeshkar, Yesudas | Yogesh | 12 February 2017 | Lyrics by Prakashchandra. Picturised on Zarina Wahab and Amol Palekar |
| 16072 | Ho o shaam aayi rangon mein rangi huyi | Lata Mangeshkar | Yogesh | 29 November 2020 | Post by Sadanand Kamath. Picturised on Kiran Vairaale |
Here is the third and final song from “Jeena Yahaan”(1979). This song is sung by Sabita Chaudhary, wife of music director. Yogesh is the lyricist. Music is composed by Salil Chaudhary.
The song is a background song. It is picturised in the movie twice. The first (longer) part shows Shabana Azmi travelling by train her her sasuraal while this song gets pkayed in the background. After getting down at the small roadside station, she comes out of station and finds one tonga that takes her to the destination village.
Part II of the song takes place in the village. This background song gets played while Shabana Azmi is savouring village life. Kiran Vairale (her sister in law) is also visible in the picturisation.
This is a movie that Sadanand Kamath jee enjoyed watching. I too would have enjoyed watching it when it was first released. But I think the movie story has got dated by now and there may not be too many takers for movies with such story line.
Prakashchandra is another regular who enjoyed watching this movie. He had sent the lyrics of all the songs of thgis movie. It was he who had pointed out that the picturised version of the song was longer than the audio version and it was picturised twice in the movie. The video link sent by him had become dead, but I managed to find video of this movie from where I obtained the video of this song.
This song, like the first song from the movie uses the word “Jeena Yahaan” in the lyrics. So this song , like the first song can be considered title song cum theme song of the movie.
With this song, all the three songs of “Jeena Yahaan”(1979) have been covered in the blog. The movie thus joins the list of movies that have been YIPPEED in the blog.
Audio (part I)(partial)
Video part one
Video part two
Song-Yahi to hai mere khwaabon ka jahaan (Jeena Yahaan)(1979) Singer- Sabita Chaudhary, Lyrics-Yogesh, MD-Salil Chaudhary
Lyrics(Provided by Prakashchandra)
——————-
Part I
——————-
yahi to hai mere khwaabon ka jahaan
yahi to hai mere khwaabon ka jahaan
ye saji dharti
ye khula khula aasmaan
saji dharti
ye khula khula aasmaan
kitna madhur lage jeena yahaan
yahi to hai mere khwaabon ka jahaan
tan mera chhoo gayi mehki hawa
man mera lehraa ke gaane laga
tan mera chhoo gayi mehki hawa
man mera lehraa ke gaane laga
bahak gaye mahak gaye mere armaan
bahak gaye mahak gaye mere armaan
yahi to hai mere khwaabon ka jahaan
kitna madhur lage jeena yahaan
ghane ghane pedon ke chhane yahaan dhoop
mausam kaa salona yahaan
lagtaa hai roop
ghane ghane pedon ke chhane yahaan dhoop
mausam kaa salona yahaan
lagtaa hai roop
pehle kahin dekhaa hi nahin
aankhon ne samaa
yehi toh hai mere khwaabon ka jahaan
kitnaa madhur lage jeenaa yahaan
mere liye raahon mein hain bikhre
khiley khiley phoolon ke ye gajre
mere liye raahon mein hain bikhre
khiley khiley phoolon ke ye gajre
dil ye mera samajh gaya phoolon ki jubaan
dil ye mera samajh gaya phoolon ki jubaan
yahi to hai mere khwaabon ka jahaan
yahi to hai mere khwaabon ka jahaan
ye saji dharti
ye khula khula aasmaan
saji dharti
ye khula khula aasmaan
kitna madhur lage jeena yahaan
jeena yahaan
jeena yahaan
jeena yahaaan
————————-
Part II
————————-
tann meraa chhoo gayee mehki hawaa
tann meraa chhoo gayee mehki hawaa
mann meraa lehraake gaane lagaa
behak gaye mehak gaye
mere armaan
behak gaye mehak gaye
mere armaan
yehi toh hai mere khwaabon kaa jahaan
yehi toh hai mere khwaabon kaa jahaan
ye sajee dharati
ye khulaa khulaa aasmaan
sajee dhararti
ye khulaa khulaa aasmaan
kitnaa madhur lage jeenaa yahaan
jeenaa yahaan
jeenaa yahaan
jeenaa yahaan
jeenaa yahaan
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5746 | Post No. : | 18269 | Movie Count : |
4947 |
Dua’a (A prayer)
——————————–
O Allah, we seek refuge in Allah from a knowledge that does not benefit
And from a heart that is not humble
And a soul that is satisfied
And from a dua’ that is not heard
O The Most Generous.
O Allah we ask you for beneficial knowledge
And good provision and deeds that are accepted
O The Most Merciful.
O Allah, make the best of our lives towards the end of it,
And the best deeds of our deeds the last ones,
And the best of our days the day we meet You,
While You are satisfied with us
O Lord of the worlds
O Allah we ask you for a pure life
And a good end,
And a return that is neither shameful nor disgraceful
O The Most Generous
Our Lord do not impose blame upon us if we have forgotten or erred,
Our Lord, and lay not upon us a burden like that which You laid upon those before us,
Our Lord and do not burden us with which we have no ability to bear,
And Pardon us
And pardon us
And forgive us and have mercy upon us,
You are our Protector
So give us victory over the disbelieving people
Our Lord, indeed we have believed
So forgive our sins
So forgive our sins, and protect us from the punishment of the fire,
O Lord of the worlds
O Allah make us of the patient ones
O Allah make us of the truthful ones
O Allah make us of the obedient ones
O Allah make us of those who spend(for the sake of Allah)
O Allah make us of those who seek forgiveness
Forgive all of our sins
Forgive all of our sins
The small and the big
The first and the last ones
Secret ones and the ones done publicly
Forgive what we have put forth and what we have sent behind
What we did in secret and what we did in public
And what You know better than us
You are the Expediter and the Delayer
There is no God but You
Our Lord, we ask you for faith that does not turn back
And a blessing that never ends
And a blessing that never ends
And a blessing that never ends
And the company of our beloved Muhammad(pbuh)
In the Highest Paradise
In the Highest Paradise
In the Highest Paradise
O the Lord of the worlds
Our Lord,
And our Creator
And our Provider
Indeed every night You free people from the hell fire
O Allah free our necks from the fire
O Allah free our necks from the fire
O Allah free our necks from the fire
And necks of our fathers and mothers from the fire
And necks of our fathers and mothers from the fire
And our wives and our offsprings from the fire
And our wives and our offsprings from the fire
And our brothers and sisters from the fire
And our brothers and sisters from the fire
O Lord of the worlds
O the Most Compassionate, the Most Merciful,
O the Most Generous, The Beneficent Bestower of bounties
O The Most Kind, The Most Loving,
O The Most Compassionate, Merciful of the world
O You, whose mercy encompasses everything,
O Allah free our necks from the fire
O Allah free our necks from the fire
And necks of our fathers and mothers from the fire
And our wives and our offsprings from the fire
And our brothers and sisters from the fire
And all our Muslim men and Muslim women
And the believing men and believing women
(free them) By Your Mercy,
O The Most Merciful
Our Lord
Our Lord
And our creator
Your sevants besides us are many!
And we have no Lord but You to Whom we can invoke
And we stand between Your hands
O Allah, cleanse our hearts from hypocrisy
O Allah, cleanse our hearts from hatred
O Allah, cleanse our hearts from envy
O Allah, cleanse our hearts from pride
O Allah, do not leave us to ourselves even for the blink of an eye
Or even less than that
O the Alive, O the Everlasting
O the Alive, O the Everlasting
By your mercy, we seek help
Set right for us all our affairs
And do not abandon us to ourselves for the blinking of an eye(ie a moment)
****************************************
The Holy month of Ramadhan, Hijri 1445 began on 11th March, 2024, and now it has ended in other parts of the world. In India, we all shall celebrate Eid on 11th April.
“The month of Ramadan in which was revealed the Quran,
a guidance for mankind and clear proofs for the guidance and the criterion (between right and wrong).
So whoever of you sights (the crescent on the first night of) the month (of Ramadan i.e. is present at his home),
he must observe Saum (fasts) that month,
and whoever is ill or on a journey,
the same number [of days which one did not observe Saum (fasts) must be made up] from other days.
Allah intends for you ease,
and He does not want to make things difficult for you.
(He wants that you) must complete the same number (of days), and that you must magnify Allah [i.e. to say Takbir (Allahu-Akbar; Allah is the Most Great) on seeing the crescent of the months of Ramadan and Shawwal] for having guided you so that you may be grateful to Him.”
There was a flood of messages on whatsapp groups and direct messages and also on status updates. I am really feeling as an overdose of the only social media I am using. But as usual there, is a beneficial aspect also of this medium, as it keeps me connected to the outside world. And if I say this is the only social media I am using, I am deceiving myself. As a consumer of internet on some levels I am exposing myself as a speck of data, which is the fodder for the holy cow that is whattsapp.
So be it, if I am fodder for any user of my history and consumption of the internet. We all are fodder for each other, feeding on each other and growing and diminishing, as we go about our daily lives. Inter-dependent and inter-connected, we tend to use people and things and be used by them. Because as a mere mortal we are a needy creation, which needs substance. Beyond the substance and survival, humans have expanded the need to the level of greed. So, there is no end to human needs and necessities. This greed has made us into a race of consumerist society and there is no end to our greed.
“The likeness of those who were entrusted with the (obligation of the) Taurat (Torah) (i.e. to obey its commandments and to practise its legal laws), but who subsequently failed in those (obligations), is as the likeness of a donkey who carries huge burdens of books (but understands nothing from them). How bad is the example (or the likeness) of people who deny the Ayat (proofs, evidence, verses, signs, revelations, etc.) of Allah. And Allah guides not the people who are Zalimun (polytheists, wrong-doers, disbelievers, etc.)”
This greed is a food for more greed and the utter desperation of the fear of food scarcity and survival, points to a lot of current affairs events, which have shaped our present psyche.
“(64:16) So fear Allāh as much as you are able and listen and obey and spend [in the way of Allāh]; it is better for yourselves. And whoever is protected from the stinginess of his soul – it is those who will be the successful.”
(Cause greediness is integral part of every human – and so he needs to be protected by external factor ie only by Allah. And He will protect if … first part of the ayah)
We can pretend to be immune to the upheavals, but we are connected to the world and effected by it, whether we like it or not. And things have a way of giving way, of changing and changing for the better.
The civilization was not built in one day. No, it takes time for things to shape up and settle and to again shape up and settle. Not all of us are blessed with the visionary power, but the vision is there, and the change is a rule of nature.
In any era, if something prevailed, by divine decree, it must have been what was destined. The past cannot be changed, but the past is what has shaped the civilization. That is the reason the powerful among the so-called elite are looking to create more and different civilization beyond the world, on moon and on mars. And may the creator grant them more power and wherewithal to do so.
May the Almighty Allah, bless the keen and honest among us, grant the justifiable desires of all of us.
I am glad to be presenting this devotional song, rendered by one and only Mohammed Rafi Sahab, a soul capable of filling the most bland of lyrics with conviction and sincerity.
Recently, I had the privilege of visiting the historic Shanmukhanand Hall, Sion, near Gandhi Market. My son’s convocation was held in this holy month at the venue. Just as we entered the inside lane, we saw the corner of the Hall, we saw the giant cut-out of Rafi Sahab put up on the compound wall. Inside the lobby, there are glassed enclosure/spaces highlighting the legacy of the divine voice commemorating the Centenary year. Blessed are we to be a very minute part of this great performer artist’s era.
Many singers/orators and performers came and went before and after him. But who can match -him? Almighty Allah SWT created only one Mohammad Rafi, with no “saani”. One just needs to listen to the voice and marvel at this super creation of the Almighty.
Eid mubaarak to all.
Song-Uthho ae mominon maah -e-ramzan aaya (Arab ka sona)(UR)(1979) Singer-Mohammed Rafi, Lyrics-Aish Kanwal, MD-Jitin Shyam
Lyrics
Ghaflat mein sone waalon o o
Rab ne tumhen pukaaraa
Uthh kar zaraa…aa to dekho
Qudrat ka yeh ae ae nazaaraa
Rehmat ka ujaala chhaayaa
Allah ne yeh farmaayaa
Uthho ae mominon oo
Maah-e-ramzaan aaya
Uttho ae mominon oo
Maah-e-ramzaan aaya
Khudaa mominon par
Fida ho raha hai
magar tu abhi
bekhabar so rahaa hai
ghadi ye muqaddas
tu kyun kho rahaa hai ae
ghadi ye muqaddas
tu kyun kho rahaa hai ae
hain saare namaazi jaage
rehmat bhi khadi hai aage
Uthho ae mominon o o
Maah-e-ramzaan aaya
Uthho ae mominon o o
Maah-e-ramzaan aaya
Ke hai farz rozaa
Yehaan har bashar par
Qayaamat ke din
Apne daaman mein bhar kar
Yahi nekiyaan sab ko
Jaana hai le kar
Yeh barkat ki raaten
Yeh din hai munawwar
Khuda aaj rehmat
Lutaata hai ghar ghar
Huaa band dekho
Gunaahon ka daftar
Bichhaa di farishton ne
Rehmat ki chaadar
Bichhaa di farishton ne
Rehmat ki chaadar
Quraan ke tees ye paare
Ramzan mein rab ne utaare
Uthho ae mominon oo
Maah-e-ramzaan aaya
Uthho ae mominon oo
Maah-e-ramzaan aaya
Gunaahon se tauba
Tu kar le khudaara
Woh Razzaq hai
Bekason ka sahaara
Nahin uss ki rehmat ka
Koyi kinaaraa aa
Nahin uss ki rehmat ka
Koyi kinaaraa aa
Imaan ko kar lo taaza
Rehmat ka khula darwaaza
Uthho ae mominon o
Maah-e-ramzaan aaya
Rehmat ka ujaala Chhaayaa
Allah ne yeh farmaayaa
Uthho ae mominon o
Maah-e-ramzaan aaya
Maah-e-ramzaan aaya
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5654 | Post No. : | 18153 | Movie Count : |
4873 |
#the Decade of Seventies – 1971 – 1980 #
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# Songs from Shelved/Unreleased Movies # (Majnoon)
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Today 10th January’2024 is the eighty-fourth birthday of Legendary Singer Yesudas. On this occasion we wish him a very happy birthday and healthy and peaceful life ahead. And as a part of today’s celebration of his songs we will be listening to a mesmerizing duet song sung by him with Lata Mangeshkar. This song is from an un-released movie “Majnoon”(1979?).
Music for this movie “Majnoon” was composed by legendary music director Khayyam Saab. As per information given in the book “Khayyam – The Man – His Music” by Vishwas Nerurkar and Bishwanath Chatterjee, this movie was produced by Chunibhai Kapadia i.e. father in law of actor Rajesh Khanna. It was under the banner of ‘Ashirwad Films, Bombay’. The director of this movie was Kamal Amrohi. However this movie was later shelved but not before two songs for this movie were already recorded. As per the very short information available about this movie there are only three names mentioned in the cast of this movie and they are Raj Kapoor, Rajesh Khanna and Rakhee. Two lyricist wrote the songs for this movie i.e. Kaifi Azmi and Janisar Akhtar.
Sources mentioned that this movie was launched with much fanfare and even a poster of this movie was also launched which have been uploaded by music lovers who have uploaded the audio of this song. A video of this song is also available but it seems to be an incomplete video where the audio quality is also not good. Some sources also mention Kamal Amrohi as the co-producer of this movie with Rajesh Khanna. There are many things said on the various links available on ‘YouTube’ whose authenticity cannot be verified. What we have with us is this lovely song with some ‘high quality poetry’ by Kaifi Azmi and this composition from the ‘world of Khayyam Saab’.
Let us listen to this song sung by Yesudas and Lata Mangeshkar. As mentioned above the lyrics are by Kaifi Azmi.
In the video of this song (link available) we can see Rajesh Khanna and Rakhee performing on this song.
Once again wishing ‘Yesudas – the special voice’ for me and my world of music and memories, a very happy birthday today!!! (I have earlier written about my memories and nostalgia of Yesudas songs in my post, which interested readers, can read here).
On our blog so far we have sixty-nine songs sung by Yesudas posted till before this post. So we still have a long way to explore and savor the songs sung by him and enjoy and get drowned in into the magic of this voice. In the recent months I have come across and listened many of his songs which I wish to bring here on the blog in future.
Till then, let us get introduced to this song here …
Video
Audio
Song-Ye haseen raat to mansoob tere naam se hai (Majnoon)(UR)(1979) Singers- Lata Mangeshkar, Yesudas , Lyrics-Kaifi Azmi, MD-Khayyam
Lyrics
Dheeme dheeme ye ujaale ae
Ye sitaaron ka samaa
Dil ko chhu jaaye
Dil ko chhu jaaye
Koyi khwaab suhaanaa jaise
Jam gayi hai
Teri khushboo
Teri paayal Ki sadaa
Thham gayaa hai
Thham gayaa hai
Tujhe takne ko
Zamaanaa jaise
Ye haseen raat to
Mansoob tere naam se hai
Ye haseen raat to
Mansoob tere naam se hai
Ye mere dil ki tadap
Ye mere dil ki tadap
Mera lahoo ka naghmaa
Teri saanson ke dhadakte huye
Paighaam se hai
Teri saanson ke dhadakte huye
Paighaam se hai
Ye haseen raat to
Mansoob tere naam se hai
Ye haseen raat
Ye haseen raat
Mujhko halfe mein
Liye leti hain Baahen teri ee
Mujhko halfe mein
Liye leti hain Baahen teri ee
Kahkashaan aaj Mere gird
Sare shaam se hai
Kahkashaan aaj Mere gird
Sare shaam se hai
Ye haseen raat to
Mansoob tere naam se hai
Ye haseen raat
Ye haseen raat
Main naa chaahoon bhi to ye
Zulf khuli jaati hai ae
Main naa chaahoon bhi to ye
Zulf khuli jaati hai ae
Door kis din mera
Saiyyaad mere daam se hai
Door kis din mera
Saiyyaad mere daam se hai
Apnaa sar tu mere
Shaane pe
Jhukaa rehne de
Apnaa sar tu mere
Shaane pe
Jhukaa rehne de
Ishq betaab sahi
Husn to aaraam se hai
Ishq betaab sahi
Husn to aaraam se hai
Ye haseen raat to
Mansoob tere naam se hai
Ye haseen raat
Ye haseen raat
Ye haseen raat to
Mansoob tere naam se hai
Ye haseen raat to
Mansoob tere naam se hai
Ye haseen raat
Ye haseen raat
Ye haseen raat to
Mansoob tere naam se hai
Ye haseen raat
Ye haseen raat
- In: Devnagri script lyrics by Sudhir | Duet | expression of love | Feelings of heart | Guest posts | Lyrics by Sudhir | Lyrics contributed by readers | Post by Peevesie's mom | Rain song | Shailendra Singh songs | Songs of 1970s (1971 to 1980) | Songs of 1979 | Usha Mangeshkar Shailendra Singh duet | Usha Mangeshkar songs | Yearwise breakup of songs
- 4 Comments
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5446 | Post No. : | 17849 |
Hullo Atuldom
As a student I have learnt, in geography, that India has three seasons:- summer, monsoon & winter. As students, summer meant vacations after the year-end examinations. This vacation used to be from mid-April to mid-June; meaning we were free for almost two months.
Reading Avinash ji’s nostalgic posts, set me also thinking about the activities that I indulged in during the summer vacations. Waking up decently early, going for bicycle rides (on rented bicycles) with friends for about half an hour. This was followed by a round of badminton, home by about 8 am for bath-breakfast etc. Oh, those were great times when one didn’t have to bother about homework, school timetable etc. By May end a new activity would be added – buying books for the next academic year. Many a times it would be from seniors who have passed & cleared and moved on to the next year. Covering the books with brown paper, writing out our names on the books etc. and waiting for the schools to reopen.
I am sure readers who are alumni of the Maharashtra education board would recall that schools usually reopened on 13th June (this date was always same & I have wondered the significance of the date). But one thing was certain the monsoon would have made its first appearance over Mumbai (Bombay as it used to be back then). That was one season that we loved, as heavy rains meant unexpected holidays, flooded roads, wading in ankle-deep waters etc. (Anyone who complains of flooded roads during rains, specially in Mumbai, should recall their childhood.) Personally I loved the rains.
Why am I going down memory lane now?
First – it is June.
Second – schools have just reopened.
Third – I can see the effects of rains (as seen on television news channels). Of course, what the region of Gujarat & Rajasthan is going through are not rains due to rainy season, but because of the cyclone Biparjoy.
Rains share a different chemistry with Indian films. We have as many as 88 songs on the blog under the ‘rain songs’ category. Let us add one more song to this list.
‘Taraana’ (1979) was a movie that was produced by Chanda Pictures, Bombay and presented by Tarachand Barjatya’s Rajshri Pictures. It had Mithun Chakravarthy & Ranjeeta Kaur in the lead with Jayshree T, Om Shivpuri, Dr. Shreeram Lagoo, Sharat Saxena, Urmila Bhatt, Bhagwan Dada etc. in supporting roles. The music director was Vijay Patil who was credited as Ram Laxman and songs were written by Ravindra Rawal & Tilakraj Thapar. Usha Mangeshkar, Shailendra Singh, Aarti Mukherjee, Varsha Bhosle, Chetan, Meena Patki were the playback singers used. There was a bidaai song in the voice of Jagjit Singh too.
‘Taraana’ had Ranjeeta playing a banjaran girl with Shreeram Lagoo as her father. (This I am guessing from the songs that I have seen before writing this post. I am yet to see the film). Mithun falls in love with her, sings a few songs expressing love, and sadness at being away from his love etc; before they can get married for the film to have a happy ending.
Today’s rain song has Mithun Chakravarthy & Ranjeeta frolicking in the ‘studio- created’ rain. The song is in the voices of Usha Mangeshkar and Shailendra Singh, and is written by Tilakraj Thapar (have never heard this name before.)
With this song we also wish Mithun Da today on his 73rd birthday.
Song – Hum Tum Dono Saath Mein Bheeg Jaayenge Barsaat Mein (Taraana) (1979) Singer – Usha Mangeshkar, Shailendra Singh, Lyrics – Tilakraj Thapar, MD – Ram-Laxman
Usha Mangeshkar + Shailendra Singh
Lyrics (Provided by Sudhir)
rim jhim barkha ras barsaaye
tujh bin ab to raha na jaaye
arey bin jal machhli reh na paaye re
oo oo
hum tum dono saath mein
bheeg jaayenge barsaat mein
ha
hum tum dono saath mein
bheeg jaayenge barsaat mein
jaane do mujhko kal aaungi
deri hui to main mar jaaungi
yaahun yaahun yaahun yaahun
deri nahin hai abhi saanjh hai
badli ke maare lagey raat hai
edi choti jal tapkaaye
bijuri chamke mann ghabraaye
arey bin jal machhli reh na paaye re
oo oo
hum tum dono saath mein
bheeg jaayenge barsaat mein
ha
hum tum dono saath mein
bheeg jaayenge barsaat mein
kal kar lena baaki ka pyaar
ab to dil gayi main tujh pe haar
yaahun yaahun yaahun yaahun
jaane se tere jaaye qaraar
pheeki lagegi mujhe ye bahaar
pyaar tera ab chhoda na jaaye
ghar jaa ke bhi yaad teri sataaye
arey bin jal machhli reh na paaye re
oo oo
hum tum dono saath mein
bheeg jaayenge barsaat mein
ha
hum tum dono saath mein
bheeg jaayenge barsaat mein
ha
hum tum dono saath mein
bheeg jaayenge barsaat mein
ha
————————————————
Hindi script lyrics (Provided by Sudhir)
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रिम झिम बरखा रस बरसाए
तुझ बिन अब तो रहा न जाये
अरे बिन जल मछली रह ना पाये रे
ओ ओ
हम तुम दोनों साथ में
भीग जाएँगे बरसात में
हा
हम तुम दोनों साथ में
भीग जाएँगे बरसात में
जाने दे मुझको कल आऊँगी
देरी हुई तो मैं मर जाऊँगी
याहून् याहून् याहून् याहून्
देरी नहीं है अभी साँझ है
बदली के मारे लगे रात है
एड़ी चोटी जल टपकाए
बिजुरी चमके मन घबराये
अरे बिन जल मछली रह ना पाये रे
ओ ओ
हम तुम दोनों साथ में
भीग जाएँगे बरसात में
हा
हम तुम दोनों साथ में
भीग जाएँगे बरसात में
कल कर लेना बाकी का प्यार
अब तो दिल गई मैं तुझ पे हार
याहून् याहून् याहून् याहून्
जाने से तेरे जाये करार
फीकी लगेगी मुझे ये बहार
प्यार तेरा अब छोड़ा ना जाये
घर जा के भी याद तेरी सताये
अरे बिन जल मछली रह ना पाये रे
ओ ओ
हम तुम दोनों साथ में
भीग जाएँगे बरसात में
हा
हम तुम दोनों साथ में
भीग जाएँगे बरसात में
हा
हम तुम दोनों साथ में
भीग जाएँगे बरसात में
हा
Un aankhon ka ye jaadoo hai
Posted on: May 19, 2023
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5418 | Post No. : | 17768 | Movie Count : |
4757 |
#the Decade of Seventies – 1971 – 1980 #
————————————————————————
# Bhoole-Bisre Geet # (Debutant Movie- Ham Bhi Kuchh Kam Nahin-1979)
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Today we introduce the movie “Ham Bhi Kuchh Kam Nahin-1979” on the blog.
I guess that this was an obscure movie of its time. My guess is that this must be a ‘dubbed movie’ from a ‘southern movie’.
“Ham Bhi Kuchh Kam Nahin-1979” was directed by M.S. Gopinath for ‘Golden Eagle Films, Bombay’. It had Krishna, Jaya Chitra, Kavita, Vijay Lalita and others. HFGK Vol-V (1971-1980) mentions only these four names under the cast of this movie.
As per HFGK Vol-V, the date of certification by Censor Board of this movie is 22.12.1979.
“Ham Bhi Kuchh Kam Nahin-1979” has seven songs which were penned by two lyricist viz. Gopichand Kotwani (three songs) and Mukhtar (four songs).
Music for this movie was composed by Hari-Arjun.
Suresh Wadkar, Mahendra Kapoor, Dilraj Kaur, Meenu Puroshottam, Sushma Shreshtha, Preeti Sagar and Arjun Chhabra are the singers who had given their voices to the songs in this movie.
Here is the list of songs in this movie:-
| SNo. | Song Title | Lyricist | Singer |
|---|---|---|---|
| 01 | Un aankhon ka ye jaadu hai | Mukhtar | Suresh Wadkar |
| 02 | Ek ladki jawaan khubroo | Mukhtar | Mahendra Kapoor, Dilraj Kaur |
| 03 | Hal par ye gham kya hai chhodiye | Gopichand | Meenu Puroshottam, Sushma Shreshtha |
| 04 | Chehre ke pichhe hain bhed laakhon kisko pataa | Gopichand | Preeti Sagar, Arjun Chhabra |
| 05 | Jeena kya marnaa kya | Mukhtar | Dilraj Kaur,Preeti Sagar |
| 06 | Mujhko beete huye | Gopichand | Arjun Chhabra |
| 07 | Jab uthhaa dard | Mukhtar | Arjun Chhabra |
Both the lyricist Gopichand Kotwani and Mukhtar are new names for this blog. Same is the case for the singer Arjun Chhabra.
Today we present the first song from this movie “Ham Bhi Kuchh Kam Nahin-1979” on the blog.
A movie with this same title “Ham Bhi Kuchh Kam Nahin” released in “1958” has already been represented on the blog earlier.
So, we add one more movie to the ‘movies with same title’ group today.
Today’s song is written by Mukhtar. It is sung by Suresh Wadkar. Music is composed by Hari-Arjun.
Only audio of the song is available.
I would request knowledgeable readers to add more information about this movie and its songs.
Let us listen to the song now…
Song-Un aankhon ka ye jaadoo hai (Ham Bhi Kuchh Kam Nahin)(1979) Singer-Suresh Wadkar, Lyrics-Mukhtar, MD-Hari Arjun
Chorus
Lyrics
un aankhon ka ye jaadu hai
laa laa laa laa
ke jisne hosh udaaye hain
laa laa laa laa
haaye duniyaa kya kahegi
yaaron kyaa
jaayen ham bachke ae
un aankhon ka ye jaadu
haa haa haa haa haa haa
la la la laa laa laa
la la la laa laa laa
laa laa laa
laa laa laa
la la la laa laa laa
kaafilaa? to dekh ke lootaa aa
dekho uski adaayein
ae ae ae
dil ke soye meet chaunke
rang kaise na paayen aen
mujhe mil gayaa yaar
baje pyaar ke taar
kya sunehare ye din raat hain
la la la la laa laa laa laa
un aankhon ka ye jaadu hai
laa laa laa laa
ke jisne hosh udaaye hain
laa laa laa laa
haaye duniyaa kya kahegi
yaaron kyaa
jaayen ham bachke ae
un aankhon ka ye jaadu
haa haa haa haa haa haa
laa laa laa
laa laa laa aa
laa laa laa laa
pyaase man ki
baat rakh lee ee
mujhko nashaa aa rahaa hai ae ae
bas ye keh do
phir se koyi
deewaanaa ho chalaa hai
aaya hai sanam
is pal ki kasam
arey dilwaalon jhoom lo o
la la la laa laa laa laa
un aankhon ka ye jaadu hai
laa laa laa laa
ke jisne hosh udaaye hain
laa laa laa laa
haaye duniyaa kya kahegi
yaaron kyaa
jaayen ham bach ke ae
un aankhon ka ye jaadu
la la la laa aa
haa haa haa haa haa haa
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This article is his 800th post in the blog.
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Blog Day : |
5412 | Post No. : | 17751 |
#the Decade of Seventies – 1971 – 1980 #
————————————————————————
# Bhoole-Bisre Geet # (Basu Chatterjee-R.D. Burman)
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In this post I am presenting a song from the ‘1979’ movie ‘Ratnadeep’.
I have no recollection of this movie during my growing up years. I was about eleven years old when this movie was released.
This state of oblivion about the movie and its songs continued for many more years. The song ‘kabhi kabhi sapnaa lagtaa hai’ was an exception that I may have inadvertently listened to without knowing about its details. Later, I discovered that there was another song of this movie that I was aware of (while being unaware that the song was from this movie).
(But I am not presenting that song today 🙂 ).
‘Ratnadeep-1979’ was directed by Basu Chatterjee for ‘Gayatri Movies, Bombay’. It was produced by R. Kannan and R. Jagannath.
This movie has Hema Malini, Girish Karnad, Dheeraj, A.K. Hangal, Sulochana, Prema Narayan, Nandita Thakur, Yunus Parvez, Pinchoo Kapoor, Master Sagar, Poornima Jairam, R.S. Chopra, Gautam Sareen, Amal Sen, Aroop, Manmauji, Ranjeet Sood, Chandu, Vishnu Sharma, Mohammad Ali, Khoka Mukherjee, Kashinath and others.
Basu Chatterjee who was director of this movie also wrote the screenplay and dialogues of this movie.
This movie was based on short story by Prabhat Kumar Mukhopadhyay.
“Ratnadeep-1979” was passed by Censor Board on 12.12.1979.
Going by the filmography of director Basu Chatterjee I have noted that as many as five movies directed by him were released in the year ‘1979’. This must be the highest number of movies directed by Basu Chatterjee and released in one calendar year.
Here are the names of these movies.
| SNo | Title of the movie | Passed by Censor Board | Lyricist/s | Music Director |
|---|---|---|---|---|
| 01 | Baaton Baaton Mein | 31.03.1979 | Amit Khanna, Yogesh | Rajesh Roshan |
| 02 | Jeena Yahaan | 16.07.1979 | Yogesh | Salil Chaudhary |
| 03 | Manzil | 14.05.1979 | Yogesh | R.D. Burman |
| 04 | Prem Vivaah | 30.08.1979 | Anand Bakshi | Laxmikant-Pyarelal |
| 05 | Ratnadeep | 12.12.1979 | Gulzar | R.D. Burman |
The movies he produced and directed or the movies he directed always had good music too if not great. This year 1979 was no exception.
Basu Chatterjee collaborated with many music directors but mostly with music director Rajesh Roshan.
In the year ‘1979’ for the five movies he directed he had two movies with R.D. Burman, and one each with Rajesh Roshan, Salil Chaudhary and Laxmikant-Pyarelal.
R.D. Burman composed music for ‘Manzil’ and ‘Ratnadeep’ directed by Basu Chatterjee and released in the year ‘1979’.
Lyrics for the movie ‘Manzil’ were penned by Yogesh and lyrics for the songs of ‘Ratnadeep’ were penned by Gulzar.
Both the movies have some great songs including the most liked and loved by all ‘rimjhim girey saawan’ from ‘Manzil’.
However, none of the songs from both the above movies made it to the ‘annual list of ‘Binaca Geetmala’ of that year i.e. 1979’. There were as many as ‘eleven’ songs composed by Pancham which featured in this list of thirty-nine songs. These included songs from ‘Shalimaar-1978’, ‘Jurmaana-1979’, ‘The Great Gambler-1979’, ‘Devtaa-1978’, ‘Azaad-1978’ and ‘Golmaal-1979’. That is how tough the competition was. Only one song composed by R.D. Burman featured in the ‘Top-10’ of this list of ‘annual Binaca-Geetmala’ list of ‘1979’. This song was ‘ham bewafaa hargeez naa thhe’ from ‘Shalimaar-1978’.
Today I am presenting a ‘lesser-heard’ or may be ‘never heard song by many’ from the movie ‘Ratnadeep-1979’.
According to me this song deserves to be a ‘well-known’ song for the ‘special folk touch’ of the composition, the singing of this song by the ‘singers’ and its’ lyrics by none other than Gulzar Saab.
I have not watched this movie so can’t say much about the picturisation of this song. Also the video of this song is not available as of now.
Let us now enjoy the second song from ‘Ratnadeep-1979’ which is sung by Bhupinder Singh and Sapan Chakravarty.
Enjoy the music; enjoy the composition which is celebrating the arrival of the beloved of the girl …
This song grows upon us as we listen to it a few times.
Song-Saajan aaye ho sajni ke saajanwaa aangan aaye ho (Ratnadeep)(1979) Singers-Bhupendra Singh, Sapan Chakravarty, Lyrics-Gulzar, MD-R D Burman
Male chorus,
Female chorus ,
All chorus
Lyrics
ho saajan aaye ho
ho aaye ho o
sajni ke saajanwaa
aangan aaye ho
ho saajan aaye ho
sajani ke saajanwaa
aangan aaye ho
o o o o o o o o o o o o o o
ho saajan aaye ho
sajani ke saajanwaa
aangan aaye ho
ho saajan aaye ho
sajani ke saajanwaa
aangan aaye ho
ho saajan aaye ho
sajani ke saajanwaa
aangan aaye ho o
saajan galey lagaayen
to sajani maala ban lehraaye
o o o o o o
ho o o o o
o o o o o o o
saajan galey lagaayen
to sajani maala ban lehraaye
phool phool mein aisi phooley
khud khushboo ban jaaye
saajan
ho saajan aaye ho
sajani ke saajanwaa
aangan aaye ho
ho saajan aaye ho
sajani ke saajanwaa
aangan aaye ho
ho saajan aaye ho
sajani ke saajanwaa
aangan aaye ho o
sajani pair lagey
saajan ke
jaise pair ka altaa aa
sajani pair lagey
saajan ke
jaise pair ka altaa aa
saajan ke munh lagey to
aise
jaise paan mein kathhaa
saajan
ho saajan aaye ho
sajani ke saajanwaa
aangan aaye ho o
ho saajan aaye ho
sajani ke saajanwaa
aangan aaye ho
ho saajan aaye ho
sajani ke saajanwaa
aangan aaye ho o
saajan ke sang
baat karen yoon
saajan ke sang
baat karen yoon
sajani chhaaya hoye
saajan ke nainon mein
sajani
sapnaa ban ke soye
saajan
ho saajan aaye ho
sajani ke saajanwaa
aangan aaye ho o
ho saajan aaye ho
sajani ke saajanwaa
aangan aaye ho o
aaye ho
sajani ke saajanwaa
aangan aaye ho o
ho saajan aaye ho
sajani ke saajanwaa
aangan aaye ho
ho saajan aaye ho
sajani ke saajanwaa
aangan aaye ho
ho saajan aaye ho
sajani ke saajanwaa
aangan aaye ho o
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5373 | Post No. : | 17622 |
#the Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # (Salaam Memsaab-1979)
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On this blog we have at least two movies (that I came across) where the movies have made their debut with songs originally part of some earlier movie and not really part of the movie being discussed.
One such movie is ‘Salaam Memsaab-1979’.
This movie made its debut on the blog with a re-used song ‘pyaar huaa ikraar huaa hai’ which originally is the song from the movie ‘Shri 420’.
So, today we get introduced to the actual first song from this movie ‘Salaam Memsaab-1979’ on the blog.
“Salaam Memsaab-1979” was directed by Asrani for ‘Roshan Films’. It had Asrani, Zareena Wahab, Manju Bansal, Rehman, Keshto Mukherjee, Asit Sen, Jugnu, Leela Mishra, Sulochana (Senior), Tom Alter, C.S. Dubey, Arvind Rathod, Anand Girdhar, Amol Sen, Dilip Tahil, Neelu Arora, Master Jeetu, Yusuf, Raju, Ranjeet and others.
Ashok Kumar, Sunil Dutt, Yogita Bali and Rishi Kapoor made a special appearance in this movie.
This movie was passed by Censor Board on 12.01.1979.
“Salaam Memsaab-1979” has seven songs (other than the song of Shri 420 which was re-used) written by Majrooh Sultanpuri. Music for this movie was composed by R.D. Burman.
Here is the detail of the songs of this movie:-
| SNo | Song Title | Singer/s |
|---|---|---|
| 01 | Salaam memsaab… ham bhi raahon mein khade hain | Kishore Kumar,Lata Mangeshkar |
| 02 | Na sharaab se koi waastaa | Mohd Rafi, Bhupendra Singh |
| 03 | Jaanewaale suntaa jaa hamaari kahaani | Kishore Kumar |
| 04 | ham bhi raahon mein khade hain | Lata Mangeshkar |
| 05 | Tum bhi meri jaan… haay re mar jaaun | Asha Bhonsle |
| 06 | Tera kahaa maine kiyaa, ab na kiyaa jaaye re haay | Asha Bhonsle |
| 07 | ham bhi raahon mein khade hain | Kishore Kumar |
While presenting the ‘used’ song of ‘Shri 420’ from this movie Shri Sudhir ji has mentioned about the background of the story of this movie ‘Salaam Memsaab-1979’ in brief. I am re-producing the same below.
Radha (role played by Zarina Wahab) and Sunder (role played by Asrani) are two young people, friends and in love. They are the street tamaasha people who sing and dance on the roadside to earn their living. Sunder has high aspirations, and wants to become rich quickly. Radha also has aspirations, but she is averse to making compromises with her principles of honesty and truthfulness. They work together, but this difference in their view of life generates arguments.
`
This background helps us to understand the context for the today’s songs (multiple versions) in this movie.
The duet sung by Kishore Kumar and Lata Mangeshkar gives us an idea of the ‘initial song’ when Radha and Sunder must be performing their ‘roadside tamaasha’.
The second part (or version) of this song which is a female version sung by Lata Mangeshkar seems to happen when Radha and Sunder gets separated and are not in touch with each other.
ham nahin bhoole tumko
tum bhoolaa baithhe hamko o
bewafaa phir bhi keh de
kaise apne baalam ko
dil ko tadpaane waale ae
laut aa jaanewaale ae
(It seems that the video for the above two versions is not available, or I was unable to locate it?).
However the video for the third version which is sung by Kishore Kumar is available and from the video we can guess that Sundar had already become a rich person but missing Radha and he sings this version at a party held by other actress (Manju Bansal) I guess.
The verses by Majrooh Sultanpuri are very nice and so is the composition by Pancham which deserves to be well known. Kishore Kumar has sung this song with gusto with Lata Mangeshkar supporting him equally. However, I guess that the songs from this movie seem to have forgotten may be because the movie itself didn’t performed well at the box-office.
I would request knowledgeable readers who have watched this movie to throw more light on this movie and its songs.
Let us now listen to the today’s song (or songs rather) and re-welcome ‘Salaam Memsaab-1979’ on the blog …
Audio (Kishore Kumar-Lata Mangeshkar version)
Audio (Lata Mangeshkar version)
Audio (Kishore Kumar version)
Video (Kishore Kumar version)
Song-Ham bhi raahon mein khade hain idhar dekh lo (Salaam Memsaab)(1979) Singers-Kishore Kumar, Lata Mangeshkar, Lyrics-Majrooh Sultanpuri, MD-R D Burman
Lyrics
———————————
Kishore Kumar-Lata Mangeshkar duet version
———————————
salaam saab
arrey salaam memsaab
arey zaraa idhar bhi
nazar phenkiye ae
ahaa
ahaa
ahaa
ae he
o ho
ee hi
o ho
o ho
ahaa aahaa aa
arey bohni to ho gayi
ae jiyo raaja
arey jiyo raani
ae haan aan
arey haan re haan aan
haay haay haay
o le lo
le lo duaa
kisi beqaraar ki ee
ham bhi raahon mein
khade hain
yaar idhar dekh lo
ham bhi raahon mein
khade hain
yaar idhar dekh lo
jaaneman pyaar se
ek nazar dekh lo o
ham bhi raahon mein
khade hain
yaar idhar dekh lo
jaaneman pyaar se
ek nazar dekh lo o
ham bhi raahon mein
khade hain
haa haa
ham dukhon ke paale hain
haan magar dilwaale hain
ek nazar pe lut jaayen
aise ham matwaale hain
ho o o o
o o o o
o o
apne ho yaa begaane ae
ham to sab ke deewaane
har galey mein baahon ke
haar hamne daale hain
ho o o o
yahi to hai galiyaan
wo pyaar ki ee
aanewaalon
aanewaalon mere dil ka nagar dekh lo
o jaaneman n n
pyaar se ek nazar dekh lo
ham bhi raahon mein
khade hain
ae bhaai
dil ka saathi hai jab dil
kaisa rastaa kyaa manzil
chal pado to rastaa hai
thhehar jaao to manzil
rang ye baazaaron kaa
roop ye dildaaron kaa
jo nazaaraa dekho hai
choom lene ke qaabil
ho o
hawaa khaanewaalon
mere gulzaar ki
kyaa ho thhodaa sa
ae bhaai
kyaa ho thhodaa sa
hamen bhi
agar dekh lo o
jaaneman pyaar se
ik nazar dekh lo
ham bhi raahon mein
khade hain ae
ham to chaahat se haare
phirte hain maare maare
tum raho hanste baste
saath hon chandaa taare
phir yoonhi jaan e jaana aa
kal kahin pe mil jaanaa
ham chaley gaate naghme ae
khush raho tum bhi pyaare
ho o o
jaao looto maze
shaam hain bahaar ki ee
jaate jaate
o maamu
jaate jaate ho sake to
ae
idhar ke dekh lo o
jaaneman pyaar se
ik nazar dekh lo
ham bhi raahon mein
khade hain aen
ho kisi rut ka baadal
ghir ke phir khul jaata hai
ho andheraa jaisaa bhi
aakhir(?) dhhal jaata hai
dil sadaa jisko dhhoondhhe ae
maamtaa jisko dhhoondhhe ae
kho gayaa ho jo koyi ee
ek din mil jaataa hai
ho o suno
roti nahin rut intezaar ki ee
ham bhi raahon mein
haaye haaye
ham bhi raahon mein
khade hain
yaar idhar dekh lo
jaaneman pyaar se
ik nazar dekh lo o
le lo
le lo duaa
kisi beqaraar ki
ham bhi raahon mein
khade hain
yaar idhar dekh lo o
jaaneman pyaar se
ik nazar dekh lo o
ham bhi raahon mein
khade hain
arey bhaai
aap log bhi gaayiye na
mere saath
arey
gaayiye gaayiye
la la laa laa laa
(ahaa he)
la la la laa laa
laa laa laa aa
(oye oye)
laa laa laa aa
laa laa laa laa aa
(ahaa haa)
(oye ae)
ham bhi raahon mein
khade hain
yaar idhar dekho lo
jaaneman pyaar se
ek nazar dekh lo o
(raahon mein)
(zaraa idhar dekh lo)
(pyaar se )
(dekh le dekh le)
(raahon mein)
ham bhi raahon mein
khade hain
yaar idhar dekho lo
jaaneman pyaar se
ek nazar dekh lo o
ham bhi raahon mein
khade hain
yaar idhar dekho lo
jaaneman pyaar se
ek nazar dekh lo o
———————————
(Lata Mangeshkar solo version)
———————————
ham bhi raahon mein
khade hain ae
idhar dekh lo o
jaaneman pyaar se
ik nazar dekh lo o
ham bhi raahon mein ae
o le lo
le lo duaa
kisi beqaraar ki ee
ham bhi raahon mein
khade hain
idhar dekh lo
jaaneman pyaar se
ik nazar dekh lo o
ham bhi raahon mein ae
ham to chaahat ke maare
kya karen dil se haare ae
aas milne ki le kar
phirte hain maare maare
har gali dekha tumko
har nazar dhhoondhha tumko
jaa ke tum kis duniyaa mein ae
kho gaye saajan pyaare
ho o o
ab to beete nahin ghadi intezaar ki ee
soonaa kab se ye dil ka
nagar dekh lo
jaaneman pyaar se
ik nazar dekh lo o
ham bhi raahon mein ae
ham nahin bhoole tumko
tum bhoolaa baithhe hamko o
bewafaa phir bhi keh den
kaise apne baalam ko
dil ko tadpaane waale ae
laut aa jaanewaale
kab talak thhokar khaayen
le ke ham tere gham ko
ho o o
koyi suntaa nahin
is beqaraar ki ee
dil hai ghaayal to hai
tukde jigar dekh ko
jaaneman pyaar se
ik nazar dekh lo o
ho le lo
le lo duaa
kisi beqaraar ki
ham bhi raahon mein
khade hain
idhar dekh lo
jaaneman pyaar se
ik nazar dekh lo o
hmm hmm hmm hmm hmm
(sobbing sound)
—————————
(Kishore Kumar version)
————————–
hmm
dil ka saathi hai jab dil
kaisa rastaa kyaa manzil
yaad aaaya
gaao memsaab
dil ka saathi hai jab dil
kaisa rastaa kyaa manzil
chal pado to rastaa hai
thhehar jaao to manzil
rang ye nazaaron kaa
roop ye dildaaron kaa
jo nazaaraa dekho hai
choom lene ke qaabil
ho o
aao
looto maze
shaam hai bahaar ki ee
kyaa ho thhodaa sa
haan
kyaa ho thhodaa sa
hamen bhi agar dekh lo
o jaaneman pyaar se
ek nazar dekh lo
arey
sochiye mat
gaayiye gaayiye
(laughing sound)
ham bhi raahon mein
khade hain ae
yaar idhar dekh lo o
jaaneman pyaar se
ik nazar dekh lo
ham bhi raahon mein
khade hain ae
yaar idhar dekh lo o
(ye baat huyi naa)
jaaneman pyaar se
(arey wonderful)
ek nazar dekh lo
(beauty ee)
ham bhi raahon mein
khade hain ae
yaar idhar dekh lo o
jaaneman pyaar se
ik nazar dekh lo
ham bhi raahon mein
khade hain ae
yaar idhar dekh lo o
jaaneman pyaar se
ek nazar dekh lo
la la laa laa laa
la la la laa laa
laa laa laa aa
laa laa laa aa
laa laa laa laa aa
(laughing sound)
la la laa laa laa
la la la laa laa
laa laa laa aa
laa laa laa aa
laa laa laa laa aa
(laughing sound)
Aap farmaaiye kya khareedenge
Posted on: March 21, 2023
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5359 | Post No. : | 17576 |
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Blog 10-Year Challenge (2013-2023) – Song No.53
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On this day ten years back there were eight songs posted on the blog as per details given below:-
| Post No | Song Title | Name of the movie | Remarks |
|---|---|---|---|
| 7726 | Aaj kar le jee bhar ke singaar | Maa Baap-1944 | 8 of 9 songs posted |
| 7727 | O varsha ke pehle baadal | Meghdoot-1945 | 01 song posted |
| 7728 | Ae dard e jigar mere dard e jigar | Parchhaain-1952 | All songs covered |
| 7729 | Main kal phir miloongi isi gulsitaan mein | Dr Vidya-1962 | All songs covered |
| 7730 | Ek ladki hai jisne jeena mushqil kar diya | Gumnaam-1965 | All songs covered |
| 7731 | Mori baali re umariyaa | Chhoti Chhoti Baatein-1965 | All songs covered |
| 7732 | Ae mere dil sun meri jaan | Kunwaari-1966 | 3 of 9 songs posted |
| 7733 | Bheega bheega mausam aaya barse ghataa ghanghor | Bhayaanak-1979 | 3 of 5 songs posted |
In case of Four of the eight movies represented on the blog viz. all songs of ‘Parchhaain-1952’, ‘Dr.Vidya-1962’, ‘Gumnaam-1965’ and ‘Chhoti Chhoti Baatein-1965’ have been covered on the blog.
The remaining four movies eligible for Blog Ten Year Challenge today are ‘Maa Baap-1944’, ‘Meghdoot-1945’, ‘Kunwaari-1966’ and ‘Bhayaanak-1979’.
We already have a song posted from one of these four movies i.e. ‘Kunwaari-1966’.
In this post we present a song from another ‘blog ten-year challenge’ eligible movie for today which is ‘Bhayaanak-1979’.
‘Bhayaanak-1979’ was directed by S.U. Saiyed for ‘AVM Arts International’.
It was a suspense movie released for restricted viewing with ‘A’ certificate and it was passed by Censor Board on 23.08.1979.
‘Bhayaanak-1979’’s cast included Mithun Chakravarty, Sadhoo Meher, Niloo Phule, Chandrashekhar, Mushtaq Merchant, C.S. Dubey, Jagdish Raj, Shaheen Khan, Sushila Raut, Annu Dhawan, Sadhna Khote, Hamid Rakesh, Major Anand, Fatima, Mannu Arora, Master Danny Jr., Master Abid, Master Anees, M. Miquel, and Madan Joshi and Om Shiv Puri and others.
The movie introduced Ranjan Garewal, Shashi Ranjan and a ‘fresh romantic pair Ravi Kumar and Razia Sultana’ (as the movie titles mentioned😊)
Ranjeeta had a special appearance in this movie. Sharad Saxena makes a Guest appearance in this movie.
Story of this movie was written by the ‘AVM arts story department’ and its dialogues were written by Madan Joshi.
M. Maroof wrote the script of this movie. Harish Choudhary was the editor of this movie, and he was assisted by Sudhir Deshpande.
Munir Shah was the Dialogue Director for this movie.
This movie has five songs (including one multiple version song), which were all written by Indeevar.
Music for this movie was composed by Usha Khanna.
Suresh Wadkar, Hemlata, Anuradha Paudwal had given their voices to the songs in this movie.
So far three songs (including one multiple version song) have been posted on the blog.
Today’s song is the fourth and the penultimate song from this movie to be posted on the blog.
Today’s song is sung by Anuradha Paudwal. HFGK Vol-V (1971-1980) mentions in its foot note for this movie that, for the today’s song the film version is in the voice of Hemlata and record version is in the voice of Anuradha Paudwal. However, in the movie version available on internet this songs seems to be in the voice of Anuradha and not Hemlata if I am not wrong.
This song is lip-synced and performed on screen by the beautiful Reena Roy. The song is a ‘mujra-song’ where the audience includes C.S. Dubey, Jagdish Raj, Master Junior Danny (I guess) and Shaheen Khan or Anu Dhawan (I am not sure) and others.
(The titles of the movie and HFGK both didn’t mention the name of Reena Roy in the list of artistes of this movie).
The powerful verses of the today’s song are by Indeevar (and I find them similar to the song from ‘Yeh Hai Duniya-1948’ – ‘duniya hai baazaar’).
Music is composed by Usha Khanna.
Let us listen to this lesser known and forgotten yet a ‘gem’ of a song …
Video
Audio
Song-Aap farmaaiye kya khareedenge (Bhayaanak)(1979) Singer-Anuradha Paudwal, Lyrics-Indeewar, MD-Usha Khanna
Lyrics
honthhon ke phool koyi
koyi dil ke daagh beche
har koyi yahaan
apne khwaabon ke
baagh seechen
koyi shakl bechtaa hai
koyi akl kaa
sarmaayaa aa
har koyi zindagi ko
baazaar mein le aaya
adaa hi adaa
khareedenge
yaa dil ki wafaa aa khareedenge
aap farmaayiye
kyaa khareedenge ae
aap farmaayiye
kyaa khareedenge
aap farmaayiye
kyaa khareedenge ae
gesuon ki ghataa
khareedenge
paayalon ki sadaa
khareedenge
aap farmaayiye
kyaa khareedenge ae
aap farmaayiye
kyaa khareedenge
aap farmaayiye
kyaa khareedenge ae
lab ki laali hai kyaa
mai ki pyaali hai kyaa
ham to khoon e jigar
bhi pilaa denge
gar ishaara kare
sab ganwaaraa karen
jaan hai kyaa
ham to imaan
jaan hain kyaa
ham to imaan
lutaa denge
aap
aap farmaayiye
kyaa khareedenge ae
aap farmaayiye
kyaa khareedenge
aap farmaayiye
kyaa khareedenge ae
do ghadi kaa bhi hai
zindagi kaa bhi hai
aap ko kaun saa
pyaar darkaar hai
faislaa keejiye
cheez chun leejiye
sharm kaisi
ke duniya aa aa aa
aa aa
sharm kaisi
ke duniya hi baazaar hai
aap
aap farmaayiye
kyaa khareedenge
aap farmaayiye
kyaa khareedenge
aap farmaayiye
kyaa khareedenge ae
bujhte bujhte se din
?? jaate lekin(?)
chehre par hain
chamakte savere yahaan
aisi tanhaayiyaan
jaise shehnaayiyaan
hain ujaalon se mehange
ae ae ae ae ae ae
hain ujaalon se mehange
andhere yahaan
aap
aap farmaayiye
kyaa khareedenge ae
aap farmaayiye
kyaa khareedenge
aap farmaayiye
kyaa khareedenge ae
adaa hi adaa
khareedenge
yaa dil ki wafaa aa
khareedenge
aap farmaayiye
kyaa khareedenge ae
aap farmaayiye
kyaa khareedenge ae
aap farmaayiye
kyaa khareedenge ae ae
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5348 | Post No. : | 17538 |
#the Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # (Yippeeee to Noorie-1979)
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(Birthday Wishes- Padma Khanna)
Today we say ‘Yippeeee to ‘Noorie-1979’!!!
This movie had made its debut on the blog on 05.05.2013 and just before couple of month of its ‘completion of ten-years on the blog’ this movie is going to cover all its songs on the blog today.
Today 10th March’2023 is also the birthday of Padma Khanna who was born on this day in 1949. She turned seventy-four today and enter seventy-fifth year of her age today.
On this occasion we wish her a ‘very happy birthday and a healthy and peaceful life ahead in the future.
Padma Khanna has acted in many Hindi as well as Bhojpuri movies. For us the ‘fans of seventies’ she was very much there in the movies of ‘seventies’ mainly performing roles as a ‘dancer’.
Later on she becomes well-known for her role as ‘Kaikeyi’ in the Ramand Sagar’s epic TV Serial – ‘Ramayana’.
Today we are going to listen to and watch a song where in Padma Khanna is performing a ‘mujra dance’.
As mentioned above today’s song is from the movie ‘Noorie’.
“Noorie-1979” was directed by Manmohan Krishna for ‘Yashraj Films’.
It had Farookh Shaikh, Poonam Dhillon, Madan Puri, Iftekhar, Manmohan Krishna, Padma Khanna, Geeta Siddharth, Javed Khan, Bharat Kapoor, Vikas Anand, Khairu (Dog, Trained by Amar Babu), Pardesi, Shakeel, Mahan, Master Devendra, Avtar Gill, Murari, Ramesh Yadav, Tiger (Dog) and others.
“Noorie-1979” had five songs. Three were written by Jaanisar Akhtar and one each by Majrooh Sultanpuri and Naqsh Lyallpuri.
Music for this movie was composed by Khayyam.
I have not watched this movie till now however I like its songs very much. Its’ song ‘Aa ja re o mere dilbar aaja’ stood at second place in the ‘annual hits of Binaca Geetmala of 1979’ and its’ other song ‘chori chori koyi aaye’ came at number twenty-three in the annual hits of Binaca Geetmala of 1980’.
I was not very much aware about the story-line of this movie until this post but now I know that it was ‘a beautiful love story having good music and picturised on scenic locations, but having a ‘tragic’ end’.
However the songs of this movie, especially the two songs mentioned above, were very popular and they were frequently heard on radio in those days and even now …
Detail of the songs from this movie with their status on the blog is given below.
| SNo | Song Title | Singer/s | Posted On |
|---|---|---|---|
| 01 | Aa ja re o mere dilbar aa ja | Lata, Nitin Mukesh | 05.05.2013 |
| 02 | Kasam hai yaar teri…ki aashiq ho to aisa ho | Mahendra Kapoor, Jagjit Kaur, Pamela Chopra, S.K. Mahan, chorus | 21.08.2021 |
| 03 | Pyaase hain zulfon ke saaye | Asha Bhonsle | |
| 04 | Chori chori koyi aaye | Lata Mangeshkar | 19.08.2014 |
| 05 | Uske khel niraale wo hi jaane, allaah jaane ae | Anwar, Jagjit Kaur, Pamela Chopra | 05.02.2023 |
As mentioned above four songs from this movie have been posted on the blog earlier.
Today’s song is the fifth and final song from this movie to be presented on the blog.
It is sung by Asha Bhonsle and on screen it is Padma Khanna performing on this song. Also seen in the picturisation of this song are Bharat Kapoor, Javed Khan and others.
Lyrics of the song are by Naqsh Lyallpuri and music is composed by Khayyam.
HFGK Vol-V (1971-1980) mentions different starting line for this song which are not available in the audio or it may have been got deleted from the video/audio I guess.
We once again wish a ‘Happy Birthday to Padma Khanna’ and listen to this song…
And ‘YIPPEEEE’ to ‘Noorie-1979’ 🙂
Video
Song-Qadar toone na jaanee beeti jaaye jawaanee (Noorie)(1979) Singer-Asha Bhonsle, Lyrics-Naqsh Llayalpuri, MD-Khayyam
Lyrics
qadar toone naa jaani ee ee
qadar toone naa jaani ee
beeti jaaye jawaani
qadar toone naa jaani ee
beeti jaaye jawaani
ho o o o
beeti jaaye
haan beeti jaaye jawaani
qadar toone naa jaani ee
beeti jaaye jawaani
qadar toone naa jaani ee
beeti jaaye ae jawaani
pyaase hain zulfon ke saaye
pyaase hain zulfon ke saaye
kab tak dil mein aag chhupaaye
kab tak dil mein aag chhupaaye
jaage raat suhaani
suhaani
suhaani
qadar toone naa jaani ee
beeti jaaye jawaani
qadar toone naa jaani ee
beeti jaaye jawaani
tohe man kaa meet banaayaa
tohe man kaa aa meet banaayaa
patthar se sheeshaa takraayaa
patthar se ae sheeshaa takraayaa
maine kii ee naadaani
naadaani
naadaani
qadar toone naa jaani ee
beeti jaaye jawaani
qadar toone naa jaani ee ee
beeti jaaye jawaani ee
yoon naache ke
ghunghroo tode
yoon naache ke
ghunghroo tode
mehndi waale
haathh bhi jodey
mehndi waale
haathh bhi jodey
toone ek naa maani
naa maani
naa maani
qadar toone naa jaani ee
beeti jaaye jawaani
qadar toone naa jaani ee ee
beeti jaaye jawaani
ho o o o
beeti jaaye
haaye ae beeti jaaye
jawaani
qadar toone naa jaani ee
beeti jaaye jawaani
qadar toone naa jaani ee
beeti jaaye ae jawaani ee
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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