Posts Tagged ‘Sanjeev Kumar’
Suno Saathhiyon
Posted on: April 6, 2018
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3549 | Post No. : | 14239 |
“Paaras”(1971) was directed by C P Dixit for Prithvi Pictures, Bombay. This “social” movie had Sanjeev Kumar, Rakhi, Farida Jalal, Shatrughan Sinha, Mehmood, Madan Puri, Mukri, Kamal Mehra, Birbal. Uma Khosla, Ratnamala, Badri Prasad, Narbada Shankar, Bhushan Tiwari, Kunal Chaudhary etc in it.
The movie had six songs in it. Four of these songs have been covered in the blog.
Here is the fifth song from “Paaras”(1971) to appear in the blog. This song is sung by Mahendra Kapoor, Asha Bhonsle and chorus. Indeewar is the lyricist. Music is composed by Kalyanji Anandji.
The song is lip synced by Sanjeev Kumar, Farida Jalal and others who play villagers going somewhere in bullock carts. The song sounds a bit like “mere des ki dharti sona ugle”, which was also creacted by the same male singer- music director team. Unlike the “Upkaar”(1967) song, this song is rather unknown. I in fact had not heard this song till today.
Song-Suno saathiyon (Paaras)(1971) Singers-Mahendra Kapoor, Asha Bhonsle, Lyrics-Indeewar, MD-Kalyanji Anandji
Chorus
Lyrics
suno saathiyon o o o
haan re haan ho bhaiyya
haan re haan ho
haan re haan ho bhaiyya
haan re haan ho
suno saathiyon o o o
suno saathiyon
sachchaai se badh ke dharm nahin dooja
ho o
insaanon se pyaar karo
yahi sab se badi hai pooja
suno saathiyon
suno saathiyon o o
o o o o o
o o o o o
saara dhan hai amber ka
moti dhan hai saager ka
moti dhan hai saager ka
o o o
nirdhan ka dhan mehnat hai
pet bhare saare ghar ka
pet bhare saare ghar ka
o o
laaj bina sooni sooni rey naari
phool bina aa aa aa
pyaar bina sooni sooni hai kyaari
laaj bina sooni sooni rey naari
phool bina sooni sooni hai kyaari
ho o o
pyaar bina aa aa
pyaar bina hirday soona re
yaar bina duniya saari ee
insaanon ko pyaar karo
yahi sab se badi hai pooja
suno saathiyon
suno saathiyon o o
haan rey haan ho bhaiyya
haan rey haan ho
haan rey haan ho bhaiyya
haan rey haan ho
ho ho o
ho ho o
har insaan hai yahaan pyaara
pooja ghar hai jag saara
pooja ghar hai jag saara
ho o o
kan kan mandir masjid hai
kan kan girja gurudwaara
kan kan girja gurudwaara
ho o o
pyaar ko duniya mita na sakegi
saanch pe aanch kabhi aa na sakegi
pyaar ko duniya mita na sakegi
saanch pe aanch kabhi aa na sakegi
ho o o
pyaar to hai ae ae ae
pyar to hai to hai ek chadhta sooraj
badli koi chhupa na sakegi
insaanon ko pyaar karo
yahi sab se badi hai pooja
suno saathiyon
suno saathiyon
o o o
suno saathiyon
suno saathiyon
sachchaai se badh ke dharm nahin dooja
ho o o
insaanon se pyaar karo
yahi sab se badi hai pooja
suno saathiyon
suno saathiyo
haan rey haan ho bhaiyya
ha rey haan ho o
haan rey haan ho bhaiyya
ha rey haan ho o
haan rey haan ho bhaiyya
ha rey haan ho o
- In: Actor-Singer song | Devnagri script lyrics by Avinash Scrapwala | Duet | Feelings of heart | Guest posts | Lover's Complaint | Lover's tête-à-tête | Lyrics by Avinash Scrapwala | Lyrics contributed by readers | Melancholic song | Poignant Song | Post by Raja | Rafi songs | Rafi Sulakshana Pandit duet | Songs of 1970s (1971 to 1980) | Songs of 1980 | Sulakshana Pandit Songs | Yearwise breakup of songs
- 2 Comments
This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3520 | Post No. : | 14136 |
There are many artists for whom I’ve written posts here, remembering them on their birth or death anniversaries. But there are two artists who have featured more than others in this regard. I remember them every day anyway – so on their anniversary it is only a matter of a different intensity. I am grateful to them every single day for their legacy, the treasure trove they have left us behind with. They are long gone now from this world – coincidentally they went within a few months of each other – but they remain, and will always remain, in my heart. And not just my heart, but millions of hearts. Such is the love we have for them, such is the hold they have over us.
I am of course talking about two giants of the industry – Rafi Saab and Sahir Ludhianvi.
Today happens to be the 97th birth anniversary of Sahir – and here I am, writing yet another post in his memory. I have already written many posts on him, so I expect this will be a short one. At least, by my standards. 🙂
From all accounts, Rafi Saab and Sahir were like chalk and cheese. Rafi Saab is reported always having a smile on his lips, a total lack of ego, easy to work with, a generally non-controversial nature – and was one of the most-loved artistes in the industry.
In contrast, Sahir was seen as egoist, not the easiest person to work with. He was seen as often being bitter and rebellious. He had his fair share of controversies – and differences with other artistes. It’s also fair to say that while everyone acknowledged his genius as a poet and lyricist, he didn’t exactly endear himself to one and all.
And yet both of them have a special place in my heart. They were masters of their craft, and when they executed it, whether through the written word (Sahir) or through his voice (Rafi Saab), the words went straight to my heart.
Since this is a post for Sahir’s anniversary, I will keep it to Sahir from here on.
Sahir needs no introduction to anyone here. And if he does, there are far better sources to discuss him than this post, so I would recommend checking out any of them. Here I will only talk briefly about why I love Sahir so much. It goes without saying that Sahir’s poetry (which often found its way in his lyrics) was in a class of its own. In fact, he often dumbed down (simplified) his poetry to make it more understandable for film-going audiences.
Much of Sahir’s poetry is understandably in Urdu – and his lyrics for film songs too have a strong Urdu slant to them. As a big fan of Urdu, I thoroughly enjoy listening to Sahir’s poetry and lyrics, even if I don’t always understand them. 🙂 But if it were only Urdu that attracted me to him, that would be at one level only. After all, I have a great regard for Shakeel Badayuni too – his lyrics were also often Urdu-based, and second to none.
No, it is more than just Urdu that attracts me. It is the poet himself – Sahir, the person.
To the world, his bitterness (‘talkhi‘), his moodiness, his ego, his sharp tongue might have made him intolerable. To me, I think it is these very qualities that helped him write the poetry he did. You cannot be dispassionate, you cannot be without fire in your belly – and write rousing poetry. It just doesn’t work. An actor might be able to completely keep his persona behind and immerse himself in a role the moment the director screams “Action”. After all, he is an actor – his job is to be somebody he isn’t in real life.
On the contrary, for a poet, his writing is nothing but an expression of himself and his creativity. And that creativity is a function of his mind, heart and soul. So it is only natural that how he thinks or feels will get reflected in his writing. It is possible to of course separate the two – and seasoned poets do – but when the poetry is in sync with the mood, it probably flows much more naturally. I’m guessing this – I’m no poet. 🙂
So Sahir throwing his feelings into his poetry is something I totally approve of. Now, to the content itself.
In his inimitable style, he wrote on a variety of topics. But he is most identified with having a strong opinion on social issues of the day – and never hesitating to express his opinion. He often used his poetry as a medium to convey a strong message. Sometimes showing a mirror to society, sometimes questioning the government of the day. Sometimes exposing hypocrisy, sometimes calling for revolution. Whatever it was, he was not just another poet content to write some lyrics and get paid for them. He was socially sensitive – and clearly the ills in society bothered him deeply. And this is one of the main reasons I SO love Sahir. How I wish we had more poets like him today, with so much awareness and concern for the plight of the common man!
He has written about injustice in society (“Samaaj Ko Badal Daalo”), about the need for unity in a fractured society (“Tu Hindu Banega Na Musalmaan Banega“), about women’s plight in India (“Aurat Ne Janam Diya Mardon Ko”), about hope (“Na Munh Chhupa Ke Jiyo”, “Ponchh Kar Ashq Apni Aankhon Se“, “Wo Subah Kabhi To Aayegi”) and despair (“Ye Duniya Agar Mil Bhi Jaaye To Kya Hai“, “Jinhen Naaz Hai Hind Par Wo Kahaan Hain“, “. . .Rehne Ko Ghar Nahin Hai, Sara Jahaan Hamaara“).
For someone who had a grounding in Urdu, he could write beautiful bhajans like “Tora Mann Darpan Kehlaaye“, “Prabhu Tero Naam“, “Allah Tero Naam“, “Meri Sun Le Araj Banwaari“, and the immortal “Aan Milo Aan Milo Shyam Saanwre“.
Then there is the philosophical Sahir too, exemplified in songs like “Aage Bhi Jaane Na Tu“.
A recurring theme in his writing is the mother-child relationship, maybe based on his own experiences in life. It is well-known that he was particularly close to his mother – and chose her above his much more affluent father when he had to make a choice. So we see beautiful lyrics on mother-child in ‘Dhool Ka Phool’ (“Tu Mere Pyaar Ka Phool Hai“), ‘Mujhe Jeene Do’ (“Tere Bachpan Ko“), ‘Trishul’ (“Tu Mere Saath Rahega Munne“) – and I am sure some other films too.
Then there is the qawwaali Sahir. He excelled in them, with the qawwaalis of ‘Barsaat Ki Raat’, ‘Dharamputra’ and ‘Taj Mahal’ showcasing just some of his work.
And then there is the romantic Sahir. Yes, while he wrote about all other aspects of life, he did not come up short on what was bread-and-butter for most poets – romantic poetry. He could write the most romantic lines – the romantic songs of ‘Gumraah’ and ‘Hamraaz’, for example, just take your breath away. And not just these films – think of songs like “Parbaton Ke Pedon Par” from ‘Shagoon’, and on the same ‘parbat’ theme, “Ye Parbaton Ke Daayare” from ‘Vaasna’.
I can go on and on, discussing his songs, but I think I need to now come to the song for today. It is also a romantic song, but this time from very late in his career. It is no secret that in the 1970s, Sahir was disillusioned with the quality of lyrics on offer in Hindi cinema. Urdu, which offered so much richness to lyrics, was being phased out and replaced with more ‘chaalu‘ lyrics. In general, films (and music too, I might add) had become more loud and less, for want of a better word, classy.
He himself withdrew for a bit – and while he continued to work for the BR Chopra/Yash Chopra banners, he wasn’t as prolific as in the 60s. His disillusionment is probably best expressed in one of his most memorable songs of the decade – “Main Pal Do Pal Ka Shaayar Hoon“.
It is in this context one needs to see the song for today. It is from the 1980 film ‘Chehre Pe Chehra’, a film that makes its debut on the blog today. I remember this film being released – and being a flop. I haven’t seen the film – my understanding is, it’s based on the famous ‘Dr. Jekyll and Mr. Hyde’ story. Sanjeev Kumar plays the dual role. The song is a romantic song – and pleasant enough, even if it doesn’t quite scale to the level of his heady songs of the 1960s. Even so, in comparison to the fare around at the time, I’d say its lyrics are better than most other songs of the time. Of course this is just my personal opinion.
Let’s now listen to the song, sung by Sulakshana Pandit and Rafi Saab. Music is by N Datta, one of his most famous pairings. I leave it to you to judge for yourself what you make of this song. I quite like it.
Lyrics were provided to me by the ever-helpful and reliable Avinash ji. A big thanks to him. He makes it so much easier for me to just focus on the write-up itself.
Video (Partial)
Audio (Complete)
Song – Aaj Socha Hai Khayaalon Mein Bula Kar Tum Ko (Chehre Pe Chehra) (1980) Singer – Sulakshana Pandit, Mohammed Rafi, Lyrics – Sahir Ludhianvi, MD – N Datta
Sulakshana Pandit + Mohammed Rafi
Lyrics (Provided by Avinash Scrapwala)
aaj socha hai. . .
aaj socha hai
khayaalon mein bulaa kar tum ko
pyaar ke naam pe thodi si shikaayat kar len
aaj socha hai
aaj socha hai
khayaalon mein bulaa kar tum ko
pyaar ke naam pe thodi si shikaayat kar len
aaj socha hai
aise bichhade ho ke jaise kabhi milna hi nahin
aise bhoole ho ki jaise kabhi jaana hi na thha
ajnabhi ban ke agar yoon hi sitam dhaana thha
paas aana hi na thha paas bulaana hi na thha
aao toote huye
aao toote huye
khwaabon ki jiyaarat kar len
aaj socha hai ae
ranjishen bhi wahin palti hain
jahaan pyaar paley
pyaar hi jis se nahin
us se gilaa kya hoga
meri ummeed hai tu
teri tammanna main hoon
aur chaahat ki duaaon ka sila kya hoga
ranjishen bhool ke
ranjishen bhool ke
khwaabon ko haqeeqat kar len
aaj socha hai
kya kahoon main tumhen
kya samjha hai kya maana hai
meri chaahat ne tumhen
apna khudaa maana hai
apna hissa hi tumhe maine sadaa maana hai
jaan ko kis ne bhalaa tan se judaa maana hai
jaan aur tan se
jaan aur tan se naya ahd-e-mohabbat kar len
aaj socha hai
aaj socha hai
khayaalon mein bulaakar tumko
pyaar ke naam pe thodisi shikaa …
hmm hmm hmm hmmmm
hmm hmm hmm hmm hmm
hmm hmm hmm hmm hmm
hmm hmm hmm hmm hmm
aaj socha hai. . .
———————————————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————————————
आज सोचा है॰॰॰
आज सोचा है
खयालों में बुला कर तुमको
प्यार के नाम पे थोडी सी शिकायत कर लें
आज सोचा है
आज सोचा है
खयालों में बुला कर तुमको
प्यार के नाम पे थोडी सी शिकायत कर ले ए ए
आज सोचा है
ऐसे बिछड़े हो के जैसे कभी मिलना ही नहीं
ऐसे भूले हो कि जैसे कभी जाना ही नहीं था
अजनबी बन के अगर यूंही सितम ढाना था
पास आना ही न था पास बुलाना ही न था
आओ टूटे हुए
आओ टूटे हुए
ख़्वाबों कि ज़ियारत कर लें
आज सोचा है ए
रंजिशें भी वहीँ पलती हैं
जहाँ प्यार पले
प्यार ही जिससे नहीं
उस से गिला क्या होगा
मेरी उम्मीद है तू
तेरी तमन्ना मैं हूँ
और चाहत की दुआओं का सिला क्या होगा
रंजिशें भूल के
रंजिशें भूल के
ख़्वाबों कों हकीकत कर लें
आज सोचा है
क्या कहूँ मैं तुम्हे
क्या समझा है क्या माना है
मेरी चाहत ने तुम्हें
अपना खुदा माना है
अपना हिस्सा हि तुम्हे मैंने सदा माना है
जान को किसने भला तन से जुदा माना है
जान और तन से
जान और तन से नया अहद-ए-मोहब्बत कर लें
आज सोचा है
आज सोचा है
खयालों में बुला कर तुमको
प्यार के नाम पे थोडी सी शिका…
हम्म हम्म हम्म हम्मम्म
हम्म हम्म हम्म हम्म हम्म
हम्म हम्म हम्म हम्म हम्म
हम्म हम्म हम्म हम्म हम्म
आज सोचा है॰॰॰
Chhota sa ghar apna
Posted on: March 6, 2018
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3518 | Post No. : | 14131 |
“Charitraheen”(1974) was produced by Debesh Ghosh and directed by Shakti Samanta. The movie had Sharmila Tagore, Sanjeev Kumar, Yogita Bali, With Madan Puri, Asrani, Asit Sen, Arpana Chaudhary, Manmohan, Chandrashekhar,Utpal Dutta, Murad, Kundan, Raza Murad,Nandita Thakur, Dina Pathak, Lina D`Souza, Amala Sen, Kanu Roy, Sudarshan, Chhura, Ravi, Supariwala, C.L.Kavish, Rachindar, Satya Bannerji, Nazir Kashmiri, Shanker, Baby Sabiha, Samar Roy, with guest Appearances by Sujit Kumar, Tarun Kumar, Roshenara Calender and Anita Guha.
The movie had four songs in it. Three of these songs have been covered in the past.
Here are the details of the three songs that have already been showcased in the blog :-
|
Song Title |
Post No. |
Post Date |
| Dil se dil milne ka koi kaaran hoga | 39 | 26-Aug-08 |
| Teri meri meri teri yaari badi puraani | 12334 | 16-Aug-16 |
| Dil dai ke jaan le gaya | 14126 | 5-Mar-18 |
The songs covered so far included one club song, one expression of love song and one mujra cum diversion song. If one has some experience of Hindi movie songs, then onecan easily guess the genre of the missing song. If there is a club song and a mujra song then where is a song sung by the housewife , singing about domestic bliss ? 🙂
Indeed, the fourth and the final song from “Charitraheen”(1974) is a pativrata Bharteeya naari” genre of song. 🙂 It is sung by Lata. Anand Bakshi is the lyricist. Music is composed by R D Burman.
The song is picturised on Yogita Bali and Sanjeev Kumar, with Asrani also briefly visible.
Lyrics of this song were sent to me by Prakashchandra.
With this song, “Charitraheen”(1974) joins the list of movies that have all their songs covered in the blog.
Song-Chhota sa ghar apna (Charitraheen)(1974) Singer-Lata, Lyrics-Anand Bakshi, Md-R D Burman
Lyrics(Provided by Prakashchandra)
hmm hmm…hmm
hmmm…hmm hmm
chhota saa
ghar apnaa
chhotaa sa
ghar apnaa
apne jeevan ka sapnaa aaa
ye toot na jaaye sajnaa aaa
ye toot na jaaye sajnaa aaa
chhotaa sa
ghar apnaa
apne jeevan ka sapnaa aa
ye toot na jaaye sajnaa aaa
ye toot na jaaye
sajnaa
tere pyaari pyaari
ankhiyon mein kho ke
khud ko main
dhoondhaa karoon oon
ho
mann mandir mein rakh ke
piyaa teri moorat
din rain poojaa karoon
barson ki
poojaa se
miltaa hai pyaar itnaa aa
tu rooth na jaaye
sajnaa
sajnaa aaa
tu rooth na jaaye sajnaaa aa aa
chhotaa sa
ghar apnaa
apne jeevan ka sapnaa
ye toot na jaaye sajnaa aaa
ye toot na jaaye sajnaa aa aa
baabul ka ghar chhodaa
tujh se naataa jodaa
preetam teri
galiyaan sajaaoon oon hoon
apne iss aangan mein
palkon se chunn chunn ke
aashaaon ki kaliyaan bichhaaoon
dukh sukh ki
raaton mein
ye haath rahey haathon mein
sang chhoot na jaaye
sajnaa
sajnaa aaa
sang chhoot na jaaye
sajnaa aa
chhotaa sa
ghar apnaa
apne jeevan ka sapnaa
ye toot na jaaye sajnaa
sajnaaa aaa
ye toot na jaaye sajnaa aa aa
Dil dai ke jaan le gaya
Posted on: March 5, 2018
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3517 | Post No. : | 14126 |
“Charitraheen”(1974) was produced by Debesh Ghosh and directed by Shakti Samanta. The movie had Sharmila Tagore, Sanjeev Kumar, Yogita Bali, With Madan Puri, Asrani, Asit Sen, Arpana Chaudhary, Manmohan, Chandrashekhar,Utpal Dutta, Murad, Kundan, Raza Murad,Nandita Thakur, Dina Pathak, Lina D`Souza, Amala Sen, Kanu Roy, Sudarshan, Chhura, Ravi, Supariwala, C.L.Kavish, Rachindar, Satya Bannerji, Nazir Kashmiri, Shanker, Baby Sabiha, Samar Roy, with guest Appearances by Sujit Kumar, Tarun Kumar, Roshenara Calender and Anita Guha.
The movie had four songs in it. Two of these songs have been covered in the past.
Here is the third song from “Charitraheen”(1974) to appear in the blog. The song is sung by Asha Bhonsle. Anand Bakshi is the lyricist. Music is composed by R D Burman.
THe song is picturised as a mujra song cum diversion song. It is lip synced by Alpana Chaudhary while her performance is being witnessed by Manmohan and Sanjeev Kumar. It is clear to the movie vierers, but not to Sanjeebv Kumar that Manmohan and Alpana Chaudhary have together hatched a plan to get Sanjeev Kumar drugged and then relieve him of his valuables. and Sanjeev Kumar duly obliges.
Lyrics of this song, as well as other details, have been provided by Prakashchandra.
Song-Dil dai ke jaan le gaya (Charitraheen)(1974) singer-Asha Bhonsle, Lyrics-Anand Bakshi, MD-RD Burman
Lyrics(Provided by Prakashchandra)
dil daike
jaan lai gayaa aa aa aa
dil daike
jaan lai gayaa..aaa…aaa
dagaa be-imaan dai gayaa
dagaa be-imaan dai gayaa
dai gayaa
dagaa be-imaan dai gayaa
poorab dishaa se
chupke se aa ke
bindiyaa bhi looti
nindiyaa bhi looti
poorab dishaa se
chupke se aa ke
bindiyaa bhi looti
nindiyaa bhi looti
chain churaa ke
chain churaa ke
ho chain churaa ke
dil mein samaa ke
armaan bann ke
mehmaan bann ke
ghar ka saamaan
lai gayaa aa aa aa
ghar ka saamaan lai gayaa aaa aa aa
dagaa be-imaan dai gayaa
dai gayaa
dagaa be-imaan dai gayaa
peetal ki jhoothhi
de kar angoothhi
khaa khaa ke qasmein
karke yoon bas mein
peetal ki jhoothhi
de kar angoothhi
khaa khaa ke qasmein
kar ke yoon bas mein
ik din akele
haayye rey haayye rey haayye rey haayye rey
ik din akele
phoolon ke mele
kar ke bahaane
kaliyaan dikhaane
woh gulsitaan lai gayaa aaa aaa
woh gulsitaan lai gayaa aa aa aa
dagaa be-imaan dai gayaa
dai gayaa
dagaa be-imaan dai gayaa
dil daike jaan lai gayaa aa aa aa
dil daike jaan lai gayaa aa aa aa aa
dagaa be-imaan dai gayaa
dai gayaa
dagaa be-imaan
dai gayaa…aaa…aaa
rey ae ae ae ae
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3507 | Post No. : | 14089 |
“Dil aur Patthar”(1977) was directed by Kanak Mishra for Meena Movies Bombay. This “social” movie had Sanjeev Kumar, Meena Sharma, Jagdeep, Agha, Mukri, Bipin Gupta, Praveen Paul, Rajan Haksar, Master Raju, Ranjeet, Dhanraj, Nazeer Kashmiri, Hungama, Teerath, Uttam Sodhi etc in it, with Yogita Bali in a special appearance and with guest appearances by Jayshree T, Gulshan Arora, Jairaj, Paro and Kanhaiyyalal.
The movie had seven songs in it.
Here is the first song from “Dil aur Patthar”(1977) to appear in the blog. This song is sung by Rafi. Kaifi Azmi is the lyricist. Music is composed by Iqbal Qureshi.
The song is picturised as a “bailgaadi” song on Sanjeev Kumari. Yogita Bali is also visible in the picturisation.
With this song, “Dil aur Patthar”(1977) makes its debut in the blog.
Song-Mera pyaar jawaan dildaar jawaan(Dil aur Patthar)(1977) Singer-Rafi, Lyrics-Kaifi Azmi, MD-Iqbal Qureshi
Lyrics
hrr he he ahaa waah
hey
mera pyaar jawaan dildaar jawaan
aur mausam bhi hai deewaana
mera pyar jawa dildaar jawaan
aur mausam bhi hai deewaana
wo ishq to mera ishq nahin
raste mein jo chaahe ruk jaana
mera pyaar jawaan dildaar jawaan
aur mausam bhi hai deewaana
ye mast pawan
aa aa aa
haa haa
ye mast pawan dil ki dhadkan
jab gaanv mein leke jaayegi
wo kamre se bhaag ke aangan mein
aangan ke dwaare aayegi
ho ho
aa haa
sharmaayegi wo chhup jaayegi wo
sharmaayegi wo chhup jaayegi wo
nazron ko jo meri pahchaana
mera pyaar jawaan dildaar jawaan
aur mausam bhi hai deewaana
aha aha
kuchh saans ka dar
kuchh saans ka dar
kuchh gaanv ka dar
wo chhup ke nihaaregi mujhko
phailaayegi baahen chori se
nazron se pukaaregi mujhko
o ho
aa haa
seene se laga lega usko
seene se laga lega usko
ye matwaala
ye mastaana
mera pyaar jawaan dildaar jawaan
aur mausam bhi hai deewaana
roothhegi jo chithhi na likhne par
main raat se pahle mana loonga
pheeka sa bahut din se jaawan
un honthon se rang chura loonga
ho ho
aa haa
un zulfon pe qurbaan kaqli ghata
aa haa
un zulfon pe qurbaan kaali ghata
un aankhon pe sadke maikhaana
mera pyaar jawaan dildaar jawaan
aur mausam bhi hai deewaana
wo ishq to mera ishq nahin
raste mein jo chaahe ruk jaana
mera pyaar jawaan dildaar jawaan
aur mausam bhi hai deewaana
rr
hahaha
shabaash
beta chalo shabaash
Mohabbat ye mohabbat
Posted on: November 6, 2017
- In: "Dance under duress" song | "Villain's" den song | Devnagri script lyrics by Avinash Scrapwala | Duet | Lata song | Lata-Suresh Wadkar duet | Lyrics by Peevesie's mom | Lyrics contributed by readers | qawwali | Shammi Kapoor present (without lip syncing) | Shammi Kapoor songs | Songs of 1980s (1981 to 1990) | Songs of 1983 | Suresh Wadkar songs | Yearwise breakup of songs
- 2 Comments
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
‘Hero’(1983) was produced and directed by Subhash Ghai for Mukta Arts Limited, Bombay. Introducing newcomer pairs in lead roles was the in thing those day. It had started with ‘Bobby’(1973), which was followed by ‘Love Story’(1980), ‘Rocky’(1981) and then ‘Betaab’(1983).
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Paise ka khel niraalaa
Posted on: July 9, 2017
This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Today (9 july 2017) is the birth anniversary of Sanjeev Kumar (9 july 1938-6 november 1985), one of the true legendary actors of Hindi cinema.
Today, he would have been 79 – but sadly, he didn’t even get to live to the age of 50. He was just 47 when a heart attack took him away from this world, and from millions of his fans. Just like Guru Dutt (also coincidentally born on the 9th of July and who died way too early), Sanjeev Kumar’s death left a void in Hindi cinema.
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Log to mar kar jalte honge
Posted on: June 24, 2017
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Gauri” (1968) was produced by Sivaji Ganeshan and directed by A Bhimsingh for Sivaji Films Production, Madras. The movie had Sunil Dutt, Nutan, Sanjeev Kumar, Mumtaz, Rajendra Nath, Laxmi Chhaya, Urmila Bhatt, Leela Mishra, Ashim Kumar, Shivraj, Randhir, Shyamlal, Umesh Sharma, Sheikh, Rajendra Dara, Om Prakash etc in it.
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