Posts Tagged ‘Sanjeev Kumar’
Poorab disha se pardesi aaya
Posted on: November 16, 2019
- In: "pardesi" song | Blog century song | Blog ten year challenge (2009-2019) | Century songs for the blog | Devnagri script lyrics by Avinash Scrapwala | expression of love | Feelings of heart | Guest posts | Lata solo | Lata song | Lyrics by Prakashchandra | Lyrics contributed by readers | Post by Avinash Scrapwala | Song involving a snake | Songs of 1970s (1971 to 1980) | Songs of 1973 | Yearwise breakup of songs
- 5 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This is the 15300th song post in the blog
| Blog Day : | 4138 | Post No. : | 15300 |
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Blog 10-Year Challenge (2009-19) – Song No. 50
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Welcome all to this post under this series where I am presenting yet another song from the Seventies. The last post presented in this series was also presented by me that too was a song from the year 1973.
The song under discussion is also from a movie of 1973.
Ever since Atul ji started this series it has become my routine to regularly check for movies which are eligible to be discussed in the series in the forthcoming month. I try to find movies that triggers long dormant memories of those days, associated either with the movies or their songs.
I may not necessarily have watched all those movies. In some cases it is only the songs from these movies, frequently being played on the radio or loudspeakers may have left lasting memories in my mind.
The movie for today’s song is a case inn point. I have not watched this movie till now, but I remember its song ‘tere naam ka deewaana, tere dar ko dhoondhtaa hai’ which was arguably the most popular of all the songs of this movie, as it was frequently played on the radio then. I did not like this song those days. Nevertheless this was the song and not any other songs that I associate with its movie.
After many years I listened to ‘honi to hoke rahegi anhoni naa hoye’ and liked it very much.
One more song from this movie which was popular and was played on radio and loudspeakers is the song being presented today. It was only after I browsed the list for the pending songs from this movie that I get to know that this song was from this movie ‘Suraj Aur Chandaa’.
I was surprised when I find that this song has not been posted on the blog till now.
As mentioned above I had not watched this movie or its songs till now. It was during the preparation of this post that I watched the video of this song for the first time.
Despite their popularity, none of these songs made it to the annual list of ‘Binaca Geetmala’ of that year.
Before going into the song let us have a look on the movies represented on the blog ten years ago this day 16th November 2009;
Movies represented on the blog on 16.11.2009 (in descending order);
| Song | Movie title-Year | Remarks |
|---|---|---|
| Gaaon mein peepal peepal ki chhainyya | Suraj Aur Chandaa-1973 | 03 of 06 songs posted |
| Sajanwaa bairi ho gaye hamaar | Teesri Kasam-1966 | All Songs Covered in the blog |
‘Sooraj Aur Chandaa-1973’ or ‘Suraj Aur Chandaa’ was directed by T. Madhava Rao for ‘Suraj Films, Madras’. (It was a costume drama movie as mentioned in HFGK Vol V). It was produced by A.V. Subramaniam. It had Sanjeev Kumar, Meeta (new discovery), Sujeet Kumar, Jagdeep, Lakshmi Chhaya, Shyama, Jairaj, Sajjan, Krishna Kant, Mukri, Ram Mohan, Herucles, Lalita Kumari, Sujata, Mona, Kamal, Bhimraj, Arun Kumar, Prem Kumar, Ravindra and others. Banda makes a special appearance in this movie.
Story of this movie was written by B. Vittalacharya, and dialogues were written by Raj Baldev Raj. Editing of this movie was done by G.G. Krishna Rao.
The movie was passed by Censor Board on 22.05.1973.
This movie had total six songs penned by Anand Bakshi and composed to music by Laxmikant-Pyarelal. Lata Mangeshkar, Mohd Rafi, Mukesh and Suman Kalyanpur had given their voices to the songs in this movie.
Three out of the six songs have been posted on the blog earlier.
Today’s song is the fourth songsfrom this movie to appear on the blog. The song is picturized on Bindu and Sanjeev Kumar where Bindu is lip syncing in Lata Mangeshkar’s voice. Also, there are snakes around in the picturisation of this song.
I would request knowledgeable readers to throw more light on the movie and its songs.
Editor’s note:-This song was quite a well known and hummable song of 1970s. It was a song which one heard without necessaily being aware of its details.
From the lyrics, one would guess that a lady is singing about her beloved who has come from far off.
When one watches the picturisation, all such assumptions get thrown out of the window. What one watches in the picturisation is something mind blowing, inadvertently so.
The song is a “naagin” song, in which a “naagin” is singing this love song to her beloved. “Naagin” is played by Bindu and Sanjeev Kumar is her beloved.
“Naagin”(1954) provided the template of all “Naagin” movies, but this movie “Suraj Aur Chanda” (1973) takes that template to a different plane altogether.
In all other “Naagin” movies, a snake charmer (Sapera) plays the been and the female snake (invariably ichhaadhaari naagin) would turn into a human female and would then perform a dance.In this song, it is different. Here it is the snakes who play the “been” (yes seriously, just watch the picturisation). The snakes do not just play the been, they play the whole orchestra including instruments like Dholak, Tabla, Sitar etc as well. 🙂 And the lead snake Bindu performs the dance.
Snakes playing the music ! It is something unprecedented in the annals of Hindi movies ! I am not aware of any such instance in any other movie.
What an idea ! In my younger days, I would laugh at such a picturisation, but now, I can only be amused at the weirdly imaginative brain of the person behind the picturisation of this song.
This song deserves special recognition, especially for its picturisation.
We in this blog hereby make this song the century song of the blog.
THIS song is the 15300th song post in the blog. This song, marking the 153th century post of the blog is a “special” song in its own way. Picturisation of this song can keep people amused for hours ! 🙂
It appears that Laxmikant Pyarelal had specialised in being music directors of “Naagin” movies of that era. They would compose music for such well known “Naagin” movies like “Nageena”(1986)and “Nigaahen”(1989)” as well. These movies had Sridevi as the ichchaadhaari naagin. Remember ‘balma tum balma ho mere khaali naam ke’ 🙂 ?
So, with this amusingly picturised song, the blog completes another century. An agonisingly slow century that took 72 days. Very much in line with the slowing economy. 🙂
But on a different note, as many as 35 movies made their debut and three movies got YIPPEED during this period.
Thanks are due to all the supporters, well wishers, contributors, regulars and visitors whose continues support ensures that this musical bandwagon keeps chugging along on and on.
Song-Poorab disha se pardesi aaya (Suraj Aur Chanda)(1973) Singer-Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Chorus
Lyrics (Provided by Prakashchandra)
Poorab dishaa se pardesi aaya
Nainon ke raste man mein samaaya
Purab dishaa se pardesi aaya
Nainon ke raste man mein samaaya
Man ka wo meet ban ke ae
pritam ki preet ban ke
Preet ka geet ban ke
honthhon pe aaya
Poorab dishaa se pardesi aaya
Nainon ke raste man mein samaaya
Jab se wo aaya aa aa
neend naa aayi
Jab se wo aaya aa aa
neend naa aayi
neend jo aayi o Ram duhaayi
sapnon mein aa ke mujhe
neend se jagaaya aa aa
neend se jagaaya
Poorab dishaa se pardesi aaya
Nainon ke raste man mein samaaya
Aa aa aa aa aa
Aa aa aa aa aa
Aa aa aa aa aa aa aa aa
O o o o o o o
O o o o o o o
O o o o o o o o
O o o o o o o o
jhoom ke maine ae li angdaayi
jhoom ke maine ae li angdaayi
jab sapere ne been bajaayi
naagin pe jaane kaisa jaadu chalaaya aa
jaadu chalaaya
Poorab dishaa se pardesi aaya
Nainon ke raste man mein samaaya
Poochho naa meri ee prem kahaani
Poochho naa meri ee prem kahaani
Ban gayi main to o aisi deewaani
Saara zamaana uski yaad mein bhulaaya aa
Yaad mein bhulaaya
Poorab dishaa se pardesi aaya
Nainon ke raste man mein samaaya
Man ka wo meet ban ke ae
preetam ki preet banke
Preet ka geet ban ke
honthhon pe aaya
Poorab dishaa se pardesi aaya
Nainon ke raste man mein samaaya
—————————————————
(Devnagri Script lyrics (Provided by Avinash Scrapwala)
—————————————————–
पूरब दिशा से परदेसी आया
नैनों के रस्ते मन में समाया
पूरब दिशा से परदेसी आया
नैनों के रस्ते मन में समाया
मन का वो मीत बनके ए
प्रीतम की प्रीत बनके
प्रीत का गीत बनके
होंठों पे आया
पूरब दिशा से परदेसी आया
नैनों के रस्ते मन में समाया
जब से वो आया आ आ
नींद ना आयी
जब से वो आया आ आ
नींद ना आयी
नींद जो आयी ओ राम दुहाई
सपनों में आ के मुझे
नींद से जगाया आ आ
नींद से जगाया
पूरब दिशा से परदेसी आया
नैनों के रस्ते मन में समाया
आ आ आ आ आ
आ आ आ आ आ
आ आ आ आ आ आ आ आ
ओ ओ ओ ओ ओ ओ
ओ ओ ओ ओ ओ ओ
ओ ओ ओ ओ ओ ओ ओ ओ
ओ ओ ओ ओ ओ ओ ओ ओ
झूम के मैंने ए ली अंगडाई
झूम के मैंने ए ली अंगडाई
जब सपेरे ने बीन बजाई
नागिन पे जाने कैसा जादू चलाया
जादू चलाया
पूरब दिशा से परदेसी आया
नैनों के रस्ते मन में समाया
पूछो ना मेरी ई प्रेम कहानी
पूछो ना मेरी ई प्रेम कहानी
बन गयी मैं तो ओ ऐसी दीवानी
सारा ज़माना उसकी याद में भुलाया
याद में भुलाया
पूरब दिशा से परदेसी आया
नैनों के रस्ते मन में समाया
मन का वो मीत बनके ए
प्रीतम की प्रीत बनके
प्रीत का गीत बनके
होंठों पे आया
पूरब दिशा से परदेसी आया
नैनों के रस्ते मन में समाया
Ladki cycle waali
Posted on: November 6, 2019
- In: "bicycle" song | "Dholak" song | "Nok-Jhonk" song | "teasing" song | Asha Bhonsle Mahendra Kapoor duet | Asha Bhonsle songs | Duet | Guest posts | Harmonium song | Mahendra Kapoor songs | Post by Peevesie's mom | Songs of 1970s (1971 to 1980) | Songs of 1978 | Wedding ritual song | Wedding song | Yearwise breakup of songs
- 2 Comments
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4128 | Post No. : | 15286 |
hullo Atuldom
B. R. Chopra’s romantic comedy “Pati Patni Aur Woh”, based on the “seven-year itch” of Hollywood starring Marilyn Monroe made its blog debut on 25th February 2009 with the most famous song of the movie thhande thhande paani se nahaana chaahiye. After three years na aaj thha na kal thha was posted on the occasion of Kishore Kumar’s Birthdate. After almost a full year Sudhirji gave us this article on a song which can be called as a “movie inside a movie” song.
All the posts with these songs give us a fair idea of what a fun movie “Pati, Patni Aur Woh” was. Hence, I am not writing any gist of the movie. The idea to revisit this movie came as there are promos of a modern version of this movie being shown on Television these days. I found that there are five songs in the movie and three have been posted on the blog. On going through YouTube, I could find only four songs from the movie. (resolution: shall sit through the movie one of these days to see if it has the missing song). I remember that “o duniya ke rakhwale” was used in the movie, actually only one line of the mukhda, when Sanjeev Kumar wants to reset his alarm clock. That was in the voice of Mahendra Kapoor.
I am trying desperately to refrain from writing what a fine actor Harihar Jethalal Jariwala -popular as Sanjeev Kumar- was, or about his comic timing or about his smart looks and smile. I am also not going to list out the wonderful movies that he has acted in or how much I love seeing him in emotional scenes. We have a brilliant post by Sudhirji mujhko to qaatil ki itni pehchaan hai which will give us a picture of the kind of actor Haribhai (as his friends in the industry addressed him).
Today on the occasion of the 34th remembrance day of Haribhai we can have the last available song from “Pati Patni Aur Woh”. It is sung by Asha Bhonsle and Mahendra Kapoor, written by Anand Bakshi and Ravindra Jain was the composer. This lively song is at the wedding of friends of the lead couple, who later go ahead and get married (in the movie 🙂 ). The song kind of follows the qawwali format. This was one of the movies where Sanjeev Kumar acted his age and was not an aged person meaning senior citizen.
Song-Ladki cycle waali (Pati Patni Aur Woh)(1978) Singers-Mahendra Kapoor, Asha Bhonsle, Lyrics-Anand Bakshi, MD-Ravindra Jain
Lyrics
ladki cyclewaali
o o ladki cyclewaali
de gayi raste mein
hoye ae de gayi raste mein
ek pyaar bhari gaali
hoye ladki cyclewaali ee ee
gaali pe chhod diya aa aa
gaali pe chhod diya
aise deewaane ka
tum jaise deewaane ka
sar kyun nahin tod diya
ho o o gaali pe chhod diya aa aa aa
ek chaand sa mukhda hai
hoye ek chaand sa mukhda hai
jiske dupatte ka
ye ae jiske dupatte ka
ek reshmi tukda hai
tukda hai ji
ek chaand sa mukhda hai ae ae
badnaam toh karte ho
o o badnam toh karte ho
naam nahin lete
kyun naam nahi lete
kya maar se darte ho
hoye badnaam toh karte ho o o
kothe te kaanv bole
o bole kothe te kaanv bole
us din ko dekhu
main us din ko dekhoon
jis din tu haan bole
hoye kothe te kaaan bole
mumkin ye mail nahin ee ee
mumkin ye mail nahin
BA pass hoon main
o o BA pass hoon main
koi daswin fail nahi
ja ja mumkin ye mail nahi ee ee
shaabba shabba kudiye shawa
o mundiye shaabba shabba
kya naam tumhaara hai
ho o kya naam tumhara hai
umr toh khaasi hai
ho oo umr toh khaasi hai
ab tak tu kunwaara hai
hoo kya naam tumhara hai ae ae
tu jaldi
haye ni je
tu jaldi jawaan hoti
haye je tu jaldi jawaan hoti
toh shaayad tu hi
hoye toh shaayad tuhi
mere bachchon ki maan hoti
hoye tu jo jaldi jawaan hoti ee ee
- In: "beach" song | Aspirations of Love | Baag/Bagiya song | Devnagri script lyrics by Sudhir | Duet | expression of love | Feelings of heart | Guest posts | Happy song | Love song | Lover's tête-à-tête | Lyrics contributed by readers | Mahendra Kapoor songs | Mahendra Kapoor Usha Mangeshkar duet | Post by Sudhir | Songs of 1960s (1961 to 1970) | Songs of 1967 | Usha Mangeshkar songs | Yearwise breakup of songs
- 5 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4008 | Post No. : | 15114 |
If someone pops up the name Jethalal, and asks for an identification, I am sure you will be puzzled to start with. Yes, surely a strange name, that many of the folks interested in Hindi films, will not be familiar with. This name belongs to the dear and popular actor of Hindi films – Sanjeev Kumar. His full real name was Harihar Jethalal Jariwala. Ah yes, now very familiar, right? 🙂
Remembering Sanjeev Kumar on the anniversary of his birth today. Had he been alive, he would have been 81 years old, having been born in the year 1938.
Sanjeev Kumar – an out and out product of stage and theatre, started his acting career at a very young age with IPTA (Indian People’s Theatre Association) and later continued with Indian National Theatre. He was born in Surat. The family moved to Bombay when he was young. After attending a training program at a local acting school, he joined the theatre while still in his late teens.
From the theatre, the progression to films was but natural for a performer as talented as he was. His first appearance was in the film ‘Hum Hindustani’ of 1960, in which he played a very small role. His first film as a hero was ‘Nishaan’ in 1965. For a few years his assignments were confined to C grade stunt and fantasy films. Then he 1968, he graduated into A grade cinema, with a sizeable role the 1968 film ‘Sunghursh’, alongside the likes of Dilip Kumar, Balraj Sahni, Iftekhar, Ulhas and Jayant. This year became a turning point in his career – ‘Raja Aur Runk’ became a runaway success, and ‘Anokhi Raat’ became the debut film of our blog. 🙂
The most powerful thing about Sanjeev Kumar’s performances has been that he never allowed himself to be typecast into any straitjacket. Whatever may have been the stage of his career, he willy nilly took such diverse variety of roles, regardless of the age and the temper of the character. When he was just 22, he played the role of a 60 year old in a stage play, father of 6 children. Positive or negative, he was simply concerned with a sincere portrayal. In ‘Anokhi Raat’ he plays the role of a dacoit. His comic roles are unforgettable – ‘Seeta Aur Geeta’, ‘Pati Patni Aur Who’, ‘Manchali’, ‘Angoor’, ‘Namkeen’, ‘Manoranjan’ . . . you name it. The diversity and the versatility of his performances is what brought the audiences into the cinema halls, just to see his roles. And for a surprising change, the viewing public never rejected him for his variety,
Today’s song is from the 1967 film ‘Gunehgaar’. From the era when he was still in the C grade stunt and crime thrillers, ‘Gunehgaar’ is the film in which he plays the role of an upright police inspector. His love interest is Kumkum, who later turns out to be the daughter of Sheikh Mukhtar, a wanted gangster. The film takes certain interesting and predictable turns, given the specifics of the relationships, and it ends with note of ‘All Is Well, That Ends Well’.
The film is produced under the banner of Simla Productions, and is directed by R Thakar. The cast of actors includes Sheikh Mukhtar, Sanjeev Kumar, Kumkum, Bhagwan, Madan Puri, Uma Dutt, Neelam, Nandini, Tuntun, Sulochana Chatterjee, Lakshmi Chhaya, Kundan, Dilip Dutt, and Tiwari.
The film has six songs, one of which – “Aankhen Pyaasi Lab Hain Pyaase” is already showcased here on our blog. The songwriting credits are shared equally between Akhtar Romani and Naqsh Lyallpuri. This song is from the pen of Naqsh Lyallpuri. Music direction is by Vedpal.
The song comes in at the start of the romantic relationship between Sanjeev Kumar and Kumkum – it is that initial getting to know each other type of song, performed partly on a beach and partly in a garden. Singing voices are Mahendra Kapoor and Usha Mangeshkar. A liltling and a very hummable song. Listen and enjoy.
Song – Nai Nai Hain Manzilen Naye Naye Hain Raaste (Gunehgaar) (1967) Singer – Mahendra Kapoor, Usha Mangeshkar, Lyrics – Naqsh Lyallpuri, MD – Vedpal
Mahendra Kapoor + Usha Mangeshkar
Lyrics
nai nai hain manzilen
naye naye hain raaste
chale na jaana chhod ke
hamen khuda ke waaste
nai nai hain manzilen
naye naye hain raaste
ho chale na jaana chhod ke
hamen khuda ke waaste
nai nai hain manzilen
aaaa aaaaa aaaaaaa
aaaa aaaaa aaaaaaa
ik chaand humsafar mila
kitni haseen baat hai
wo haath khushnaseeb hai
jis mein tumhaara haath hai
hum aaj is tarah miley
dil ki haseen raah mein
laakhon hi chaand ho gaye
roshan meri nigaah mein
tamaam kaayenaat aa gai
meri panaah mein
nai nai hain manzilen
naye naye hain raaste
chale na jaana chhod ke
hamen khuda ke waaste
nai nai hain manzilen
aaaaa aaaa aaaaaa aaaa
aaaaa aaaa aaaaaa aaaa
jhukti hui nigaah mein
meri wafaa ka raaz hai
naghma bani hain dhadkanen
dil mera ek saaz hai
dekha jo tum ne pyaar se
har phool muskura diya
mehki hui bahaar ne
sajde mein sar jhuka diya
nisar mein us husn ke
jis ne khuda bhula diya
nai nai hain manzilen
naye naye hain raaste
chale na jaana chhod ke
hamen khuda ke waaste
nai nai hain manzilen
naye naye hain raaste
chale na jaana chhod ke
hamen khuda ke waaste
nai nai hain manzilen
aaaaa aaaa aaaaaa aaaa
aaaaa aaaa aaaaaa aaaa
ooooo oooo oooooo oooo
ooooo oooo oooooo oooo
hmmmm hmmm hmmmmmm hmmm
hmmmm hmmm hmmmmmm hmmm
——————————————
Hindi script lyrics (Provided by Sudhir)
——————————————
नई नई हैं मंज़िलें
नए नए हैं रास्ते
चले ना जाना छोड़ के
हमें खुदा के वास्ते
नई नई हैं मंज़िलें
नए नए हैं रास्ते
चले ना जाना छोड़ के
हमें खुदा के वास्ते
नई नई हैं मंज़िलें
आsss आssss आssssss
आsss आssss आssssss
इक चाँद हमसफर मिला
कितनी हसीन बात है
वो हाथ खुशनसीब है
जिस में तुम्हारा हाथ है
हम आज इस तरह मिले
दिल की हसीन राह में
लाखों ही चाँद हो गए
रोशन मेरी निगाह में
तमाम कायनात आ गई
मेरी पनाह मेँ
नई नई हैं मंज़िलें
नए नए हैं रास्ते
चले ना जाना छोड़ के
हमें खुदा के वास्ते
नई नई हैं मंज़िलें
आssss आsss आsssss आsss
आssss आsss आsssss आsss
झुकती हुई निगाह मेँ
मेरी वफा का राज़ है
नग़मा बनी हैं धड़कनें
दिल मेरा एक साज है
देखा जो तुमने प्यार से
हर फूल मुस्कुरा दिया
महकी हुई बहार ने
सजदे मेँ सर झुका दिया
निसार मैं उस हुस्न के
जिसने खुदा भुला दिया
नई नई हैं मंज़िलें
नए नए हैं रास्ते
चले ना जाना छोड़ के
हमें खुदा के वास्ते
नई नई हैं मंज़िलें
नए नए हैं रास्ते
चले ना जाना छोड़ के
हमें खुदा के वास्ते
नई नई हैं मंज़िलें
आssss आsss आsssss आsss
आssss आsss आsssss आsss
ओssss ओsss ओsssss ओsss
ओssss ओsss ओsssss ओsss
हम्ममम हम्म हम्मममम हम्म
हम्ममम हम्म हम्मममम हम्म
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3727 | Post No. : | 14667 |
Hullo all in Atuldom
Saw a good clean movie with a straight forward story today. The story was almost as if inspired from the life of Valmiki.
Let me begin at the beginning. As I was writing my previous post on Hrishikesh Mukherjee I went through the filmography and saw that I had missed out seeing Sabse Bada Sukh; Arjun Pandit; Naukri; Achcha Bura; Naamumkin (of the 70s and 80s) and a few from the earlier decades. So, I decided since I have the time I shall see one today. But before that I was looking for songs where Sachin Dev Burman and Majrooh Sultanpuri had collaborated and was also hoping that all the songs of this duo had not bee posted. And sure enough all the extremely popular albums – Paying Guest, Solva Saal, Lajwanti, Nau Do Gyarah, Chalti Ka Naam Gaadi etc- that the two have worked together on have made their appearance on the blog. So that left me with the 70s to put under the search engine (because post 31st October 1975 SD Burman was not there). The 70s have given us a few gems from this duo- Phagun, Abhimaan, Sagina, Arjun Pandit etc. and on running through “the list of songs moviewise and checking up the status of these movies I found we have one song posted from Arjun Pandit, all songs of Abhimaan, Phagun (3 out of 6) Sagina (all songs posted). That left only Arjun Pandit for my use. Then I checked up number of songs in the movie and one out of three are posted.
Bingo! Here is the next song. I sat through the uploaded version of the movie on YouTube – the actual movie might have been longer as the YouTube version had only two songs, so maybe some parts of the movie too, may have got edited on the way to the cyberworld. Was impressed by the star cast. More positive feelings when I saw the introduction of Bindu in the movie. And the good feeling didn’t diminish through the movie. Nothing could go wrong with the movie- after all Hrishikesh Mukherjee was the director, dialogues were by Gulzar, central character was played by Sanjeev Kumar. The rest of the cast were also good actors, even debutant actress Srividya (from the South Indian film industry).
A small introduction to Srividya. She was born in 1953 to the Carnatic classical singer M L Vasanthakumari and Tamil film comedian Krishnamurthy. She made her acting debut at a very young age as the family had financial problems as her father had to stop acting due to some illness. She was successful in all the four South Indian language cinemas. She was also an expert classical vocalist and had done playback singing in a few south movies. Her filmography says she has worked in 5 Bollywood movies and that “Jaise Ko Taisa” was her first Hindi movie. But the title card of “Arjun Pandit” says introducing “Srividya”. {Need experts to clarify this}.
Today’s song shows Srividya getting ready to receive her friend and Saajan. Very simple sweet lyrics by Majrooh Sultanpuri and simple orchestration by SD Burman. Only two singers were used in the movie- Kishore Kumar and Lata Mangeshkar. The Kishore Kumar song from this movie was posted on October 1, 2013 on the occasion of the lyricist and music director’s birthdate. {do we still have doubts about the birthdate of S D Burman as is mentioned by Bluefire in the comments to this posthttps://atulsongaday.me/2013/10/01/dil-mera-udaa-jaaye}
Oh, I just realized I have to explain about the Valmiki- inspiration angle to this movie. We have Sanjeev Kumar playing a henchman to the local Zamidaar (Rajan Haksar) who is dreaded by everyone in the village including his own daughter. Enter Ashok Kumar, as the doctor in the local village health centre and also a friend of the zamindar. His calm and loving nature inspires Sanjeev Kumar (Arjun Sardaar) to turn a new leaf, educate himself and make his daughter be comfortable when he is around. He goes on from being an illiterate strongman to a compassionate compounder to the doctor and finally also ends up looking after the family of the doctor as a responsible elder and family member would. So that then is the Valmiki part.
Song – Bolo Preetam, Kya Boli Thee Main Aage Re (Arjun Pandit) (1976) Singer – Lata Mangeshkar, Lyrics – Majrooh Sultanpuri, MD – SD Burman
Lyrics
ho oo ooo
oo oo ooo
bolo preetam
bolo preetam
kya boli thi main aage re
bolo preetam kya boli thi main
bolo preetam kya boli thi main aage re
bolo preetam kya boli thi main
bolo preetam
oo ooo
oooooooo
ooo oooo ooo
kahin bhi rooth ke jaaoge jaaoge
yahin pe laut ke aaoge aaoge
kahin bhi rooth ke jaaoge jaaoge
yahin pe laut ke aaoge aaoge
aaye na karke bahana piya
bolo preetam
bolo preetam
kya boli thi main aage re
bolo preetam
dekho na saans ulajh gayi na gayi na
agan si sulag gayi na gayi na
dekho na saans ulajh gayi na gayi na
agan si sulag gayi na gayi na
kahe ko garva se lipta liya
bolo preetam
bolo preetam
kya boli thi main aage re
bolo preetam kya boli thi main
bolo preetam kya boli thi main
bolo preetam
———————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
———————————————————
हो ओ ओs
ओ ओ ओs
बोलो प्रीतम
बोलो प्रीतम
क्या बोली थी मैं आगे रे
बोलो प्रीतम क्या बोली थी मैं
बोलो प्रीतम क्या बोली थी मैं आगे रे
बोलो प्रीतम क्या बोली थी मैं
बोलो प्रीतम
ओ ओs
ओsssssss
ओs ओsss ओs
कहीं भी रूठ के जाओगे जाओगे
यहीं पे लौट के आओगे आओगे
कहीं भी रूठ के जाओगे जाओगे
यहीं पे लौट के आओगे आओगे
आए ना कर के बहाना पिया
बोलो प्रीतम
बोलो प्रीतम
क्या बोली थी मैं आगे रे
बोलो प्रीतम
देखो ना सांस उलझ गई ना गई ना
अगन से सुलग गई ना गई ना
देखो ना सांस उलझ गई ना गई ना
अगन से सुलग गई ना गई ना
काहे को गरवा से लिपटा लिया
बोलो प्रीतम
बोलो प्रीतम
बोलो प्रीतम क्या बोली थी मैं
बोलो प्रीतम क्या बोली थी मैं
क्या बोली थी मैं आगे रे
बोलो प्रीतम
Sajna Mera Jiyara Jaley
Posted on: September 24, 2018
- In: Asha Bhonsle solo | Asha Bhonsle songs | Aspirations of Love | Baag/Bagiya song | Calling the beloved | Devnagri script lyrics by Sudhir | expression of love | Feelings of heart | Guest posts | Love song | Lyrics contributed by readers | Post by Sudhir | Songs of 1960s (1961 to 1970) | Songs of 1969 | Yearwise breakup of songs
- 5 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3720 | Post No. : | 14655 |
My affair with Tanuja (one of the many that I had during my school years) started when I first saw her in a film on Doordarshan. If I remember correctly, it was ‘Bahaaren Phir Bhi Aayengi’ from 1966. The song was “Aapke Haseen Rukh . . .”. The way this song is filmed, Tanuja looks such a pretty enchanting young lady, as the camera pans in on her with sunlight behind, the rays of the sun diffracting from her open tresses. At that time, I did not even know her name. Just that face, and the vision of sunlight reflecting from her hair, and I lost my heart to her.
Next meeting with her was probably ‘Jewel Thief’ (1967). Being a supporting role, she was on the screen much lesser than the leading lady. And I still did not know her name – I had not yet learnt to remember the names in the credits at the beginning of the film and then mapping them to the actual people who appeared on the screen.
The encounters were infrequent; but the enchantment would continue for some more time, occasionally reinforced by chance photos in Filmfare or Madhuri magazines, and songs in Chitrahaar. It would be much, much later that I would pick up the earlier threads with films like ‘Hamaari Yaad Aayegi’ (1961), ‘Mem Didi’ (1961), ‘Benazir’ (1964) and ‘Nai Umar Ki Nai Fasal’ (1965), ‘Anubhav’ (1971), ‘Haathi Mere Saathi’ (1971), ‘Door Ka Raahi’ (1971) and ‘Do Chor’ (1972). In the contemporary mode, I met her again in ‘Imtihaan’ (1972) and ‘Hamraahi’ (1974). And fell in love all over again with “O Mere Dil Ke Chain. . .” – ‘Mere Jeevan Saathi’ (1972); while still struggling to get into my teens. 🙂
Tanuja – the naughty, sometimes ferocious, playful, mischievous – an incisive smile and a twinkling gleam in the eyes. The best image in the mind is when she makes changes to her household in ‘Anubhav’, and Sanjeev Kumar comes home from work, and she opens the door, grabs him by his necktie and pulls him behind her into the house. Or her first encounter with Vinod Khanna in ‘Imtihan’ and she drenches him by mistake, with the garden hose. Many such images overflow in the mind – including the startling somewhat senior role of Padmini Kolhapure’s elder sister in law in ‘Prem Rog’ (1982). That was sure a let down to the discerning teen-end mind, who believed that Tanuja could never, would never grow up from her impish presence. A teen-age heart shattered, and a puppy love story spun off into oblivion. 😦 🙂
Tanuja – the second daughter of Shobhna Samarth, and younger sister of Nutan, was born in Bombay on 23rd Sep, 1943. Into the films as a child artist by 1950, she made her maiden appearance as Nutan’s younger sister on screen in ‘Hamari Beti’ (1950). She continued to appear in films as a child artist. Her first senior romantic role was in 1961 – Kedar Sharma’s film ‘Hamari Yaad Aayegi’. And then a progressive career that continues to be active till the present time. She is 75 years (as of yesterday).
A grand happy birthday to Tanuja, as I remember my puppy crush on her with the lines I used to hum for her – “Yaari Ho Gai Yaar Se Lak Tunu Tunu”. 😀
You wouldn’t believe it, but I was totally unaware till the time yesterday as I started checking out the available material on her life and career, that she is Kajol’s mother. You can call me anything, but that is the fact that is. 😀
In my opinion, the film ‘Gustaakhi Maaf’ (1969) is one of the best comedies of Hindi screen. I saw this film for the first time on Doordarshan (what else), sometimes in second half of 1970s. Tanuja in a double role, paired opposite to Sanjeev Kumar and Sujit Kumar, playing two artist brothers in the film, who own a photo studio shop.
The film’s twin role is Tanuja’s handiwork. Twin sisters separated at childbirth. One remains in the town, and the second one is taken away to another destination. Fate would have it, that after twenty years, the sister living away, returns to visit this town. In the town, the other sister is already quite fitfully romantically involved with Sujit Kumar, the elder of the two brothers. The appearance of the twin sister of course creates numerous hilarious problems, but the high point comes when the out of town sister falls for Sanjeev Kumar, the younger brother. These scenes are some of the best in the film – Tanuja is trying to woo Sanjeev Kumar out of genuine interest, and Sanjeev is horrified and appalled that his future sister-in-law, and the bride to be of his elder brother, is playing romantic hooky with him. With nobody the wiser, the situation creates confusions galore, as all well wishers get together and carry off the in-town sister to a mental asylum in a straight jacket, believing whole heartedly that the young lady is struck with the split personality syndrome. And when the senior doctor at the asylum turns out to be V Gopal, one can imagine what twists and turns the situations will take. By a directorial intervention, the out of town sister also appears at the asylum – she is in search of someone else. With both the twins now present in the hospital, and everyone still unaware of what the crux of the problem is, it does carry all the ingredients to carry the situation towards a hilarious climax extremum. Happy ending of course, all sorted out and the two brothers get twin sister wives.
The song presented with this post is from the passage that the out of town sister is trying to woo Sanjeev Kumar, who is completely convinced that his future sister in law is making an ‘illegal‘ pass at him. The lady wants a portrait to be done in a scenic setting. Convinced that his future sis in law has lost it, Sanjeev tries to humour her by going along with the charade. But once reaching the scenic spot, when the lady breaks into a song of longing, that is too much for Sanjeev, and he tries to wriggle his way out of the situation.
Seriously, if you have not yet watched this film, then add it your list of things to do before departing from the planet. Till about a couple of years ago, this film was extremely unavailable, and a rare possession. But today, it is available on YT, so the rarity angle is gone. However, the humorous confusions angle is still the prime draw for this film.
Song is written by Naqsh Lyallpuri, with music by Sapan Jagmohan. Singing voice is that of Asha Bhosle. And the fun part is watching Tanuja’s antics and expressions as she, armed with this song, tries to take on the fortifications of a bewildered young man. A real treat to watch.
Many happy returns of the day, Tanuja ji – may the laughter never cease.
Song – Sajna Mera Jiyara Jaley (Gustakhi Maaf) (1969) Singer – Asha Bhosle, Lyrics – Naqsh Lyallpuri, MD – Sapan Jagmohan
Lyrics
hmmmm mmmmm
mmmmmmm mmmmmmmm
la ra la ra laa
la ra laa..aa..aa
sajna mera
haaye
jiyara jaley
aa jhoom ke
badra taley
ik baar tu
lag ja galey
sajna mera
jiyara jaley
aa jhoom ke
badra taley
ik baar tu
lag ja galey
sajna mera
jiyara jaley. . .
chanchal pawan zulfen
bikhra gayi
daali mere tan ki
mehka gayi
mann mein agan
bhadka gayi
sajna mera
jiyara jaley
aa jhoom ke
badra taley
ik baar tu
lag ja galey
sajna mera
jiyara jaley. . .
aankhen kahen pyaara. . .
sapna hai tu
dil ye kahe mera. . .
apna hai tu
apna hai ya sapna hai tu
sajna mera
haan haan sach
jiyara jaley
aa jhoom ke
badra taley
ik baar tu
lag ja galey
sajna mera
jiyara jaley
aa jhoom ke
badra taley
ik baar tu
lag ja galey
sajna mera
jiyara jaley. . .
———————————-
Hindi script lyrics (Provided by Sudhir)
———————————–
हम्मममम म्ममममम
म्ममममममम म्ममममममम
ला रा ला रा ला॰॰॰
ला रा ला॰॰आ॰॰आ
सजना मेरा
हाय
जियरा जले
आ झूम के
बदरा तले
इक बार तू
लग जा गले
सजना मेरा
जियरा जले
आ झूम के
बदरा तले
इक बार तू
लग जा गले
सजना मेरा
जियरा जले॰ ॰ ॰
चंचल पावन ज़ुल्फें
बिखरा गई
डाली मेरे तन की
महका गई
मन में अगन
भड़का गई
सजना मेरा
जियरा जले
आ झूम के
बदरा तले
इक बार तू
लग जा गले
सजना मेरा
जियरा जले॰ ॰ ॰
आँखें कहें प्यारा॰ ॰ ॰
सपना है तू
दिल ये कहे मेरा॰ ॰ ॰
अपना है तू
अपना है या सपना है तू
सजना मेरा
जियरा जले
आ झूम के
बदरा तले
इक बार तू
लग जा गले
सजना मेरा
जियरा जले
आ झूम के
बदरा तले
इक बार तू
लग जा गले
सजना मेरा
जियरा जले॰ ॰ ॰
- In: "teasing" song | "wooing" song | Baag/Bagiya song | Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | Love song | Lyrics contributed by readers | Mukesh solo | Mukesh songs | playful song | Post by Sudhir | Songs of 1960s (1961 to 1970) | Songs of 1967 | Songs picturised at well known locations | Yearwise breakup of songs
- 1 Comment
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3692 | Post No. : | 14606 |
27th August – a traveling tour, a distant land, and an unexpected loss; a loss that is as numbing even today, as shattering as it was when it happened then. 1976, and a hotel in Detroit, USA. The soul of the voice and the voice of the soul – both were stilled forever. A life of just 53 years. And a singing career that was wonderfully placed. Both cut short by the matters of the heart – matters that could not be set right.
Today, we remember Mukesh, through his songs, in an effort to re-live the times. And to enjoy the listening pleasure that this voice still continues to be forty two years after his departure.
Mahesh ji’s wonderful selection “Yahaan Radha Kund Hai Shyam Kund Hai” from an obscure film ‘Subhash Chandra’ has already posted earlier in the day today. Here is one more song in the memory of this soulful voice.
The film is ‘Aayega Aanewaala’ from 1967. This film is produced and directed by Kewal Misra for his home company, Kewal Productions, Bombay. The list of actors reads as follows – Kumkum, Sanjeev Kumar, Sabita Chatterjee, Ram Mohan, Kundan, Rajan Haksar, Chaman Puri, Uma Khosla, Ravi Khanna, Bela Bose, Khairati, and Agha.
There are six songs in this film, all written by Naqsh Lyallpuri, and the music is composed by the duo of Sapan Jagmohan. One song of this film has already been posted here. This is the second song coming on board.
The filming location for this song is Simla (in Himachal Pradesh) – a very scenic and a popular vacation resort, right from the pre-independence days. The song is picturized as what appears to be a picnic song. Sanjeev Kumrar is wooing and teasing Kum Kum, telling her that he is a seasoned player, and that he is not easily perturbed.
The song is a lively, playful song. In the voice of Mukesh, it becomes more endearing. The voice suits all types of emotions – even naughty playfulness. Listen and enjoy.
Song – Hum Wo Nahin Jo Aapke Kadmon Mein Dil Ko Rakh Den (Aayega Aanewaala) (1967) Singer – Mukesh, Lyrics – Naqsh Lyallpuri, MD – Sapan Jagmohan
Lyrics
hum wo nahin to aapke
kadmon mein dil ko rakh den
hum ne zamaana dekha hai
hum ne zamaana dekha hai
hum wo nahin to aapke
kadmon mein dil ko rakh den
hum ne zamaana dekha hai
hum ne zamaana dekha hai
aise na hamen tum dekho
chehre se zulf hata ke
aise na hamen tum dekho
chehre se zulf hata ke
teri nazar ka raaz hain hum
bade zamaana saaz hain hum
hum ne zamaana dekha hai
hum ne zamaana dekha hai
hothon pe phool hansi ke
aankhon mein hayaa ka sagar
hothon pe phool hansi ke
aankhon mein hayaa ka sagar
badi haseen hain ye adaayen
kaho hamen na aazmaayen
hum ne zamaana dekha hai
hum ne zamaana dekha hai
tauba ye shokh jawaani
rangeen qayaamat ho tum
tauba ye shokh jawaani
rangeen qayaamat ho tum
tumhen kasam hai maan jaao
hamen ye tewar na dikhaao
kyon ke zamaana dekha hai
hum ne zamaana dekha hai
hum wo nahin to aapke
kadmon mein dil ko rakh den
hum ne zamaana dekha hai
hum ne zamaana dekha hai
———————————-
Hindi script lyrics (Provided by Sudhir)
———————————–
हम वो नहीं जो आपके
कदमों में दिल को रख दें
हमने ज़माना देखा है
हमने ज़माना देखा है
हम वो नहीं जो आपके
कदमों में दिल को रख दें
हमने ज़माना देखा है
हमने ज़माना देखा है
ऐसे ना हमें तुम देखो
चेहरे से जुल्फ हटा के
ऐसे ना हमें तुम देखो
चेहरे से जुल्फ हटा के
तेरी नज़र का राज़ हैं हम
बड़े ज़माना साज हैं हम
हमने ज़माना देखा है
हमने ज़माना देखा है
होठों पे फूल हंसी के
आँखों में हया का सागर
होठों पे फूल हंसी के
आँखों में हया का सागर
बड़ी हसीं हैं ये अदाएं
कहो हमें ना आज़माएँ
हमने ज़माना देखा है
हमने ज़माना देखा है
तौबा ये शोख जवानी
रंगीन क़यामत हो तुम
तौबा ये शोख जवानी
रंगीन क़यामत हो तुम
तुम्हें कसम है मान जाओ
हमें ये तेवर ना दिखाओ
हमने ज़माना देखा है
हमने ज़माना देखा है
हम वो नहीं जो आपके
कदमों में दिल को रख दें
हमने ज़माना देखा है
हमने ज़माना देखा है
Mausam Na Koi Bahaar Jaisa
Posted on: July 24, 2018
- In: 10th Anniversary Celebration Song | Celebration Song | Dance song | Devnagri script lyrics by Avinash Scrapwala | expression of love | Feelings of heart | Group Dance | Guest posts | Happy song | Kishore Kumar songs | Lyrics contributed by readers | Mahendra Kapoor songs | Post by Avinash Scrapwala | Song sung by three or more singers | Songs of 1970s (1971 to 1980) | Songs of 1979 | Yearwise breakup of songs
- 6 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3658 | Post No. : | 14521 |
ASAD 10th Anniversary Celebrations – 18
———————————————————————
#the Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # 70 #
——————————————
Congratulations to Atul ji and all team members on this tenth anniversary of this wonderful musical blog!!! Our beloved blog – ASAD – has completed ten years now and as expected the celebration has to be bigger and bigger. And other than this being a great achievement, it’s also the time to gear up for the next bigger celebrations i.e. 15000 posts, 20000 next and more. . .
For this special occasion, and as it was expected of, all members were asked to share their joy and happiness through write ups and songs. So, when the ‘circular’ 😊 to this effect was received in mail and the deadline was given I started to look for those special subjects close to heart, which can be shared here on the blog with songs on this special occasion. I started thinking over the main reason for me to be associated with this blog – which is nostalgia and specifically related to the movies of the ‘seventies’, and the years when I was growing.
When my association with this blog started, and I started sending contribution for lyrics, they were mainly the songs which have over the years been in my memory since childhood and/or those which I have been looking for all the years during which I grown up – songs that used to be there and were listened to during those years – the seventies. . . and continuing to the initial years of the ‘eighties’. . .
There was something special there in those years. I think that the decade of seventies, from the point of view of ‘History of Hindi Cinema’ was a very important decade since it has many things happening in those years. But since it is subject of a different post I will not go into the detail (which I wish to write) in today’s article here.
Next, I started thinking about the movies which made news or hits or were popular in those years, then the stars, and the directors who ruled the roost and enthral the audiences with their charisma and talent. . . If we look back now on this decade the very first thing that comes to our mind is the rise of Superstardom of Rajesh Khanna. But then in those years I was not the fan of Rajesh Khanna which I became much in the later years of the decade and in the starting years of the eighties.
And the movie watching years those bring back memories for me I think are 1973 (when I was five years old) to 1980 or 1981 to 1982 till I get into tenth standard. These years are very ‘nostalgic’ years for me I think, because many memories of movies and songs for me are from these years. So, what were the specialities of these years – ‘multi starrer movies’, ‘lost and found’ stories, ‘revenge stories’, ‘mythological movies too’, then we have ‘movies with dacoits looting the ‘gaon’ and the poor villagers’, etc. We were not the fan of any actor or actresses, we just loved to watch the movies whatever be the cast.
In my childhood, movies were the biggest entertainment other than outdoor sports, plays, then orchestras, radio and then there were movies. I vaguely remember that I always use to think the stars acting in movies were from a different planet and not like us. Then I used to think how a person who dies in a movie came back again in another movie?😊 And it took me sometime to understand the reality and come to know that the ‘stars’ are actually normal human beings like us.
Movies were the biggest fascination for us then and may be for many like me. From buying tickets for a movie and getting entry into the theatre and then the darkness surrounding gradually and starting the ‘newsreel’ everything was mesmerizing. Sometimes if we got delayed we had to enter in the darkness and then the gate-keeper will come and guide us the way signalling with a torch. And after the ‘newsreel’ (always in black and white 😊) finally the censor certificate of the movie which we eagerly await to the titles of the movie – all fascinating and spellbinding.
Then as I have mentioned earlier we brothers used to collect the cut pieces of films of movies and try to watch them after magnifying from a small mirror (sometimes a piece of mirror) to reflect the sunlight and finally projecting on a piece of cloth (preferably white) in a room which was covered to create darkness even in a daylight outside. I also remember that there was the advertisement for the 16mm projectors in newspapers and magazines which always attracted me and I was always thinking of buying one 😊 (which was not possible and never became possible) 😊.
Reading about movies and stars in print media and discussions about movies and the personal likes and dislikes among friends/groups was almost a routine. And yes, the ‘booklets’ for the songs of the movies, though I don’t remember to have bought many but yes we used to buy them and sing the songs reading from it 😊
Every summer vacation was special and awaited because of movie watching only. It was the main attraction of the vacations as we used to travel to stay with paternal grandparents and cousins would also gather from different places and together we used to watch movies in theatres – ah, how wonderful those were the days!!!
Sometimes on Sundays or a holiday we would even watch back to back movies to utilise the time as we have to travel back to our colony around 25 kms from the district place. The today’s movie we are discussing was passed by the Censor Board on 06.04.1979 and in all possibility, I am sure that I watched it in that ‘summer vacation’ that year. We children were very crazy about watching movies and I think this continued so far till ‘Laawaaris’ (1982) where I remember to get the tickets I joined the long queue which was I think around 500 metres from the ticket window, and it was already on the road where we sat in the queue for a long time 😊.
Recollecting it now all that happened seems to be very crazy and exciting. And I had to share this one incident when I was beaten up by my father as I was disappointed and started shedding tears for not getting ticket to watch a movie as it became house full. The movie was ‘Jaani Dushman’ from 1979. It was directed by Rajkumar Kohli who has given us many multi starrer movies and I have watched many of them viz. ‘Nagin’ (1976), ‘Jaani Dushman’ (1979), ‘Naukar Biwi Ka’ (1983), ‘Raaj Tilak’ (1984), ‘Jeene Nahin Doonga’ (1984), and ‘Insaniyat Ke Dushman’-1987’. After that I think I have not watched any movies from this production house.
At first, for this post I was thinking of a song from a Manmohan Desai movie or a song from a ‘multi starrer movie’, but selected this movie because to watch it I had to first undergo my father’s fury 😊. How is that possible? Was the movie was not for children? Yes, it was not for us – children – then to watch this movie, because it was released with an ‘A’ certificate (released with restricted viewing) 😊. But, I can now guess that may be on my insistence my father may have been somehow agreed to allow us to watch the movie.
However, we could not get the tickets as the show was house full and we – me and my younger brothers were standing watching movie posters – I got disappointed and tears rolled my eyes and the next moment was darkness in front of my eyes because my father had slapped me since I started crying for watching a movie. Later on, my father called me separately and told me to go alone next day to watch the movie and don’t take my younger brothers with me since they will be frightened, as the movie was said to be a ‘HORROR’ movie 😊. Next day I watched the movie and never feel scared while watching the movie, as the movie was making news as a ‘horror’ movie or like that. I was just above eleven years old then 😊.
I don’t remember having watched this movie again after that, either on TV or in theatre. Watching a suspense thriller again doesn’t generate the same interest and thrill. However, I think I should watch it for nostalgia and to enjoy its beautiful songs again. This movie has some very good songs and so far, only two of its songs have been posted on the blog. And when I go through these two posts by Atul ji I find he also had expressed similar feelings about this movie and he had also watched it as a ‘non-adult’, but still he was elder than me then 😊.
The song I present today is a ‘happy song’ to suit our celebration mood and reviving the nostalgia. In the movie too it occurs in celebration after Bindiya Goswami’s marriage and her ‘doli’ not being looted and the ‘dulhan’ not getting killed by the ‘Jaani Dushman’ 😊. The pitcturisation of this song has some typical specialities of that period – the village, the celebration, the grandeur and the music and the multi star cast. . . And over and above all we have Sanjeev Kumar and Shatrughan Sinha in their ‘own style’ 😊 and with so many other artists present in this song. The orchestra music by Laxmikant-Pyarelal makes it very special and nostalgic to revive those memories. . .
So, let us enjoy this song and revive some ‘bhooli bisri yaadein’. . . on this special occasion 😊
And actually, in the flow of the song I was thinking,
blog nahin koi ASAD jaisa
leader nahin koi mere ‘leader’ jaisa
editor nahin koi hamaare ‘editor’ jaisa
aur ‘contributor’. . .
nahin koi hamaari team jaisa 😊
Song – Mausam Na Koi Bahaar Jaisa (Jaani Dushman) (1979) Singer – Kishore Kumar, Mahendra Kapoor, Asha Bhosle, Lyrics – Verma Malik, MD – Laxmikant Pyaarelal
Female Chorus
Male Chorus
Lyrics
arey sun bhai sadho
bol re madho
sun bhai sadho
arey bol re madho
ho ho ho ho ho o
ho ho ho ho ho o
chhum chhum chhanana na na
chhum chhum chhum
ho ho ho ho ho o
ho ho ho ho ho o
chhum chhum chhanana na na
chhum chhum chhum
ho ho ho ho ho o
ho ho ho ho ho o
mausam na koi bahaar jaisa
tohfa na phoolon ke haar jaisa
saaz na koi sitaar jaisa
raag na koi malhaar jaisa
haan aa
heera nahin kohinoor jaisa
haan
parbat nahin koh-e-toor jaisa
haan
meethha na koi khajoor jaisa
haan
meva na dekha angoor jaisa
jaanch liya parakh liya
soch liya
gaur kiya
rishte bhi dekhe
naate bhi dekhe
naata naa koi pyaar jaisa
suraj bhi dekha
chanda bhi dekha
par dekha naa saiyyaan hamaar jaisa
dekha naa saiyyaan hamaar jaisa
naata nahin koi pyaar jaisa
dekha naa saiyyaan hamaar jaisa
dekha naa saiyyaan hamaar jaisa
roop tera kaagaz ki paati
dhoop lage murjhaaye
hey roop tera kaagaz ki paati
dhoop lage murjhaaye
aa tujhko palkon mein rakh loon
daal baahon ke saaye
roop gori tera patang jaisa
arey ang nahin tere ang ang jaisa
he rang nahin hothon ke rang jaisa
haan
sang nahin sajna ke sang jaisa
jaanch liya parakh liya
soch liya
gaur kiya
dil bhi dekhe dilwaale bhi dekhe
dil nahin dekha dildaar jaisa
raje bhi dekhe
mahaaraje bhi dekhe
par dekha naa saiyyaan hamaar jaisa
dekha naa saiyyaan hamaar jaisa
naata nahin koi pyaar jaisa
dekha naa saiyyaan hamaar jaisa
dekha naa saiyyaan hamaar jaisa
ho
ho ho ho ho
ho
ho ho ho ho o o
ho
ho ho ho ho o o
ban ke main sapna suhaana
teri neendon mein kho jaaun
he ban ke main sapna suhaana
teri neendon mein kho jaaun
main pyaar ki chandni mein ji chaahe so jaaun
kyunki
dukh naa judaai ki maar jaisa
sukh nahin dil ke qaraar jaisa
yaar nahin koi mere yaar jaisa
haan
jantar bhi dekhe mantar bhi dekhe
jaadoo naa koi pyaar jaisa
preet bhi dekhi
preetam bhi dekhe
par dekha na saiyyaan hamaar jaisa
dekha naa saiyyaan hamaar jaisa
naata nahin koi pyaar jaisa
dekha naa saiyyaan hamaar jaisa
dekha naa saiyyaan hamaar jaisa
———————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————
अरे सुन भाई साधो
बोल रे माधो
सुन भाई साधो
अरे बोल रे माधो
हो हो हो हो हो ओ
हो हो हो हो हो ओ
छुम छुम छनन न न
छुम छुम छुम
हो हो हो हो हो ओ
हो हो हो हो हो ओ
छुम छुम छनन न न
छुम छुम छुम
हो हो हो हो हो ओ
हो हो हो हो हो ओ
मौसम न कोई बहार जैसा
तोहफा न फूलों के हार जैसा
साज़ न कोई सितार जैसा
राग न कोई मल्हार जैसा
हाँ आ
हीरा नहीं कोहिनूर जैसा
हाँ
परबत नहीं कोह ए तूर जैसा
हाँ
मीठा न कोई खजूर जैसा
हाँ
मेवा न देखा अंगूर जैसा
जांच लिया
परख लिया
सोच लिया
गौर किया
रिश्ते भी देखे
नाते भी देखे
नाता ना कोई प्यार जैसा
सूरज भी देखा
चंदा भी देखा
पर देखा ना सैंय्या हमार जैसा
देखा ना सैंय्या हमार जैसा
नाता नहीं कोई प्यार जैसा
देखा ना सैंय्या हमार जैसा
देखा ना सैंय्या हमार जैसा
रूप तेरा कागज़ कि पाती
धुप लगे मुरझाये
हे धुप लगे मुरझाये
आ तुझको पलकों में रख लूं
डाल बाहों के साए
रूप गोरी तेरा पतंग जैसा
अरे अंग नहीं तेरे अंग अंग जैसा
हे रंग नहीं होठों के रंग जैसा
हाँ
संग नहीं सजना के संग जैसा
जांच लिया परख लिया
सोच लिया
गौर किया
दिल भी देखा दिलवाले भी देखे
दिल नहीं देखा दिलदार जैसा
राजे भी देखे
महाराजे भी देखे
पर देखा ना सैंय्या हमार जैसा
देखा ना सैंय्या हमार जैसा
नाता नहीं कोई प्यार जैसा
देखा ना सैंय्या हमार जैसा
देखा ना सैंय्या हमार जैसा
हो
हो हो हो हो
हो
हो हो हो हो हो ओ
हो
हो हो हो हो हो ओ
बन के मैं सपना सुहाना
तेरी नींदों में खो जाऊं
हे बन के मैं सपना सुहाना
तेरी नींदों में खो जाऊं
मैं प्यार कि चांदनी में जी चाहे सो जाऊं
क्यूंकि
दुःख ना जुदाई कि मार जैसा
सुख नहीं दिल के करार जैसा
यार नहीं कोई मेरे यार जैसा
हाँ
जंतर भी देखे
मंतर भी देखे
जादू ना कोई प्यार जैसा
प्रीत भी देखि
प्रीतम भी देखे
पर देखा ना सैंय्या हमार जैसा
देखा ना सैंय्या हमार जैसा
नाता नहीं कोई प्यार जैसा
देखा ना सैंय्या हमार जैसा
देखा ना सैंय्या हमार जैसा
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