Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘D N Madhok


“Pehle Aap” (1944) is a movie that came as a critic juncture in the annals of Hindi movie music and it determined the course of action that Hindi movie music was to take. Songs of this movie as well as the other movies with music by Naushad were based on folk music. It was a major departure from earlier music which was based on classical rag based music. Music lovers loved this folk music based music. The classical music based songs too continued to be composed but it became clear that the key to win the public over was through folk music based songs.
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“Pehle Aap” (1944) was one of those early movies which decided the course of action that future Hindi movie music was to take. This movie, like other movies where Naushad was the music director, had its music based on folk music, and that enabled public to readily connect and identify with this music.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

‘baalam to pe sabar padey, moraa maikaa chhudaaye deenhon raam’

“O dear sweetheart, you have made me relinquish my mother’s home, hope you are now pleased and satisfied”

More than ‘Gham diye mushtaqil kitna naazuk hai dil (Shahjahan). . .’, and ‘Jab dil hi toot gaya(Shahjahan). . .’, this unfinished song is a much more fitting signature song that suddenly defines the totality of Saigal Saab’s essence of spirit, and sums up his entire life in terms of the most relevant event of human existence – the final departure.
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When it comes to artists of 1940s, there was a plethora of two names. One name was Khursheed and another was Shyam. There were far too many persons being called Khursheed and Shyam. The onfusion was further enhanced by the fact that the two Shyams will act together in the movie and one Shyam would give playback for the other Shyam.
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