Posts Tagged ‘Jagmohan Sursagar’
Ek baar muskuraa do
Posted on: March 25, 2013
This article is written by Shekhar Gupta, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Recently our Mr. Sadanand Kamath has posted on this Blog two superb numbers by Jaganmoy Mitra, better known as Jagmohan Sursagar, together with rich information (and links) on this veritable ocean of melody. They are: O varsha ke pehle baadal from Meghdoot (1945), and a non-filmy song Mat kar saaj-singaar sundari.
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Mat kar saaj singaar sundari
Posted on: March 22, 2013
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Jagmohan Sursagar was known mostly for his non-filmy songs whether in Bengali or Hindi. After the success of his songs in ‘Meghdoot’ (1945), he collaborated with Faiyyaz Hashmi and Kamal Das Gupta for recording many non-filmy Hindi songs which became very popular. Faiyyaz Hashmi was a full time employee of EMI (HMV) at Calcutta. After bifurcation of British India, Faiyyaz Hashmi was transferred to Dhaka in 1947 and to Lahore a year thereafter to strengthen the office which was affected by the migration of many of its artists to India. With this, the collaboration of these trios virtually came to an end. Thereafter, Jagmohan Sursagar recorded some more Hindi non-film songs with different lyricists such as B C Madhur, Madhuraj, Rajinder Krishan etc. But most of these songs are silent on the name of the composer. It is believed that during this period, Jagmohan himself may have composed the music for most of his non-filmy songs.
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O varsha ke pehle baadal
Posted on: March 21, 2013
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
In the 30s and 40s, legendary singers like K C Dey, K L Saigal and Pankaj Mullick with their Hindi film and non-film songs mesmerized not only the people of Bengal but the whole of India. In fact,it was the K L Saigal-Pankaj Mullick duo who ruled the music scene in Calcutta (Kolkatta) in the 1940s. It was during this time that a new singer emerged in Calcutta who, with his solo song ‘o varsha ke pehle baadal meraa sandesaa le jaana’ in the film MEGHDOOT (1945) impressed the listeners very much. This song became the most popular song of the film. The singer was none other than Jagmohan Sursagar, born as Jaganmoy Mitra. The popularity of this song resulted in a collaboration of Jagmohan-Faiyyaz Hashmi-Kamal Das Gupta trio in bringing out some of the finest non-film Hindi songs which became even more popular than their filmy songs.
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This article is written by Ava Suri, a fellow enthusiast of Hindi movie music and a contributor to this blog.
Excuse me, I am going to boast a bit here. In my last post here, on Dil ko hai tumse pyaar kyun sung by Jagmohan, I had written that I used to listen to the songs again and again till I knew them by heart. The lyrics of this song that I present today have been recounted from my memory of that song. I was checking out the robust discussion in the comments section of the previous post, and struck my head when I read in the comments that the lyrics were by Faiyyaz. It should have clicked in my head, because the song below has the line ‘Faiyyaz ki badnaam mohabbat ko dua do’.
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Dil ko hai tumse pyaar kyun
Posted on: February 29, 2012
This article is written by Ava Suri, a fellow enthusiast of Hindi movie music and a new contributor to this blog.
When I was 20 I moved to Delhi and stayed with my aunt’s family in Delhi. She had a large family of 6 children. Four of her older children were married and had moved out of the house. Her youngest two, a boy and a girl, became my beloved companions. Love of art and sports ran in the family. My cousin worked for and played hockey for Northern Railways, in addition to that he sang beautifully. His younger sister drew and painted beautifully and worked as a commercial artist.
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Barkhaa ki raat mein he ho haa
Posted on: April 14, 2010
There are some songs about which I come to know by reading about them. But when I look for them, these songs are extremely elusive, as they are not available anywhere.
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