Posts Tagged ‘Jigar Muradabadi’
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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‘Beraham’ (1980) was produced by K D Shorey and was directed by Raghunath Jhalani. The cast included Sanjeev Kumar, Mala Sinha, Shatrughan Sinha, Reena Roy, I S Johar, Keshto Mukherjee, Rinku Jaiswal, Manmohan, Raj Mehra, Dev Kumar, Helen, Padmini Kapila, Brahm Bhardwaj, Viju Khote etc. Moushumi Chatterjee made a special appearance in the role of a qawwali singer. It was a last film for Mala Sinha in a lead role.
Delhi-born Raghunath Jhalani started him filmy career in 1950s joining Bimal Roy as assistant director. He assisted him in about half a dozen films until Bimal Roy’s death. He debuted as an independent director in J Om Prakash’s ‘Aaye Din Bahaar Ke’ (1966). He directed 10 films, most of which were musical family dramas. It was a rare occasion for him when he admirably handled the genre of crime-action-thriller film, ‘Beraham’ (1980).
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3873 | Post No. : | 14892 |
Today (24 february 2019) is the 95th birth anniversary of Talat Mehmood (24 February 1924-9 May 1998).
Talat Mehmood sang some 450 songs in all which includes HFM as well as NF songs. This blog contains 377 of his songs. So we are only about 70 odd songs short of covering all Talat Mehmood songs in the blog.
Today, on this occasion, here is a non film song of Talat Mehmood. Like most NFS, this song too has superb lyrics which are penned by Jigar Muradabadi. The song is composed by Iqbal. The date of release in not known, and I have assumed it to be 1960.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
I am thankful to Ava Suri who, about a month back, had suggested to me to consider presenting a NFS ghazal ‘saaqi ki har nigaah pe bal khaa ke pee gaya’ (1965) sung by Rafi. Let me confess that I had missed listening to this great ghazal of Jigar Moradabadi all these years. This request gave me an opportunity to study in detail the ghazals of Jigar Moradabadi who was considered the last icon of classical Urdu poetry. He was such an interesting personality that I am tempted to write a full length article on him for the Blog which I will do in the near future.
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Koi ye keh de gulshan gulshan
Posted on: July 27, 2014
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
I had listened to most of the audio clips of Begum Akhtar’s ghazals and other semi-classical songs uploaded on YT. She had rendered ghazals of many well known Urdu poets like Ghalib, Mir, Daagh, Momin Khan Momin, Faiz Ahmed Faiz, Jigar Moradabadi, Firaq Ghorakhpuri, Behzad Lucknowi etc. In the later part of her singing carrier, she sang ghazals of the then emerging poets like Shamim Jaipuri, Shakeel Badayuni, Kaifi Azmi, Sudarshan Faakir, Amir Qabalbash etc. Jigar Moradabadi was one of her favourite poets. Begum Akhtar started singing his ghazal sometime in the second half of 30s when Jigar was already popular among the mushiara audience because of his captivating style of rendering his poetry. Because of his popularity, he was called ‘people’s poet’.
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Ishq ne todi sar pe qayaamat
Posted on: July 13, 2014
This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Atul Song-A-Day 10K Song Milestone Celebrations – 18
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The occasion is upon us. It is the 10000 song milestone in the blog. A celebration of a trail, which one wishes never ends till the end of days.
Ek ravish pe chalen kuchh nishaan chhoden
Rahe na rahen hum, naghme sadaa rahen
And here I am trying not to be emotional and be the usual matter of fact self. I dont know where this post is to fit with all the planned special posts for the grand event.
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Wo jo roothhen to manaana chaahiye
Posted on: April 25, 2013
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Most of us are aware that a ghazal is a series of couplets (she’rs), each one being independent of others. In fact each she’r is a poem by itself. So theoretically, she’rs written by different poets (shaayars) can be woven to make it a ghazal. This is easier said than done as there are other parameters to make it a traditional ghazal. Normally, there are five essential aspects of a traditional ghazal. They are
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