Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Mukesh


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this song.

In Hindi films we find a variety of songs. Love songs, Happy songs, Sad songs, Comedy songs, Birthday songs, patriotic songs, Chorus songs, prayers, Lories, Bhajans and many more types.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

For the past few days, I have been going through the poems of Amir Khusrau. Fortunately, most of his poems are available on the internet with English translation. His love poems, riddles, dohas (couplets in Hindwi), qawwalis etc are very absorbing. I feel, it will not be an exaggeration to say that the trigger for the first literary renaissance especially in northern India was witnessed during the time of Amir Khusrau. He was one among the first in elite class to propagate the use of an Indian vernacular language in his poems which he called Hindawi ( mix of Hindi and its subsidiary dialects). I am not sure but the development of Urdu language in later years may have come as a continuum from Hindwi language.
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“Pehchaan” (1970) was produced and directed by Sohanlal Kanwar. The movie had Manoj Kumar, Babita, Balraj Sahni, Sulochana, Sunder, Sailesh Kumar, Chand Usmani, Tiwari, Asit Sen, Mohan Choti, Daisy Irani, Lata Bose, Madhui Apte, C S Dubey etc in it.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

A romantic song in the garden, with the hero and heroine moving between the flowers and around the trees, has been almost a fixture in the formula of social drama movies, almost from the word go. A difference that one can point out that in 30s and 40s, for such songs, the lead pair would be more sober with their movements, and probably be singing with very little movements. This changed in the 50s and 60s, when dancing, running and chasing each other became important elements of picturization of such songs.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In a book ‘Vedanta Treatise’ I have with me, four types of yogas have been prescribed for attainment of salvation. They are Bhakti (devotion), Gyaana (knowledge), Karma (activity) and Hata (compulsion). It is generally believed that devotion is the mother of all other yogas. Without devotion, all other yogas would be incomplete for attaining the objective. In this context, I recall an introduction by late C Rajagopalichari on a LP of M S Subbulaxmi’s immortal ‘Bhaj Govindam-Vishnu Shashtranamavali and I quote a part of it from the CD I have with me:
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

My attachment to Lord Shiva is from a very young age. We resided in Hyderabad, but my father did his Law graduation from Nagpur. While at Nagpur,h e got introduced to some revolutionaries and he too joined them.
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