Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Nyay Sharma


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Kinaare Kinaare”(1963) is an obscure movie by now. The making of this movie makes for an iteresting reading.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Kinaare Kinaare”(1963) was a movie that took too long to get completed. The reasons for the delay of this movie is more interesting that the story of this movie itself.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Kinaare Kinaare” (1963) was produced and directed by Nyay Sharma, a poet and lyricist.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Anjali” (1957) was a Kalakunj Production movie. It was directed by Chetan Anand. The movie had Chetan Anand, Sheila Ramani, Mehmood, Sitara, Nimmi, V. S. Thapa, Sapru, Kumkum, Krishna Dhawan, Kammo, Jagdish Raaj, Misra etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Kinaare Kinaare” (1963) was a labour of love for Nyay Sharma, a poet and lyricist. This venture turned out to be a nightmare for him and it ruined him.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Anjali” (1957) was a Kalakunj Production movie. It was directed by Chetan Anand. The movie had Chetan Anand, Sheila Ramani, Mehmood, Sitara, Nimmi, V. S. Thapa, Sapru, Kumkum, Krishna Dhawan, Kammo, Jagdish Raaj, Misra etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Anjali” (1957) was a Kalakunj Production movie. It was directed by Chetan Anand. The movie had Chetan Anand, Sheila Ramani, Mehmood, Sitara, Nimmi, V. S. Thapa, Sapru, Kumkum, Krishna Dhawan, Kammo, Jagdish Raaj, Misra etc in it.
Read more on this topic…


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

If I were to ask the question ‘what was the common between Shailendra, Jaan Nisar Akhtar and Nyay Sharma’, the obvious answer is that they were lyricists for Hindi film songs during the golden era of Hindi film music. There is one more commonality between them. All of them tried their hands in producing a Hindi film in the 1960s which resulted in great financial strains on them from which they did not fully recover. In fact, after the release of their films, their careers as lyricist was on the downhill and in case of Shailendra, it ended with his untimely death.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In the late 60s, there was a time when I would watch one Hindi film almost every week-end in the theatre. The one aspect of the films which used to irritate me at that time was actors suddenly going into singing mode thus interrupting, like a speed breaker on the highway, the smooth flow of the narration. Some people would even walk out of the theatre as soon as the song started on the screen and come back only after the end of the song. Of course the audience would not do that when a song is melodious and well picturised.
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