Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Sajjad Hussain


When I watch many movie titles and story lines of old movies, I notice that many of them could not be made today because they would be regarded as politically incorrect in these days of being politically correct. I do not think we can have songs mentioning Bombay, Madras etc nor can we describe people as Junglee, blind, langdaa etc without invoking the wrath of some group of people or the other.
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” This song is like a whiff of cool breeze, or one can describe it like sea waves continuing to follow one after another. The way he has composed it is an object lesson in music composition..” It is Anil Biswas waxing eloquent about this composition of Sajjad Hussain in a radio programme.
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I became aware of this song only recently when I read a review of “Rustam Sohrab” (1963) at MemsaabStory . The Prince of Turannak hatches a plot to Kidnap the Shah of Iran at the behest of the king of Mazandaraan. The prince goes to Shah’s court disguised as a poet and sings praises of Mazandaraan. The song suitably impresses the Shah and he, throwing cautions to the winds , accompanies the disguised prince to Mazandaraan. Here he is suitably underwhelmed to find that the promised land was nothing but desert. To add insult to injury, he is kidnapped too.
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We have watched several mujra songs in Bollywood movies, but this mujra song must be the ultimate. It is one of the oldest songs of this genre as it is from “Halchal” (1951). This was a K Asif movie starring Dilip Kumar and Nargis.
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As old songs go, there are many such songs that I am discovering for the first time these days. Here is a song that is as old and as obscure as a song can be, but this time for a change, I have heard this song before. In fact I heard the audio of this song a few years ago and I recall liking this song.
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Sajjad Hussain, arguably the most original and most creative music director of an era brimming with great music directors, was also a person who was not tactful enough to deal with musically illiterate producers and tended to call a spade a shovel. It was this outspokenness that ensured that he got much less number of assignments than his talent merited.
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