Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Jeewan


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5176 Post No. : 17149

Today’s song is from the film Bhagwan Parshuram-1970. It was a Mythological film made by Mewad films, Bombay. Directed by Babubhai Mistry – The king of trick scenes and a highly respected cinematographer since the 30’s decade. The 6 songs of the film were written by Madan Bharati and the music was by Jaikumar Parte, for whom this was a Debut film as a Music Director. The cast included Abhi Bhattacharya, Jayashree Gadkar, Niranjan Sharma, Sulochana, Saproo, Jeevan, Trilok Kapoor and many others.

I immensely like Mythological and religious films for many reasons. First of all, I have been seeing such films since my childhood. I was the officially nominated ‘Chaperone’ in my family to accompany the group of elders going to see these Dharmik films. I liked the film’s costumes, big palaces, trick scenes and the final ‘triumph of the good over the evil’ stories.

When the Talkie films’ era came to India, the early filmmakers tended to make films on folk tales and Mythological stories in the first decade, i.e. 1931 to 1940. In the second decade of 1940 to 1950 many religious films were made-some of them like Ram Rajya-1943 being All India blockbuster- and the third decade from 1951 to 1960 achieved the peak for Mythological films made, worth calling it ‘ The Golden period of Religious films’. As many as 124 such films were made in this decade. From 1961 to 1970 1nd 1971 to 1980 were ok, but 1980 onwards there was a decline in such films and Mythological films became scarce except some dubbed films from the South, where such films are made even today regularly. The Television became a competition to this as many Dharmik serials were shown on TV.

The reason is not that such films do not bring profit, but where was the audience to see them ? The interest, respect and knowledge of our heritage, the glorious past and our culture has diminished to a depth. Due to lack of reading habits, children have no knowledge of our religion or interest in Mythological stories. Today if you ask the following simple questions to Boys and Girls of the age group of 15 to 25 years, you will be shocked with their guess work , ignorance or blank faces….
1.Can you name the 4 Yugas ?
2. Which are the 4 Vedas ?
3. Can you name the 10 Avatars of Vishnu ?
4. Who were the wives of Laxman, Bharat and Shatrughna ?
5. For how many years the Pandava went to Vanvas and why ?

The reason for this apathy is not just modern life or modern gadgets. The causes are deep, like lack of reading habit, Text Books not having religious stories, no ” Sanskars” from parents, treating such knowledge as ‘ backward ‘ etc etc.

Anyway, all this apart, the film Bhagwan Parshuram-1970 was based on Vishnu’s avatar of Parshuram. It was a very good Dharmik picture. As we know, there were 10 Avatars Vishnu had taken.Parshuram was also one of them.(Matsya, Kurma, Varah, Narsinh, Waman,Parshuram,Shri Ram, Shri Krishna, Buddha and Kalki- which is yet to take place.)

Parshuram is known in Puranas, as one who made the Prithvi-Nikhshatriya. That is, he killed all the kshatriyas on this Prithvi, 21 times . The reason was, the Kshatriyas had gone out of control. With their weapons and power, they looted and ruled very cruelly. To control their “atyachar”, Vishnu came down as Parshuram.

Parshuram was born to Jamdagni Rishi and his wife Renuka. They had Surabhi-daughter of Kamdhenu-a cow which gave what one wished. Rakhshas Sahasrabahu,who was granted a boon of strength of thousand arms(by God Dattatreya),had become very cruel. He wanted Surabhi, but when he could not get her, he abducted Renuka. Renuka escaped and returned, but Jamdagni gave her a curse of Leprosy. Narada advises her to go on pilgrimage. Meanwhile, Parshuram helps a damsel in distress and she happens to be Princess Gayatri, daughter of Sahastrabahu. When Sahasrabahu comes to know this, he kills own daughter. Parshuram kills him and makes Gayatri alive again.

The entire film is full of major Gods like Bramha ,Vishnu, Mahesh and Indra,in addition to many lesser gods. The credits have shown a loooong list of 18 puranas etc to claim authenticity of this story. It was very interesting to see the trick scenes and revise our knowledge about Puran kathas.

In this film Jeevan had done his pet role of Narad, perhaps for the last time. He did this role many times in his career. The number of his Narad roles varies from 49 to 84 films in different sources.

This was the first film of Music Director Jay Kumar Parte in Hindi. He is yet another case of a talented person without Luck. I my last post I had written about Shridhar Parsekar, today we will have details about Jay Kumar, MD. His name was Jai Kumar Parte. He was also known as Bal Parte. He was born on 14-10-1932 at Kolhapur. His father was a doctor. His mother and father played Sitar which made the family atmosphere musical. He learnt Harmonium from Gopalrao Gokakkar. Once when Prithviraj Kapur came to Kolhapur, he got introduced to his father and they became thick friends.

Prithviraj took his father’s family to Bombay and he became the official medical officer of Prithvi theatres. Jai worked in the dance troupe of dancer Hema Kasargod and travelled all over India. When Shankar- Jaikishen became independent composers, their vacancy in Prithvi Theatres was filled up by Jai Kumar as a Harmonium player. Dattaram was his friend and Jai assisted him in almost all of his films. For many years he worked as assistant to kalyanji-Anand ji. Though Laxmikant-pyarelal were their arrangers, K-A kept Jai kumar as their assistant. He prepared the background music of many films of K-A.

Lata Mangeshkar also stayed in the same building (Shankarshet mansion) where jai Kumar lived in Bombay. Due to her encouragement he learned western instruments from V.Balsaraand became an expert in Chords. Kalyanji called him ” The king of Chords “. jai Kumar worked as assistant to Usha Khanna and as an arranger with Sardar Malik, Avinash Vyas, Iqbal Qureshi, Hridaynath Mangeshkar, Yeshawant Deo, Mahesh-Naresh and Shridhar Phadke. Playing Chords with Chromatic scales and in Whampine systems, he was an acclaimed expert.

He was keen on becoming a Music director. Finally, he gave music to Bhagwan Parshuram-1970 for the first time. Then came Putlibai-1972, Jaan Hajir hai-1975 and finally gawah-1979. He gave music to just 1 Marathi film-Mangalsutra-1968. Jaikumar Parte was more or less like an introvert in his temperament. He never asked anybody for work. He used to feel insulted frequently due to perhaps his complex as he was not a successful music Director.

He started sitting at home without canvassing for work and work never came to him. He went the usual way and finally breathed his last on 9-4-1981 at the age of just 48. His son Tushar works as a lead Guitarist and an arranger in Hindi films. (adapted from Marathi Sangeetkar Kosh and Rahe na Rahe hum, with thanks.)

In this film actor Niranjan Sharma played the role of Sahasrabahu. he was an actor, director, story writer, a dialogue writer and even a lyricist. He started his career with film pandav kaurav-1933 as a story writer and film Sach hai-1939 as a dialogue writer. His first film as an actor was Sawaal-1943-a film which he directed also. in all he acted in 129 films, most of which were mythologicals and B grade films. Before film Bhagwan Parshuram was released he died due to heart attack. He is credited in this film as (Late) Niranjan Sharma. 2 more films were released after his death, in which he played roles.

His daughter Gayatri’s role was played by Jayashree Gadkar- a well known and famous Marathi actress. Jayshree Gadkar (21 February 1942 – 29 August 2008) was a noted Marathi and Hindi movie actress and a star of Marathi cinema from the 1950s up to the 1980s. Jayshree was born into a Konkani-speaking family at Kanasgiri (Sadashivgad) near Karwar in the Uttara Kannada district of Karnataka, India. She married Bal Dhuri, a theatre actor best known for his portrayal of Dashratha in Ramanand Sagar’s TV serial, Ramayana (where Jayashree herself played his wife, Kaushalya). She also published an autobiography, Ashi Mi Jayshri.

She began her career as a child dance artist. She entered films as a tamasha dancer in movies. Her first role was that of a group dancer in V. Shantaram’s Jhanak Jhanak Payal Baaje in 1955, which featured Sandhya as the leading lady. Later, well known Marathi film Director Dinkar D Patil cast her in a small role with dance in his Marathi film Disat Tasa Nasat, opposite Raja Gosavi. This was followed by Sangtye Aika, a tamasha-based movie which was the first in which she played a leading role. This helped her gain fame and recognition and she started doing heroine roles. She eventually became one of the most successful and prolific heroines in the history of the Marathi film industry.

Many remember her for the famous song Bugdi mazi saandli ga jata sataryala. But Jayshree Gadkar was much more than that. She was not only a versatile and accomplished actress but the face of Marathi cinema in its golden era. This paved her way into mainstream Marathi cinema. Later, both Raja Gosavi and Jayshree gave many hits as a pair, like Aaliya Bhogasi [her first film], Utavla Navara, Yala Jeevan Aise Nav, Awaghachi Sansar and Paishacha Paus. Gath Padli Thakathaka was her first major role. Jayashree got a lot of success as a heroine in movies based on tamasha and lavni, the trend at the time.

Her film Saangtye Aika (1959) ran for 132 weeks in a theater. Her terrific dance performance in Bugdi mazi saandli ga became a craze among Marathi viewers. She was paired with the most popular heroes of the time like Suryakant (Pancharati, Rangpanchmi, Vaijayanta) and Arun Sarnike (Sawal Maza Aika, Ek Gav baara Bhangadi, Gangaulan). Manini was a turning point in her career. She was paired with Chandrakant Gokhle. She went on to act with his son Vikram Gokhle too, in films like Utavla Navra and Subhdra Haran.

Gadkar also acted in historical movies like Mohityaanchi Manjula and Shahir Parshuram. She won many accolades and awards at the national and state level. She was also felicitated with the state government’s V Shantaram Purskar, Gadima Purskar, P Savlaram Purskar and many more. She married co-star Bal Dhuri in 1975, and directed two films, Sasar Maher and Ashi Asavi Saasu.

Jayshree acted in about 250 films over a period of four decades. Her filmography was varied and included a rich repertoire of tamasha stories as also mythologicals in addition to socials and love stories.

In later years, Jayshree turned film director. Her directorial efforts include Saasar Maher and Ashi Asavi Saasu. She also acted in Ramanand Sagar’s TV Series Ramayana, as Kaushalya (mother of Rama) along with her husband Bal Dhuri, who was Dasharath (father of Rama). Her home is adorned with the photo of both in Ramayana costume. Her Autobiography Ashi Me Jayshree was published in 1986. Gadkar had received awards for her part in the films Manini, Vaijantha, Sawaal Majha Aika! and Saadhi Mansa.

Surprisingly, Jayashree Gadkar had acted in as many as 73 Hindi films. Her first film was Jhanak Jhanak Payal Baje-55 and the last film was Lav kush-97. However another film which was delayed came in 2009 was Jai jai Santoshi Maa. (Thanks to wiki, rediff.com, muVyz, HFGK and my notes)

Today’s song is sung by Mukesh. This is the second song from this film to feature here. This second song from the movie appears in the blog 11 years (3948 days)after the first song appeared in the blog on 28 november 2011.


Song- Koi roye koi gaaye kaisa tera sansaar maalik (Bhagwan Parshuram)(1970) Singer-Mukesh, Lyrics-Madan Bharti, MD-Jai Kumar Parte

Lyrics

Koi roye koi gaaye ae ae ae
kaisa tera sansaar maalik
kaisa tera sansaar
o o o o o o o
koi samajh nahin paaye ae ae ae ae
tera kaarobaar
maalik
kaisa tera sansaar

ujad jaaye jab rain basera
panchchi sir dhun roye
ujad jaaye jab rain basera
panchchi sir dhun roye
koi na jaane dard kisi ka
sab matlab mein khoyen
ambar neer bahaaye ae ae ae ae
dharti kare pukaar
maalik
kaisa tera sansaar

din ke sang toone raat banaai
phoolon ke sang kaante
din ke sang toone raat banaai
phoolon ke sang kaante
jaane kahaan kis jagah baithh kar
tu ye sukh dukh baante
patjhad jahaan muskaaye ae ae ae ae
roye wahin bahaar
maalik
kaisa tera sansaar
koi roye koi gaaye ae ae ae ae
kaisa tera sansaar
maalik
kaisa tera sansaar
o o o
o o o o
o o o
koi samajh nahin paaye ae ae ae ae
tera kaarobaar
maalik
kaisa tera sansaar

koi dhoondhhe tujhe Badrinath mein
koi dhoondhhe Haridwaar
koi dhoondhhe tujhe Badrinath mein
koi dhoondhhe Haridwaar
koi dhoondhhe Kaashi mein tujhko
koi Rameshwar dwaar
sab teerath se paawan n n n n
teerath ganga dhaar
maalik
kaisa tera sansaar
koi roye koi gaaye ae ae ae ae
kaisa tera sansaar
maalik
kaisa tera sansaar
o o o
o o o o
o o o
koi samajh nahin paaye ae ae ae ae
tera kaarobaar
maalik
kaisa tera sansaar


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4707 Post No. : 16412 Movie Count :

4460

Yearwise discussion of Lata Mangeshkar songs in HFM: Part XXXVII: Year 1983
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In this episode, we discuss Lata Mangeshkar songs that she sang in Hindi movies released in 1983.

In 1983, 130 Hindi movies containing 676 songs were released. Lata Mangeshkar got to sing in 33 of these movies and she sang 73 songs in these movies. So Lata Mangeshkar’s voice was heard in 25.4 % of the movies released in 1983. Her voice was heard in 10.3 % of the songs appearing in the movies of 1983.

Here are the details of songs sung by Lata Mangeshkar in Hindi movies released in 1983 :-

S N Movie Music director Lata song in the blog Lata HFM songs recorded in the year Lata solo songs Male duet Female duet Other songs Lyricists
1 Aan Aur Shaan R D Burman 0 1 1 0 0 Majrooh Sultanpuri
2 Agar Tum Na Hote R D Burman 2 4 3 1 0 0 Gulshan Baawra
3 Arpan Laxmikant Pyarelal 4 4 2 2 0 0 Anand Bakshi
4 Avtaar Laxmikant Pyarelal 1 1 0 1 0 0 Anand Bakshi
5 Baabu Rajesh Roshan 0 2 1 1 0 0 Majrooh Sultanpuri
6 Bade Dil Waala R D Burman 1 4 0 4 0 0 Majrooh Sultanpuri
7 Bandhan Kachche Dhaagon Ka Hemant Bhonsle 0 1 1 0 0 0 Anjaan
8 Betaab R D Burman 1 3 0 3 0 0 Anand Bakshi
9 Bindiya Chamkegi R D Burman 0 2 2 0 0 0 Anjaan
10 Chor Police R D Burman 1 1 1 0 0 0 Nida Fazli
11 Ek Baar Chale Aao Chaand Pardesi 0 1 1 0 0 0 Sameer
12 Fareb Bappi Lahiri 0 1 1 0 0 0 Indeewar
13 Hero Laxmikant Pyarelal 2 3 1 2 0 0 Anand Bakshi
14 Himmatwaala Bappi Lahiri 1 1 0 1 0 0 Indeewar
15 Humse Hai Zamaana Ram Laxman 0 2 2 0 0 0 Maya Govind
16 Justice Chaudhary Bappi Lahiri 0 1 0 1 0 0 Indeewar
17 Laalach Bappi Lahiri 1 1 0 1 0 0 Anjaan
18 Laal Chunariya Shamji Ghanshamji 0 1 1 0 0 0 Kulwant Jaani
19 Lovers R D Burman 0 3 1 2 0 0 Anand Bakshi
20 Nishaan Rajesh Roshan 0 4 1 3 0 0 Gulshan Baawra
21 Painter babu Uttam Jagdish 2 5 0 5 0 0 Manoj Kumar-Qamar Jalalabadi-Qateel Shifai
22 Prem Tapasya Laxmikant Pyarelal 0 1 0 1 0 0 Anand Bakshi
23 Pyaasi Aankhen Usha Khanna 0 2 2 0 0 0 Rana Sahari (1) Indeewar (1)
24 Razia Sultan Khayyam 3 3 3 0 0 0 Jaan Nisaar Akhtar (2) Kaifi Azmi (1)
25 Rishta Kaaghaz Ka Rajesh Roshan 1 4 4 0 0 0 Majrooh Sultanpuri
26 Romance R D Burman 0 3 0 3 0 0 Anand Bakshi
27 Sautan Usha Khanna 1 3 2 1 0 0 Saawan Kumar Tak (2) Pradeep Kaushik -Saawan Kuamr Tak (1)
28 Shubh Kaamna R D Burman 1 1 1 0 0 0 Anjaan
29 Sweekaar Kiya Maine Usha Khanna 3 3 2 1 0 0 Nida Fazli
30 Wo Jo Haseena Ram Laxman 1 2 1 1 0 0 Gauhar Kanpuri
31 Wo Saat Din Laxmikant Pyarelal 0 2 0 2 0 0 Anand Bakshi
32 Ye Ishq Nahin Aasaan Laxmikant Pyarelal 0 2 1 1 0 0 Anand Bakshi
33 Zara Si Zindagi Laxmikant Pyarelal 0 1 1 0 0 0 Anand Bakshi
Total 33 movies 11 MDs 26 73 36 37 0 0 18 lyricists

Lata Mangeshkar worked with 11 music directors and 18 lyricists in these 33 movies released in 1983. Laxmikant Pyarelal continued to be the most prolific music directors with Lata, with 590 songs in HFM with Lata Mangeshkar by the end of 1983. Shankar Jaikishan with 456 songs in the voice of Lata Mangeshkar were in the second position. Kalyanji Anandji were third with 301 songs. R D Burman with 275 songs overtook C Ramchandra with 274 songs. Other top music directors for Lata Mangeshkar were Chitragupta (239), Madan Mohan (195), S D Burman (179), Roshan (144), Naushad (140), Hemant Kumar (127), Anil Biswas (120), Husnlal Bhagatram (108), Salil Chaudhary (108) and Vasant Desai (104). Together these fifteen music directors composed 3360 songs out of 4655 songs that Lata Mangeshkar had sung in Hindi movies till end of 1983. Anand Bakshi with 587 songs was the top lyricist with Lata Mangeshkar. Other leading lyricists with Lata Mangeshkar were Rajinder Krishan (554), Majrooh Sultanpuri (399), Shailendra (361), Hasrat Jaipuri (297), Prem Dhawan (201), Bharat Vyas (193), Shakeel Badayuni (189), Sahir Ludhianvi (161) and Indeewar (118). These ten lyricists had penned 3060 songs sung by Lata Mangeshkar till that time.

Lata Mangeshkar collaborated with music directors Chaand Pardesi and Uttam Jagdish for the first time in movies of this year. She also worked with Lyricists Pradeep Kaushik, Sawan Kumar Tak, Sameer, Rana Sahri and Qateel Shifaifor the first time in movies released this year.

Here I have assumed that Chaand Pardesi was different from music director Pardesi with whom Lata mangeshkar had worked in the past. I request our knowledgeable readers to throw light on this matter.

Here is the summary of Lata Mangeshkar’s playback career in Hindi movies till end of 1983 :

Year Movie count Lata song in the blog Lata HFM songs recorded in the year Lata solo songs Male duet Female duet Other songs Remarks
1946 3 movies 4 4 4 0 0 0
1947 3 movies 5 5 3 1 0 1
1948 16 movies 50 50 37 6 4 3
1949 38 movies 136 157 103 35 12 7
1950 36 movies 114 143 93 32 14 4
1951 49 movies 189 223 158 52 10 3
1952 43 movies 150 177 138 31 4 4
1953 45 movies 170 195 149 35 5 6
1954 43 movies 142 172 144 23 4 1
1955 50 movies 170 218 177 30 10 1
1956 49 movies 174 204 153 35 13 3
1957 47 movies 132 160 110 38 7 5
1958 35 movies 104 132 95 25 10 1
1959 58 movies 189 211 130 68 12 1
1960 48 movies 141 166 102 50 12 1
1961 44 movies 128 152 88 55 5 4
1962 40 movies 119 129 84 40 5 0
1963 37 movies 105 111 62 38 8 3
1964 46 movies 123 133 91 31 8 3
1965 42 movies 84 91 71 17 1 2
1966 49 movies 105 133 110 14 8 1
1967 44 movies 93 106 67 38 8 3
1968 33 movies 84 84 59 19 5 1
1969 43 movies 78 97 67 27 2 1
1970 54 movies 90 130 84 39 3 4
1971 52 movies 106 126 71 52 3 0
1972 62 movies 97 151 86 60 3 2
1973 60 movies 93 138 94 37 3 4
1974 55 movies 71 104 66 33 0 5
1975 45 movies 61 90 50 35 3 2
1976 41 movies 58 97 53 39 1 4
1977 50 movies 46 96 59 27 8 2
1978 46 movies 59 90 48 34 3 5
1979 42 movies 38 66 37 25 2 3
1980 43 movies 28 71 43 21 3 4
1981 46 movies 39 88 48 34 2 4
1982 45 movies 27 82 41 37 1 3
1983 33 movies 26 73 36 37 0 0
Total upto 1983 1615 movies 3632 4655 3112 1240 199 104

It can be seen from the table of 1983 that Lata Mangeshkar sang 73 songs in 33 movies released in 1983.

26 songs sung by Lata Mangeshkar in movies of 1983 have been covered in the blog. That leaves us with 47 songs from movies of 1983 that are yet to be covered.

All Lata Mangeshkar songs from 8 movies of 1983 are already covered in the blog. So 47 Lata Mangeshkar songs from 25 movies of 1983 are still available to be discussed.

Alphabetically “Aan Aur Shaan”(1983),the very first movie of 1983 among movies of 1983 containing Lata Mangeshkar songs offers us a Lata Mangeshkar song to cover in the blog.

“Aan Aur Shaan”(1983) was produced by Mohan Barodia and directed by Ravi Tandon for Elephanta Films, Bombay. The movie had Shammi Kapoor, Dara Singh, Rishi Kapoor, Moushumi Chatterjee, Nirupa Roy, Farida Jalal, Ravinder Kapoor, Janki Dass, Jeevan, Ranjeet, Harish Magan, Master Ravi, Maan Singh, Pardesi, Prem, Uttam Sodi, Chandu, Joher Sen, Narendra Jaiswal etc with guest appearances by Aruna Irani, Jayashree.T., Satyen Kappu, O.P.Goyle and Putul Guha.

The movie had four songs in it. One of them was a Lata Mangeshkar solo song.

Here is that Lata Mangeshkar solo song from “Aan Aur Shaan”(1983). The song is penned by Majrooh Sultanpuri. Music is composed by R D Burman.

The song is picturised as a mujra song on Aruna Irani. Ravinder Kapoor, Shammi Kapoor, Dara Singh, Ranjeet, Jeevan etc are also seen in the picturisation.

Lyrics of the song and other details were sent to me by Prakashchandra.

With this song, “Aan Aur Shaan”(1983) makes its debut in the blog.

Audio link:

video link:

Song-Diya hamne dil tumko apna samajh ke (Aan aur Shaan)(1983) Singer-Lata, Lyrics-Majrooh Sultanpri, MD-R D Burman

Lyrics (Provided by Prakashchandra)

aaa aa aa aa aa
oo oo oooo
diyaa hamne dil
diyaa hamne dil tumko
apna samajh kar
na jaanaa sanam
tum badey ae aadmi ee ho
diyaa hamne dil tumko apna samajh kar
na jaanaa sanam
tum badey ae aadmi ee ho o
ke ye dillagi hogi
dilbar tumhaari ee
lutengey to hum
tum badey ae aadmi ee ho o o
diyaa hamne dil

sochaa thha basengi dil mein
nazrein tumhaari ee
sochaa tha basengi dil mein
nazrein tumhaari ee
chhoti si kaheen pe hogi duniyaa hamaari
par kyaa milaa
ab meri zindagi ee ko oo
ke yoon hi naheen tumse
dartaa hai ye ae dil
tumhaari qasam
tum badey ae aadmi ee ho o
diyaa hamne dil

main hoon woh shamaa jalti
hai jo galee mein aen
main hoon woh shamaa jalti
hai jo galee ee mein aen
mehalon mein aake kaisey
lagoongi bhalee main
sochey yehee kya karoon apney jee ko
ke hum hain zameen aur
tum aasmaan ho
miley kaisey hum
tum badey ae aadmi ho o o
diyaa hamne dil tumko
apna samajh kar
na jaanaa sanam tum badey ae aadmi ho o
diyaa hamne dil l l l l


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

In India, a typical Indian male is likely to be interested in Hindi movies and cricket. Typical Indian females are likely to be interested in Hindi movies and TV serials. 🙂
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Pardesi”(1970) was based on a Novel of the same name by Kushwah Kant, who was a prolific Hindi novelist. At least forty novels (may be more) written by him were published but sadly little information about him is available online. I request our knowledgeable readers to throw light on him.
Read more on this topic…


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

#the Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 41 # Qawwalis – 5#
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“We are Team – Yippeeee!!”

***

# Location – Bunkers in South – The Head Quarters – ‘Yippeeee’- #
(Mar-April -2016)

Sitting in his digitalized, ‘Wi-Fi…ed- musical chamber, ‘Yippeeee Guru’ was restless after he recovered from a short break ( 🙂 , due to health problems and other priorities) of nearly six months from ‘Yippeeee’…

The messages through the unseen satellite waves were very well understood by ‘yours very sincerely’ and two other members of the ‘Yippeeee’ locations – one in the country as well as the other across the globe.

The contacts were soon into action and messages started flowing in to and fro!

‘Yippeeee’ group on ‘Whatsapp’ geared-up and emails started floating …

The ‘Yippeeee Guru’ soon took control of the blog too and he was seen enjoying earlier posts and commenting on them.
It seemed that he wanted to compensate for the ‘lull’ that was there for almost five-six months.

Yours sincerely sensed Guru’s restlessness and since he was the first point where it needed to be re-started, he sent a message to ‘Guru’, ‘Her Majesty’ and ‘Ben Katie’ (other two members of the group) …

‘Let us revive Yippeeee!!’
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Shabnam” (1949) was directed by B Mitra for Filmistan Studios. The movie had Dilip Kumar, Kamini Kaushal, Jeevan, Paro, Mubarak, Harun, Rajendra Singh, Shyama, Cuckoo etc in it. AS many as eight songs from this movie have been discussed in the past.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Jeewan” (1944) was produced by A R Kardar and directed by M Sadiq. The movie had Mehtab, Badri Prasad, Anwar, Shyam Kumar, Misra, Sofia, Nirmala etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Jeewan” (1944) was produced by A R Kardar and directed by M Sadiq. The movie had Mehtab, Badri Prasad, Anwar, Shyam Kumar, Misra, Sofia, Nirmala etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Jeewan” (1944) was produced by A R Kardar and directed by M Sadiq. The movie had Mehtab, Badri Prasad, Anwar, Shyam Kumar, Misra, Sofia, Nirmala etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Jeewan” (1944) is an obscure movie with equally obscure songs in it. This movie was produced by A R Kardar and directed by M Sadiq. The movie had Mehtab, Badri Prasad, Anwar, Shyam Kumar, Misra, Sofia, Nirmala etc in it.

Three songs from this movie has been discussed in the past. Here is another song from the movie. This song, an obscure song, is sung by Nirmala Devi. D N Madhok is the lyricist. Music is composed by Naushad.
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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over FOURTEEN years. This blog has over 17100 song posts by now.

This blog is active and online for over 5000 days since its beginning on 19 july 2008.

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(© 2008 - 2022) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

17162

Number of movies covered in the blog

Movies with all their songs covered =1329
Total Number of movies covered=4609

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Blog Start date: 19 july 2008

Active for more than 5000 days.

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