Posts Tagged ‘Mumtaz’
Wo jo auron ki khaatir jiye mar mite
Posted on: May 5, 2018
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3578 | Post No. : | 14326 |
Today (5 may 2018) is the twelfth rememberance day of Naushad (26 December 1919 – 5 May 2006).
Naushad composed just above 600 songs in 64 Hindi movies. 530 songs from 60 of his movies have been covered in the blog. 49 of these movies have already been YIPPEED in the blog. So unlike other music blogs/ radio stations/ TV stations, who play the usual well known songs as always, we in this blog only have 70 odd Naushad compositions from 15 movies to chose from, seeing that we do not repeat a song in the blog.
Seeing that all Naushad movies of 1950s and 1960s have already been YIPPEED, we only have Naushad songs of 1970s and beyond left to be covered.
Here is a song from “Aaina”(1974) as a tribute to Naushad. This movie was a Kalakendra Films production. It was produced by N Selvaraja and L Duraiswamy and was directed by K Balachandar. The movie had Mumtaz, Rajesh Khanna, A.K.Hangal, Nirupa Roy, Rita Bhaduri,Ratan Chopra, Lalita Pawar, Jayasudha,Adil Aman, Manmohan Krishna, Anjum Savera,Vandana Rane, Yasmin,Baby Seema, Kalpana, Jagdish Raj, Polson, Madhukar, Brahmachari, Suraj, Prem Kumar, Master Paresh Kumar, Master Jaganath, Madan Puri, Suresh Chatwal, Jagdeepetc in it. This movie had Neetu Singh and Dharmendra in special appearances. The film also had Kamal Hasan in it who was also one of the dance directors of the movie.
The movie had five songs in it. Two songs have been covered in the blog.
This song, the third from the movie, is sung by Lata. Jaan Nisaar Akhtar is the lyricist.
The song is picturised as a radio song on Reeta Bhaduri, who is seen singing this song as a tribute to Mumtaz, who plays the long suffering and scarificing bhartiya naari in the movie, as far as I can tell from the picturisation of this song.
The picturisation also shows many other persons, including Nirupa Roy, listening to the broadcast of this song on radio.
Song-Wo jo auron ki khaatir jiye (Aaina)(1974) Singer-Lata, Lyrics-Jaan Nisaar Akhtar, MD-Naushad
Lyrics
wo jo auron ki khaatir jiye mar mite
sochti hoon unhen kya mila
wo jo auron ki khaatir jiye mar mite
sochti hoon unhen kya mila
kya mila
kya mila
jaise baadal barasta hua
pyaas jag ki bujhaata hai
aa aa aa
jaise baadal barasta hua
pyaas jag ki bujhaata hai
jaise chandan sabhi ke liye
apni kushboo lutaata rahaa aa
yoonhi tum apna jeevan lutaati rahi
par tumhen pyaar kiska mila
wo jo auron ki khaatir jiye mar mite
sochti hoon unhen kya mila
khwaab dekhe hamaare liye
ek pal bhi agar so gayi ee ee
khwaab dekhe hamaare liye
ek pal bhi agar so gayi
tum ho maa saare pariwaar ki ee
sabki fikaron mein tum kho gayi ee
tum ho ma sare pariwar ki ee
sabki fikaron me tum kho gayi ee
tum na biyahi
na hatho me mehndi rachi
aur na maathe ko teeka mila
wo jo auron ki khaatir
unhen kya mila
ek aurat ho meri taraha
phir bhi lagti ho devi mujhe
aa aa
ek aurat ho meri tarha
phir bhi lagti ho devi mujhe
apna sab kuchh mitaaya magar
ik nayi zindagi di mujhe ae
apna sab kuch mitaya magar
ik nayi zindagi di mujhe ae
har andhere mein jalti pighalti rahi
dil tumhen deep jaisa mila
wo jo auron ki khaatir jiye mar mite
sochti hoon unhen kya mila
kya mila
kya mila
Dil to lai gawa ab kya hoga re
Posted on: March 28, 2018
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3540 | Post No. : | 14213 |
“Bandhe Haath”(1973) was directed by O.P.Goyal for Ralhan Productions, Bombay. The movie had Mumtaz, Amitabh Bachchan, O.P.Ralhan, Kumud Chhugani, Ajit, Anjana, Sardar Akhtar, Ram Mohan, Ranjit, Madan Puri, Gajanan Jagirdar, Asit Sen, Tun Tun, Baldev Mehta, Pinchoo Kapoor, Kamaldeep, Moolchand, Sikandar, Ravikant, Ratan Gourang, Maqbool, Usha Amershi, Vanita Thakur etc in it.
The movie had six songs in it. Five of these songs have been covered in the past.
Details of the five songs that have already been covered in the past are given below:-
|
Song Title |
Post No. |
Post Date |
| Kyaa jaano main hoon kaun | 11026 | 6-Apr-15 |
| Toone chheen liya dil ka chain piya | 11040 | 9-Apr-15 |
| Ye kaun aaj aaya mera dil churaane | 11047 | 11-Apr-15 |
| O maanjhi o maanjhi o maanjhi re | 11219 | 27-Jun-15 |
| Naacho re mere pyaar | 14206 | 25-Mar-18 |
Here is the sixth and final song from “Bandhe Haath”(1973) to appear in the blog. The song is a stage dance performance song. It is sung by Asha Bhonsle, Manna Dey, Mahendra Kapoor and chorus. Majrooh Sultanpuri is the lyricist. Music is composed by R D Burman.
Picturisation shos that it is a “tribal” dance song. A “tribal” dance song in Hindi consists of skimpily dressed dancers, wearing strange outfits / masks etc that are vaguely of African or Red Indian origin.
The main female dancer is a skimpily clad Mumtaz who makes sure that the movie makers save money hiring a Helen or Padma Khanna for this dance sequence. She alongwith other similarly dressed females perform this dance in the presence of a housefull auditorium.
Whenever such performances take place in a Hindi movie, one can be rest assured that baddies would be swarming the place. This song is no exception. We find a galaxy of baddies, led by Ajit, Madan Puri etc marking their attendance. They are looking for Amitabh Bachchan, who like the baddies would invariably find himself in the vicinity of such a dance performance.
SAmitab Bachchan may be hiding in the outfit of a Sheikh, but he cannot escape from Ajit’s eagle eyes, who then passes on the intelligence to his minions as well as a policeman (Ram Mohan ?). What is the standard way in which our Hindi movie heroes try to hide from the baddies ? The join the dance performance. How an uninvited dancer can join in the performance and how the back stage organisers allow this to happen is something that we will never know. And how the hero is aware of the lyrics as well as the corrrect dance steps for the dance is also something that is a mystery to all. This supposedly disguised hero then lip syncs and dances loudly and quite prominently which is their standard attempt to hide from the baddies. :).
That is not all, we find another disguised dancer (O P Ralhan ?) joining in, no doubt easily dodging the back stage managers to the performance, and he too starts to sing and dance loudly. In his part of the song and dance, he “discreetly” passes on the information that baddies are in hot pursuit of him.
It all sounds quite silly really, but we are so used to such dance performances that we do not bat out eyelids. 🙂
I request our knowledgeable readers to help identify the people who are visible in the picturisation of this song.
With this song, “Bandhe Haath”(1973) joins the list of movies that have all their songs covered in the blog.
Song-Dil to lai gawa ab kya hoga re(Bandhe Haath)(1973) Singers-Asha Bhonsle, Manna Dey, Mahendra Kapoor, Lyrics-Majrooh Sultanpuri, MD-R D Burman
Chorus
Female chorus
Lyrics
ho o o o
mar jaana re
o o o
par jiyra na lagaana re
bholi soorat ke ik beimaan se
moko bhi pyaar bhayo re
ae ae ae
bholi soorat ke ek beimaan se
moko bhi pyar bhayo re
haan haan
paapi aisa dhokhebaaz sakhi
mohe milke maar gayo re
hey hey
dil to le gawa
ab ka hoga
haan haan haan
dil to lai gawa
ab ka hoga
dhokha dai gawa
ab ka hoga re he
dhokha dai gawa
ab ka hoga re
tarbo
ho ho
tarbo
ho ho ho
aansu liye
aansu liye bade bade
gir jaaun khade khade
kahoon pe na aise pade raa aa aam
jaise jaise yaad pade
waise waise dard badhe
waise waise zehar chadhe raam
chaahat
chaahat
na kariyo
na kariyo
o
aansu liye bade bade
gir jaaun khade khade
kahoon pe na aise pade raa aa aam
jaise jaise yaad pade
waise waise dard badhe
waise waise zehar chadhe raam
jhhoota thha haaye nainan ka mel
main samjhoon pyaar
tu samjha khel
uska to ka bigda
mora hi jiya gaya haa
ho dil to lai gawa
ab ka hoga
hoga
dil to lai gawa
ab ka hoga
ho o
dhokha dai gawa
ab ka hoga re
ae
dhokha dai gawa
ab ka hoga re
todmo
ha ha
todmo
ha ha ha
ho o o o
tori kasam tora piya
sada tohe chaaha kiya
kabhi nahi dhokha diya je ee ee
nain ko jab mila liya
jiya bheetar basa liya
tohe apni bana liya jee ee
sanam
sanam
teri kasam
teri kasam
ho
jhootha thha haaye
nainan ka mel
main samjhoon pyaar
tu samjha khel
uska to ka bigda
mora hi jiya gaya ha
dil to lai gawa
ab ka hoga
hoga
dil to lai gawa
ab ka hoga
ho o
dhokha dai gawa
ab ka hoga re
dhokha dai gawa
ab ka hoga re
torbo
ho ho ho
torbo
ho ho
o o o
le ae
lai lo
aa
le ae
lai lo
aj kuj jajajaja
hai
aja kuj jajajaja
hai
aja kuj jajajaja
hai
aja kuj jajajaja
meri bhi to
meri bhi to sunte jaana
hota hai kaahe deewaana
pyaare aashiq sambhal jaana yaar
laaga tu gori ke peechhe
koi laaga tere peechhe
kisi gali nikal jaana yaar
sanam
sanam
hey hey teri kasam
teri kasam
ho
jhootha thha haaye
nainan ka mel
main samjha pyaar
tu samjha khel
uska to ka bigda
mora hi jiya gaya ha
dil to le gawa
ab ka hoga
hoga
dil to lai gawa
ab ka hoga
hey hey hey
dhokha dai gawa
ab ka hoga re
dhokha dai gawa
ab ka hoga re
tarbo
ae ae
tarbo
bholi soorat ke
ek beimaan se
moko bhi pyaar bhayo re
haan haan
paapi aisa dhokhebaaz sakhi
mohe milke maar gayo re
hey hey
dil to le gawa
ab ka hoga
ha ha ha
dil to lai gawa
ab ka hoga
ho o
dhokha de gawa
ab ka hoga re he
dhokha dai gawa
ab ka hoga re
torbo
hahaha
torbo
torbo
dil to le gawa
ab ka hoga
dil to lai gawa
ab ka hoga
dhokha dai gawa
ab ka hoga re
dhokha dai gawa
ab ka hoga re
torbo
ha ha
torbo
torbo
dil to le gawa
ab ka hoga
dil to lai gawa
ab ka hoga
dhokha dai gawa
ab kya hoga re
dhokha dai gawa
ab kya hoga re
hoy
dil to lai gawa
ab kya hoga
dil to lai gawa
ab ka hoga
Din raat jaley ankhiyaan
Posted on: March 22, 2018
- In: "Aankh" song | "Naag" song | "been" song | "roadside tamaasha" song | Dance song | Devnagri script lyrics by Sudhir | Duet | Lata song | Lata-Usha Mangeshkar duet | Lyrics contributed by readers | Songs of 1960s (1961 to 1970) | Songs of 1970 | Synchronised dance | Twin Dance Song | Usha Mangeshkar songs | Yearwise breakup of songs
- 2 Comments
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3534 | Post No. : | 14195 |
“Pardesi”(1970) was a “social” movie which was produced and directed by Kundan Kumar for Kundan Films, Bombay. The movie had Biswajeet, Mumtaz, Kanan Kaushal, Sujeet Kumar, Padma, Manmohan, Sulochana, Manmohan Krishna, Brahmchaari, Shabnam, Lata Bose, Keshav Rana, Jayshree T, Geetanjali, Bhagwan Sinha, Jankidas, Har Shukla, Anand Joshi, Jugal Kishore, Dinanath, Shah, Abu Bakar, Manohar, Nishaat, Jeevan etc in it.
The movie had six songs in it. Five songs have been covered in the past. Here are the details of the five songs covered so far:-
|
Song Title |
Post No. |
Post Date |
| Pardesi piyaa ho pardesi piyaa | 6339 | 31-Jul-12 |
| Lagi na chhootegi pyaar mein zaalimaa | 10497 | 16-Nov-14 |
| Kal ki kuchh adhoori baaten hain zaroori | 13303 | 3-Jun-17 |
| Daakaa daaley been tihaari | 13494 | 1-Aug-17 |
| Mere gore ang base pyaar piya tera | 13494 | 21-Mar-18 |
Here is the sixth and final song from “Pardesi”(1970) to appear in the blog. This song is sung by Lata and Usha Mangeshkar. Majrooh Sultanpuri is the lyricist. Music is composed by Chitragupta.
What a hidden gem of a song it is ! It is a synchronised dance song picturised on Mumtaz and Padma Khanna. The picturisation shows people gathered around the dancers who sing and dance while we have Manmohan Krishna playing “Been” and a gentleman (whom I am unable to identify) playing guitar.
This song can be described as a snake dance song, a dance form which has become quite popular nowadays thanks to Bangladeshi cricketers. 🙂 The snake dance steps of theb Bangladeshi cricketers were taken from the “Nagina”(1986) song Main teri dushman dushman tu meri main naagan to sapera. This dance step has been mass copied by Sri Lankan cricket watching public as well as famous people (like Sunil Gavaskar, for instance) by now. So the “novelty” value of that snake dance step has been lost. Have no worry. Here is another snake dance song, one that is performed by Mumtaz and Padma Khanna. Being a synchronised dance song, it is a fit snake dance song for a pair of Bangladeshi batsmen batting together at the crease. They can dance like Mumtaz and Padma Khanna whenever they feel that that are on the verge of winning a match. 🙂 And do not forget to give credit to me for this wonderful snake dance song. 🙂
With this song, “Pardesi”(1970) joins the list of movies that have all their songs covered in the blog.
Song-Din raat jaley ankhiyaan (Pardesi)(1970) Singers-Lata, Usha Mangeshkar, Lyrics-Majrooh Sultanpuri, MD-Chitragupta
Both
Lyrics
din raat jaley akhiaan..aan..aan..aan
karoon yaad teri batiyaan..aan..aan..aan
din raat jaley akhiaan..aan..aan
karoon yaad teri batiyaan..aan..aan
piya tu hai kidhar
chadha jaaye re zehar
naagin si dasey ratiyaan
din raat jaley akhiaan..aan..aan
tere liye chal ke jidhar gayi re
apni hi chhaaya se mein darr gayi re
tere liye chal ke jidhar gayi re
apni hi chhaaya se mein darr gayi re
birhaa..
kuchh kaari..
aisi..
andhiaari..
dhadak rahi
taaron ki chhatiyaan
din raat jaley akhiaan..aan..aan
karoon yaad teri batiyaan..aan..aan
piya tu hai kidhar
chadha jaaye re zehar
naagin si dasey ratiyaan
din raat jaley akhiaan..aan..aan
kahaan hain wo jaadu bhare nayan tere
tu hi jo utaare to zehar utrey
kahaan hain wo jaadu bhare nayan tere
tu hi jo utaare to zehar utrey
saajan
teri ho ke
khaaun jab dhokhe
hans hans ke nihaaren sakhiyaan
din raat jaley akhiaan..aan..aan
karoon yaad teri batiyaan..aan..aan
piya tu hai kidhar
chadha jaaye re zehar
naagin si dasey ratiyaan
din raat jaley akhiaan..aan..aan
aana hai to abhi aa ja o sajna
kal tak aaya bhi to jiungi kahaan
aana hai to abhi aa ja o sajna
kal tak aaya bhi to jiungi kahaan
aa re
piya aa re
jhaankun
khadi dwaare
tan pe sajey
main phul patiaan
din raat jaley akhiaan..aan..aan
karoon yaad teri batiyaan..aan..aan
piya tu hai kidhar
chadha jaaye re zehar
naagin si dasey ratiyaan
din raat jaley akhiaan..aan..aan
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
दिन रात जले अखियाँ॰॰आँ॰॰आँ॰॰आँ
करूँ याद तेरी बतियाँ॰॰आँ॰॰आँ॰॰आँ
दिन रात जले अखियाँ॰॰आँ॰॰आँ
करूँ याद तेरी बतियाँ॰॰आँ॰॰आँ
पिया तू है किधर
चढ़ा जाएरे ज़हर
नागिन सी डसे रतियाँ
दिन रात जले अखियाँ॰॰आँ॰॰आँ
तेरे लिए चल के जिधर गई रे
अपनी ही छाया से मैं डर गई रे
तेरे लिए चल के जिधर गई रे
अपनी ही छाया से मैं डर गई रे
बिरहा॰॰
कुछ कारी॰॰
ऐसी॰॰
अंधियारी॰॰
धडक रही तारों की छतियाँ
दिन रात जले अखियाँ॰॰आँ॰॰आँ
करूँ याद तेरी बतियाँ॰॰आँ॰॰आँ
पिया तू है किधर
चढ़ा जाएरे ज़हर
नागिन सी डसे रतियाँ
दिन रात जले अखियाँ॰॰आँ॰॰आँ
कहाँ हैं वो जादू भरे नयन तेरे
तू ही जो उतारे तो ज़हर उतरे
कहाँ हैं वो जादू भरे नयन तेरे
तू ही जो उतारे तो ज़हर उतरे
साजन
तेरी हो के
खाऊँ जब धोखे
हंस हंस के निहारें सखियाँ
दिन रात जले अखियाँ॰॰आँ॰॰आँ
करूँ याद तेरी बतियाँ॰॰आँ॰॰आँ
पिया तू है किधर
चढ़ा जाएरे ज़हर
नागिन सी डसे रतियाँ
दिन रात जले अखियाँ॰॰आँ॰॰आँ
आना है तो अभी आ जा ओ सजना
कल तक आया भी तो जियूँगी कहाँ
आना है तो अभी आ जा ओ सजना
कल तक आया भी तो जियूँगी कहाँ
आ रे
पिया आ रे
झाँकूँ
खड़ी द्वारे
तन पे सजे
मैं फूल पतियाँ
दिन रात जले अखियाँ॰॰आँ॰॰आँ
करूँ याद तेरी बतियाँ॰॰आँ॰॰आँ
पिया तू है किधर
चढ़ा जाएरे ज़हर
नागिन सी डसे रतियाँ
दिन रात जले अखियाँ॰॰आँ॰॰आँ
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3525 | Post No. : | 14160 |
“Upaasna”(1971) was produced and directed by Mohan for Mohan Films Bombay. The “social” movie had Sanjay Khan, Mumtaz, Feroz Khan, Helen, Krishn Mehta, Anwar Hussain, Jagdeesh Raj, Murad, asit Sen, Brahm Bhardwaj, Tuntun, Indira Bansal, Polson, Baby Seema, Dayaal Kuar etc in it, with guest appearances by Sonia Sahni, Manmohan and Mukri.
The movie had six songs in it. Five of these songs have been covered in the blog. Here are the details of the songs that are already showcased in the blog.
|
Song Title |
Post No. |
Post Date |
| Darpan ko dekha tune jab jab kiya singaar | 111 | 21-Sep-08 |
| Aao tumhe main pyaar sikha doon | 232 | 9-Nov-08 |
| Meri jawaani pyaar ko tarse | 4856 | 21-Oct-11 |
| Kaali kaali saadi mein liptee huyee | 10643 | 5-Jan-15 |
| Pyaas meri bujha na paayega ik paimaana | 14155 | 12-Mar-18 |
I had mentioned in an earlier writeup that the movie had an eve teasing song in it that shows Sanjay Khan (assisted by his sidekick Mukri) teasing Mumtaz so harshly that I wondered why section 509 of IPC (“WORD, GESTURE OR ACT INTENDED TO INSULT THE MODESTY OF A WOMAN” )should not have been invoked against Sanjay Khan. Of course, Indian public prosecutors know only two sections of IPC, viz 420 and 302, so no eve teaser hero ever gets hauled up under section 509 of IPC. 🙂
Going through the songs of the movie, I see that Mumtaz pays Sanjay Khan back with compound interest by lip syncing her own songs that embarrass Sanjay Khan in not one but several songs in the movie. Here is the sixth and final song from “Upaasna”(1971) to appear in the blog. This song is sung by Asha Bhonsle. Indeewar is the lyricist. Music is composed by Kalyanji Anandji.
Lyrics of this song were sent to me by Prakashchandra.
If we had an eve teasing song in the movie, then this song has the roles reversed. This song can be described as an Adam teasing song, with Mumtaz playing roadside Juliet with aplomb. 🙂 The picturisation as well as the lyrics shows Mumtaz coming down upon Sanjay Khan like a ton of unwanted bricks. 🙂
With this song, “Upaasna”(1971) joins the list of movies that have all their songs covered in the blog.
Song-Tumhen apna na banaaya to mera naam nahin (Upaasna)(1971) Singer-Asha Bhonsle, Lyrics-Indeewar, MD-Kalyanji Anandji
Lyrics
tumhen apna
na banaaya to mera naam nahin
tumhen apna na banaaya to mera naam nahin
pada hum jaise haseenon se tumhein kaam nahin een
pada hum jaise haseenon se tumhein kaam nahin
samjhe huzoor
tumhe apna na banaaya
to mera naam nahin
tumne auron ko sataaya to sataaya hoga
tumne auron ko sataaya to sataaya hoga
jeet lena tumhen auron ko na aaya hoga
ye to bandi ke liye
ye to bandi ke liye
koi bada kaam nahin
samjhe
tumhein apna na banaaya
to mera naam nahin
nazar jo tum se mil gayi to akadte kyun ho
nazar jo tum se mil gayi to akadte kyun ho
paas thoda sa aa gaye to bigadte kyun ho
abhi to pyaar ka
abhi to pyaar ka
aaghaaz hai anjaam nahin
dekhte jaao
tumhen apna na banaaya to mera naam nahin
kaun kehta hai hum ada se tumko jeetenge
kaun kehta hai hum ada se tumko jeetenge
hai wafa waale
hum wafa se tumko jeetenge
baat ye khaas hai ae
baat ye khaas hai
apni baat ye aam nahin
maine kaha huzoor
tumhen apna na banaaya to mera naam nahin
pada hum jaise haseenon se tumhen kaam nahin ee
pada hum jaise haseenon se tumhen kam nahin
samjhe
tumhe apna na banaaya to mera naam nahin
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3524 | Post No. : | 14155 |
“Upaasna”(1971) was produced and directed by Mohan for Mohan Films Bombay. The “social” movie had Sanjay Khan, Mumtaz, Feroz Khan, Helen, Krishn Mehta, Anwar Hussain, Jagdeesh Raj, Murad, asit Sen, Brahm Bhardwaj, Tuntun, Indira Bansal, Polson, Baby Seema, Dayaal Kuar etc in it, with guest appearances by Sonia Sahni, Manmohan and Mukri.
The movie had six songs in it. Four of these songs have been covered in the blog.
When I look at the songs of the movie, it appears to me that most songs have the lady giving the gentleman a hard time. But then the gentleman asked for it, by lip syncing an eve teasing song in the beginning, duly supported and encouraged by his sidekick.
This movie shows that Hell hath no fury like a teased Mumtaz who can make the life of the teaser hell. 🙂 Here is this song, the fifth song from “Upaasna”(1971) where Sanjay Khan faces an embarassing situation in a get together where Mumtaz play acts as a drunkard.
The song is sung by Asha Bhonsle. Indeewar is the lyricist. Music is composed by Kalyanji Anandji.
Song-Pyaas meri bujha na paayega ik paimaana (Upaasna)(1971) Singer-Asha Bhonsle, Lyrics-Indeewar, MD-Kalyanji Anandji
Lyrics
bahut der ki aane mein
haaye
kya paaya tadpaane mein
piyo pilaao
jee bhar ke
ha ha ha ha ha
aaye ho jab maykhaane mein
piyo na
hahaha
thhodi si
pyaas meri bujha na paayega
ik paimaana
pyaas meri bujha na paayega
ik paimaana
mujhko to peena hai
maykhaane ka maykhaana
mujhko to peena hai
maykhaane ka maykhaana
pyas meri bujha na paayega
ik paimaana
hic
mere liye mera jeevan sapna hai
sapne mein tu kya
o o
har koi apna hai
yahi hai jeevan
tu jee le
yahi hai jeevan
tu jee le
pal pal ka tu
ras pee le
pee le
jee le
dil ko na rahne de
veeraane ka veeraana
mujhko to peena hai
maykhaane ka maykhaana
pyaas meri bujha na paayega
ik paimaana
hic
o
aur bhi hain mere
roop kayi aise
ek hi raat mein tu
ho
dekhega sab kaise
kal bhi toone na pehchaana
kal bhi toone na pehchaana
aaj bhi toone kab jaana
jaana
jaana
samjhega kaise tu
deewaane ka deewaana
mujhko to paana hai
maykhaane ka maykhaana
pyaas meri bujha na paayega
ik paimaana
mujhko to peena hai
maykhaane ka maykhaana
maykhaane ka maykhaana
Kya soch raha re
Posted on: February 23, 2018
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3507 | Post No. : | 14090 |
“Mela”(1971) was produced by A A Nadiadwala and directed by Prakash Mehra for A G Films Private Limited Bombay. The movie had Feroz Khan,Mumtaz,Sanjay Khan aka Sanjay,Rajender Nath, Randhir,Lalita Pawar,Master Sachin, Master Ratan, Ram Mohan, Nikita, Mumtaz Begum, Dulari, Kanan Kaushal(Guest Artiste),Brahm Bhardwaj,Raj Kishore, Bhushan Tiwari, Yunus Parvez, Baby Guddy, Bhalla, Mirza Musharraf, Uma Khosla, Ekram Kashmiri, Maqabool,Hari Shukla, Sushil Kumar, Munshi Munaqqa,Sadique etc in it.
The movie had six songs in it. Five of them have already appeared in the blog. Here are the details of the five songs that have been covered in the past.
|
Song Title |
Post No. |
Post Date |
| Rut hai milan ki | 256 | 15-Nov-08 |
| Gori ke haath mein jaise ye challaa | 3721 | 1-Apr-11 |
| Meri sakhiyon bolo | 8090 | 17-May-13 |
| Ek baar rakh de kadam zara jhoom ke | 8097 | 19-May-13 |
| Dekho re hua lahoo se lahoo kaise judaa | 14083 | 21-Feb-18 |
Here is the sixth and final song from “Mela”(1971) to appear in the blog. This song is sung by Lata. Majrooh Sultanpuri is the lyricist. Music is composed by R D Burman.
Picturisation shows Sanjay Khan leaving for the city in search of work and he is being given a send off, HFM style, by Mumtaz. 🙂
Lyrics of this song were sent to me by Prakashchandra.
With this song, “Mela”(1971) joins the list of movies that have all their songs covered in the blog.
Video (Partial)
Audio (full)
Song-Kya soch raha re (Mela)(1971) Singer-Lata, Lyrics-Majrooh Sultanpuri, MD-R D Burman
Lyrics (audio version) (Provided by Prakashchandra)
jaa naa
jaa jaa
kaa rey baabu
(sound -> ch ch ch ch ch)
(laughing sound)
kyaa soch rahaa rey
haan kyaa soch rahaa rey
jaa naa
jaa jaa na
le jaa mera pyaar
tere kaam aayega
kyaa soch rahaa rey
soch rahaa rey
jaa naa
jaa jaa naa
le jaa mera pyaar
tere kaam aayega..aa
(sound ->ch ch ch ch)
tujhe shehar jaana hai
raangeeli galiyon mein
bhanwraa bann ke ghoomega
kaagaz ki kaliyon mein
ho o
tujhe shehar jaana hai
raangeeli galiyon mein
bhanwraa bann ke ghoomega
kaagaz ki kaliyon mein
legi dil baaton hi baaton mein
koyee shehri gudiyaa
phir jiss din chhupke se chal degi
woh ud`ti chidiyaa
usi din tere mukh pe
meraa hi naam aayegaa
soch rahaa rey
haan kyaa soch rahaa rey ae
jaa naa
jaa jaa naa
le jaa meraa pyaar
tere kaam aayega
mohey pataa itnaa hai
o rey baanke chhailaa
tann ke ujley logon se
jab hogaa mann mailaa
mohey pataa itnaa hai
o rey baanke chhailaa
tann ke ujley logon se
jab hogaa mann mailaa
phir bekal ho ho ke
ro roke beetengi ratiyaan
Soungi rey main toh
sochegaa tu meri batiyaan
meraa nahin rey pehle
teraa salaam aayegaa
soch rahaa rey
haan kyaa soch rahaa rey
jaa naa
jaa jaa naa
le jaa meraa pyaar
tere kaam aayega
(sound)
kahin bhi tu jaaye rey
main toh ghar jaati hoon
gussaa na ho
achchaa ley
thhodi door aati hoon
ho ho
kahin bhi tu jaaye rey
main toh ghar jaati hoon
gussaa na ho
achcha ley
thhodi door aati hoon
na teri deewaani
na aisee tujhpe marti hoon
lekin tu aayegaa toh
ithna waada karti hoon
diyaa jalaa doongi jo
kisi bhi shaam aayegaa
soch rahaa rey
haan kyaa soch rahaa rey ae
jaa naa
jaa jaa naa
le jaa mera pyaar
tere kaam aayega
kyaa soch rahaa rey ae
jaa naa
jaa jaa naa
le jaa meraa pyaar
tere kaam aayegaa
- In: Asha Bhonsle solo | Asha Bhonsle songs | Celebration Song | Dance song | Dev Anand present without lip syncing | Dev Anand songs | Devnagri script lyrics by Sudhir | Feelings of heart | Folk Dance | Folk song | Fun lyrics song | fun timepass song | Guest posts | Lyrics contributed by readers | playful song | Post by Sudhir | Songs of 1970s (1971 to 1980) | Songs of 1971 | Yearwise breakup of songs
- 2 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3474 | Post No. : | 13953 |
The film ‘Tere Mere Sapne’ is an intense personal favorite, as are many of Vijay Anand’s films. This film is a very sensitive, rational and balanced view of the healthcare systems in our country, especially in the rural areas. Of course, the time frame is of 1960s (the film released in 1971). The medical profession and healthcare systems have seen unbelievable transformations, especially the brazen and vulgar commercialization of this profession, that was once considered a hallowed service of the people. But maybe more of that later.
I like this film, in all its aspects. I know when this film was released, there were many articles in magazines and newspapers, trying to find and point out technical and medical faults with the film’s many medical scenarios. It was like pointing out the defects in a mango, that one is no doubt enjoying, but still complaining that the skin of the mango is too thick or too thin. 🙂 My counter to this discussion was – please, hold on, this is a film, a dramatization of human situations. The director is trying to tell a story, about a very important profession in the society, attempting to exhibit certain ground realities, and also trying to suggest some approaches. It is not a treatise on anatomy or cardiology, that should be scientifically perfect, but does not tell a story.
In my humble opinion, all aspects of this film are very creditable – be it the storyline development, be it the dialogues and dialogue delivery, be it the performances by individual actors – no matter what is the time that character spends on the screen, be it the pace at which the tale progresses, be it the subtle and overt messages it intends to present, or be it the music and the songs – each one of them being a gem status song. I am sure the readers are familiar with the many songs of this film, and they will agree to this statement. Neeeraj, the poet, and Sachin Da (SD Burman) have collaborated to create and bring a set of such beautiful and meaningful songs. And when one tops that with Vijay Anand’s handling of the song picturization scenarios, it is like ‘सोने पे सुहागा’.
Let us take today’s song for example. This is the penultimate song of this film to be posted (and yes, we should be on the lookout for a Yippeee call for this film, very shortly 🙂 ). The story revolves around a small town, and the small hospital this town has. The senior doctor in this hospital (role played by Mahesh Kaul), who founded this hospital, is in the evening of his life. He is part paralyzed, and not fully capable to handle his duties as the Chief Medical Officer. His wife (role played by Paro), on the other hand, rules the hospital with an iron hand, and does not allow the inability of her husband to manage the setup, to be exposed to the outside world or to the regulatory authorities. Another senior doctor in the hospital is Dr Kothari (role played by Vijay Anand), who has given up his battle with the complexities of life, and is drowning himself in drink, in the anonymity of this small out of the place village. Into this scenario steps in Dr Anand (role played by Dev Anand). A recent graduate, he is fresh young mind with hallowed dreams of serving the poor people.
The situation for the song is that an elderly couple in the village (roles played by Sapru and Dulari), very hesitatingly and bashfully announce to the doctors at the hospital that they are on way to the first child in their lives. There is happiness and good news scenario, punctuated by the sad news that the child, when born, is not breathing. Dr Kothari, the gaynecologist, is drunk and out cold, not in a position to even wake up. Dr Anand saves the day, and brings the child back into the living world, by attempting to and cleaning his windpipe which was blocking the child’s breathing. It is a day of salvation and new life for this old couple. Of course, celebration has to follow.
So the family has a celebration at their home, and this song, a dance by Jaishree T, is part of that celebration. Dr Anand is present, along with other invitees from around the village. Also present is Nisha (role played by Mumtaz) a school teacher in the local school. Of course, the amorous developments have already taken place between the new young doctor and this pretty school teacher. It is a match made in heavens, as they say. OK, but the rest of the story at another time. 😉
As with everything else in this film, even this dance is such an exquisite piece of performance. As I said earlier, in the hands of a master director like Vijay Anand – it has to be so. The performance is nothing short of a full blown onslaught on the senses, that it does not leave anytime for the viewer to breathe. The pace of music is so fast. The lyrics and words are tumbling right on top of each other. Neeraj has knitted together the words that catch you trying to keep pace with understanding them while hearing the next line. Burman Da’s melody, no matter is delivered at Presto speed, and one has to be very alert to keep pace with the music, still comes out to be an exquisite song delivery.
And the performance by Jaishree T – probably the best I have seen from her. The choreographer, Hiralal, has done a real great job in conceptualizing this dance. You may watch it more than once to check – no movements are repeated, even if the lines are being repeated. The dance goes from one breathless set of movements to the next, without a respite. The three minutes and some seconds performance just leaves one breathless, trying to keep pace with the words, the melody, the dancers movements, the dancers expressions – everything so perfectly blended together into a swirl of a pleasurable whirlwind experience. Just watch when Jaishree T dances and moves to the line – ‘sheeshi hoon kewde ke paani’. Or for that matter, just pick any line, and each line is expressed through her movements so exquisitely.
The performance and the words of the song, also work to further develop, whatever it is that is developing between the young doctor and the pretty schoolteacher, for one can catch them exchanging furtive glances as the performance progresses.
A lovely song, a fantastic performance, that I for one, simply am not tired watching it again and again. View, and enjoy, this onslaught on the senses. Exquisite performance all around.
Song – Mera Saajan Phool Kamal Ka, Kali Main Raat Rani Ki (Tere Mere Sapne) (1971) Singer – Asha Bhosler, Lyrics – Neeraj, MD – SD Burman
Lyrics
mera saajan
o mera saajan phool kamal ka
kali main raat rani ki
raat ki rani chameli ki khushboo
sheeshi hoon kewde ke paani
kali main raat rani ki
mera saajan phool kamal ka
kali main raat rani ki
meri najaakat
hai lakhnauwa
choodi hai meri ajmer ki
choli silaai maine
dilli mein jaa ke
saari hai pehni chander ki
meri najaakat
hai lakhnauwa
choodi hai meri ajmer ki
choli silaai maine
dilli mein jaa ke
saari hai pehni chander ki
ras ki pyaali phoolon ki daali
laali main joban jawaani
kali main raat rani ki
mera saajan phool kamal ka
kali main raat rani ki
mera saajan
mera saajan phool kamal ka
kali main raat rani ki
haaye
simmi jaisi raja
naak hamaari
saayera baanu jaisi chaal re
nakhre mere mumtaaj jaise
sadhna jaise mere baal re
simmi jaisi raja
naak hamaari
saayera baanu jaisi chaal re
nakhre mere mumtaaj jaise
sadhna jaise mere baal re
sone ki chidia
aafat ki pudia
gudia hoon main japaani
kali main raat rani ki
mera saajan
ho mera saajan phool kamal ka
kali main raat rani ki
raat ki rani chameli ki khushboo
sheeshi hoon kewde ke paani
kali main raat rani ki
mera saajan phool kamal ka
kali main raat rani ki
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
मेरा साजन
ओ मेरा साजन फूल कमल का
कली मैं रात रानी की
रात की रानी चमेली की खुशबू
शीशी हूँ केवड़े के पानी
कली मैं रात रानी की
मेरा साजन फूल कमल का
कली मैं रात रानी की
मेरी नजाकत
है लक्खनन्व्वा
चूड़ी है मेरी अजमेर की
चोली सिलाई मैंने
दिल्ली में जा कर
साड़ी है पहनी चंदेर की
मेरी नजाकत
है लक्खनन्व्वा
चूड़ी है मेरी अजमेर की
चोली सिलाई मैंने
दिल्ली में जा कर
साड़ी है पहनी चंदेर की
रस की प्याली फूलों की डाली
लाली मैं जोबन जवानी
कली मैं रात रानी की
मेरा साजन फूल कमल का
कली मैं रात रानी की
मेरा साजन
मेरा साजन फूल कमल का
कली मैं रात रानी की
हाए
सिम्मी जैसी राजा
नाक हमारी
सायेरा बानू जैसी चाल रे
नखरे मेरे ममताज़ जैसे
साधना जैसे मेरे बाल रे
सिम्मी जैसी राजा
नाक हमारी
सायेरा बानू जैसी चाल रे
नखरे मेरे ममताज़ जैसे
साधना जैसे मेरे बाल रे
सोने की चिड़िया
आफ़त की पुड़िया
गुड़िया हूँ मैं जापानी
कली मैं रात रानी की
मेरा साजन
हो मेरा साजन फूल कमल का
कली मैं रात रानी की
रात की रानी चमेली की खुशबू
शीशी हूँ केवड़े के पानी
कली मैं रात रानी की
मेरा साजन फूल कमल का
कली मैं रात रानी की
- In: Asha Bhonsle solo | Asha Bhonsle songs | Dance song | Devnagri script lyrics by Sudhir | Feelings of heart | Free Spirit Song | Guest posts | Lyrics contributed by readers | Post by Sudhir | Song in Film Inside Film | Songs of 1970s (1971 to 1980) | Songs of 1971 | stage dance | Stage song | Yearwise breakup of songs
- 4 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3457 | Post No. : | 13870 |
phoolon ke rang se
dil ki kalam se
tujh ko likhi roz paati
‘Nirantar Neeraj’ – the name of a stage program that has been created by the Ibaadat group, on the life and works of this distinguished poet of this sub continent. [Ed Note: Ibaadat Foundation (www.ibaadatindia.org) is a non-profit group of lovers of poetry and film music, who conduct regular stage shows in various cities. Each of their programs is focused on an eminent poet. ‘Nirantar Neeraj’ was first staged in Delhi, in September 2014.] When I read the title of the, it enamoured me so much. A feeling of profundity follows the sound of this title.
Gopaldas Saxena ‘Neeraj’, turns 92 today. We all wish for him continued – ‘nirantar’ – time of good health, comfort and above all, creative passions.
Neeraj has had a patchy relationship with the Hindi film industry. But despite that, the gems that have come from this partnership are simply too great to be overlooked. He made his debut in the film world with the film ‘Nai Umar Ki Nai Fasal’ (1965). The director of this film, R Chandra, an earlier acquaintance of Neeraj, was highly influenced by his famous poem “Kaarwan Guzar Gaya Gubaar Dekhte Rahe”. His vision for the film was to present the essence of this poem as the theme of the film. How successful he was in translating this theme into the film is a matter of judgment. The film did not do well at the box office. However, its songs went on to become very famous and popular – “Dekhti Hi Raho Aaj Darpan Na Tum”, “Aaj Ki Raat Badi Shokh Badi Natkhat Hai”, “Mero Saiyyaan Gulabia Ko Phool”, and of course the theme song.
In terms of timeline, his first songs appeared in the film ‘Cha Cha Cha’ which was released in 1964. The two songs in the voice of Rafi Sb, and composed by Iqbal Qureshi, have stood the test of time – “Subah Na Aayi, Shaam Na Aayi” and “Wo Hum Na The Wo Tum Na The”. Till this day, when these song are heard, one is struck by the sheer poetic content.
In 1965, came another film which, by industry standards, also did not do too well on the box office. However, its song – well that is another story. The film is “Tu Hi Meri Zindagi” – a film about Goa’s struggle for independence from Portuguese rule. The film has not stayed in the collective memory of the filmgoers. Maybe, the songs even were not very popular. But the songs, created in partnership with the music director Rono Deb Mukherjee, themselves are a shining gems, each one of them. Listen to “Ye Kaun Thak Ke So Raha Hai Gulmohar Ki Chhaon Mein”; or “Mere Watan Ka Hai Tu Wo Ratan” (happy version); or “Aadam Ka Lahu”; or “Mere Himaalay Ke Paasbaanon”.
Coming to work with Shankar Jaikishan for the film ‘Kanyadaan’ (1968), the initial working relationship was quite ‘explosive’, especially with Shankar. S-J requested for a love song, and Neeraj returned to them with a poem that spanned three handwritten pages. Shankar was ‘snappy’, but then decided to work with the poet. A very hard give and take had to happen to convert this poem into a film song of three minutes. But the end result of this was the fabulous love song that broke all broadcasting records in that year – “Likhe Jo Khat Tujhe. . .”.
Neeraj used to teach at the Dharam Samaj College in Aligarh. In 1970, he got an invitation from Dev Anand to come to Bombay and stay for a week at his expenses. Dev Anand was preparing for ‘Prem Pujari’ (1970). SD Burman was very cautious, and not confident that Neeraj would assimilate well into his music, with predefined situations and pre-prepared tunes. When Neeraj arrived in Bombay, Dev Sb immediately took him to meet Burmam Da. Dada already had a tune in mind, and wanted lyrics set to the tune and the situation. He explained that a girl sees her beau at a party in the company of another lady, and the circumstances are such that the beau is not recognizing her. The song should be of a complaint, frustration, depression, sarcasm – all this Burman Da piled on to Neeraj. So much that even Neeraj himself became hesitant and unsure. To top it, Burman Da also informed that the song has to start with the words “Rangeela Re”. Neeraj returned from the meeting, not sure about his own nerve. He mentioned this to Dev, and Dev said, you have a week to make it happen. If it does not happen, then no problem, you are still my guest for a week in Bombay.
In his hotel room, Neeraj worked the night, and next morning met again with Dev Anand to tell him he has something he would like to show to Burman Da. They immediately drove down to the latter’s residence. Neeraj handed him the paper with the lyrics he had written for the tune and for the situation. One look at the lyrics, and Burman Da said to Dev Anand – you may leave now, the two of us have work to do.
This started a partnership that Neeraj says he really enjoyed in the industry. After ‘Prem Pujari’ they went on to work together on such memorable films as ‘Gambler’ (1971), ‘Sharmeeli’ (1971), ‘Tere Mere Sapne’ (1971) and ‘Chhupa Rustom’ (1973). A scan through the song lists of these films is enough to send a shiver down the spine.
The other close partnership that he enjoyed working with was Shankar Jaikishan. After ‘Kanyadaan’, their partnership continued with ‘Duniya’ (1968) – “Ye Dharti Hindustan Ki”; ‘Chanda Aur Bijli’ (1969) – “Kaal Ka Pahiya Ghoome Bhaiya”; ‘Mera Naam Joker’ (1970) – “Ae Bhai Zara Dekh Ke Chalo” (1970); ‘Pehchaan’ (1970) – “Bas Yahi Apradh Main Har Baar Karta Hoon”; ‘Umang’ (1970); ‘Ek Naari Ek Brahmchari” (1971); ‘Kal Aaj Aur Kal’ (1971) – “Tik Tik. . . Chalti Jaaye Ghadi”; ‘Laal Pathar’ (1971) – “Sooni Sooni Saans Ki Sitar Par”; ‘Patanga’ (1971) – “Jhoom Ke Ga Yun Aaj Mere Dil”; and some more.
There is an interesting note that Neeraj shares about the song “Ae Bhai. . .”. When this song was presented to S-J, Shankar’s mood was sitched off – such bland and blank verses, he could not get himself to compose a tune for this song. The song finally turned out after Neeraj and Shankar both worked together for the composition.
Working closely with some of the best and the most successful music directors in the industry, turned out to be both a blessing and a curse. Blessing that we see a heady proliferation of magical songs created by Neeraj together with these music directors, in the period from 1965 to about 1972. And then there is a tapering down of this creative streak. In Neeraj’s own words, he got caught in a cycle of near depression, when in quick succession his music director partners departed – first Roshan in 1967, then Jaikishan in 1971 and finally SD Burman in 1973. These departures created a vacuum in his life that was depressing enough for him to pack his bags and move back to Aligarh and to academics.
He continued to work sporadically, but not many people from Bombay called upon him any more. Dev Anand and Vijay Anand were the only film persona who continued to call upon Neeraj to pen songs for them. Neeraj was associated with Dev and Navketan right till the film ‘Chargesheet’ which released in 2011, and Dev Anand playing the lead at 82. 🙂
At 92, Neeraj currently is the chancellor of the Mangalayatan University in Aligarh. At 92, he has health limitations. But the poet in him is still very active. A recent couplet from him
ab to mazhab bhi koi chalaaya jaaye
ke insaan ko insaan banaaya jaaye
aag behti hai ganga mein jehlum mein bhi
tum bataao kahaan jaa ke nahaaya jaaye
For today’s song I turn to the film ‘Tere Mere Sapne’ from 1971. This song is a light hearted dance song which is performed by Hema Malini on the screen, inside the screen that we watch. Meaning that the situation is the Dev Anand and Mumtaz are on a ‘date’ at a village ‘mela’ (i.e. before they are married in the film), and they get into a tent cinema to watch a film. And this song is playing in the film that they are watching. So this maybe a unique situation wherein a complete song is performed on the screen that is being watched by the actors we are watching on our screen.
From the looks of it, Dev Anand is hugely enamoured by the actress on the screen, much to the chagrin of Mumtaz, whose pleasure of the evening suddenly evaporates, as she looks at Dev Anand watching Hema Malini with fascination. 🙂
Interesting to hear such light hearted verses coming from Neeraj. But you know, that is not an isolated incident. Sample some of his other songs – “Sunday Ko Pyaar Hua, Monday Iqraar Hua” from ‘Kanyadaan’, “Darr Lage To Gaana Ga” from ‘Yaar Mera’ (1971) and “Dheere Se Jaana Khatiyan Mein” from ‘Chhupa Rustom’ (1973).
But this song, is still so very special. Note the huge variation in the metre of different parts of lyrics. And kudos to Burman Da to have seamlessly knitted together the song with such a variety of lengths of singing lines. Quite a masterpiece it is.
And then once again, heartful wishes to Neeraj ji – continue ‘nirantar‘.
[Ed Note: Part of the material for this write up is adapted from an interview with Neeraj published in the Hindu of May 21, 2015.]
[Ed Note: Although the video clip is quite adequate in itself, the audio link is also presented, not for the sound of the song, but for the image that is accompanying it. The image shows Asha Bhosle standing next to a seated Kersi Lord – musician and instrumentalist par excellence. Kersi had a very close working relationship with SD Burman. At first I wondered why someone has created this audio post this way. But then when I listened to this song again, it was clear. I suggest the readers also to listen to this song closely, and more than once if possible. There are many little special sound effects and variations in the instrumentation, that make this song really so magical. That is all Kersi Lord’s handiwork. 🙂 ]
Video
Audio
Song – Phurr Ud Chala Hawaaon Ke Sang Sang Dil Jaane Kidhar (Tere Mere Sapne) (1971) Singer – Asha Bhosle, Lyrics – Neeraj, MD – SD Burman
Lyrics
phurrrrr
ud chala..aa..aa..aa
phurr ud chal hawaaon ke sang sang dil jaane kidhar
aa ha ud chaloon haule haule dheere dheere main kyon na udhar
phurr ud chal hawaaon ke sang sang dil jaane kidhar
aa ha ud chaloon haule haule dheere dheere main kyon na udhar..rr..rr
main hi nahin
dil hi nahin
udi jaaye saari fizaa
thaamo koi
aa ke hamen
hum ko na apna pataa
main hi nahin. . .
main hi nahin
dil hi nahin
udi jaaye saari fizaa
thaamo koi
aa ke hamen
hum ko na apna pataa
kabhi yahaan
kabhi wahaan
kabhi wahaan
kabhi yahaan
jaane nahin kahaan kahaan
ud chalaa. . .
ud chala
phurr ud chal hawaaon ke sang sang dil jaane kidhar
aa ha ud chaloon haule haule dheere dheere main kyon na udhar aa aa
sooni sooni
bheeni bheeni
rangeen kya shaam hai
meetha meetha
hsssss pyaara pyaara
hothon pe ik naam hai
sooni sooni. . .
sooni sooni
ha bheeni bheeni
ha rangeen kya shaam hai
meetha meetha
hsssss pyaara pyaara
hothon pe ik naam hai
roko isey toko isey
thaamo isey baandho isey
dekho dekho ye to ud chala. . .
ha ha ha
phurr ud chal hawaaon ke sang sang dil jaane kidhar
aa ha ud chaloon haule haule dheere dheere main kyon na udhar
phurr ud chal hawaaon ke sang sang dil jaane kidhar
aa ha ud chaloon haule haule dheere dheere main kyon na udhar..rr..rr
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
फुर्रर्रर्र
उड़ चला॰॰आ॰॰आ॰॰आ
फुर्र उड़ चला हवाओं के संग संग दिल जाने किधर
आ हा उड़ चलूँ हौले हौले धीरे धीरे मैं क्यों ना उधर
फुर्र उड़ चला हवाओं के संग संग दिल जाने किधर
आ हा उड़ चलूँ हौले हौले धीरे धीरे मैं क्यों ना उधर॰॰र्र॰॰र्र
मैं ही नहीं
दिल ही नहीं
उड़ी जाये सारी फिज़ा
थामो कोई
आ के हमें
हमको ना अपना पता
मैं ही नहीं॰ ॰ ॰
मैं ही नहीं
दिल ही नहीं
उड़ी जाये सारी फिज़ा
थामो कोई
आ के हमें
हमको ना अपना पता
कभी यहाँ
कभी वहाँ
कभी वहाँ
कभी यहाँ
जाने नहीं कहाँ कहाँ
उड़ चला॰ ॰ ॰
उड़ चला
फुर्र उड़ चला हवाओं के संग संग दिल जाने किधर
आ हा उड़ चलूँ हौले हौले धीरे धीरे मैं क्यों ना उधर आ आ
सूनी सूनी
भीनी भीनी
रंगीन क्या शाम है
मीठा मीठा
हस्ससस प्यारा प्यारा
होठों पे इक नाम है
सूनी सूनी॰ ॰ ॰
सूनी सूनी
भीनी भीनी
रंगीन क्या शाम है
मीठा मीठा
हस्ससस प्यारा प्यारा
होठों पे इक नाम है
रोको इसे टोको इसे
थामो इसे बांधो इसे
देखो देखो ये तो उड़ चला॰ ॰ ॰
हा हा हा
फुर्र उड़ चला हवाओं के संग संग दिल जाने किधर
आ हा उड़ चलूँ हौले हौले धीरे धीरे मैं क्यों ना उधर
फुर्र उड़ चला हवाओं के संग संग दिल जाने किधर
आ हा उड़ चलूँ हौले हौले धीरे धीरे मैं क्यों ना उधर॰॰र्र॰॰र्र
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Yesterday (24 december 2017) was Rafi’s birth anniversary and today (25 december 2017), apart from being Christmas, is the birth anniversary of Naushad.
We in the blog try to combine such anniversaries and discuss songs that such artists may have combined to create. And it goes without saying that the collaboration of Rafi and Naushad has been a long and fruitful one.
I counted each and every song that had the voice of Rafi and which was composed by Naushad. I found that the two were associated in 40 movies and 160 songs, beginning from “Pahle Aap”(1944) and ending with “Love and God” (1986).
Contributors may think that they have such a large number of Rafi-Naushad songs to chose from if they have to sent their guest articles, or lyrics, but that is not so.
All songs created by Rafi and Naushad beginning from “Pahle Aap”(1944) upto “Ganwaar”(1970) have already been covered in the blog. This 16 year span covers all the magnum opus that Naushad created (and utilised Rafi’s voice in them) viz. Pehle Aap , Anmol Ghadi, Shahjahaan, Mela, Andaaz, Chaandni Raat, Dillagi, Dulaari, Baabul, Daastaan, Deedaar, Jaadoo, Aan, Baiju Baawra, Deewaana, Amar, Shabaab, Udan Khatola, Mother India, Sohni Mahiwal, Kohinoor, Mughal e Azam, Ganga Jamuna, Son of India, Mere Mehboob, Leader, Dil Diya Dard Liya, Saaz Aur Aawaaz, Paalki, Ram aur Shyam, Aadmi, Sangharsh and Ganwaar have already been YIPPEED and so all Rafi songs in these movies have been covered as well.
In fact, 146 out of 160 songs created by the collaboration of Rafi and Naushad have already been covered in the blog.
By 1970, Naushad and his generation of oldtimer music directors were already upstaged by the new generation of music directors led by R D Burman. Naushad collaborated with Rafi in seven more movies during 1970s and 1980s. And it is in these movies that offer us the remaining Naushad compositions with Rafi’s voice.
Following are the movies that offer us the last remaining Rafi songs under Naushad’s baton.
| Movie | Year | No of songs in the blog with Rafi | No of songs in the movie with Rafi | Remarks |
|---|---|---|---|---|
| Taangewaala | 1972 | 1 | 4 | The song under discussion in the writeup |
| My Friend | 1974 | 1 | 4 | |
| Sunahra Sansaar | 1975 | 0 | 1 | |
| Chambal Ki Raani | 1979 | 0 | 1 | |
| Love and God | 1986 | 1 | 6 | |
| Total | 3 | 16 | 13 songs remaining | |
Peevesie’s mom discussed a Rafi-Naushad song from “Dharam Kaanta” (1982) and all Rafi songs of this movie thus got covered. So this movie just avoided getting figured in the table above.
The table above mentions that no Rafi songs from “Taangaawaala”(1972) has been covered. That was before the song under discussion. This song under discussion is a Rafi-Asha Bhonsle duet from “Taangewaala”(1972). the song is penned by Majrooh Sultanpuri. Music is composed by Naushad.
The song is picturised as a roadside tamasha song on Rajendra Kumar and Mumtaz. They are shown doing publicity for a movie called “Kaala Chor”. People who lived through that era will recall that movies that were being shown in the local movie halls were given street to street publicity. A man, fancying himself to be the local version of Ameen Sayani would announce about the movie seated on a cycle rickshaw. He would play songs as well (not necessarily from the movie being advertised). Kids were especially interested in the pamphlets of the movie that he would distribute among people.
The picturisation is a filmy version of those days of door to door publicity campaigns for movies. 🙂 This picturisation would certainly bring back fond memories for those who lived through that era. The lyrics by Majrooh Sultanpuri are truly outstanding.
With this song done and dusted, now just 13 more Rafi-Naushad songs are left to be covered before we raech what can be described as a mega YIPPEE landmark of all Rafi-Naushad songs getting covered in the blog.
Song-Do deewaane aaye ek tamaasha laaye (Taangewaala)(1972) Singers-Rafi, Asha Bhonsle, Lyrics-Majrooh Sultanpuri, MD-Naushad
Lyrics
aao aao
aao aao
are aao aao
are aao aao
aao aao
do deewaane
aaye
ek tamaasha
laaye
dekho sau feesdi film ye
bole naache gaaye
kaho kya jhoothh baat hai
nahin
to bas phir dekho bhaalo
jawaani ke gun gaa lo
ho do deewaane
aaye
arre ek tamaasha
laaye
dekho sau feesdi film
ye bole naache gaaye
kaho kya jhoothh baat hai
nahin
to bas phir dekho bhalo
jawaani ke gun gaa lo
aao dekho pyaare
ye khel tumhen lalkaare
naam hai kaala chor
ye picture bhaaraat ki mashoor
laaraa loo
laaraa loo
arre
laaraa loo
laaraa loo
laaraa loo
dushman se wo fight
jo huliya kar de tight
are scene hazaaron ismein
maara maari se bharpoor
huntar kadke
paanch aane mein
ghoda bhadke
paanch aane mein
chhaati dhadke
paanch aane mein
dekho mere yaar jawaani khel ajab dikhlaaye
haa haa
do deewaane
aaye
arre ek tamasha
laaye
dekho sau feesdi film ye
bole naache gaaye
kaho kya jhoothh baat hai
nahin
to bas phir dekho bhaalo
jawani ke gun gaa lo
kismat unki phooti
ye picture jinse chhooti
biwi bachchon ko dikhla
aur tu bhi jaldi dekh
laara loo
laara loo
arre
laara loo
laara loo
laara loo
kaam mera samjhaana
phir peechhe na pachhtaana
touring talkie ke jaane mein
din hain bas do ek
aao dekho
paanch aane mein
aankhen senko
paanch aane mein
dil bhi phenko
paanch aane mein
jo mukhda parde par dekho
sapne mein bhi aaye
arre do deewaane
aaye
ek tamasha
laaye
dekho sau feesdi film ye bole naache gaaye
kaho kya jhoothh baat hai
nahin
to bas phir dekho bhalo
jawani ke gun gaa lo
Indian news reel
khel se pehle logon
duniya ki khabren dekho
dekho kaise sailaabon mein bahte hain ghar baar
kahin kaal
bhoochaal
arre laaraloo laaraloo laaraloo
kaise milta ration
ration ke oopar bhaashan
bhaashan jispe hoti hai
neta ki jai jai kaar
Paris London
paanch aane mein
Turkey German
paanch aane mein
chal Washington
paanch aane mein
dekh le apni aankh se koi chaand pe kaise jaaye
ho o
do deewaane aaye
ek tamaasha laaye
dekho sau feesdi film ye bole naache gaaye
kaho kya jhoothh baat hai
nahin
to bas phir dekho bhalo
jawaani ke gun gaa lo
Daakaa daaley been tihaari
Posted on: August 1, 2017
This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Yesterday (31st July 2017) was the birthday of Mumtaz, one of Hindi cinema’s leading heroines in the early 70s.
Yesterday also happened to be the death anniversary of Rafisaab, and our posts were focussed on remembering him. So this post for Mumtaz is being posted a day late. Hopefully, if she is reading this, she won’t mind. 🙂
Read more on this topic…
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