Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Shamshad Begam


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Hindi film industry has given rise to several controversies, some of them are settled, some are forever a question mark and some controversies come up again and again with the slightest of provocation. The worst thing in a controversy is that even if statements of clarification are given by the concerned people involved with it, it is viewed with suspicion of a personal bias.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

This is a song from film ‘Shair’ (1949). I am not sure if that is the correct name for this film. If the name is ‘Shaayar’ or ‘Shaayir’ than it will mean ‘the poet’. If it is ‘Shair’ than it is ‘a couplet’. Eight songs from this film have appeared in this blog. I was able to find only one Rafi song in this film which is luckily not posted.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Can there be a child who has not read the story of Alibaba or Alladin or Sindbad the sailor ? All of us have read these stories in our younger days,but not many know that these stories are from ‘Arabian Nights’ or ‘ The 1001 Nights’.
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Regulars of this blog must have noticed that the daily output of this blog seems to have dwindled for the last few days. The reasons for that can be summed up briefly by saying that I have not been able to devote as much time to the blog as is necessary for its usual daily quota of songs.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog

The Voice of Mukesh #10
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The first five years of Mukesh’s career, from 1941 to 1945 were sketchy, and not very productive. The available records show that he sang 14 songs in six films during these five years. His singing did not capture much attention, and Mukesh was a discouraged man, contemplating to leave Bombay and return home to Delhi. But then in 1945, ‘Pehli Nazar’ happened, under the baton of Anil Biswas. And after the release of ‘Pehli Nazar’, Mukesh’s career was on the up and up.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Type casting in the film world does not always apply to actors only. Artists in other categories also sometimes suffer the vagaries of being type cast into a particular mould. And much as they try to get away from that image, the perception of the success factor somehow conspires to keep them tied down to the image. There are hugely talented artists in all categories who have been sidelined, much before their full potential could be enjoyed by the viewers and listeners. Granted that there can me more reasons for their fading away before time, but yes, this typecasting has been a significant factor.
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