Posts Tagged ‘Singer-MD’
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
6383 | Post No. : | 19795 |
“Kavi”(1954) was directed by Debki Bose for sunrise Pictures, Bombay. The movie had Bharat Bhushan, Geeta Bali, Nalini Jaywant, Chandrashekhar, B M Vyas, Jankidas, Om Prakash etc in it.
The movie had ten songs in it. Six songs have been discussed in the blog in the past.
Here is the seventh song from “Kavi”(1954) to appear in the blog. This song is sung by C Ramchandra and Asha Bhonsle. Rajinder Krishan is the lyricist. Music is composed by C Ramchandra.
Only audio of the song is available. From the lyrics, it is clear that the song takes a light hearted look at the “fashionable” ladies of those days. Yes, women used to be fashionable and westernised even seven decades ago. 🙂
Song-Chalee shahar kee naar ho chalee shahar kee naar (Kavi)(1954) Singers-C Ramchandra, Asha Bhonsle, Lyricist-Rajinder Krishan, MD-C Ramchandra
Both
Lyrics
shahar mein dekha ek tamaasha
beech sadak ik naar
shahar mein dekha ek tamaasha
beech sadak ik naar
sainya ke sang chalee ghoomne
banee galey ka haar
galey ka haar
galey ka haar
chalee shahar kee naar ho chalee shahar kee naar
chalee shahar kee naar ho chalee shahar kee naar
cigarette peetee dhuaan udaatee
rail ka jaise bamba
are mardon jaise baal kate
bhai naar hui ya khambha
cigarette peetee dhuaan udaatee
rail ka jaise bamba
are mardon jaise baal kate
bhai naar hui ya khambha
laal bahu ke gaal gulaabee
nain musaafir maar
musaafir maar
musaafir maar
chalee shahar kee naar ho chalee shahar kee naar
chalee shahar kee naar ho chalee shahar kee naar
baabu ko vo kahe darling
darling
kahaan kee hai ye bolee
baabu ko vo kahe darling
kahaan kee hai ye bolee
lamb tadanga kurta pehne
na ghoonghat na cholee
ram ram
lamb tadanga kurta pehne
na ghoonghat na cholee
maal to desee chaal bidesee
samajh na aaye yaar
na aaye yaar
na aaye yaar
chalee shahar kee naar ho chalee shahar kee naar
chalee shahar kee naar ho chalee shahar kee naar
buree hai kya phir yaaron
apne raamlal kee maa
bholee bhaalee
seedhee saadee sada kare jee haan
buree hai kya phir yaaron
apne raamlal kee maa
bholee bhaalee
seedhee saadee sada kare jee haan
arre bachche paale chauka deke
kare balam sang pyaar
balam sang pyaar
balam sang pyaar
chalee shahar kee naar ho chalee shahar kee naar
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
6380 | Post No. : | 19785 |
Today, January 5, 2025, is the 44th Remembrance Day of Ramchandra Narhar Chitalkar, popularly known as C Ramchandra as a music director and Chitalkar as a playback singer. He regaled the connoisseurs of Hindi film music with his melodious musical compositions in the 1950s and 1960s. He was the pioneer of introducing popular foot-tapping songs with western musical influence and western musical instruments like saxophone and guitar in his compositions as early as in the 1940s. At the same time, he was composing classical raag-based as well as folk-based songs. He was trained in Hindustani classical music for six years first under Vinayakbua Patwardhan and later Shankarrao Sapre.
Despite producing many melodious songs especially in the 1950s, it is unfortunate that C Ramchandra did not get any award – whether National Film Award or Filmfare Award as a music director. The first Filmfare Awards were announced in April 1954 for films released in 1953. But his film, ‘Anarkali (1953) was not in the reckoning for the best music director’s award. His film, ‘Aazaad’ (1955) and ‘Paighaam’ (1959) were nominated for the Filmfare Award in best music director category but did not win. But the fact remains that many of his melodious and rhythmic songs of 1950s are still popular among the current generation which itself is a great award to a creative genius.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6371 | Post No. : | 19761 | Movie Count : |
5174 |
A few weeks back while going through Deepti Naval’s filmography on her Website, I found the mention of one of her films, ‘Anant’. I have never heard of this film. I did not find the mention of this film on any regular film/song-based websites, like IMDb, myswar.in etc. Fortunately, a video clip of the film was available on one of the video sharing platforms which was uploaded by the producer of the film. I watched the film in one sitting and liked it immensely.
Anant (1999) was a tele film which was produced by Project Smita Society and Voluntary Health Association of India and was directed by Raman Kumar. The cast included Deepti Naval, Kanwaljeet Singh, Seema Biswas, Satyadev Dube, Bhakti, Javed Khan, Nanda and Avtar Gill. The story of the film was written by Alok Mukhopadhyay mainly to create an awareness about AIDS/HIV+ . Vinta Nanda wrote the screenplay and dialogues. The film was premiered on Star TV on December 1, 1999, on World Aids Day. Later, it was dubbed in nine languages for being telecast on the regional TV channels. The film was produced in mainstream cinema format with the focus on creating the awareness of AIDs for the people at large. The film is of 70 minutes’ duration.
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This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6357 | Post No. : | 19712 |
Ta’areef uss khuda ki jis ne jahaan banaaya – Non-Film Song (Jagjit & Chitra Singh)
तारीफ़ उस ख़ुदा की जिस ने जहां बनाया
कैसी ज़मीं बनाई क्या आसमां बनाया
पांव तले बिछाया क्या ख़ूब फ़र्श-ए-ख़ाकी
और सर पे लाजवर्दी इक साएबां बनाया
मिट्टी से बेल-बूटे क्या ख़ुशनुमा उगाए
पहना के सब्ज़ ख़िलअत उन को जवां बनाया
ख़ुश-रंग और ख़ुशबू गुल फूल हैं खिलाए
इस ख़ाक के खंडर को क्या गुलिस्तां बनाया
मेवे लगाए क्या क्या ख़ुश-ज़ाएक़ा रसीले
चखने से जिन के मुझ को शीरीं-दहां बनाया
सूरज बना के तू ने रौनक़ जहां को बख़्शी
रहने को ये हमारे अच्छा मकां बनाया
प्यासी ज़मीं के मुंह में मेंह का चुवाया पानी
और बादलों को तू ने मेंह का निशां बनाया
ये प्यारी प्यारी चिड़ियां फिरती हैं जो चहकती
क़ुदरत ने तेरी उन को तस्बीह-ख़्वां बनाया
तिनके उठा उठा कर लाईं कहां कहां से
किस ख़ूब-सूरती से फिर आशियां बनाया
ऊंची उड़ें हवा में बच्चों को पर न भूलें
इन बे-परों का उन को रोज़ी-रसां बनाया
क्या दूध देने वाली गाएं बनाईं तू ने
चढ़ने को मेरे घोड़ा क्या ख़ुश-इनां बनाया
रहमत से तेरी क्या क्या हैं नेमतें मयस्सर
इन नेमतों का मुझ को है क़द्र-दां बनाया
आब-ए-रवां के अंदर मछली बनाई तू ने
मछली के तैरने को आब-ए-रवां बनाया
हर चीज़ से है तेरी कारीगरी टपकती
ये कारख़ाना तू ने कब राएगां बनाया
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Ismail Meerathhi writes the above “Hamd”. The above is the full Hamd in ghazal format, in devnagari script.
“Tarif us Khuda ki jisne jahan banaya” is a famous Urdu poem (Nazm) by Ismail Merathi (1844-1917), a pivotal figure in modern Urdu literature known for awakening intellect through simple, descriptive verses, particularly for children, focusing on nature, God’s creation, and moral lessons, making this poem a classic praise of the Creator’s artistry in making the world.
Read more on this topic…
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6355 | Post No. : | 19702 |
‘Sindbaad The Sailor” (1952), also known as ‘Sindbaad Jahaazi’ was produced by Balwant Bhatt under the banner of Deepak Pictures and was directed by his brother, Nanabhai Bhatt. The cast included Naseem Bano, Ranjan, Nirupa Roy, Pran, Jayant, Bhagwan, Yashodhara Katju, Samson, etc. In some places including the poster of the film, Sindbaad is written/printed as ‘Sinbad’. The Arabic name is ‘Sindibaadu’. So, using the title of the film as ‘Sindbaad The Sailor/Sindbaad Jahaazi’ seems appropriate.
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Man naaheen laage mitwaa
Posted on: December 9, 2025
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6353 | Post No. : | 19696 |
In Sindhudurg district of Maharashtra and in Goa, there used to be Devdasi (servants of God) customs under which select girls (especially trained singers and dancers) were attached to local temple for temple duties. Since they were regarded as wedded to the deity of the temples, they were expected to live a life of celibacy. They were supported by the patrons of the temple which included royalties. However, with the abolition of royalties, the Devdasi custom as envisaged in the beginning came under financial strain, forcing them to rely on rich patrons, sometime becoming their mistresse. The girls born out of such relationship were initiated into Devdasi customs.
In 1970, Jaywant Dalvi, a Marathi novelist, playwright and journalist, who was from the South Konkan region, published his novel, ‘Mahananda’ highlighting the burning issues in Devdasi customs in the Konkan region of Maharashtra as evolved over a period of time, now almost extinct. The story is about a city-based college lecturer, Babulnath (Babul for short). He while on a visit to his native village, falls in love with Mahananda (Mannu for short), a daughter born out of Devdasi custom. However, her mother opposes their marriage as Mahananda is destined to serve the temple as Devdasi. It is a tragic love story which is doomed from the beginning due to societal pressures and superstitions resulting in the emotional turmoil for the affected lovers. The end result is that Mahananda is betrayed by her own mother due to her superstitions and later by Babul due to his timid nature though he remains unmarried.
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Hawwaa Aziza Hawwaa
Posted on: December 5, 2025
- In: Artist century song in blog | Century songs for the blog | Dance song | Guest posts | Post by Sadanand Kamath | Raj darbaar song | Rare song | Song containing foreign words | Songs of 1960s (1961 to 1970) | Songs of 1965 | Usha Khanna solo songs | Usha Khanna songs | Yearwise breakup of songs
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This song post marks the 300th song of Usha Khanna in the blog as a music director.
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Blog Day : |
6349 | Post No. : | 19678 |
‘Main Hoon Alladin’ (1965) was produced by K N Sippy and was directed by Mohmmed Hussain. The cast included Ajit, Saeeda Khan, Madan Puri, Maruti, David, Amar, Jagirdar, Sham Kumar, Ratnamala, Mumtaz Begum, Munshi Munaka, Mulchand, Khalil, Nazir Kashmiri, Habib and others. The film was based on ‘Arabian Nights’ stories and belongs to ‘costume and fantasy’ genre.
The film is available in the VCR format. Though the film is in colour, the quality of both video and audio is not up to the mark. There appears to be some deletion of scenes at a few places as the story does not give a feel of a smooth changeover. As it is, the story of the film itself appears to be an amalgam of sub-plots. The first part mostly covers the character around Alladin and his love interest, Salma while the second part mostly gives the impression of a repeat of the fairytales of ‘Alladin and the Wonderful Lamp’. Still, the film is interesting to watch and all the songs are melodious.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6345 | Post No. : | 19658 |
Today’s song is a duet from the film Laila Majnu-1945.
1945 was the year when the devastating II World War ended and the film industry heaved a sigh of relief. Many irksome regulations were relaxed. There was no force now to make Propaganda films for war, no shortage of Raw Film and plenty of Finance available through black money , generated during the war times. However, the year saw only 73 Hindi films made.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
6341 | Post No. : | 19647 |
‘Aa Jaa Sanam’ (1975) was produced by S A Mehmood and was directed by Yusuf Naqvi. The cast included Feroz Khan and Tanuja in lead roles supported by Deven Verma, Shabnam, Sulochana Chatterjee, S N Banerjee, Shivraj, Mukri, Meenaxi, S A Baker, Kalyani Bai etc.
I have recently watched the film for the first time and I am surprised that it is shot in ‘Black and White’ for a 1975 released film by which time almost all the Hindi films were made in colour. Obviously, the film must have got held up for a long time before it was released. I guess that the film may have been shot around mid-1960s going by the trends of costume used by Feroz Khan who is seen with narrow bottom pants. By the starts of 1970, the fashion of bell-bottom pants was seen in many films. Also, the film has all three male voice songs of Mohammed Rafi whereas after the post-Aradhana (1969) period, Kishore Kumar would have got at least one song for the film if not more because the film distributors normally used to insist.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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