Posts Tagged ‘Toofaani Teerandaaz’
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This article is the 16000th post in the blog.
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Blog Day : |
4484 | Post No. : | 16000 | Movie Count : |
4382 |
This blog regularly clocks centuries of songs. So it follows that the blog clocks thousand songs too after every ten centuries.
The blog has seen 15 instances of thousandth posts so far.
These were special occasions when special writeups are presented with special songs.
It is interesting to look back at the 15 instances of thousandth posts in the blog. Here are their details:-
| Post number | Date of posting | Song | Movie (year) | Blog day | Days taken for the thousandth post |
|---|---|---|---|---|---|
| 1000 | 30 march 2009 | Piya ham saat mulk ka paani | Lootmaar (1980) | 255 days | 255 days |
| 2000 | 27 September 2009 | Dhakdhak karti chali jeewan ki rail re | Dilruba (1950) | 436 days | 181 days |
| 3000 | 20 september 2010 | Maa mujhe apne aanchal mein chhupa le | Chhota Bhai (1966) | 794 days | 358 days |
| 4000 | 13 june 2011 | Kya se kya ho gaya bewafa tere pyaar mein | Guide (1965) | 1060 days | 266 days |
| 5000 | 13 nov 2011 | Hamen to loot liya mil ke husn waalon ne | Al Hilal (1957) | 1213 | 153 days |
| 6000 | 23 May 2012 | Geet kitne gaa chuki hoon | Asha Bhonsle NFS | 1405 days | 192 days |
| 7000 | 13 Nov 2012 | Falak se utre zameen pe taare | Rafi NFS | 1579 days | 174 days |
| 8000 | 28 april 2013 | Beautiful baby of Bombay | Ek Phool Chaar Kaante (1960) | 1745 days | 166 days |
| 9000 | 13 November 2013 | Ankhiyaan sang ankhiyaan laagi aaj | Bada Aadmi (1961) | 1944 days | 199 days |
| 10000 | 20 July 2014 | Phul rahin belariyaan dole | Trapped (1931) | 2193 days | 249 days |
| 11000 | 31 March 2015 | Kaam ki dhun mein hain rawaan | Gyaarah Hazaar Ladkiyaan(1962) | 2447 days | 254 days |
| 12000 | 20 April 2016 | Door desh se aane waale | Gaja Bhau(1943) | 2833 days | 386 days |
| 13000 | 4 March 2017 | Dil tumse lagaaya kyun hamne | Captain Aazaad (1964) | 3151 days | 318 days |
| 14000 | 1 February 2018 | Khayyam hai Allah waala | Omar Khayyam (1946) | 3485 days | 334 days |
| 15000 | 21 April 2019 | Deepak jo gaaye so paaye gyaan dhyaan | Sahhanshah Akbar (1943) | 3929 days | 444 days |
| 16000 | 26 october 2020 | 4484 days | 555 days |
We can see from the above that there has been at least one Thousandth song post every year from 2009 onwards. 2009, 2011, 2012 and 2013 saw two such posts, which means that the blog added nearly 2000 songs in these years.
All these songs were very very special songs in one way or the other. Some songs were iconic songs, some extremely rare, while some were popular in their times but had been forgotten with passage of time.
Some of these posts combined other major blog landmarks. For instance song post number 3000, a popular song, was Lata Mangeshkar’s 1000th post in the blog. Song post number 4000 , a popular songwas Rafi’s 1000th. 6000th post, a non film song was Asha Bhonsle’s 1000th post in the blog.
The 5000th song post, recognised Bulo C Rani, the less known music director of this iconic qawwaali, who completed his century in the blog with this song.
In the earlier days of the blog, regulars would eagerly look forward to the thousandth post and would try to guess the song. In some cases, for instance the 5000th post, people successfully guessed the song because we were posting far too many Bulo C Rani compositions in the blog those days to take him to his hundredth song in the blog. 🙂
Who could forget the leadup to the ten thousandth song in the blog ! Regulars, on those pre whatsapp days were keeping in touch with each other on e mail, sharing messages like, one more song posted, three to go. What song it is going to be, etc. The excitement, the eager anticipation, and finally the song getting posted, and the comments on the song post- those were heady days for the blog. Those who were part of those exciting days still fondly remember those days.
One can notice that the thousandth posts have been coming relatively slowly ever since. Song post 11000 took 254 days, whereas the next thousandth posts took over 300 days each to materialise.
Song post 15000 was the slowest. It took 444 days.
What about song post 16000 ? This gets posted today. It has taken 555 days !
444, 555. Such honky tonk numbers inadvertently and unnoticeably creep into the affairs of the blog. Who can forget the concidences involved while posting the “1” songs- viz song post numbers 1, 11, 111, 1111 and 11111 ! Those who have forgotten about the amazing coincidences noticed are requested to go though this article.
Another thing noticeable about these writeups is that they are penned by pillars of the blog, such as Raja, Sudhir Jee etc. Some of these writeups have been joint efforts, involving upto three contributors. Sudhir Jee’s contribution extends beyond the article writing. He would also dig up the song for the occasion, often a rare not yet on internet gem and upload that specially for the occasion. For instance, the 10000th song post was a song of 1931 (the earlist year for HFM) and it was especially uploaded by him minutes before that post was published on 20 July 2014 !
Selection of the song has been a matter of much speculation among the regulars of the blog, as discussed above. While some of these songs have been correctly guessed by them, guessing them has become difficult of late. That is because the person writing the article (that is often me) is not sure what song to pick. I myself manage to land an appropriate song often at the last moment. For example, I accidentally discovered the song for song post number 13000 and posted it for that occasion. When I was myself not clear about the song, how were others going to guess the song ! That way I feel like legendary leg spinner B S Chandrashekhar. He himself did not know what ball he was going to deliver next, so how was it possible for the batsman to anticipate his next delivery ! 🙂
In our whatsapp group of regulars, some of them have been guessing the song that would be the 16000th song for the blog. One guess is that it would be a Lata Mangeshkar song, alongwith her career records. That did not happen.
I was actually toying with such an idea. But then I realised that the songs that I could use with such an idea did not seem suited for an occasion like the 16000th song for the blog.
Just when it seemed that I was unable to find a suitable song, I stumbled upon this song which is being presented today. This song was discovered by me almost like how I discovered the 13000th song post song.
This song is as rare as they can be, from a movie that can be as rare as they come. The movie is “Toofaani Teerandaaz”(1959). The movie, a “stunt” movie, is produced and directed by A R Zameendaar for Navshakti Films, Bombay. The movie had Shanta Kumari, Deep Kumar, Tuntun, Sheikh, Habeeb, Shakeela Bano Bhopali, Ismail Azad, Sajjan, Goldstein, Daya Devi, Nazeer Kashmiri, Amir Ali, Sattar, Md Ali, Ghani, Azam, Haneef, Yunus, Nawab, Funtoosh, Baby Shahjahaan, Khan Habib, Khan Nusrat, Khan Atiq etc in it.
The movie had five songs in it. The movie is yet to make its debut in the blog.
The songs are rare, but they have been made available online thanks to the generosity of some well known HFM music collectots and sharers.
The song under discussion is a qawwaali. It is sung by Ismail Azad qawwaal and Sudha Malhotra,accompanied by male and female chorus. In all great qawwaalis, it is the lyricist who makes the qawwaali great.Farooque Kaiser is the lyricist of this fantastic qawwaali. Music is composed by Iqbal.
Only the audio of thd song is available. My guess is that this song was picturised on Ismail Azad (singing for himself) and Shakila Bano Bhopali, with others in the standard qawwaali set up so common in Hindi movies those days.
The song is in the same league as many iconic qawwaalis of Hindi movies. It is just that this song failed to get popular and so remained under the radar. With time, the song was forgotten. Thanks to music collecter Shri Girdharilal Vishwakarma, and the uploader shri Aditya Pant, we can enjoy this fantastic fantastic qawwaali. Our thanks to them.
The song, a nearly seven minute feast, starts with a long harmonium piece, followed by an interesting war of words between the two genders. Quite a remarkable song that will grow on the listeners if they listen to it a few times. I know it because I got tolisten to it quite a few times while trying to get the lyrics right.
“Toofaani Teerandaaz”(1959) makes its debut in the blog with this song.
Another thousandth song post done ! I feel relieved and happy. It will be a while before I will have to worry about finding another suitable song for the occasion. 🙂
I take this opportunity to thank one and all. This set of thousand songs took 555 days to arrive at a rate of less that two songs per day, but what is important is that we are still on the move and we continue to add to an already rich collection of songs. I take this opportunity to thank one and all. I expect that we will continue to recive the same support, help, encouragement, contributions etc for one and all.
Song-Hum wafaadaar nahin tu bhi to dildaar nahin(Toofaani Teerandaaz)(1959) Singers-Ismail Azad, Sudha Malhotra, Lyrics-Farooque Kaiser, MD-Iqbal
Male chorus
Female chorus
Lyrics
Shukr kar hamne tujhe chaand si soorat de di
naaz kaliyon ka hawaaon ki nazaakat de di
teri zulfon ko ghataaon ki bhi rangat de di
loot kar saare zamaane ki muhabbat de di
phir bhi hamse ye gila hai ke wafaadaar nahin
ham wafaadaar nahin
tu bhi to dildaar nahin
ham wafaadaar nahin
tu bhi to dildaar nahin
tu bhi to dildaar nahin
tu bhi to dildaar nahin
ham wafaadaar nahin
tu bhi to dildaar nahin
ham na hote to bahaaron mein na rangat hoti
chaand mein noor na kaliyon mein nazaakat hoti
pad gayi jaan zamaane mein hamaare dam se
pyaar tum kisko jataate jo na aurat hoti
phir bhi hamse ye gila hai ke wafaadaar nahin
ham wafaadaar nahin
tu bhi to dildaar nahin
ham wafaadaar nahin
tu bhi to dildaar nahin
tu bhi to dildaar nahin
tu bhi to dildaar nahin
ham wafaadaar nahin
tu bhi to dildaar nahin
tujhko magroor kiya
keh ke haseena hamne
teri khaatir kiya
manzoor ye jeena hamne
banke majnu kahin laila pe huye hain qurbaan
cheer laaye pahaadon ka bhi seena hamne
phir bhi hamse ye gila hai ke wafaadaar nahin
ham wafaadaar nahin
tu bhi to dildaar nahin
tu bhi to dildaar nahin
tu bhi to dildaar nahin
ham wafaadaar nahin
tu bhi to dildaar nahin
chaahe joban bhi
tera hukm na taala hamne
daali Mirza ke gale pyaar ki maala hamne
isko kehte hain muhabbat yahi hoti hai wafa
khud to girte bhi rahe
tujhko sambhaala hamne
phir bhi hamse ye gila hai ke wafaadaar nahin
ham wafaadaar nahin
tu bhi to dildaar nahin
tu bhi to dildaar nahin
tu bhi to dildaar nahin
ham wafaadaar nahin
tu bhi to dildaar nahin
le sahaara meri baahon ka zara ab to sambhal
do kadam raah e wafa mein tu mere saath to chal
teri ulfat ki nishaani nahin jag mein koi
mard ke pyaar ka wo dekh nishaan Tajmahal
phir bhi hamse ye gila hai ke wafaadaar nahin
ham wafaadaar nahin
tu bhi to dildaar nahin
tu bhi to dildaar nahin
tu bhi to dildaar nahin
ham wafaadaar nahin
tu bhi to dildaar nahin
pahle mumtaz ne ki jaan muhabbat mein nisaar
baad mein Tajmahal ka hai banaana bekaar
waqt ne phoonk diye kitne wafaaon ke charaag
beh gaye mauj mein kitni hi kumhaaran ke pyaar
aise hamse ye gila hai ke wafaadaar nahin
ham wafaadaar nahin
tu bhi to dildaar nahin
tu bhi to dildaar nahin
tu bhi to dildaar nahin
ham wafaadaar nahin
tu bhi to dildaar nahin
zahar aankhon ka har ek jaam mein daala tumne
zulf ke parde mein hai saanp ko paala tumne
hashr(?) tak yaad rahega tera ye zulmo sitam
banke hawwa hamen jannat se nikaala tumne
phir bhi hamse ye gil hai ke wafaadaar nahin
ham wafaadaar nahin
tu bhi to dildaar nahin
tu bhi to dildaar nahin
tu bhi to dildaar nahin
ham wafaadaar nahin
tu bhi to dildaar nahin
taane sakhiyon ke sune
hamne hi Radha banke
pyaar mein ho gaye ruswa kahin Laila ban ke
Ram ka saath diya kisne museebat mein bata
kaun jungalon mein phira saath mein Seeta ban ke
phir bhi hamse ye gila hai ke wafaadaar nahin
ham wafaadaar nahin
tu bhi to dildaar nahin
tu bhi to dildaar nahin
tu bhi to dildaar nahin
ham wafaadaar nahin
tu bhi to dildaar nahin
jaa tere husn ka ab koi talabgaar nahin
dil hai aurat ka koi pyaar ka baazaar nahin
ham nahin ?? ke ab naaz uthhaane waale
aur aa jaayenge dil hampe lutaane waale
ham na honge to ye kya shaan rahegi baaqi
jaan jaayegi magar aan rahegi baaqi
kaun hai aap ki soorat se jo bedaar nahin
qatl kar denge tumhe haath mein talwaar nahin
?? naazuk mein ye taaqat meri sarkaar nahin
?? se nipatna koi dushwaar nahin
phir bhi hamse ye gila hai ke wafaadaar nahin
ham wo baazaar nahin tu bhi to dildaar nahin…
Hum Bharat ki santaan
Posted on: September 3, 2019
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4064 | Post No. : | 15198 | Movie Count : |
4176 |
Today’s song is from an obscure, unknown, ‘Ç’ grade stunt film – Toofani Tirandaz-47. This film was made by Homi Wadia’s Basant Pictures, but, for a change, it was directed by Boman Shroff – who was a regular actor in Wadia’s stable, present in almost every film of Fearless Nadia, including today’s film. The cast of the film was Nadia, Prakash, Sayani Aatish, Boman Shroff, Sona Chatterjee, Mithu miyan, Krishnakant, Rajpoot(horse) and Austin ki Bachhi(a jalopy). The film had 8 songs, all written by Begum Aziz Minai ( her other film was Aabida-47 in which she wrote 3 songs). Music was composed by A.Karim.
Toofani Tirandaz-47 was a routine stunt film from Wadia, having more or less the same story and same actors. Despite this, the films of Fearless Nadia were extremely popular in a certain class of audience in India and in many Arab and Middle east Gulf countries, where there was a great demand for these films. After Partition, even in Pakistan, Wadia stunt films were popular and in demand. In 1948, when Wadia made the film “Shri Ram Bhakta Hanuman”-48, he exported even this film to Muslim countries after changing the Title as “Udta Bandar” ( उडता बंदर ) or The Flying Monkey, converting a Mythological film into an action film ! The film was equally popular there.For Nadia films, additionally, a lady bashing up goons and restoring justice, while at the same time having a love story with the Hero was so thrilling for the audience. They were so enamoured with Nadia, that they did not care, she did not look Indian or her Hindi diction was defective !
There was a difference between Wadia – Nadia stunt films and stunt films made by other film makers. The specialty was, in addition to the regular human star cast, these films were full of thrilling acts by Animals. In most Wadia films,the animals had a distinct role to play- of course without dialogues ! Ha Ha !!
As long as Wadia Movietone was united, there was a roll-call of trained animals like Horse, Dog, Cat, Tiger, Lion, Elephants etc etc. In some films there were Hyenas and pythons too. In addition,Machines also played specific roles, like a Car and a Motor Cycle. In one film, Nadia’s whistle used to make the Motorcycle come to her ! What was most noteworthy was that that all these Non-Human stars had their own names !
The set of actors and actresses working in stunt/Action films in C grade movies were a fixed lot. In a way they ‘specialised‘ in this sort of films. In almost all the stunt films of Nadia( she did few social films too), the fixed crew and cast included the Bilimoria brothers, John Cavas, Jal Khambata, Minoo the mystique(Minu Cooper), Sardar Mansoor, Boman Shroff, Sayani Atish etc. Not everyone was in every film, but they took turns in appearances.
From 1935 onwards stunt films ,including Nadia’s, had a Horse named “Punjab ka Beta”, a Dog named ‘Tiger’, and a motor car name ‘ Rolls Royce ki beti’.
After Wadia brothers split and Homi started his Basant pictures, Nadia joined him and another set of animals like, Rajpoot(Horse), Moti(Dog) and Austin ki bachhi(a motor car) were included. In addition there was a Motor Cycle called ‘Runnio’ as well.
Few years back, in one of my posts, I had written about the animals and Machines in Nadia films, but it was not a detailed information. I was very keen to know more about animals in films. Who trained them, how are they handled and whether the animals are not scared of the strangers and the Arc lights etc were my questions. I did not know how to get this information.
Then suddenly I remembered having read an article-PDF- by some Mala Doshi, on Memsaab’s Blog , some years ago. I tried but could not locate it. As usual the kind hearted Memsaab came to my rescue and she provided me the link to it. I read it completely. However this did not have answers to my questions, though it is also quite informative.
I contacted one of my friends in Pune and he told me that an article giving all this information was published in RASRANG-a Marathi film magazine, years ago. This was a poor clue, but I started searching for it without any result for a long time. My luck smiled on me one day, when I was reading a book RUPERI SMARANYATRA (memories of the silver screen) by Prof. Subhash Savarkar. That article , which I was searching so desperately was reprinted in this book !
The article is written by Mr. Vasant Bhalekar who also holds its copyright. This article must have been published in the late 60s or so. I thank Mr.Bhalekar for this information.
‘Punjab ka beta’ was trained by Agha Mehmood who was in the Film Industry since 1930 onwards supplying trained animals. The Horse was born in Ahmedabad, trained in Surat and worked in Bombay. He was very intelligent. His first film was ‘Ishq ki Laila’-a silent film. In 1935 Punjab ka Beta or PKB joined Wadia movietone. His original name was GAZI which was changed by JBH Wadia to PKB, when he first worked in “Hind kesari”-35
He was expert in running, trotting, falling, sleeping-like dead, jumping, walking on knees, standing on 2 legs etc. Nadia used him first time in ‘Lutaru Lalna’-38 and PKB was her horse till it died. In Diamond queen-40 PKB and Nadia jumped through wild raging fire. Both were burnt, but the shot came off fantastic.
In Jai Bharat-36, PKB carried Master Chhotu in his mouth for a distance and gave close ups too. In Flying Prince there was a shot when the Heroine chases a Train and jumps onto it. PKB was ridden by Hashim, son of Agha, in Heroine’s clothes and boarded the train, but both were a little hurt.
Punjab ka beta died soon after working in Hind ka laal-40. Agha trained another horse Rajpoot just like PKB.
Rajpoot gave a deadly shot in Baabuji-50, where he had to climb and come down stairs of a 30 feet set. Agha first took the horse around the sets and up and down 4-5 times. The horse got the idea of the shot and he gave it superbly, though this shot was very life threatening.
Rajpoot also acted in Darvesh-49 and Cobra Girl-63 in which he had to do some back kicking (like an ass). Actually back kicking is the first thing all trainers make the horse to forget before horse’s training starts. Now Rajpoot had to be taught what he was made to forget. For this Agha used to rap his hind legs and make a sound on the Tin sheet kept behind him. After 2-3 days the horse understood what is to be done and started back kicking.
In film Zabak – 61, the horse was supposed to smile and wink at the Hero. Agha knew that when a Foal (colt or filly- young horse) is brought before a Horse it starts making a laughing face and sounds. Hence be brought a colt and took the shots of Rajput smiling. Then for winking, they used water used after washing crackers. When horse’s eyes are washed with this water, horse winks for one hour ! Thus this shot was also taken.
Agha also trained horse Moti and elephant Ramchandra for film NAVRANG-59. They both were trained to do dancing steps for a month. Sandhya danced with these animals and it has come out wonderfully.
We see many animals ‘acting’ in the films, but we hardly know how much effort of the Trainers has gone behind that. Besides taking care of the animals, the trainers have to tolerate the ‘moods’ of the animals also.
With the the stunt films in “C” grade dwindling, animals which are used nowadays in films are only the pet animals, like Dogs, cats, Birds etc. The use of wild animals like Tigers, Lion, Elephants etc is no more required in the films. Horses are used sometimes.
Jimmy Bharucha, one of the best Horse Trainers in India, had himself been trained in foreign countries. He had opened a Horse Training School in Poona. Yesteryear actor SHYAM was one of his earliest students. For all his films, Shyam used the same horse from Bharucha. Actor Shyam had died while doing a stunt for film Shabistan-51.
Whenever he talked about Shyam, Bharucha got emotional. The truth about Shyam’s death….
That fateful day, Shyam was in a very cheerful mood. He joked with other artists as usual. The film was SHABISTAN. He had to do a stunt scene on a horse. His double was kept ready. However Shyam insisted on doing that dangerous shot himself that day. The scene started and was also completed successfully. There was a round of applauding claps.
Shyam was getting down from the horse and suddenly,the horse started running. Shyam’s foot got stuck in the stirr-up and he was dragged some distance before people ran and stopped the horse. Shyam was unconscious. He was immediately taken to the hospital, but he died-with his make up and costume still on him !( another actor who died on the sets was comedian actor Gope. He finished his shot. His last dialogue was ” Main upar jaa raha hoon”, and he collapsed with a massive heart attack which took his life instantly.)
Bharucha had supplied horses to films like Aan, Anarkali and Mughal e Azam etc. He had supplied Dogs for films like Love in Simla, Hum Hindustani etc. Once when the Producer was not paying in time he stopped the animal’s work. They were paid immediately because the animal’s shots were half done till that time.
Bharucha had trained one beautiful white Horse to dance to the tune of Waltz and Cha Cha. The horse was in great demand by Taj Mahal Hotel to entertain Foreign guests !
So much about the Animals in films. There is much more information , may be some other time. I was also keen to know more about the actors of Wadia films, but it was like searching a needle in a hay stack. One thing – they were seen only in C grade stunt films and hence the so called “Gentleman” magazines and papers etc. paid no heed to them and secondly – they ended their careers in the late 40s or early 50s, as the C grade stunt film Genre died its natural death. When no source works on my own, I turn to one sure point, i.e. Harish Raghuwanshi ji. Though he is not keeping too well these days, he is always prompt in responding and providing help, whenever available.With his help, I got some – only some – information on 2 of the major actors of Wadia – Nadia movies.
Sayani Aatish – his real name was Sayani Abdul Hamid Ahmed. He was born in Bombay. He had a ancestral Timber business, but his intense desire to work in films brought him to this profession in 1925. He started working in Silent stunt films as a villain.By the time Talkie films came, he had perfected his style. He joined Wadia Movietone. His first Talkie film was “Laal-E-Yaman”-33. After this he did 18 films.His last film was Mere Sajan-41. He was considered an outstanding villain of films.He was a writer and composer too.
Boman Shroff was born in Kalyan-Bombay. He joined films in 1922. After doing many silent films, he joined Wadia Movietone. His first Talkie film was “Laal E Yaman-33”. He was known as a Dare Devil stuntman and master of make up. His role was usually of a comedian. His best performance was in Toofani tarzan-37. He worked in 17 films. His last film as an actor was Stunt King-44. Boman Shroff also directed two films. One, today’s film Toofani tirandaz-47 and Sher Dil-54.
Whenever I write on any Fearless Nadia film, I always remember my meeting with her in the early 80s in Bombay. I only regret that I did not take a Photograph with her. If only Mobile Phones were in vogue in those times…….
(Thanks to Harish Raghuwanshi ji, Vasant Bhalekar, Subhash Savarkar, Greta Memsaab, Film Directory-1938 and my notes for information used herein.)
Song – Hum Bharat ki santaan (Toofaani Teerandaaz)(1947) Singers-Unknown Female voice, Unknown male voice, Lyrics – Begum Aziz Minai, MD- A Kareem
Female Chorus
Male chorus
Lyrics
Hum Bharat ki santaan
Hum Bharat ki santaan
aise chamke teer hamaare
jyon Arjun ke baan
aise chamke teer hamaare
jyon Arjun ke baan
jyon Arjun ke baan
Hum Bharat ki santaan
Hum Bharat ki santaan
jaagi hai Bharat ki naari
dekhegi ab duniya saari
jaagi hai Bharat ki naari
dekhegi ab duniya saari
karegi ab ye desh ki sewa
de kar jeewan daan
karegi ab ye desh ki sewa
de kar jeewan daan
de kar jeewan daan
Hum Bharat ki santaan
Hum Bharat ki santaan
ran mein nikle taan ke seena
paap hai kaayar ban ke jeena
ran mein nikle taan ke seena
paap hai kaayar ban ke jeena
himmat ho to ho jaati hai
har mushqil aasaan
himmat ho to ho jaati hai
har mushqil aasaan
har mushqil aasaan
Hum Bharat ki santaan
Hum Bharat ki santaan
aise chamke teer hamare
jyon Arjun ke baan
jyon Arjun ke baan
hum Bharat ki aankh ke taare
le kar ghoda saath hamaare
hum Bharat ki aankh ke taare
le kar ghoda saath hamaare
hum toofaani teer chalaayen
hum bhi hain balwaan
hum toofaani teer chalaayen
hum bhi hain balwaan
hum bhi hain balwaan
toofaanon se kyun ghabraayen
apni naiyya aap chalaayen
toofaanon se kyun ghabraayen
apni naiyya aap chalaayen
jiske seene mein shakti hai
uska hai Bhagwaan
jiske seene mein shakti hai
uska hai Bhagwaan
uska hai Bhagwaan
hum Bharat ki santaan
hum Bharat ki santaan
aise chamke teer hamaare
jyon Arjun ke baan
aise chamke teer hamaare
jyon Arjun ke baan
jyon Arjun ke baan
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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