Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for February 2012


In Hindi movies, we have songs for all occasions that touch the lives of Indians. Thus we have songs for various human feelings like joys, sorrows, love, hate etc. Then there are songs for various Indian festivals. We also have songs for special occasions like birthdays, weddings etc.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

I had resolved not to access any Hindi film related websites for few days to enable me to attend to some other pending works which included writing my travel blogs. But the urge to listen to old Hindi film songs was so strong that this resolution was broken in less than 24 hours. It appears that listening to and discovering new ‘gems’ from old Hindi film songs is an addiction for which there is no detoxification therapy. 😀
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I have discussed one song from “Aurat”(1953) recently. Not much information about this movie was available on internet till then. But now, thanks to the comments provided my Mr Arunkumar Deshmukh, our inhouse expert on obsure movies had provided us with all the information about this movie that we may need.
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In Hindi movies, there are very few songs that can be described as children’s songs, which comes as quite a surprise seeing that children always form a good percentage of Indian population. Perhaps the fact that they do not hold the purse strings of the family may well be the reason why children’s songs are few and far between.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

“Hum Log’ (1951) is a production from the banner of Ranjit Movietone, but more than that, it is a signature piece by Zia Sarhadi, who has written and directed this film. This film is one of the earlier examples of Neo-Realism in Indian Cinema, a school of cinematic expression that was pioneered in the west by directors such as Luis Bunuel (Spain), Vittorio DeSica (Italy), Luchino Visconti (Italy), Yasujiro Ozu (Japan) and Jean Renoir (France). Although the film did not have any commercial success, it still is considered as the cult classic in the genre of Neo-Realism in Indian Cinema.
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