Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for 2012


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Remembering Hemant Da on his birth anniversary today.

This is a very uplifting song, and a very dear memory that I carry from my radio listening days. The manner of rendition contains a conviction in the voice that simply establishes this sentiment to be true – “be a comfort to others, sacrifice your own happiness. . . in the end your own happiness will itself come to you.”
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Some gap in communications ! I am surprised at myself. Almost like having a writer’s block – besides other constraints, of course. But then I said to myself, (after having received a few friendly reminders from some fellow bloggers, checking my whereabouts) – things in life will never be done, so time to get back into the groove. 🙂
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Hindi movie Music basically has three major fields, namely singing, lyrics writing and music composition. All these are specialised fields. People who are good in two of these fields can be called musical all rounders.

That way Hemant Kumar was a true musical all rounder. He can be described as a great in music composition as well in playback singing. And that is reflected in this blog too where Hemant Kumar has completed his century of songs as a music director and as a playback singer both. To this date, he is the only artist in the blog to have done so.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

A ‘raagini’ coming alive – that would be an experience worth paying for with everything in life, including life itself. Imagine the circumstance – a private ‘sangeet sabha’ – musical congregation. The singer singing at the request of and in the honor of his spiritual guru. He renders Raag Jaunpuri, with such intense affection – and after some time a moment comes to pass where the entire gathering is transported into a magical surrealism, and the people present actually envision a very beautiful lady bedecked in fine jewellery and attire, slowly ambling amongst them. It is not an individual experience, but a vision perceived by many who were present. A worried guru motions the singer to slow down, and fade away the singing. But the vision persists. Eventually, the guru directs the singer to render Raag Bhairavi, and slowly the apparition fades away.
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“Waqt” (1965) was one of the most influential Hindi movies of all times. The story of “Waqt” (1965) was by no means original, but the scale and presentation of the the story was was certainly grand. I have already given several reasons in the past why I call this movie an influential movie.
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I have discussed as many as eight songs from “Naagin” (1954) and all of them are iconic songs. I thought that all the iconic songs from this movie have already been discussed. So it comes as a huge surprise to me to realise that the song “Mann doley mera tann doley” from “Naagin” (1954) has not yet been discussed.
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