Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Nirupa Roy


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4553 Post No. : 16142

“Ram Hanuman Yudhh” (1957) was produced by R N Mandloi and directed by S N Tripathi for Ravikala Chitra Productions. This movie had Durga Khote, Manhar Desai, Nirupa Roy, Prem Adeeb, Babu Raje, Shalini, S. N. Tripathi etc in it.

The movie had seven songs in it. Six songs from this movie have been discussed in the past.

Here are the details of the six songs already covered in the blog:-

Blog post number Song Date of posting Remarks
6548 Suna tu man ki been par (Ram Hanuman Yudhh) 30 August 2012
7562 Aaj agar meri laaj gayee (Ram Hanuman Yudhh) 26 February 2013
7567 Rakh laaj mere sindoor ki (Ram Hanuman Yudhh) 27 February 2013
8603 Bhaj Ram Ram bhaj Ram (Ram Hanuman Yudhh) 29 August 2013
9571 Balma o balma chanda hamaare (Ram Hanuman Yudhh) 14 March 2014
12869 Door gagan par chamken sitaare (Ram Hanuman Yudhh) 29 January 2017

I had discovered the seventh and final song nearly two years ago. I found this song such a special song that it deserved to be covered on a special. And that special occasion had just passed. So I decided to wait for the next year when the occasion would recur. On the next year too I missed he occasion and I decided to wait for another one year.

What is this occasion ? The occasion is the birth anniversary of Nirupa Roy ((4 January 1931 – 13 October 2004) which falls today (4 January 2020).

To most moviegoers, Nirupa Roy is associated with roles where she played mother of Amitab Bachchan. In quite a few of these movies, she ould get separated fro her family only to reunite in the last reel.

People of earlier generation would tell us that she as a Maa only towards the second half of her movie career. Prior to that she played lead roles. She often played a suffering wife in these movies but that as not all. In quite a few of her early movies she has played happy and assertive roles as well. Many of her earlier movies ere mythological or historical movies where she played a goddess or queen.

Many songs have been picturised on her during her days as a leading lady. Some of them have become iconic songs. The famous song, “o pawan veg se udne aale ghode” was lip synced by her.

The song under discussion is different ! People who have a particular image f Nirupa Roy in their mind will get a culture shock hen the watch the picturisation of this song.

It is a song here Nirupa Roy performs a dance ! Yes indeed. It is a classical dance setting where Nirupa Roy lip syncs in Lata Mangeshkar’s voice. The song also has an unknon male voice that sings katthak bol.

Shailendra is the lyricist. Music is composed by S N Tripathi.

I request our knoledgeable readers to help identify the male singer as well as the actor lip syncing in the male voice.

with this song, all the seven songs of “Ram Hanuman Yudhh” (1957) are covered in the blog. The movie thus joins the list of movies that have been YIPPEED in the blog.

Audio

Video

Song-Binti karat mori paayal runjhun (Raam Hanuman Yudhh)(1957) Singer-Lata, Lyrics-Shailendra, MD-S N Tripathi

Lyrics

nagendr haaraay trilochanaay
bhasmaang raagaayah digambaraay
gauri vinaash bhuvanaay maheshwaraay
daaridray dukhdahanaay namah shivaay

binti karat mori paayal run jhun
binti karat mori paayal run jhun
sabki sunat mori sun sun sun sun
binti karat mori paayal run jhun
tatdhim tatdhin
tatdhin
tirkit tathim tatdhim
tirkit tirkit dhum
dhim tatdhim
tatdhim tirkit tatdhim tatdhim
tirkat tirkat dhum
takit takit
takit takit
takit
tirkat tirkat dhum
tirkat dhum
tak takit
tak takit
tak takit
tirkat tirkat dhum
tirkat tirkat dhum
tak takit tak
takit
takit
takit
tirkat tirkat dhoom
tirkat tirkat dhoom
thai
ti
thai
ti thai
ti thai
ta thinak yun
thom

tadapat aaj trikaal hiya mein
rowat peer behaal jiya mein
tadapat aaj trikaal hiya mein
rowat peer behaal jiya mein
dard bhari mori dhun sun sun sun sun
binti karat mori paayal run jhun
sabki sunat mori sun sun sun sun
binti karat mori paayal run jhun

aa aa
aa aa
aa aa
aa aa aa
aa aa aa aa aa
aaa aa aa aa
aa aa aa aa aa
na main tujhe rijhaana jaanoon
na patthar pighlaana jaanoon
na main tujhe rijhaana jaanoon
na patthar pighlaana jaanoon
aanchal hi phailaana jaanoon
mujhme nahin koi gun sun sun sun
binti karat mori paayal run jhun
sabki sunat mori sun sun sun sun
binti karat mori paayal run jhun

tattit takanaka jhum
tarikitnaka tha
ri tha
tirkat tirkat dhoom
tatdit
takanaka
tarigidana
dhi ta
tarkit tarkit dhum
dhit takanaka jyon
kritak dha thim
dhina dhom
kritak daka dhik
taka anak jhum
kritak tat jhim
dhina dhum
krikat tak jhim
taka naka jhum tari
naka taka
dhit taka naka
tari gida
naka
thai
thai
thai thai
thai thai
takajhun tak
takadhit takanaka jhum
tari gida naka taka
dhit taka naka
tari gida na
thai thai
thai thai
thai thai
takajhun take


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4553 Post No. : 16141

Hullo Atuldom

4th January is the 90th birth anniversary of the on-screen mother of Rajesh Khanna, Vinod Khanna, Amitabh Bachchan, Shashi Kapoor, Dharmendra, and a few heroines too. She mostly played mother to heroes, at least that is what my personal experience was, fed as I was on movies of the ’70s and ’80s.

But that is not how she began her career. Our in-house encyclopedia whom I prefer calling Guruji has written a post and also in a few of his comments to other posts on the blog that she has played comic characters and stunt roles too in addition to playing Goddesses in mythologicals after having made her debut as heroine in movies of the late ’40s and continuing to play central characters through the ’50s and early ’60s. In post of his Atulji has commented about a 44 year old Nirupa Roy (who this post is dedicated to) playing mother to a 38 year old Shashi Kapoor and 34 year old Amitabh Bachchan who incidentally played the older son.

“Laadla” (1966) had seven songs of which the blog has four songs. One of the songs posted thus far is a two part song and shows Nirupa Roy sing a lullaby to a baby in a pram who grows up to be Sudhir Kumar (of ‘Dosti’ fame). Today’s song show her on a train journey and making her son comfortable on the berth of the compartment. This must have been the first class coach of yore which used to have a lot of space and private washroom etc.; this I am deducing from all the train scenes of old time movies that I have grown up seeing. Personally I have never experienced that luxury, but that is not the matter of this post.

Today’s song has Lata Mangeshkar giving playback to Nirupa’s atma ki awaaz (voice of conscience) and the charming actress shows her distress so well. Heard this song for the first time as I wrote it out for the post and like what Rajinder Krishan has written and Laxmi-Pyare have composed.

Audio

Video

Song-Kaun tujhko maa kahega (Laadla)(1966) Singer-Lata, Lyrics-Rajinder Krishan, MD-Laxmikant Pyarelal

Lyrics

kaun tujhko maa kahega
tu kisiki maa nahin
kaun tujhko maa kahega
tu kisi ki maa nahin
tere dil mein maa–mta ka
ek bhi armaan nahin
kaun tujhko maa kahega
tu kisi ki maa nahin

phool jiss daali se nikla
haq ussi daali ka hai ae ae
phool jiss daali se nikla
haq ussi daali ka hai
teri hasti tera darza
teri hasti tera darza
toh fakat maali ka hai
jhhooth ko sach kar dikhaana
iss kadar aasaan nahin
kaun tujhko maa kahega
tu kisi ki maa nahin
tu kisi ki maa nahin

soch jiska yeh jigar hai
aaj woh roti hai kyun
soch jiska yeh jigar hai
aaj woh roti hai kyun
tu kisi ke aansuon se
tu kisi ke aansuon se
apna munh dhoti hai kyun
jo khushi chheene kisi ki
woh koi insaan nahin
kaun tujhko maa kahega
tu kisi ki maa nahin
tere dil mein maa–mta ka
ek bhi armaan nahin
kaun tujhko maa kahega
tu kisi ki maa nahin
tu kisi ki maa nahin
maa nahin


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4470 Post No. : 15969

Hullo Atuldom

13th October happens to be the death anniversary of an actress who has played mother to all Bollywood actors and some actresses too.
Nirupa Roy. She was often called the “Queen of Misery” as she has portrayed characters that are forever in sorrow and tragedy. There are many jokes about how she was a careless mother and has been separated from her children in film after film. She was permanent mother to Amitabh Bachchan in movies made in the 70s and she has played his foster mother even in “Lal Badshah” which came in 1999, think that was her last release too.

In the interim Dharam, Shashi Kapoor, Rajesh Khanna, Vinod Mehra and Khanna Rishi Kapoor etc have also been the apple of her eye. She made her debut in 1946 in a Gujarati film “Ranakdevi”. The same year saw her act in a Hindi Movie- “Amar Raj” with Trilok Kapur as hero. She was routinely cast in mythologicals in the ’40s and ’50s and it is said that people used to visit her home to get her blessings. “Do Bigha Zameen” (1953) was an important film of her career where she played the wife of Balraj Sahni the farmer who loses his land to industrialization. In later years, she co-starred Balraj Sahni as mother to three school-going children in “Ghar Ghar Ki Kahani” (1970) and a doting bhabhi to his brother Randhir Kapoor in “Jawaani Deewani” (1972). She was also the heroine to P.Jairaj, Ashok Kumar in many of the movies of the ’50s. In ’70s, when she began doing character roles she was still wife of Ashok Kumar or his bahu as in “Santaan” (1976) and “Anurodh” (1977).

Personally speaking I became aware of this mother only through “Deewar” (1975) and later “Amar Akbar Anthony” (1977). Subsequently I have seen a lot of movies where she was sometimes ‘strict and sweet at other times’ mother and loved her smile.

Today we remember this sweet mom of Bollywood with a song that sees her wishing her ‘ungrateful’ son and his family all the best in life at the birthday party of her grandson. It is from “Santaaan” which had this famous song.

One other multipart song from this movie is present on the blog. I have given a brief about this movie in the comments of this song. Here is the penultimate song of the movie which had music by Laxmi-Pyare. Verma Malik was the lyricist. This song is sung by Asha Bhosle

Audio (full)

Video (Happy version)


Video (Sad version)

Song-Aaj khushi se jhoom raha saaraa pariwaar tera (Santaan)(1976) Singer-Asha Bhonsle, Lyrics-Verma Malik, MD-Laxmikant Pyarelal

Lyrics

deke duaayein mamta ki ee
main tera daaman bhar doon
apne jeewan ka ik ik pal
tujhko arpan kar doon

aaj khushi se jhoom raha saara pariwaar tera
saara pariwar tera
meri dua hai sada
meri dua hai sada
rahe sukh se sansaar tera
aaj khushi se jhoom raha saara pariwaar tera
saara pariwaar tera
meri dua hai sada
meri dua hai sada
rahe sukh se sansaar tera

meri baatein yaad rakhe
toh hai upkaar tera
toh hai upkaar tera
meri dua hai sada
meri dua hai sada
rahe sukh se sansaar tera

duniya ki phulwaari mein
tu ban ke phool khile
duniya ki phulwaari mein
tu ban ke phool khile
jo sukh mujhko mila nahin hai
woh sukh tujhko mile ae ae
teri khushiyaan mangoon itna hai adhikaar mera
itna hai adhikaar mera
meri dua hai sada
meri dua hai sada
rahe sukh se sansaar tera

maata pita ki sewa se ae
shri raamji bane mahaan
maata pita ki sewa se
shri raamji bane mahaan
duniya ne insaan se unko
bana diya bhagwaa aan
itni sewa karna jag mein
ho satkaar tera
jag mein ho satkaar tera
meri dua hai sada
meri dua hai sada
rahe sukh se sansaar tera

aaj khushi se jhoom raha sara pariwaar tera
sara pariwaar tera
meri dua hai sada
meri dua hai sada
rahe sukh se sansaar tera

kabhi jo aaye yaad meri
toh hona nahin udhaas
mann ki aankhon se dekho
rahoon sada tumhaare paas
phoolo phalo aur khushiyaan dekho
tum phool ho mere chaman ke
saath rahoongi main bhi thhandi
pawan ka jhonka ban ke
yug yug tak na bhool sake
mamta ko pyaar tera
mamta ko pyaar tera
meri dua hai sada
meri dua hai sada
rahe sukh se sansaar tera


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4425 Post No. : 15845

———————————————–————————————
Blog 10-Year Challenge (2010-2020) – Song No. 64
———————————————————————————–

Ten years ago on this date (29 august 2010), as many as seven songs from seven different movies were covered in the blog. Here are their details:-

Blog song post number Song Movie-Year Remarks
2864 Haay mera dil le gaya koi aake ishaaron se Parbat 1952 Movie YIPPEED
2865 I love you O madam Dulhan 1958 5 songs covered (out of 8)
2866 Chaand ko dekho ji Chaand Mere Aaja 1960 6 songs covered out of 7. The seventh song too is apparently part of an already covered song
2867 Pyaase panchhi neel gagan mein geet milan ke gaayen Pyaase Panchhi 1960 5 songs covered out of 10
2868 Apni bhi kyaa zindagi hai niraali Aas Ka Panchhi 1961 YIPPEED
2869 Beta jamoore kah de duniya ko lalkaar ke Biraadari 1966 YIPPEED
2870 Chup ho aaj kaho kyaa hai baat Chhattees Ghante 1974 YIPPEED

“Dulhan”(1958) is still eligible for Blog Ten year Challenge” ten years later today (29 august 2020). The movie had nine songs in it and five of them have been covered so far.

Here are these songs of “Dulhan”(1958) that have been covered so far:-

Song Posted On
Jiyaa sharmaaye nazar jhuki jaaye 07.08.2010
I love you Madam Multiple version song 29.08.2010
Mooliram aur bhindimal ka nikal gayaa hai deewaala 14.04.2012
Mere gore gore gaal 25.11.2018

Here is the sixth song from “Dulhan”(1958) to appear in the blog. The picturisation shows Nirupa Roy leaving Raj Kaumar, but then changes her mind. Some dialogue from Raj Kumar are followed by a few lines of Hemant Kumar after which it is all Asha Bhonsle. P L Santoshi is the lyricist. Music is composed by Ravi.

HFGK mentions this song as a female solo, and the audio of the song is indeed a female solo song in Asha Bhonsle’s voice, but we can see from the picturisation that the song begins with Hemant Kumar’s voice. Remark in HFGK mentions that this song was sung by Hemant Kumar in a prose form. We can see that the picturisation combines these two seemingly separate songs to form what looks like a duet song. Incidentally, no records were made of Hemant Kumar version and it is there only in the picturisation.

Lyrics of this song were sent to me by Prakashchandra while BTYC details were provided by Avinash Scrapwala.

Lyrics of video link:(contains Hemant Kumar`s voice while the song begins)
video link:

audio link(does not contains Hemant Kumar`s lines)

Song-Rukne lage kadam aur…Kaise jaaoon main piyaa (Dulhan)(1958) Singers-Hemant Kumar, Asha Bhonsle, Lyrics-P L Santoshi, MD-Ravi

Lyrics(Provided by Prakashchandra)

(dialogues)

rukne lagey kadam
aur jhukne lagi nigaahein
aasaan ho chali hain
ulfat ki apni raahein

kaissey
jaaoon main piyaa.aaa
moraa..aaa maaney na jiyaa
tooney mujh pe
na jaaney kaissa jaadu kiyaa

kaissey jaaoon main piya
mora maaney na jiya
tooney mujh pe na jaaney kaissa jaadu kiya
tooney mujh pe na jaaney kaissa jaadu kiya
kaissey jaaoon main piya
mora maaney na jiya
tooney mujh pe na jaaney kaissa jaadu kiya
tooney mujh pe na jaaney kaissa jaadu kiyaa

ye mulaaqaat kaissi hamaari huyee
ye mulaaqaat kaissi hamaari huyee
main to pehli nazar mein tumhaari huyi
tum to nikley balamwa badey hi chhaliyaa
tum to nikley balamwa badey hi chhaliyaa
kaissey jaaoon main piya
mora maaney na jiya
tooney mujh pe na jaaney kaissa jaadu kiya
tooney mujh pe na jaaney kaissa jaadu kiyaa

bairi duniya ki baaton mein aanaa nahin
bairi duniya ki baaton mein aanaa nahin
mujhe dil se kabhi tum bhulaanaa nahin
charnon mein tumhaari rahoongi rasiya
charnon mein tumhaari rahoongi rasiya
kaissey jaaoon main piya
mora maaney na jiya
tooney mujh pe na jaaney kaissa jaadu kiya
tooney mujh pe na jaaney kaissa jaadu kiya
kaissey jaaoon main piya
mora maaney na jiya
tooney mujh pe na jaaney kaissa jaadu kiya
tooney mujh pe na jaaney kaissa jaadu kiyaa


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day:

4311 Post No. : 15588

Today (7 may 2020) is the 159th birth anniversary of Rabindranath Tagore (7 May 1861- 7 August 1941).

Everyone knows a lot about Gurudev Rabindranath Tagore. He was not just a Nobel Prize winning poet, his acccomplishments, achievements and influence go much more farther than that. Curiously, his influence on our life is often subtle and goes unnoticed. But it is very much there.

He has influenced Indian movies, including Hindi movies as well. He was in fact the person writing the national anthem of India (and subsequently Bangladesh as well). The national anthem of India was already included in a Hindi movie called “Hamraahi”(1945) beore it could become national anthem. So, Gurudev Rabindranath Tagore got credited as a lyricist and music director in this Hindi movie posthumously, but before India could achieve her independence.

Rabindranath Tagore created a modern genre of Bangla music that took elements of Western music (western instruments, western notations etc) and combined it with the traditional folk music of Bangla. This fusion is today known as Rabindrasangeet. He himself created about 2000 songs based on Rabindrasangeet.

While most of these songs were non film songs, quite a few such songs were created for Bangla films. Even some Hindi movies had such songs, where tune remained same but lyrics were translated in Hindi.

The above mentioned “Hamraahi”(1945), which was the Hindi remake of ‘Udayare Pathe’ (1944), has a Bangla Rabindrasangeet song, something which the original Bangla movie did not have ! This song was recently covered by Mr Sadanand Kamath in the blog.

“Maa Beta”(1962) was directed by Lekhraj Bhakri for Tasweeristan, Bombay. This “social” movie had Nirupa Roy, Ameeta, Manoj Kumar, Vijay Dutt, Sheila Ramani, I S Johar, Lalita Pawar, Manmohan Krishna, Tarun Bose, Kumar, Manorama, Leela Mishra, Indra Bansal, Neelam, Shukla, Brahmdutt, Raj Prakash, Madhumati, Shaam Lala etc in it.

The movie had seven songs in it. Three songs have been covered in the past.

Here is the fourth song from “Maa Beta” (1962) to appear in the blog. This song is sung by Lata. Prem Dhawan is the lyricist. Music is composed by Hemant Kumar.

The picturisation shows Nirupa Roy seated on a stage and lip syncing this song while holding a sitar. A lady dressed in Bharatnatyam dancing costume performs a dance on this song. I am unable to identify the dancing lady. I request our knowledgeable to help identify her.

The music is south Indian style, as is the dance. Our regulars may wonder what this song has to do with Rabindra sangeet. It is the lyrics ! The lyrics are a very good translation of the original Bangla Rabindrasangeet song, Monomor megher sangi. Listening to the original Bangla Rabindrasangeet song shows that the tune is entirely different, even though music director is the same, viz Hemant Kumar. Hemant Kumar very wisely decided to use the essence of the lyrics, and created an entirely new tune for the movie, as required by the story line.

I noticed (as I was reminded of it by a few regulars) that today is the remembrance day of Prem Dhawan (13 June 1923- 7 may 2001) as well. So it is quite fortuitous that today we discuss a song that turns put to be a two-in- one tribute for two artists.

So, as a tribute to gurudev Rabindranath Tagore on the occasion of this birth anniversary, and Prem Dhawan on the occasion of his remembrance day, here is a Rabindrasangeet inspired song from the golden era of HFM.

Audio

Video

Song-Man mera udta jaaye (Maa Beta)(1962) Singer-Lata, Lyrics-Prem Dhawan, MD-Hemant Kumar

Lyrics

man mera udta jaaye
baadal ke sang door gagan mein
aaj nashe mein gaata geet milan ke re ae
rimjhim rimjhim rimjhim
man mera udta jaaye
baadal ke sang door gagan mein
aaj nashe mein gaata geet milan ke re ae
rimjhim rimjhim rimjhim

aas ke pankh lagaa kar panchhi mastaana
pi ki nagariya aaj chala dil deewaana
aas ke pankh lagaa kar panchhi mastaana
pi ki nagariya aaj chala dil deewaana
ghan ghan baadal garje to kya
cham cham bijli chamke to kya
chanchal man to rukna kahin na jaane re
man mera udta jaaye
baadal ke sang door gagan mein
aaj nashe mein gaata geet milan ke re ae
rimjhim rimjhim rimjhim

uthti hain jaise saagar mein
kal kal chhal chhal karti tarangen
uthhti hain jaise saagar mein
kal kal chhal chhal karti tarangen
man mein waise hi jaag rahin
pal pal vyaakul mast umangen
aaj na roko pyaar ke is deewaane ko
haathon se dil jaata hai to jaane do
aaj na roko pyaar ke is deevaane ko
haathon se dil jaata hai to jaane do
tod chala ye bandhan saare
jahaan sajan ka pyaar pukaare
paagal hai man kab ye kisi ki maane re
man mera udta jaaye
baadal ke sang door gagan mein
aaj nashe mein gaata geet milan ke re ae
rimjhim rimjhim rimjhim


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4211 Post No. : 15411

“Do Roti”(1957) was produced and directed by Ismail Memon for Ismail Films, Bombay. This movie had Nirupa Roy and Balraj Sahni in lead roles, along with Johny Walker, Nazeer Hussain, Mishra, Manju, Minu Mumtaz, Nana Palsikar, Kanhaiya Lal, Mehmood, Shakuntala devi, Arvind Kumar, Kamal Mohan, Sagar, Nalini Chonkar, Kusum, Chetan Kumar, Mumtaz, G Kallan, Mohan Sandow, Aziz Siddiqui, Omkar, Baby Sultana, Master Raju etc in it.

The movie had eight songs in it. Seven songs from this movie have been discussed in the past. Here is the breakup of the songs from the movie that have been covered so far:
 

Song Movie Year Sono Post number Post date
Kaali badariya maare najariya Do Roti 1957 2359 20-Mar-2010
Badi pyaari kahaani hai muhabbat ki kahaani bhi Do Roti 1957 2363 27-Mar-2010
Ghir ke barsen ye ghataayen to mazaa aa jaaye Do Roti 1957 6690 21-Sep-2012
Aise bhi hain peene waale jo Do Roti 1957 7612 6-Mar-2013
Ashqon ki kahaani kya kahiye Do Roti 1957 7703 18-Mar-2013
Sun lo patey ki baat Do Roti 1957 12228 18-Jul-2016
Gham ki hui haar lo jeet gaya pyaar Do Roti 1957 15389 26-May-2019

Here is the eighth and final song from “Do Roti”(1957) to appear in the blog. This song is sung by Lata. Khumar Barabankwi is the lyricist. Music is composed by Roshan.

Only the audio of the song is available. Based on the picturisation of other Lata songs from the movie, it can be safely assumed that this song is opicturised on Nirupa Roy.

With this sweet and hummable song, all the songs of “Do Roti”(1957) are covered in the blog and the movie joins the list of movies that have been YIPPEED in the blog.


Song-Tumhen jo pyaar kiya..tumhre kaaran hamaar jiya jaaye re (Do Roti)(1957) Singer-Lata, Lyrics-Khumar Barabankwi, MD-Roshan

Lyrics

aaa aa aa aa
aa aa aa
tumhen jo pyaar kiya
aa aa aa
tumhen jo pyaar kiya
hamne kya aa aa gunaah kiya aa
ye kis kusoor se tumne hamen tabaah kiya haan aan
tumhre kaaran
tumhre kaaran hamaar jiya jaaye re
tumhre kaaran
tumhre kaaran hamaar jiya jaaye re
tumhre kaaran
ho tumhre kaaran hamaar jiya jaaye re
tumhre kaaran hamaar jiya jaaye re

tumhaare ishq mein jeena hamen mohaal hua
aa aa aa
tumhare ishq me jeena hamen mohaal hua
aa aa
hamara aur papeehe ka ek haal hua
tumhre kaaran
tumhre kaaran hamaar jiya jaaye re
tumhre kaaran
tumhre kaaran hamaar jiya jaaye re
tumhre kaaran
ho tumhre kaaran hamaar jiya jaaye re
tumhre kaaran hamaar jiya jaaye re

jaan de ham tumko bedarda
aa aa aa
tum ho bade beimaan aa aa aa aa
de do hamaara dil hamen vaapas
aeji hoga aa bada ehsaan haan haan
ki tumhre karan
tumhre kaaran hamaar jiya jaaye re
tumhre kaaran
tumhre kaaran
tumhre kaaran
tumhre kaaran hamaar jiya jaaye re
jiya jaaye re
tumhre kaaran hamaar jiya jaaye re
tumhre kaaran hamaar jiya jaaye re
jiya jaaye re

tumhre kaaran hamaar jiya jaaye re
tumhre kaaran hamaar jiya jaaye re


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4187 Post No. : 15367

Hullo Atuldom

Let me wish everyone a Happy 2020. Hope everyone has a bright, healthy and musically joyful year.

Tina tin ke teena kisi ne dil hai chheenaa this post of Shri Encyclopedia of the blog has inspired my post.

That post has mentioned the variety of roles today’s birthday girl has donned in the movies from the time she debuted in 1950 with “Har Har Mahadev” (please correct me, I may be wrong). I am not trying to write her biodata as I became aware of her only as the hero’s mother, bhabhi, daadi, etc.

I got further inspiration for this post from Tabassum’s video on youtube. In this video, Tabassum mentions about the interview with Nirupa Roy (our today’s birthday girl for those who haven’t yet guessed) for Doordarshan’s ‘Phool Khile Hain Gulshan Gulshan’. Therein is a mention of the genres she has acted in and that in the 40 mythologicals that she acted in, she played Seetha in three films and Parvathy in four.

I remember seeing some of her black and white songs “Chahe paas ho chahe door ho”; “dhalti jaaye raat keh le dil ki baat”; “aa laut ke aaja mere meet” in the days of doordarshan and jolting into “what she has been a heroine before becoming Amitabh, Dharmendra, Jeetendra etceteras mother in the 70s”.

Today’s song is from a time when she used to be a heroine. it is from the 1957 release “Janam Janam Ke Phere”. I have no knowledge about this film other than the few songs I have heard from the album. the playback for the song is by lady- kokila Lata Mangeshkar (by the way I heard in the above-mentioned video that Nirupaji’s birth name was Kokila) with S N Tripathi as composer and Bharat Vyas being the lyricist.

the song is a prayer by the heroine to Shri Naag devta and we see the Naag going out of its capabilities to help her.

P.S: Thank god, those times PETA was not so prevalent else the makers would have had to face the music for cruelty towards reptiles.

Editor’s note- With this song, the blog now has 3500 songs sung by Lata Mangeshkar.

Audio

Video

Song-Aaja naag tohe mann mein basa loon (Janam Janam Ke Phere)(1957) Singer-Lata, Lyrics-Bharat Vyas, Md-S N Tripathi

Lyrics

bhadak uthhi hai aaj vaasna ki
iss jag mein aag
naari ko fufkaar rahe hain
chhupe huye nar naag

aaja naag tohe
mann mein basa loon
aaja naag tohe mann mein basa loon
tujh se iss tan mann ko dasa loon
tu toh aaj bana mera mehmaan hai
tujh se zyaada zehreela iss duniya ka insaan hai
aaja aaja re naag
tohe mann mein basa loon ho
aaja aaja re naag
tan mann ko dasa loon ho

hey vishdhaari ee
hey vishdhaari
hey vishdhaari
tu apna vish sab jag ko dikhlaata re
insaanon ke muskaanon ka zeher nazar na aata re
aaja naag tohe sheesh chadha loon
aaja naag tohe sheesh chadha loon
apne bhaag ke deep jala loon
tu toh aaj bana mera bhagwaan hai
tujh se zyaada zehreela iss duniya ka insaan hai
aaja aaja re naag
tohe mann mein basa loon ho
aaja aaja re naag
tan mann ko dasa loon ho

jo zulmi ho
anyaayi ho
jo zulmi jo anyaayi
jo paapi atyaachari re
uske paap ko dank maar de
maniwaale phandhaari re
mani waale phandhaari
mani waale phandhaari
mani waale phandhaari
mani waale phandhaari

abla ko bandhan se chhuda de
abla ko bandhan se chhuda de
ek phoonk se jaal uda de
tu toh aaj bana mera mehmaan hai
tu toh aaj bana mera bhagwaan hai
aaj tihaare haath sati ki aan hai
aaj tihaare haath sati ki aan hai
sati ki aan hai
sati ki aan hai


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4065 Post No. : 15199

Hullo to all in Atuldom

We are into September. The month has begun with on an auspicious note with the arrival of the elephant-headed god, Lord Ganesh or Gajanan or Vighneshwar or Ekdanta or Vinayak or Ganpati- different names for the same god. For which Atulji had posted a “Ganpati Bappa Morya” song. The birthday list for September began with the ‘pouring out of a true fan’s feelings for his idol post’ on Sadhana by Sudhirji.

Here is my post to wish my favourite actor on turning a year older. He has been out of the country for the last year undergoing treatment for the dreaded C. Though out of the country he has been in public eye with constant reports of how he is recovering and that he is expected back in the country in the not-so-distant future. I am wishing Rishi Raj Kapoor on his 67th birthday. May he return to the pink of health and continue what he does best – give us lots of entertaining movies like his last few – “Mulk” (2018) directed by Anubhav Sinha which was poles apart from his “102 Not Out” directed by Umesh Shukla. He played varied characters in “Kapoor and Sons” (2016), “Besharam” (2013), “Patiala House” (2011), “Agneepath” (2012), “Do Dooni Char” (2010), “Student of the year” (2012), – post his decision in 1999 to stop trying to play the romantic lead we have seen Chintu (as his is fondly called) in different avatars. He must be the only actor from the 70s and 80s (other than Amitabh of course) to be considered for playing near-central characters which are not necessarily young.

Now for a few words on today’s song

It is from a 42-year-old movie. It has been on the air-waves and all the music channels of television ever since. And it falls right in the category of “how come this song was not posted earlier?”. But then we will find many of Chintu’s songs eligible for this category and our blog will always have fodder for posting :). The last time I heard this on radio was, may be last week, when I was driving to the airport in Mumbai (my brother was dropping me) or driving home from the airport with my son after touch down at Bangalore (that means twice on the same day). That is how frequently the song gets played. Then on entering the house I found my husband surfing channels and again this song. And next day morning doordarshan played it on their weekly musical “Rangoli”. So that made it 4 times in 24 hours and am I complaining about the number of repeats? No, not at all!! Why? Because I like the elements that the maker of the movie has put into the song. In fact, the maker is known for putting that kind of elements in the whole movie and almost all his movies.

Here I am talking of Shri Manmohan Desai and his habit of showing us incredible, illogical and unbelievable things in his movies, and how the audiences have lapped those up with eyes closed. Remember the blood donation scene in “Amar Akbar Anthony”? The song sequence in “Mard” has a tiger escorting the mother towards a boat so that she can cross to the other bank where her son is singing in the temple. Unforgettable.

Today’s song has the eternal mother – Nirupa Roy – escaping from the clutches of Jeevan and Ranjeet (they were a team in the 70s). She is shown running towards an open-air temple where we have Chintu singing a qawwali in praise of Sai Baba. The mother comes in crawling (tired after all the running and falls that she has had enroute) moves slowly towards the Baba’s idol unseen by the devotees present in the temple. Just as Chintu sings the line – “tu bichhadon ko milaaye, bujhe deepak jalaaye” we see two tiny specks of jyot (light of the diyas) emerge from the Baba’s eyes and enter the lady’s eyes – here I must mention that the lady is blind too, a result of an accident at the start of the movie. And now she can see three kids beckoning her – on the Baba’s smiling face. Such chamatkaars (magical happening) used to be Manmohan Desai’s forte. The song or qawwali comes to a close and she declares to whoever is ready to hear that “ab mein dekh sakti hoon” (I have my vision back); I pity all the eye doctors of that time, I am sure they would have prayed to Baba that they don’t go out of business. 🙂

So today on the occasion of Chintu a.k.a Rishi Kapoor’s birthday let us wish him health and happiness through this chamatkaari song that was written by Anand Bakshi, sung by Mohd. Rafi and composed by Laxmikant Pyarelal. Incidentally 3rd September was the 80th birthday of Pyarelal Ramprasad Sharma – Pyarelal of the music director duo Laxmi-Pyare. Let us wish him too health and happiness.

Audio

Video

Song-Shirdi Waale Sai Baba aaya hai tere dar pe sawaali (Amar Akbar Anthony)(1977) Singer-Rafi, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Chorus

Lyrics

Aaaaaaa
aaaaa
zamaane mein kahaan tooti hui
tasveer banti hai
tere darbaar mein bigdi hui
taqdeer banti hai

tareef teri
nikli hai dil se
aayi hai lab pe ban ke qawwaali
shirdi waale sai baba
aaya hai tere dar pe sawaali
shirdi waale sai baba
aaya hai tere dar pe sawaali

lab pe duaayen
ankhon mein aansoon
dil mein ummeedein par jholi khaali
shirdi waale sai baba
aaya hai tere dar pe sawaali
dar pe sawaali
aaya hai dar pe sawaali
savali
(baba)
shirdi waale sai baba
aaya hai tere dar pe sawaali

oooo ooooo oooo oooo

o mere sai deva
tere sab naam leva
o mere sai deva
tere sab naam leva

juda insaan saare
sabhi tujhko hain pyaare
sune fariyaad sabki
tujhe hai yaad sabki
bada ya koi chhota
nahin mayoos lauta
ameeron ka sahaara
gareebon ka guzaara
teri rehmat ka qissa bayaan akbar kare kya
do din ki duniya
duniya hai gulshan
sab phool Kaante tu sabka maali
hae ae
shirdi waale
haaan
sai baba
hae ae
aaya hai tere dar pe sawaali

khuda ki shaan tujhmein
dikhe bhagwan tujhmein
khuda ki shaan tujhmein
dikhe bhagwan tujhme

tujhe sab maante hain
tera ghar jaante hain
chale aate hai daude
jo khush kismat hai thhode
yeh har raahi ki manzil
yeh har kashti ka saahil
jisse sabne nikaala
usse toone sambhaala
jisse sabane nikaala
usse toone sambhaala

tu bichhdon ko milaaye
bujhe deepak jalaaye
tu bichhado ko milaaye
bujhe deepak jalaaye
tu bichhdo ko milaaye
bujhe deepak jalaaye

ye gham ki raatein
raatein ye kaali
inko bana de id aur diwaali
shirdi waale sai baba
aaya hai tere dar pe sawaali

lab pe duaayen
ankhon mein aansoon
dil mein ummeedein par jholi khaali
shirdi vaale sai baba
aaya hai tere dar pe sawaali
shirdi vaale
(shirdi waale)
sai baba (sai baba)
aaya hai tere dar pe sawaali
shirdi vaale
(shirdi walein)
sai baba (sai baba)
aaya hai tere dar pe sawaali


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3964 Post No. : 15045

“Do Roti”(1957) was produced and directed by Ismail Memon for Ismail Films, Bombay. This movie had Nirupa Roy and Balraj Sahni in lead roles, along with Johny Walker, Nazeer Hussain, Mishra, Manju, Minu Mumtaz, Nana Palsikar, Kanhaiya Lal, Mehmood, Shakuntala devi, Arvind Kumar, Kamal Mohan, Sagar, Nalini Chonkar, Kusum, Chetan Kumar, Mumtaz, G Kallan, Mohan Sandow, Aziz Siddiqui, Omkar, Baby Sultana, Master Raju etc in it.

The movie had eight songs in it. Six songs have been covered in the past.

Here is the seventh song from “Do Roti”(1957) to appear in the blog. This song is sung by Lata. Khumar Barabankwi is the lyricist. Music is composed by Roshan.

This song is picturised as a joie de vivre song on Nirupa Roy.

Audio

Video

Song-Gham ki huyi haar lo jeet gaya pyaar(Do Roti)(1957) Singer-Lata, Lyrics-Khumar Barabankwi, MD-Roshan

Lyrics

gham ki hui haar
lo jeet gaya pyaar
gham ki hui haar
lo jeet gaya pyaar
naache jiya jhoom jhoom ke
haaye jhoom jhoom ke
gham ki hui haar
lo jeet gaya pyaar

roothhe huye maan gaye
dil ki lagi pehchaan gaye
roothhe huye maan gaye
dil ki lagi pehchaan gaye
ho dil ki lagi pehchaan gaye
nazren huin chaar
lo teer huye paar
nazren huin chaar
lo teer huye paar
naache jiya jhoom jhoom ke
haaye jhoom jhoom ke
gham ki hui haar
lo jeet gaya pyaar

main hoon kahin
dil hai kahin
aaj mujhe kuchh hosh nahin
main hoon kahin
dil hai kahin
aaj mujhe kuchh hosh nahin
ho aaj mujhe kuchh hosh nahin
chha gaya khumaar
lo aa gayi bahaar
chha gaya khumaar
lo aa gayi bahaar
naache jiya jhoom jhoom ke
haaye jhoom jhoom ke
gham ki hui haar
lo jeet gaya pyaar

nazren milin waar huye
kitne haseen iqraar huye
nazren milin waar huye
kitne haseen iqraar huye
ho kitne haseen iqraar huye
man ke baje taar
lo jaag uthha pyaar
man ke baje taar
lo jaag uthha pyaar
naache jiya jhoom jhoom ke
haaye jhoom jhoom ke
gham ki hui haar
lo jeet gaya pyaar
gham ki hui haar
lo jeet gaya pyaar
naache jiya jhoom jhoom ke
haaye jhoom jhoom ke
gham ki hui haar
lo jeet gaya pyaar
gham ki hui haar
lo jeet gaya pyaar
naache jiya jhoom jhoom ke
haaye jhoom jhoom ke
gham ki hui haar
lo jeet gaya pyaar


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3875 Post No. : 14896

Hullo to all in Atuldom

I love masala movies as much as I love movies which are close to reality. I am of the opinion that movies should make us forget our daily tensions as much as entertain us. There were a few movie makers during my growing up years whose films were a must-see for my parents as they were entertaining as well as showed middle-class families and their ways. These movies were generally targeted towards family audiences – ‘Khoobsurat’ (1980), ‘Golmaal’ (1979), ‘Baaton Baaton Mein’ (1979), ‘Khatta Meetha’ (1977), ‘Chupke Chupke’ (1975) etc fell in this category and I must thank Hrishikesh Mukherjee, Basu Chaterjee for these gems.

Then there were these absolute entertainers which needed us to keep “logic at home” before going to see them. Else how does one explain the story of a pair of twins one of whom looks much older than the other -‘Dharam Veer’ (1977) and ‘Suhaag’ (1979). How does one explain the jumps in the climax; the heroes begin punching the villains on board a ship – belonging to a Rajput clan- that is anchored at sea but sing romantic songs and songs of friendship in the environs of Kashmir (in ‘Dharam Veer’). Or the heroes are following the villain who has kidnapped their mother through the streets of Mumbai on the way to the Juhu airport (which used to be where people parked their private aircrafts formerly) but strangely the streets look like some foreign land – turns out it was Singapore!! But when the climax scene is getting over, and the villains meet their final fate, all the places that Mumbaikars are familiar with make an appearance on the screen (in ‘Suhaag’).

Now ‘Suhaag’ and ‘Dharam Veer’ are two movies which I must have seen a number of times (have lost count) in spite of all these glaring ‘logic-less-ness’ (I know there is no such word in English language). There are a few other movies which fall under the ‘entertainer without logic’ category- ‘Chacha Bhatija’ (1977), ‘Parvarish’ (1977), ‘Naseeb’ (1981), ‘Desh Premee’ (1982), ‘Coolie’ (1983), ‘Mard’ (1985) – which I have seen about 100 times (not exaggerating). And it seems the maker of these Mr. Manmohan Desai had the confidence that his audience will lap it all up without questions.

In recent times I have been seeing these series of videos on YouTube wherein Amitabh Bachchan (the permanent fixture in most of the above-mentioned Manmohan Desai movies) in company of Rishi Kapoor was relating how they enacted all those scenes, as directed by Manji (Manmohan Desai’s pet name apparently) even if they were not personally convinced that there was any logic in the scene. The duo specially drew attention to the “mother of all logiclessness” scene – three people lying in a row and donating blood to an accident victim. Now there is nothing illogical in three people donating blood; but blood from the three being collected into a single bottle? And a single tube carrying blood to the patient!!! And has anyone heard of the blood group of RH. Also, Amitabh pointed out how Manji thought the villains were brainless as they could not see through the disguise of 3 people who have gate-crashed into a wedding and singing on top of their voices – ‘Amar Akbar Anthony’.

Anyway, such were the movies of Manmohan Desai in the 70s. He started making movies in the 60s with ‘Chhalia’ (1960) being his directorial debut. Which was followed by ‘Bluffmaster’ (1963), ‘Budtameez’ (1966), ‘Sachaa Jhootha’ (1970), ‘Kismat’ (1968) etc. Of the 20 films he made in a career span of 29 years 13 were successful. He had writers like Kadar Khan, KK Shukla, Prayag Raj, Salim Javed, Anand Bakshi, Sahir, Qamar Jalalabadi, Gulshan Bawra and Shailendra pen the stories and songs for these movies. He had also worked with Kalyanji Anandji, Laxmi Pyare, RD Burman and Anu Malik for music direction in his movies.

Today’s post is to remember the magic of Manmohan Desai on his 82nd birth anniversary and what better song than the one that shows his logical thinking. One patient getting blood from three donors all at once. 🙂

Audio

Video

Song-Khoon khoon hota hai paani nahin (Amar Akbar anthony)(1977) Singer-Rafi, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Chorus

Lyrics

maa sirf nataa nahin
yeh kuch aur bhi hai
maa se bichad ke bhi
ye toot jaata nahin
yeh sach hai koi kahaani nahin
aaa aa aaa aaa aa 
yeh sach hai koi kahaani nahin
khoon khoon hota hai paani nahin
khoon khoon hota hai paani nahin
khoon khoon hota hai paani nahin

aaa aa aaa aa

phoolon ki pehchaan hai rangon boo se
pehchaane jaate hain insaan lahoo se
insaan lahoo se
haan isse badi kuchh nishaani nahin
aaa aa aaa aa
haan isse badi kuch nishaani nahin
khoon khoon hota hai paani nahin
khoon khoon hota hai paani nahin
khoon khoon hota hai paani nahin

aaa aa aaa aaa aaaaa aaa
aaaa aaaa aaa aaa aa 

ye khoon jis ne paida kiya hai
wo doodh maa ka sab ne piya hai,
sab ne piya hai
kya is ki keemat chukaani nahin
aaa aa aaa aa
kya iski keemat chukaani nahin
khoon khoon hota hai paani nahin
khoon khoon hota hai paani nahin
khoon khoon hota hai paani nahin

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

माँ सिर्फ नाता नहीं
ये कुछ और भी है
माँ से बिछड़ के भी
ये टूट जाता नहीं
ये सच हैं कोई कहानी नहीं
आs आ आs आs आ
ये सच हैं कोई कहानी नहीं
खून खून होता है पानी नहीं
खून खून होता है पानी नहीं
खून खून होता है पानी नहीं

आs आ आs आ

फूलों के पहचान है रंग ओ बू से
पहचाने जाते हैं इनसां लहू से
इनसां लहू से
हाँ इससे बड़ी कुछ निशानी नहीं
आs आ आs आ
हाँ इससे बड़ी कुछ निशानी नहीं
खून खून होता है पानी नहीं
खून खून होता है पानी नहीं
खून खून होता है पानी नहीं

आs आ आs आs आsss आs
आss आss आs आs आ

ये खून जिसने पैदा किया है
वो दूध माँ का सबने पिया है
सबने पिया है
क्या इसकी कीमत चुकानी नहीं
आs आ आs आ
क्या इसकी कीमत चुकानी नहीं
खून खून होता है पानी नहीं
खून खून होता है पानी नहीं
खून खून होता है पानी नहीं


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over THIRTEEN years. This blog has over 16900 song posts by now.

This blog is active and online for over 5000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2022) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

16949

Number of movies covered in the blog

Movies with all their songs covered =1313
Total Number of movies covered=4587

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