Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Chaltin hain mast hawaayen kuchh gaayen lahraayen

Posted on: December 27, 2019


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4179 Post No. : 15358 Movie Count :

4233

Today’s song is from a Non-Descript film-Mazaq-43. I call it a Non Descript film because no information is available on this film anywhere. As the film was released on 31-12-1943, its review was expected in the 1944 January or February issue, but as 1944 issues of Film India are not available in Internet Archive, it is not possible to know about this film. I did not see any film advertisement of Mazaq in any issue of 1943. Either I missed it or it was not there. The gist is, we do not know anything about who wrote the film story or what was the story, how it was received by the public etc.

The film was made by Raja Movietone, which was established by Zahoor Raja, after he directed film Badal-1942, made by Eastern Pictures, Bombay. Film Mazaq-43 was the maiden venture of Raja Movietone. It went on to make 3 more films. All four films were directed by Zahoor Raja and he acted in every film also. Only in film Mazaq-43, he tried his hand at composing songs, as Music Director. Thankfully, he never tried it again. Actress Radha Rani (Bombywali) also acted in all films with him.

The cast of the film was Madhuri, Pahadi Sanyal, Radha Rani (B), Zahoor Raja, Shyam kumar,Haroon and others. As far as Madhuri was concerned, she got married in 1941 and was in the process of ending her acting career. After this film, she completed few more films on hand and retired from film. In this film, the lead pair was Madhuri and Pahadi Sanyal. Zahoor Raja had done a negative role in the film.

ZAHOOR RAJA (Born 7 July 1918 Abbottabad (now in Pakistan)– Died 1992 England) Pre Partition Hindi/Urdu Film Actor, Producer, Director, Editor, Writer, Singer, Lyricist & Music Composer. He graduated from editing and story writing to become a producer-director in 1943.

Zahoor Raja was born in a wealthy family in Abbottabad. After schooling , he studied BA from Rawalpindi but could not complete his graduation as he was more interested in sports than in studies. His father, a Police Inspector, was keen in admitting him in Dehradun for a career in the army. But he ran away from home and landed in Bombay with a letter of introduction to Film maker A R Kardar. Since he was very handsome and well built man, getting into the Bombay film industry was not difficult. At that time, Kardar was directing ‘Mirza Sahiban’ (1939) for Ranjit Movietone and Kardar took Zahoor Raja in the film. The film was not completed.

Within a year after that film, V Shantaram invited him to join Prabhat Films and was taken on a contract of 3 years. His association with V Shantaram was not beneficial and he did not get much work. Kardar once again came to his rescue and got him employed in National Studios and got him a role in ‘Pooja’ (1940). Thereafter, he got a role in Minerva Moveitone’s ‘Sikandar’ (1941). During the making of the film ‘Sikandar’ (1941), he fell in love with his co-star Meena (Meena Shourie) and married her. The marriage did not last long and Meena later married another handsome actor, Al Nasir.

Zahoor Raja later worked as a Hero in ‘Sewa’ (1941). During this time, while looking for a change from his acting career, he got a chance to direct the film ‘Badal’ (1942) produced under Eastern Pictures where he also acted in the lead role. Though the film failed at the box office, his direction was appreciated by the critics. In 1943, he floated his own film production company, Raja Movietone and made its maiden film ‘Mazaq’ (1943) which he also directed, acted in a negative role and composed its music. His banner produced ‘O Panchhi’ (1944), ‘Ghazal’ (1945) and ‘Dhadkan’ (1946). In most of the films in which he acted, Zahoor Raja was paired with Radha Rani. He also sang the song ‘Bhulaane waale hamen bhi na yaad aaya karo’ along with Naseem Akhthar in the Movie ‘Ghazal’ (1945) composed by Gyan Dutt. His last Movie in India before moving to Pakistan was ‘Anmol Ghadi’ (1946). He acted in 8 films, directed 5 films, sang 15 songs in 4 films, wrote lyrics in 1 film and was MD for 1 film.

After partition, Zahoor Raja migrated to Pakistan. He was active in Pakistani film industry until 1966. After 1966, he migrated to England, married an English lady and later died in 1992 in England.

The heroine Madhuri was already 30 year old in 1943 and I wonder why Raja opted for this aged lady, who was on the verge of retiring from films – that too as a Heroine ! Of course, since we do not know about the story of the film, Raja gets the benefit of doubt, in this case. Madhuri was an actress coming from the Silent Era and early Talkie films. After retirement , she disappeared for almost 50 years, till she was traced for a function. Here is how…

Like many others,Madhuri too was an Anglo Indian. Her real name was Beryl Claessen. She was born on 3-11-1913 at Delhi. Her father was a big officer in Government. Her initial schooling took place in Nainital. She learnt music too,because she wanted to become a Music Teacher. However that she never became,but on a visit to Bombay she was picked up by producer Indulal Yagnik and she started acting in silent films.

Many Heroines in those days were Anglo-Indians,Europeans or Jew girls. Since silent films did not require speaking Hindi or Urdu ( or any language,for that matter),these girls were preferred,as Indian audience loved their fair colour (Gori Mem). Additionally,these girls did not hesitate to give intimate scenes like kissing or doing stunts themselves. Most girls knew Horse riding,fencing and fighting.

In 1928,there was a Silent film Madhuri,but actress Sulochana(Ruby Myers) did this role and in 1932 there was a Talkie film Madhuri,in which also Sulochana only did the role. When Talkie films era began most of the Anglo Indian girls became jobless,since they could not speak Hindi/Urdu nor could they sing a song-the two requirements for actresses in early era Talkie films. However,few intelligent and professional actresses learnt Hindi/Urdu language speaking. Madhuri and Sabita Devi (Irene Gasper) were two such clever girls who achieved proficiency in these matters.

Madhuri was very beautiful. After doing 17 silent films,she made her debut in Talkie films with ‘ Pardesi Preetam’-1933. Jaswantlal Nandlal directed his first film here. Her Hero was Raja Sandow. She did many films for Ranjit under the direction of Jayant Desai. From 1933 to 1942,she acted in 28 films. They were (not in order) Kashmeera, Mitti ka Putla, Noor e watan, Secretary, Lehri lala, Rangeela Raja, Sitamgarh, Prithviputra, Thokar, Raj Ramni, Diwali, Matlabi Duniya, Toofani Toli, Shama parwana, College Girl, Nadira, Veer Babruvahan, Zamin ka chaand, Ban ki chidia, Toofan Mail, Mehman, Sasural, Shadi, Ikrar, Vakil Saheb, Paapi, Mazaq and Dharm-45 …her last film.

In 1943,Madhuri got married and after completing films on hand, retired from Film line. After this, she simply disappeared for next 50 years without a trace,till the organisers of a programme located her. Bombay’s ” Amrut” and ” Cine Society of Bombay ” held a felicitation programme on 7-2-1999, for “Stars from the Silent Era”. For Madhuri it was a surprise,that the organisers found her out after living in oblivion for over 50 years. She was simply overwhelmed with the people’s affection and love. She and Jairaj were felicitated on that day.

The Hero,Pahadi Sanyal – an actor with a strange name, was a rare actor, who, in spite of being simultaneously in Bangla films, was a leading and singing Hero in Bombay’s Hindi films. Later on, few more Bangla actors did some Hindi films, but none were as prolific as Sanyal. He acted in 53 Hindi films and did Hero and side Hero roles, as well as character roles too. Pahadi Sanyal (22 February 1906–10 February 1974) was born in the midst of the serene beauty of hilly tract of Darjeeling. As he was born in the hills, thus his nickname became Pahadi .His real name was Nagendra Nath. He had completed his schooling from Lucknow but later joined Benaras Hindu University for Engineering studies. But he was never interested in studies and he chose a different path for himself .

He started taking lessons of Hindustani Classical Music from Morris College in Lucknow. He had learnt music under the tutelage of Ustad Md.Hussain, Chote Munna Khan, Nasir Khan . Ahmad Khan. Not only that, he was equally interested in instrumental music. Thus , he had also taken lessons of tabla from Rashbehari Sil and Abid Khan. He was deeply inclined to learn different types of songs. During his stay in Lucknow , he was in close contact with the Atul Prasad Sen and had hugely contributed to his songs.

Pahadi Sanyal was also fluent in Hindi and Urdu. In the personal front , he got married twice. He first tied his knot with the Vice Principal of Moradabad School. But unfortunately on 10th March , 1930 she died while giving birth to their child. Later , Pahadi got married to actress Meera Devi and had one daughter.

Pahadi was introduced to Director Devki kumar Basu by one of his friends. Devki kumar Basu took him to B.N. Sarkar of Star Theatre who helped him to make his debut with Rs.150 in the world of acting. In 1933, he got his first break in the film “Meerabai”. The movie “Vidyasagar” was a landmark in his career which made him a living legend of that time. Some of his notable movies are “Bhagyachakra”(1935), “Bidyapati” (1938), “Mahakobi Girishchandra” (1953), “Jomaloye Jobonto Manush”(1958), Aranyer dinratri (1970). He had even sung in some of his movies. In 1942, he went to Bombay for working in Bollywood films.

He acted in 53 Hindi films. His first Hindi film at Calcutta was Yahudi ki Ladki-1933 and the last Hindi film was Dharati-1970. During his career, he sang 45 Hindi songs in 19 films – first song being in film Chandidas-1934 and the last song was in film Milan-1946. The Door Darshan English News Reader Luku Sanyal was his daughter. This great legend passed away on 10th February, 1974.

Here is a duet from this film-Mazaq-43. The names of singers are not available, but my guess is that it is sung by Zahoor Raja and Radha Rani (Bombaywali). With this song, film Mazaq-43 makes its Debut on the Blog.

PS-The song is sung by Miss Tara, Pahadi Sanyal and Zahoor Raja. Thanks are due to Mr Sadanand Kamath for helping identify the singers.


Song-Chalti hain mast hawaayen kuchh gaayen laharaayen bahlaayen mohe (Mazaaq)(1943) Singers-Miss Tara, Pahadi Sanyal, Zahoor Raja, Lyrics-Abid Gulrej, D- Zahoor Raja
Miss Tara + Pahadi Sanyal

Lyrics

Chalti hain mast hawaayen
aa haa ha ha ha aa
Chalti hain mast hawaayen
kuchh gaayen
lahraayen
bahlaayen mohe
ho o o
Chalti hain mast hawaayen
kuchh gaayen
lahraayen
bahlaayen mohe
ho o o

laayi paighaam khushi ka
khushboo ek prem sandesa
aa ha ha aa
laayi
haan haan
laayi
haan haan
laayi paighaam khushi ka
kuchh ?? prem sandesa
hahaha ha

nikhra kaliyon pe joban
nikhra kaliyon pe joban
bahlaaye mohe ho o
Chalti hain mast hawaayen
kuchh gaayen
lahraayen
bahlaayen mohe
ho o o

koi unse kahde jaake
aa hahahahaha
koi unse kahde jaake
na chhedo
na chhedo
na chhedo mohe
ho o o
mera mera
mera mera
mera matwaala joban
naajon ka paala joban
na chhedo mohe
ho o

tu mere motor ka engine
main teri bagiyaa ka phool
tu mere motor ka engine
main teri bagiyaa ka phool
arre aaj to ghabra ke keh do
kar liya mujhko qabool
na chhedo
na chhedo
na chhedo mujhe
ho o o

Chalti hain mast hawaayen
kuchh gaayen
lahraayen
bahlaayen mohe
ho o o

6 Responses to "Chaltin hain mast hawaayen kuchh gaayen lahraayen"

Arunji,
Congratulations for this information-packed post.
Pahadi Sanyal was also in Devdas (1935).
This Meena Shourie seems to be different from Meena Shorey of ‘La ra lappa’
A small point: ‘Morris College’ was perhaps ‘Marris College’.

Like

AK ji,
Thanks for your appreciation. Such comments work as motivation for continuing this work.
It was the same Meena , only she was not ‘Shourie’ by that time. She married first time in 1941, during Sikander shooting and divorce also took place within one year. During the “Prithvi Vallabh” -43 shooting, she got married to Al Nasir. Marriage with Shourie was after 1949 film ‘Ek thi ladki’. Though she married 2 more times, In India, she was always referred as Meena Shourie.
Thanks for reminding me the right spelling of Marris College. Hereafter I will be more careful.
-AD

Like

Arun ji,

The song is sung by MIss Tara, Pahadi Sanyal and Zahoor Raja. I had uploaded the video of the song about a year back. While I could recognise the voice of Pahadi Sanyal and Zahoor Raja, the voice of the female playback singer was recognised by Isuru Kariyawasam as that of Miss Tara (sister of Sitara Devi)’.

The last stanza ‘tu mere motor of engine …………… na chedo mujhe ho o o’ was sung by Zahoor Raja. Duet parts of the song were sung by Miss Tara and Pahadi Sanyal.

The story and dialogues were written by Kamal Amrohi.

Like

Sadanand ji,
Thanks for this information.
May I request Atul ji to kindly incorporate these names in the credits of the song ?
Thanks again.
-AD

Like

Missing words are

laayi paigaam khushi ka
khushboo ek prem sandesa

nikhra kaliyon pe joban
bahlaaye mohe ho o

Koi unse kehde jaake
aa hahahahaha
Koi unse kehde jaake
na chhedo, na chhedo
na chhedo mohe

Like

Thanks for the missing lyrics.

Like

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Important Announcement

(© 2008 - 2020) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over ELEVEN years. This blog has more than 15300 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Total number of songs posts discussed

15388

Number of movies covered in the blog

Movies with all their songs covered =1180
Total Number of movies covered =4242

Total visits so far

  • 12,912,817 hits

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 1,817 other followers

Bookmark

Bookmark and Share

Category of songs

Current Visitors

Archives

Stumble

visitors whereabouts

blogcatalog

Music Blogs - BlogCatalog Blog Directory

blogadda

Historical dates

Blog Start date: 19 july 2008

Active for more than 4000 days.

%d bloggers like this: