Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Begum Akhtar Songs from Films’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5799 Post No. : 18333

“Panna Dai”(1945) was produced by Kamalabai Mangalorekar and directed by Ram Daryani for Pradeep Pictures. The movie had Panna Dai (title role), Chandramohan, M Ismail, Master Vithal, Meenakshi, Mubarak, Gope, Azurie, Gulab, Vasant Pehalwan, Leela Mishra etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This article marks the 100th song of Aarzoo Lucknowi in the blog as a lyricist.

Blog Day :

5366 Post No. : 17598

‘Roti’(1942) was directed by Mehboob Khan for Mehboob Productions, Bombay. The movie had Chandramohan, Sheikh Mukhtar, Sitaaraa Devi, Akhtari Fayzabadi, Ashraf Khan, Kayam Ali, Jamshedji, Misra, Wasker, Chobeji, Nawab, Agha Jani etc. in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Roti”(1942) was produced and directed by Mehboob Khan for National Studios, Bombay. The movie had Chandramohan, Sheikh Mukhtar, Sitara, Ashraf Khan, Kaayam Ali, Jamshedji, Mishra and in a very rare appearance, Malika-E-Gazal Begum Akhtar, who was known as Akhtari Faizabadi in those days.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Some established producer-directors generally have their wish list to make a film or two on the subjects that are close to their hearts. The fulfilment of their wishes gets postponed until such time the producer-directors are able to make the successful films in normal course of their career. After all, they need the financial security to take risk in producing films of their personal choices irrespective of the outcome at the box office.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Forgotten Melodies of the 1940s – 2
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In the history of Rajputs, the name of Panna Dai has become immortal because of her supreme sacrifice. I first came to know about the story of Panna Dai in the Rajput history lesson during my school days. The only thing I remember of the story till a few days back was that Panna Dai sacrificed her own son to save the future Maharana of Mewad, Udai Singh for whom she was the Dai (Nanny). The detailed story of the 16th century nursemaid Panna Dai is available on Wikipedia.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Forgotten Melodies of the 1940s – 1
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Today, October 7th is the 101st birth anniversary of Mallika-e-Ghazal Begum Akhtar. With this, the year-long birth centenary celebrations which started on October 6th last year come to an end. Those who have kept the track of the events may recall that Government of India, Ministry of Culture had announced a year-long birth centenary celebrations of Begum Akhtar sometime last year.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

This is the story of a diva who, despite being in the midst of very adverse family circumstances in her formative years and facing the conservative society, created a niche for herself in the field of classical and ghazal singing. It is also the story of a woman who, despite fame and adulation showered on her by millions of fans, felt lonely all through her life.
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