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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Kaif Irfani


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3489 Post No. : 14015

“Sheroo” (1957) was directed by Shakti Samanta for S P Pictures production, Bombay. The movie had Ashok Kumar, Nalini Jaiwant, Anoop Kumar, Madan Puri, Chaman Puri, Om Prakash, Leela Mishra, Shyam Kumar, Krishn Kant, Rashid Khan etc in it.

The movie had seven songs in it. Five of these songs have been covered in the past.

Here is the sixth song from “Sheroo” (1957) to appear in the blog. The song is sung by Rafi. Kaif Irfani is the lyricist. Music is composed by Madan Mohan.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Arre ho ban thhan ke aaya tere dwaare…aaya karke bhes niraala (Sheroo)(1957) Singer-Rafi, Lyrics-Kaif Irfani, MD-Madan Mohan

Lyrics

arre ho o
ban thhan kar aaya tere dwaare
gori ee ee
ik man basiyaa aa aa
ho tera rasiya

aaya karke bhes niraala
le ke kaandhe pe doshaala
tere pyaar ka hai ye maara
tere darshan ka matwaala
aaya karke bhes nirala
le ke kaandhe pe doshaala
tere pyaar ka hai ye maara
tere darshan ka matwaala
aaya karke bhes niraala

koi aaya tere dwaare
leke chaand sitaare
gori ab to samajh le
kisi ke ye ishaare
ha ha
haan
koi aaya tere dwaare
leke chaand sitaare
gori ab to samajh le
kisi ke ye ishaare
sar pe jeet ka sehra
gale phoolon ki hai maala
tere pyaar ka hai ye maara
tere darshan ka matwaala
aaya karke bhes niraala

ho aaya door se chal ke(?) teri nagri
tera saajan albela
laaya sang khushi ka mela
ho bhaag jagaane aaya
tujh se preet nibhaane aaya
o sun le tujhko
pyaar mein doobe geet sunaane aaya
hai ye raagi bada niraala
tere naam ki japta maala
tere pyaar ka hai ye maara
tere darshan ka matwaala
aaya karke bhes niraala
aa ha

tujhe jiski hai aas
aaya wo hi tere paass
zara naina to mila le
bujhe nazron ki pyaas
o tujhe jiski hai aas
aaya wo hi tere paas
zara naina to mila le
bujhe nazron ki pyaas
aaya leke dil ki jholi
maange preet ka ujaala
tere pyaar ka hai ye maara
tere darshan ka matwaala
aaya karke bhes niraala
ha ha ha aa

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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3487 Post No. : 14006

The Indian general budget was presented day before yesterday on 1 february 2018. As happens on occasions like this, we had lots of discussions on this on social media. Here is one budget related observation that got forwarded on whatsapp:

Budget summary in three lines
-Lower class gets subsidy !
-Upper class gets Rebate !!
-Middle class only gets TV debates
🙂 🙂

It turns out that similar observations were made in a Hindi movie song as far back as in 1953. 🙂 The movie was “Daana Paani” (1953) which was directed by V M Vyas for Sunrise Pictures Production. The movie had Wasti, Meena Kumari, Shashi Kapoor Sr, Weera, Chhagan, Romeo, Radha Krishnan, Chitra etc in it.

The movie had eight songs in it. Two songs from the movie have been covered in the past.

This song is sung by Rafi. Kaif Irfani is the lyricist. Music is composed by Mohan Junior.

This Mohan Junior was not Madan Mohan (as is erroneously mentioned at some places), but a Gujarati gentleman. He was called Mohan junior because there was another Mohan, viz Mohan Sharma, operating in those days. These details have been dug out by Mr Arunkumar Deshmukh, our beloved inhouse encyclopaedia when we discussed another song from this movie during 2011.

Only the audio of this light hearted song is available. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.


Song-Koi ameer hai koi ghareeb hai (Daana Paani)(1953) Singer-Rafi, Lyrics-Kaif Irfani, MD-Mohan Junior

Lyrics

koi ameer hai
koi ghareeb hai
jo hai donon ke beech
bada badnaseeb hai
jo hai donon ke beech
bada badnaseeb hai

koi kehta raam tujhe
koi rahmaan
koi kehta raam tujhe
koi rahmaan
tujhe hai sabki chinta aa aa
o bhagwaan
tujhe hai sabki chinta aa aa
o bhagwaan
koi bhookha marey
to koi mauj karey ae
koi bhookha marey ae
to koi mauj karey ae ae
likha toone ye kaisa naseeb hai
jo hai donon ke beech
bada basnaseeb hai

thhodi tankhwa
sar pe kunbe ka bhaar
thhodi tankhwa
sar pe kunbe ka bhaar
phate kapde jo dekhen
hanse rishtedaar
phate kapde jo dekhen
hanse rishtedaar
idhar apna ye haal
udhar bachchon ka pyaar
idhar apna ye haal
udhar bachchon ka pyaar
aisi zindagi to maut ke kareeb hai
jo hai donon ke beech bada badnaseeb hai
koi ameer hai


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3467 Post No. : 13918

Today’s song is from film ‘Sheroo’ (1957).

The lead pair in this film was Ashok kumar and Nalini Jayawant. This was quite a popular pair in the 1950s decade. They did 11 films together. Their association started from film ‘Sangram’ (1950) and the last time they came together was after 16 years, in film ‘Toofan Mein Pyar Kahaan’ (1966). In Bombay, their bungalows were in Union Park, Chembur, opposite to each others. Saadat Hasan Manto, in one of his books mentions about their mutual attraction and a failed plan to elope and marry.

Once a pair is successful, our Indian producers, try to repeat them in their films. Ashok kumar worked with a total of about 30 Heroines in his career. He was paired with Madhubala in 5 films, With Devika Rani in 8 films and with Leela Chitnis in 9 films. His record is 21 films with Nirupa Roy – from film ‘Bhai Bhai’ (1956) to ‘Dana Pani’ (1989), a whopping period of 33 years. In his times, he probably created a record of sorts.

Ashok Kumar (13-10-1911 to 10-12-2001) was a lucky actor. He did not have to struggle to become a hero. In fact, he started his career in film ‘Jeevan Naiya’ (1936) as a hero itself. He reigned the film industry as a hero from 1936 to 1960, a long period of 24 years. It was from film ‘Kanoon’ (1960) that he switched over to character roles. He worked in 310 films. Though he was in his early and late 40’s, he was a much sought after Hero even in the 1950’s decade. In this decade (from 1950 to 1959), he worked as a hero in 56 film- an average of almost 6 films an year ! In the years 1952 and 1958 he did 9 films in one year. Even as a character artiste, in 1962, he did 9 films.

Film ‘Sheroo’ was produced by SP Pictures, which was a pair of Sant Ram and Pachhi. Ram Prakash ‘Pachhi’ was the younger brother of (Bakshi) Om Prakash (Chibbar) the comedian.

Like his illustrious brother Om Prakash, Ram Prakash was also jovial by nature and had a similar sense of humour. But he had no ambition to become a comedian in Hindi movies. At the same time, Ram Prakash ‘Pachhi’ was in love of Hindi movies and wanted to become a film producer and to be master of his own destiny. One of his friends, Sant Singh, was doing well as a successful art director , who also nurtured the same ambition. They formed a film company PS Pictures and started from scratch by producing ‘Mr. Chakram’ in 1956. The film was directed by SP Bakshi and had music by Husn Lal Bhagat Ram. Bewitching Shyama (may God bless her soul) was the heroine. Next year Pachhi & Sant Singh signed an upcoming director Shakti Samant for their next movie, a crime caper ‘Sheroo’. After the grand success of his maiden directorial venture, ‘Bahu’, Shakti Samant was already signed by Nadiadwalas for two movies i.e. ‘Inspector’ and ‘Hill Station’. After the release of ‘Sheroo’, Pachhi helped Shakti Samant to become a producer and in 1958, he produced and directed the highly successful ‘Howrah Bridge’. His elder brother directed ‘Kanhaiyya’ in 1959 for PS Pictures, which had Raj Kapoor and Nutan, the hit pair of ‘Anari’ (1959) and its music was by Shankar Jaikishan. Financial result of the movie was depressing, as the movie had illogical story.

In 1960, Sant Singh & Pachhi again engaged Shakti Samant for their movie ‘Jaali Note’. They signed OP Nayyar as the music director and the beautiful pair of Dev Anand and Madhubala . Encouraged with the positive response and success of the movie, the producers duo announced a crime movie ‘Hong Kong’ (1962), in colour. This film was to be directed by Shakti Samant with the super hit pair of ‘Howrah Bridge’ Madhubala and Ashok Kumar, along with king of rhythm OP Nayyar. It was decided to shoot the crime movie, at the exotic locales of South East Asia like Singapore, Bangkok, Rangoon & Hong Kong. Pachhi got a jolt when Madhubala opted out from the project due to her ill health and subsequently Shakti Samant also declined to be associated with the venture. Discouraged by the turn of events, Pachhi decided to tackle the problem by taking the bull by the horns and made up his mind to direct the movie himself. He brought the ‘Sasural’ fame Kannada actress B Saroja Devi on board as heroine. It was the last movie (released in 1962) which was made by two friends Sardar Sant Singh and Ram Prakash Pachhi. After this film they mutually decided to end their partnership. Now Pachhi was alone, dejected, but determined to go ahead. He produced a path breaking film which in its time was miles ahead of all Hindi movies and was shot at foreign locales around the planet – ‘Around The World’ (1967). The film turned out to be a debacle.

In 1974, Pachhi produced and directed ‘International Crook’. He got a shock of his life, when censor board suggested many major cuts, after viewing his big budget film. He approached the Appellate Tribunal to seek justice. The Appellate Tribunal, instead of granting relief, objected to the story itself and banned the movie altogether. The fact of the matter was, in his capacity as the president of the Indian Motion Picture Producers Association (IMPPA), he had many face-off’s with the authorities, in the past, for the legitimate causes of film industry. Now it was the payback time for the authorities in power. They harassed him, although the movie had nothing objectionable. It had an escapist story, with usual blending of romance, dance & music. It was shot at various location around the world. Pachhi was heartbroken, but somehow he re-shot some portion, omitted most of the shots & presented again to censor. Censor gave him certificate with A stamp, which was as good as killing half the movie. The final print had lot of continuity jumps & was inconclusive, despite the patch works. The opening of the movie at theatres was worse than the worst, which left Pachhi inconsolable .

Perhaps, it was the destiny. His elder brother Om Prakash had faced it with ‘Jahan Ara’ (1964), and his eldest brother Bakshi Jang Bahadur with ‘Tipu Sultan’ (1959). Pachhi after a while decided to start from the scratch and made ‘Eent Ka Jawab Pathar’, with small star cast and controlled budget. The only luxury, he allowed himself was that he signed Shankar Jaikishan again for music and shot the movie in Vista Vision. The movie was released in 1982 and sadly like a defeated gambler, Pachhi lost once again. Bakhshi Jang Bahadur had already gone and Pachhi also passed away soon after. It was a big shock for Om Prakash, who lost his wife after some time. Pachhi was a jolly and energetic fellow, who regaled his audience by showing exciting foreign locations. He will be remembered for his occasional appearances as a jolly natured person in various movies, and also as a visionary. He is the one who introduced 70 mm format first time in the Indian film industry.
[Note: The above bio sketch is based on material received from Shri MN Sardana.]

The cast of the film was Ashok Kumar,  Nalini Jayawant, Anup kumar, Madan Puri, Chaman Puri, Om Prakash, Leela Mishra, Shyam Kumar,  Krishna Kant etc etc. The name of Krishna Kant or KK is known to many people. Krishnakant (15-9-1922 to 24-10-2016) was a noted character actor of long standing. His career spanned from 1943 to 1989, a whopping 46 years. After retirement he had settled in Surat, Gujarat.  His life story has been made into a Gujarati book ‘Guzara Hua Zamana’ written by the famous author Shri Biren Kothari ji. He has gifted me a copy of this book. Reading this book takes you into those times. KK had a knack of telling the history in an interesting way, with lot many photographs. Till the last day (94 years) his memory was excellent. During my visit to Surat in early 2016, I could not meet him, due to paucity of time. This will pinch me forever. Our Sudhir ji and Bakshish Singh ji have met him.

Krishnakant acted in 109 Hindi, 16 Gujarati, 2 Bangla and 2 English movies. He has also directed 2 Hindi and 13 Gujarati films. In addition, he was active on TV in his later years. He acted in 8 Hindi and 6 Gujarati serials and directed 3 Hindi serials. He also acted in 1 Hindi and 7 Gujarati stage dramas. Here is his short bio sketch,

Krishnakant (15-9-1922 to 24-10-2016)

Gujarati and Hindi actor and director born in Howrah, Bengal, as Krishnakant Maganlal Bukhanwala. Son of a textile engineer; educated in Surat and in Bombay. Obtained a diploma in radio and electrical engineering (1940); then joined the Rooptara Studio in Bombay, working in the sound department. Assisted Nitin Bose for five years, then worked with Aravind Sen on ‘Muqaddar’ (also acting in it) and with Subodh Mukherjee (‘Paying Guest’, 1957). First major acting role in Phani Majumdar’s ‘Andolan’; other notable roles are a paralytic in Amiya Chakravarty’s ‘Patita’ and the villain in Shakti Samant’s ‘Detective’. Left films in the late 1950s to concentrate on Gujarati theatre work (e.g. Pravin Joshi’s Manas Name Karigar) mainly with Harkrishen Mehta’s group. Returned to cinema in the early 70s; turned to direction with Dakurani Ganga, adapting Mehta’s novel Pravaha Paltavyo. Directed a series of Gujarati films based on plays or films from other languages: e.g. Visamo based on Harkrishen Mehta’s play, in which he acted the role of an old teacher, recalling Paranjpe’s Oon Paoos (1954) and Panthulu’s School Master (1958). Also adapted Anant Mane’s Manini (1961) as Maa Dikri. With these films he introduced a novel style of urban entertainment to Gujarati cinema, although relying on conventional reformist melodrama plots about the joint family, the generation gap and the exploitation of women. Also noted actor on Hindi and Gujarati television.

FILMOGRAPHY (* also d): 1943: Paraya Dhan; 1950: Chor, Muqaddar; Mashaal; 1951: Andolan; 1952: Daag; Tamasha; Zalzala; 1953: Patita; 1954: Baadbaan; Dhobi Doctor; Naukri; 1955: Faraar; Subse Bada Rupaiya; Ghar Ghar Mein Diwali; Seema; 1956: Sailaab; Jagte Raho; Patrani; Sudarshan Chakra; Dhola Maru; 1957: Agra Road; Bandi; Begunah; Hum Panchhi Ek Dal Ke; Yahudi Ki Ladki; Bhabhi; 1958: Ghar Sansar; Detective; Howrah Bridge; Mehndi; Parvarish; Post Box 999; Delhi Ka Thug; 1959: Insaan Jaag Utha; Satta Bazaar; Madhu; Ghar Ghar Ki Baat; Jaalsaaz; 1960: Jaali Note; 1961: Tanhaai; 1963: Jivno Jugari; Vanraj Chavdo; 1969: Do Raaste; Kanku; 1971: Duniya Kya Jaane; Hathi Mere Saathi; Pyar Ki Kahani; Sharmilee; Paraya Dhan; 1972: Mere Jeevan Saathi; Do Chor; Annadata; Gunsundari No Ghar Sansar; 1973: Gaai Aur Gori; Suraj Aur Chanda; Mr Romeo; Manchali; 1974: Parinay; Ajnabi; Trimurti; Vardan; Aarop; 1975: Anari; Kala Sona; Sant Surdas; 1976: Deewangee; Koi Jeeta Koi Haara; Sajjo Rani; Dakurani Ganga*; 1977: Jagriti; Kulavadhu*; 1978: Khoon Ki Pukar; Visamo*; Maa Dikri*; Ghar Sansar*; 1979: Sonba Ane Rupba*; 1980: Maniyaro*; Meru Mulande*; Jog Sanjog*; 1981: Hotel; 1982: Prem Lagna*; Dharmo*; Jawabdaar*; 1983: Main Awara Hoon; Poojana Phool; 1986: Teesra Kinara*; Chhota Admi*; 1988: Kharidar.

(Adapted from Encyclopedia of Indian Cinema)

‘Sheroo’ is about a soldier of second world war who returns to his town for a peaceful retired life. Instead he has to deal with the Government babus and various rules. For a soldier, this indiscipline, corruption and lethargy was beyond tolerance. He is sad when his mother dies and very furious when his  wife is kidnapped by villains of the town. Frustrated Sheroo resorts to his gun to solve the problem.

I remember having seen a film of Nana Patekar. The film was ‘Prahar’ (1991). The story has similarity except the end. After 35 years Hindi cinema had become more direct and the end of these two films having similar content was entirely different. Instead of subtle and suggestive results, Nana Patekar is shown to punish the enemies of the society with death penalty, unlike the ‘Sheroo’ of 1957. This also reflects our modern society thinking.

The music is by Madan Mohan and he has given some wonderful songs. The top 2 songs, one by Rafi (“O Mati Ke Putle, Itna Na Kar Tu Gumaan”) and the other by Lata (“Naino Mein Pyar Doley, Dil Ka Qaraar Doley”) are already discussed. Today’s song, byManna Dey is the third top song. This is the 5th song from Sheroo to be discussed here. Enjoy this melodious classical based bhajan. . .


Song – Prabhu Dwaar Chali Prabhu Ki Daasi (Sheroo) (1957) Singer – Manna Dey, Lyrics – Kaif Irfani – Madan Mohan
Unidentified Male Voice

Lyrics (Provided by Sudhir)

parbhu dawar chali parbhu ki dasi
ek aas liye ek pyaas liye
parbhu dawar chali parbhu ki dasi
ek aas liye ek pyaas liye
parbhu dawar chali

muskaan ke phool sajaaye huye
naino ke deep jalaaye huye
muskaan ke phool sajaaye huye
naino ke deep jalaaye huye
nikli preetam ke rijhane ko
man me apne visvaas liye

parbhu dawar chali parbhu ki dasi
ek aas liye ek pyaas liye
parbhu dawar chali

(taal)

(taal and dance steps)

tero naam onkaar
gaawat sab baar baar
tero naam onkaar
gaawat sab baar baar
laaj meri tere haath
jagat ke khiwaiyyaa

(taal)

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

प्रभु द्वार चली प्रभु की दासी
एक आस लिए एक प्यास लिए
प्रभु द्वार चली प्रभु की दासी
एक आस लिए एक प्यास लिए
प्रभु द्वार चली

मुस्कान के फूल सजाये हुये
नैनों के दीप जलाए हुये
मुस्कान के फूल सजाये हुये
नैनों के दीप जलाए हुये
निकली प्रीतम के रिझाने को
मन में अपने विश्वास लिए
प्रभु द्वार चली प्रभु की दासी
एक आस लिए एक प्यास लिए
प्रभु द्वार चली

(ताल)

(ताल एवं नृत्य भाव)

तेरो नाम ओंकार
गावात सब बार बार
तेरो नाम ओंकार
गावात सब बार बार
लाज मेरी तेरे हाथ
जगत के खिवैया

(ताल)

 


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3463 Post No. : 13895

Missing Films of 1960s – 40
– – – – – – – – – – – – – – –

What a find – this song. A lovely tuneful song, sung by Asha Bhosle, and on screen performed by Sheila Ramani. Aah yes, the memorable danseuse of those lovely lilting songs of ‘Taxi Driver’ (1954).

The film is ‘Aawaara Ladki’ from 1967. The Geet Kosh carries very limited information for this film, in the print volume IV. The production company is listed as Skyland Productions, Bombay. The music director is Dhaniram. Two songwriters are listed – Rajnikant and Kaif Irfani. This song is penned by Kaif Irfani.

Apparently at one time, the songs of this film may have been very rare, but now quite a few songs of this film are available online, some in video form. The film has been located and is now available in public domain. Geet Kosh lists four songs for this film, with the indication that there are possibly more songs also. At current time, with a cursory search, I am able to locate six songs for this film, on YouTube.

From the three video clips available on YouTube, at least three actor names can be ascertained, viz. Sudesh Kumar, Sheila Ramani and Shammi. The story of the film is probably a love triangle. In this song we see Sheila Ramani attempting to woo Sudesh Kumar. And in another video clip, another song, Shammi is also doing the same.

The song is rendered by Asha Bhosle. It is such a treat to locate and watch a video clip that has Sheila Ramani performing a song. Brings back the memories of the wonderful dances of ‘Taxi Driver’ and other performances, like “Jhoome Re Kali Bhanwraa Ulajh Gayaa Kaanton Mein” from the 1954 film ‘Naukri’. Sheila Ramani has also played the lead role in one Pakistani film – a delightful comedy titled ‘Anokhi’ from 1956. This latter film has a charming song – “Gaadi Ko Chalaana Babu Halke Halke Halke, Zara Dil Ka Jaam Na Chhalke” (available on YouTube at https://www.youtube.com/watch?v=DUFh9negzQE).

With the identification of this video clip, Shiela Ramani’s filmography needs to be updated. Most online sources list ‘Maa Beta’ of 1962 as her last film. Now we need to add this 1967 film to the list.

Click on play and listen to and watch this enchanting song.


Song – Arre Jaane Waale Nazar To Mila Ja  (Aawaara Ladki) (1967) Singer – Asha Bhosle, Lyrics – Kaif Irfani, MD – Dhaniram

Lyrics

arre jaane waale
ey ey ey ey

arre jaane waale
arre jaane waale

arre jaane waale
nazar to mila ja
tu nazar to mila ja
koi aur bijli bhi dil pe gira ja
mere dil pe gira ja
arre jaane waale

oo oo oo oo oo
mere dard e dil ki hain sun ye sadaaein
ye kehti hain ashqon mein doobi wafaayen
mere aansuon ko
mere aansuon ko zara to hansa ja
tu zara to hansa ja
koi aur bijli bhi dil pe gira ja
mere dil pe gira ja
arre jaane waale

kadam rok le
dekh mausam haseen hai
agar tu ne jaana hai rukna nahin hai
to aane ka apne yakeen to dilaa ja
to aane ka apne yakeen to dilaa ja aa aa
koi aur bijli bhi dil pe gira ja
mere dil pe gira ja
arre jaane waale

oo oo oo oo oo
hain do din jawaani mein ulfat ke mele
mere jaan o dil ki duaaen tu le le
rahe kyon gham e dil
rahe kyon gham e dil
gham e dil mita ja
tu gham e dil mita ja
koi aur bijli bhi dil pe gira ja
mere dil pe gira ja
arre jaane waale

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
अरे जाने वाले
ए॰॰ ए॰॰ ए॰॰ ए॰॰

अरे जाने वाले
अरे जाने वाले

अरे जाने वाले
नज़र तो मिला जा
तू नज़र तो मिला जा
कोई और बिजली भी दिल पे गिरा जा
मेरे दिल पे गिरा जा
अरे जाने वाले

ओ ओ ओ ओ ओ
मेरे दर्द ए दिल की हैं सुन ये सदाएँ
ये कहती हैं अशकों में डूबी वफाएँ
मेरे आंसुओं को
मेरे आंसुओं को ज़रा तो हंसा जा
तू ज़रा तो हंसा जा
कोई और बिजली भी दिल पे गिरा जा
मेरे दिल पे गिरा जा
अरे जाने वाले

कदम रोक ले
देख मौसम हसीं है
अगर तूने जाना है रुकना नहीं है
तो आने के अपने यकीं तो दिला जा
तो आने के अपने यकीं तो दिला जा॰॰आ॰॰आ
कोई और बिजली भी दिल पे गिरा जा
मेरे दिल पे गिरा जा
अरे जाने वाले

ओ ओ ओ ओ ओ
हैं दो दिन जवानी में उल्फ़त के मेले
मेरे जान ओ दिल की दुआएं तू ले ले
रहे क्यों ग़म ए दिल
रहे क्यों ग़म ए दिल
ग़म ए दिल मिटा जा
तू ग़म ए दिल मिटा जा
कोई और बिजली भी दिल पे गिरा जा
मेरे दिल पे गिरा जा
अरे जाने वाले


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Alladin Laila”(1957) was produced by Mulkraj Bhakri and directed by Lekhraj Bhakri for Golden Movies, Bombay. This “imaginary” (kaalpnik) movie had Shakila, Mahipal, Heeralal, Maruti, Niranjan Sharma, Kammo, Krishna Kumari, Lalita Pawar, Sadiq, Nadir Mota, Tuntun, Kesri, Naazi, Kanchanmala, Saleem, Seemaab etc in it.

This movie had eight songs in it. One song has been covered in the past some si years ago.

Here is the second song from “Alladin Laila”(1957) to appear in the blog. This rare song is sung by Talat Mehmood and Sudha Malhotra, Kaif Irfani is the lyricist. Music is composed by A R qureshy.

Only audio of this song is available. i request our knowledgeable readers to throw light on the picturisation of this song.

I have not been able to get a word (or more) right in the lyrics. I request our readers with keener ears to help fill in the blanks/ suggest corrections as applicable.


Song-Ae gardish e zamaana kab tak ye gham sahenge(Alladin Laila)(1957) Singers-Talat Mehmood, Sudha Malhotra, Lyrics-Kaif Irfani, MD-A R Qureshy

Lyrics

ae gardish e zamaana
kab tak ye gham sahenge ae
ae gardish e zamaana
kab tak ye gham sahenge
wo din nahin rahe to o
wo din nahin rahe to
ye bhi nahin rahenge ae

ae gardish e zamaana
kab tak ye gham sahenge

ab kya bachegi duniya
ab hoga kya savera
kuchh soojhta nahin hai
chhaaya hai wo andhera
maayoos ho naa itna
hone ko hai savera aa
allah to le raha hai
yeh imtihaan tera
maalik pe rakh bharosa aa
maalik pe rakh bharosa
yeh tujhse hum kahenge ae
ae gardish e zamaana
kab tak ye gham sahenge

ab ek pal bhi jeena
mujhko nahin gawaara
ae maut tu kahaan hai
ab de mujhe sahaara
himmat se kaam le tu
aahen naa bhar khudaara
yeh keh raha hai tujhse
rahmat kaa ik ishaara
sab door hogi mushqil
sab door hogi mushqil
yeh din nahin rahenge

ae gardish e zamaana
kab tak ye gham sahenge
wo bhi nahin rahe to
ye bhi nahin rahenge

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

ए गर्दिश ए ज़माना
कब तक ये ग़म सहेंगे
ए गर्दिश ए ज़माना
कब तक ये ग़म सहेंगे
वो दिन नहीं रहे तो
वो दिन नहीं रहे तो
ये भी नहीं रहेंगे
ए गर्दिश ए ज़माना
कब तक ये ग़म सहेंगे

अब क्या बचेगी दुनिया
अब होगा क्या सवेरा
कुछ सूझता नहीं है
छाया है वो अंधेरा
मायूस हो ना इतना
होने को है सवेरा
अल्लाह तो ले रहा है
ये इम्तिहान तेरा
मालिक पे रख भरोसा
मालिक पे रख भरोसा
ये तुझ से हम कहेंगे
ए गर्दिश ए ज़माना
कब तक ये ग़म सहेंगे

अब एक पल भी जीना
मुझको नहीं गवारा
ए मौत तू कहाँ है
अब दे मुझे सहारा
हिम्मत से काम ले तू
आहें ना भर खुदारा
ये कह रहा है तुझसे
रहमत के इक इशारा
सब दूर होगी मुश्किल
सब दूर होगी मुश्किल
ये दिन नहीं रहेंगे
ए गर्दिश ए ज़माना
कब तक ये ग़म सहेंगे
वो भी नहीं रहे तो
ये भी नहीं रहेंगे


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Phoolon Ke Haar”(1951) was directed by G P Pawar for Shreekant Studio, Bombay. This “social” movie had Nigar Sultana, Geeta Bali, Nasir Khan, Heeralal, Mangla, Sundar, Yashodhara Katju, Kamal, Bhupen Kapoor, Rani Shakuntala, Natyal, Rammurty, Madhav Kale etc in it.

The movie had eleven songs in it that were penned by five lyricists. One song from the movie has been covered in the past.

Here is the second song from “Phoolon Ke Haar”(1951) to appear in the blog. This song is sung by Mubarak Begam. Kaif Irfani is the lyricist. Music is composed by Hansraj Bahl.

Only the audio of this song is available. Mubarak Begam had sung as many as eight songs in this movie which mkeans that she had given playback for the leading lady. I have no idea who was the leading lady of the movie- was it Munawwar Sultana or Geeta Bali ? I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.


Song-O Zaalim bedardi baalam (Phoolon Ke Haar)(1951) Singer-Mubarak Begam, Lyrics-Kaif Irfani, MD-Hansraj Bahl

Lyrics

o o o
o zaalim bedardi baalam
dil mein dard tumhaare hain
tum jo hamse bichhad gaye
ham dhoondh dhoondh kar haare hain
dard-e-dil ke maare hain
dard-e-dil ke maare hain
o o o

jiska naam zamaana hai
kaam uska thhukraana hai
jiska naam zamaana hai
kaam uska thhukraana hai
ye badnaam jawaani hai
aur ye mera afsaana hai
hanste hain meri haalat par
jitne chaand sitaare hain
tum jo hamse bichhad gaye
ham dhoondh dhoondh kar haare hain
dard-e-dil ke maare hain
dard-e-dil ke maare hain
o o o

ashq bhari hain aankhen meri
dard bhara seena hai mera
ashq bhari hain aankhen meri
dard bhara seena hai mera
yoon to main jeeti hoon lekin
ye bhi koi jeena hai mera
khushiyon se anjaan zamaane
gham ke saath gujaare hain
tum jo hamse bichhad gaye
ham dhoondh dhoondh kar haare hain
dard-e-dil ke mare hain
dard-e-dil ke mare hain
o o o


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Sheroo” (1957) was directed by Shakti Samanta for S P Pictures production, Bombay. The movie had Ashok Kumar, Nalini Jaiwant, Anoop Kumar, Rashid Khan etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Pehli Shaadi”(1953) was produced by K S Daryani and directed by Ram Daryani for Krishin Productions, Bombay. The movie had Nargis, Bharat Bhushan, Motilal, Gope, Manorama, Gulab, Leela Mishra, Kammo, Chandu etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Jaldeep”(1956) was produced by Mahendranath and directed by Kidar Sharma for Children’s Film Society. This movie had Ashok Kumar, Preetibala, Dubey, Chandan, Mala Sinha, Achla Sachdev etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Betaab”(1952) was produced and directed by Harbans for Susheel Pictures, Bombay. The movie had Ashok Kumar, Naseem, Motilal, Kamal Kumar, Murad, Mirza Musharraf, Tiwari, Kamal, Nazeer Kashmiri, Agha Mirza, Afghan Sandow, S Kamal, Parvati devi, Meera, Arti etc in it.
Read more on this topic…


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for more than nine years. This blog has over 14200 song posts by now.

This blog is active and online for over 3500 days since its beginning on 19 july 2008.

Total number of songs posts discussed

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Movies with all their songs covered =1143
Total Number of movies covered =3901

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Active for more than 3500 days.

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