Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Ghazal’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Hamsafar” (1953) was a Navketan Productions movie. It was directed by A N Banerji. The movie had Dev Anand, Chetan Anand, Kalpana Kartik, Smriti Biswas, Mohan Segal, M. A. Latif, Johnny Walker, Anil Gupta etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Sharat Chandra Chattopadhyay (also known as Sharat Chandra) was a well known Bengali novelist. Some of his works have been made into feature films in many languages. It is said that more than 50 films have been madethat are based on or inspired from his novels. Apart from some well known Hindi films such as ‘Devdas’ (1935, 1955, 2002) and ‘Parineeta’ (1953, 2005), there were other Hindi films based on his novels and stories such as ‘Pujarin’ (1936), ‘Kashinath’ (1943), ‘Biraj Bahu’ (1954), ‘Majhli Didi’ (1967), ‘Chhoti Bahu’ (1971), ‘Khushboo’ (1975), ‘Swami’ (1977) etc. But the most talked about film based on his novel is ‘Devdas’.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Divas of hindi film music (17)
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Resuming the series, after a short break. I had intended to take a brief break of a few days only. But one thing led to another and I was unable to come back to this series soon enough as I had originally intended to.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

shahar ki raat aur main naashaad o naakaara phiroon
jagmagaati jaagti sadakon pe aawaara phiroon
ae gham e dil kya karoon
ae vahshat e dil kya karoon

This is the mukhda of a very popular song from the film ‘Thokar’ (1953). Most of the lovers of old Hindi film songs would know that the song was rendered by Talat Mehmood and there is a version song sung by Asha Bhonsle. Many among them may also be aware that the song was composed by music director Sardar Malik. But I am not sure as to how many would to know the name of the poet who created this beautiful nazm of despair and loneliness. I was one among them. Many years later, I came to know that it was the creation of Majaz. Then the next question – who was Majaz?. I had no inclination then in seeking an answer to this question.
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“Postman” (1938) is a very old movie which has by now ended bp as an obscure and forgotten movie. From the avaialble information, the movie was directed by M Thakore and Zia Sarhadi for Sagar Films. The movie had Kumar, Maya, Bibbo, Yaqub, Bhudo Advani, Sankata, Harish etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

HASEENA (1955) was produced under the banner of Shabaab Productions and directed by J P Advani. The star cast included Jairaj, Shyama, Krishna Kumari, Amarnath, Manmohan Krishna, Durga Khote etc. I had not heard of this film until few days back. With Jairaj in the film, my guess turned out to correct that the film was a costume drama as the story unfolds below.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Roti” (1942), a Mehboob Khan production, was a landmark movie in the annals of Indian and Hindi cinema. Here are the details of this movie as provided by our inhouse experts in the past:
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

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The Voice of Mukesh #35
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Today I am posting the next song by Mukesh, from the year 1949. The film is ‘Lekh’. Given that this film stars the famous pairing of that era – Motilal and Suraiyyaa, I am guessing that this film must have been one of the successes of its time. Maybe so, but today, the name sounds unfamiliar and obscure.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

After the eid song with “E” with Lata Mangeshkar and Rafi Sahab, let us move on to ‘F’. Easier said than done as my troubles start here, there being very few song starting with this alphabet. And among those few a good percentage of songs are already posted, like ‘ fariyaad na karna haay kahin fariyaad na karna ‘, ‘falsafa pyaar ka tum kya jaano’, ‘falak bola zameen boli’ etc.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

I have been going through the biographies and profiles of some of the well known Urdu poets – Mirza Ghalib, Ibrahim Zauq, Mir Taqi Mir, Daagh Dehlvi, Majaz Lucknawi, Firaq Gorakhpuri, Josh Malihabadi, Jigar Moradabadi etc. Most of them had faced prolonged pains and sufferings due to certain events that had happened in their lives. It is said that shaayars’ personal pains and sufferings bring the best shaayaris as these are born out of their first hand experiences. The lovers of ghazals still remember the poignant and melancholic ghazals of Ghalib, Mir, Firaq, Jigar etc.
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