Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘K L Saigal Non Film Songs’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie songs and a regular contributor to this blog.

Hearing the renditions of Saigal Saab is such a idyllic experience. His mastery of the seven sur and the three swara of music is unparalleled. His control on the sound, and its aarohan-avrohan is immense and unmatched. As one listens to his recital, one realizes that the flow of one note into the next is so smooth and effortless, that it is completely un-noticeable. Listening to his voice is like elegant smooth glide through a stream of honey. His resonance takes on a distinct identity of its own, and the printed material carries separate treatment of Saigal, the person and “Saigal, the voice” or “Saigal Ki Awaaz”. In fact, ‘Saigal, the voice’ assumed an identity of its own, and it became a topic of discussion in newspapers and magazines.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

There are many success stories in the film world, where in un-tested and un-trained folks from common occupations and professions, came into films and made it big. Without a doubt, the earliest such story which has turned out to be the most phenomenal success ever, is Saigal Saab. Moving from Jalandhar to Calcutta, and from being the sales manager in a typewriter company, KL Saigal broke into the Bengali cinema world in 1932, and in a short career that lasted barely 15 years, he has left behind a legacy that has charmed generation after generation of music lovers. A legend and a phenomena in his own living years, with a treasure of just 185 known recordings, an unrivalled treasure that cannot be compared to any other artist since the time the sound has been electrically recorded.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

With the songs of Saigal Saab, there is an interesting phenomena; every time you listen to one of his renditions, the mind’s response is that there is nothing better than this soulful song or ghazal just heard. And then one gets to hear another song or ghazal, and the mind searches for newer adjectives now to suit another creation by this perceptive artist.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The poetry rendered to life by Saigal saab, is limited and yet infinite. By all accounts, the total recordings available of the songs and ghazals sung by him is less than 200. And yet, the presence of these countable offerings is infinite in themselves. Every time I pick up a recording to listen, it sounds new, fresh, and with new meanings and inflections. Such is the depth and range of this divine voice, that it is impossible to fathom it fully, no matter how many times one listens.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Sheikh Muhammad Ibrahim “Zauq” is considered as a leading light amongst the Urdu poets across all ages in the subcontinent. Born in 1789, he was the son of a lowly placed soldier in the Mughal Army. He was educated in the ‘maktab’ (elementary religious school) under the tutelage of Hafiz Ghulam Rasool. Hafiz saab was a poet himself, and used to write ghazals under the pen name of ‘shauk’. Under this influence, Muhammad Ibrahim got addicted to poetry, and himself started to write under the pen name of ‘Zauq’.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

A ghazal that epitomizes in parts the sufi philosophy of life, this probably is the only poetry of the famous poet Seemaab Akbarabadi that has been rendered by Saigal saab. This is a non filmi offering, and like all other songs / ghazals sung by him, this one too is steeped in a profound philosophy. The ghazal expounds the nature of life and its interpretation by the poet. The poet alludes to the ephemeral quality of what life is, and advances the thesis of detachment from this world.
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