Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘C H Atma NFS’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This is the 1400th post by Sudhir.

Blog Day :

4693 Post No. : 16378

 

The Many Colors of Love #31 – Love Divine
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And so wrote the scribe

खाक को बुत, और बुत को देवता करता है
इन्तहा ये है के बंदे को खुदा करता है इश्क़

Khaak Ko But, Aur But Ko Devta Karta Hai
Inteha Ye Hai Ke Bande Ko Khuda Karta Hai Ishq

Such a profound statement with a hugely significant implication – words are written by Sahir. Whether you read them in the flow of the entire set of lyrics, or just these two phrases, the import of these words cannot be diminished. And a more grand effect is achieved in rendition. Roshan Sb has put this to a melody that one cannot pulls oneself away from the flow, as line after line is being rendered by Rafi Sb. And finally, the effect of the rendition itself, as the continuous flow of singing gains momentum, the crescendo is rising, and Rafi Sb takes these two line progressively higher from octave to octave – to the most important message in this entire qawwali – “बंदे को खुदा करता है इश्क़ ” – “That Love Elevates Man to the Degrees of God”. This phrase is the ultimate climax – in all aspects – the rising crescendo of the music, the heightening pitch of the singer’s voice, the increasingly fervent clapping of the accompaniment singers, and the magnificent declaration about Love and God – all converging on the heights wherefrom one cannot go any further. For the message delivered is the ultimate statement to be made in this creation, in this existence – that Love Elevates.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In 1968, when HMV brought out an LP of CH Atma’s non film songs, the disc was titled as ‘Lingering Melodies’. Such an appropriate epithet and such a fitting description of the quality of this voice – ‘lingering’. The baritone sounds rendered by this wonderful singer, assuredly have this lingering quality. The sound and the words stay with the listener, as if still around, as if still playing somewhere, even after the song is complete. That is the kind of effect this voice has on the listener.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Reverberating through the caverns of mind, comes this deep and soothing baritone voice of CH Atma. This song is another priceless and incomparable gem that he has renderded as a non-film offering.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

CH Atma, a voice that is soft and slow, a voice that possesses a very deep baritone, a voice that seems as if a guttural sound is passing through very deep caverns, a gravelly sound coming from somewhere deep inside his being. A voice that is oh so unique in the lineup of singers in the industry.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

And so, yesterday as I was conversing back and forth with Harish ji Raghuvanshi (resident of Surat, compiler of the ‘Mukesh Geet Kosh’) regarding information on the lyricist SH Behari, we started to discuss the general topic of hugely talented lyricists that spent a very small time in the industry, contributed a small number of very wonderful songs and then somehow did not work anymore for Hindi films. Their filmi careers are lost under obscurity.
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Though movie songs have been the staple diet for Indian music lovers over the decades, there used to be a small and loyal market for non film songs (NFS), also known as private songs. Singers like Jagmohan Sursagar, Talat Mehmood, C H Atma, Juthika Ray etc were the biggest names on the private music circles.
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C H Atma was a singer who was a devotee of K L Saigal and sang in K L Saigal style. There were many people who sang in Saigal style in 1940s during K L Saigal’s heydays. But C H Atma continued to sing in Saigal style in 1950s even when playback singing style had changed and Bollywood had moved on from 1940s.
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