Archive for the ‘Pankaj Mullick songs (as Singer)’ Category
Chhod musaafir maaya nagar
Posted on: March 5, 2012
I have mentioned it in the past that I did not like “old” songs when I was young. Those days (1970s), anything more than five years old was old for me. Today, I love listening to songs that are fifty, sixty and sometimes even seventy years old. Things have changed. I would like to believe that I have “matured”. Of course, I will not say that I was wrong as a kid.
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Kaun karta hai kisi ka intezaar
Posted on: March 1, 2012
“Kasturi” (1954) was a Sargam Pictures presentation. This movie was directed by someone called Rajendra Kumar (not the movie actor I am sure). The “star” cast of this movie had Sajjan, Samson, Nimmi, Bipin Gupta, Anand Prasad, Alka etc in it.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Presenting an iconic non-film song rendered by Pankaj Babu. The verses are written by Faiyyaaz Hashmi, and the music composition by Pankaj Babu himself. As a music director, there are many pioneering accomplishments that Pankaj Babu has contributed to the cause of music. In this particular song, there are very distinct sounds of piano and guitar. Pankaj Babu was probably the first music director who integrated the sounds of western musical instruments in the music arrangement for this song.
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Saajan badi suhaani bhor
Posted on: October 15, 2011
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Doctor (1941) is a classic landmark film produced under the banner of New Theatres, Calcutta and directed by Subodh Mitra. The music composition is by Pankaj Babu, and the lyrics are penned by Aarzoo Lucknowi and Asgar Hussain Shor. The lead role of the principled and self effacing doctor is played Pankaj Babu. Other actors in the star line up include Nemo, Jyoti Prakash, Panna, Bharati Devi, Ahindru Chaudhry, Amar, Indu Mukherjee, Buddh Deb, Arbind Sen, Tona Roy, Ardhendu Mukherjee, Sukumar Pal etc. A fairly detailed synopsis of the film is available online, and is also partly covered in other songs from this film already discussed on this blog, especially Mehak Rahi Phulwaari and Kab tak niraashaa ka andhiyaara . This particular song is written by Agsar Hussain Shor.
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Main rotaa hoon mat manaa karo
Posted on: October 14, 2011
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Comparatively, the treasure of Hindi songs by Pankaj Babu is limited. In the Hindi/Urdu domain, Pankaj Babu has scored music for about 25 films from 1933 to 1954, some of them in collaboration with RC Boral. He has rendered less than 40 songs in all, in Hindi films. Outside of films, and excluding the live programs and recordings, the non-film Hindi songs number about 20. And so comparatively, his contribution appears to be not as significant (in the Hindi domain) as that of his contemporaries. His musical creations are more prolific in the Bengali film and non-film space. By some accounts, Pankaj Babu has composed over five thousand songs. Simply going by the numbers, it is evident that his major contribution has been in Bengali.
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Teri dayaa se ae daayee
Posted on: October 12, 2011
This article is written by Sudhir, a fellow enthusiast of Hindi movie songs and a regular contributor to this blog.
‘Nartaki’ (1940), a production by New Theatres, was considered a musical bonanza, with a number of wonderful songs.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
An almost sublime piece of music, whose author is not known (as yet). This non film offering by Pankaj Babu is a gem that ensconces within itself, immeasurable depths of emotions. The words are just so beautiful, and the rendering by Pankaj Babu highlights the expressions to the utmost.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Zalzalaa (1952), is film produced under the banner of Art Films of Asia Ltd. It is produced and directed by Paul Zils. Paul was a German filmmaker who made India his home for more than two decades from mid 40s to the 60s. He is credited with the rejuvenation of India’s documentary film movement, after the departure of the British in 1947, and a prime moving force behind the Films Division of govt. of India (which was known as Information Films of India under the British regime).
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
In the beginning of the 30s, when the talking films made a debut on the Indian silver screen, and Calcutta was the premier center for film making, with a gathering of renowned stalwarts guiding the industry through its infancy. Names like BN Sircar, Nitin Bose, PC Barua, Debaki Bose, Premankur Atorthy, Prafulla Roy, Kidar Sharma, Aga Hashr Kashmiri, RC Boral, Pankaj Mullick and many more come to mind when one thinks of the film industry, Calcutta and 1930s.
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