Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘“recorded” song’ Category


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5965 Post No. : 18628 Movie Count :

5012

‘Dhat Tere Kee’ (1983) was produced by Manju Mishra and was directed by Meraj. The main actors included Kiran Vairale, Ravi Baswani, Manju Mishra and Akhil Mishra with supporting actors consisting of Abhi Bhattacharya, Prem Kapoor, Bhuvan Singh, Suren Sharma, Master Rinku etc. The film is a romantic comedy written by Akhil Mishra who along with his wife, Manju Mishra produced the film apart from acting in the film. It was their first film as producers.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5701 Post No. : 18219

‘Aakrosh’ (1980) was produced by Devi Dutt under the banner of Krsna Movies Enterprise and was directed by Govind Nihalani. The cast included Naseeruddin Shah, Amrish Puri, Om Puri, Smita Patil, Mahesh Elkunchwar, Bhagyashree Kotnis, Arvind Deshpande, Dr Mohan Agashe, Vinay Apte, Vihang Nayak, Vasant Soman, Achyut Potdar, Reema Lagoo, Nana Palshikar etc. It was an off-beat film which was reportedly based on a news report which appeared in a local newspaper of an Adivasi woman mysteriously found dead. The story and screenplay were written by Vijay Tendulkar and dialogues were written by Satyadev Dubey.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5667 Post No. : 18171 Movie Count :

4944

In the 1970s, Basu Chatterjee was one of those Hindi film directors who made films on the stories which a majority of the filmi audience could relate to their own every day life. Starting with ‘Saara Aakaash’ (1969), he made the classic films such as ‘Rajanigandha’ (1974), ‘Chhoti Si Baat’ (1975), ‘Chitchor’ (1976), ‘Khatta Meetha’ (1977), ‘Swaami’ (1977), ‘Baaton Baaton Mein’ (1979), ‘Shaukeen’ (1982) etc. But in 1990s and thereafter, Basu Chatterjee seems to have lost his magic touch to his ‘middle of the road’ cinemas.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4399 Post No. : 15776

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Blog 10-Year Challenge (2010-2020) – Song No.49
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In my younger days, I remember to have watched Marathi film ‘Kunku’ (1937) on Bombay Doordarshan (now ‘Sahyadri’ Channel). At that time, I was not aware that ‘Duniya Na Maane’ (1937) was its Hindi version. Even it did not occur to me that the subject chosen for the film was very bold. I have no much recollections of the songs of the film but Shanta Apte’s performance has remained in my mind as it was quite different as compared with the theatrical acting by most of the actors of that time. Even her song renditions were looking natural as against the ‘fixed gaze’ style of song renditions witnessed in most of the films at that time.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The voices that we hear most of the time are the usual well known voices that made their career singing in HFM. But sometimes we get to listen to voices who were basically classical singers and who were by and large disinclined to sing in movies. In some cases, they had to be cajoled and often paid unheard of amounts to convince then to sing a few songs in Hindi movies.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today (10 december 2014) is the thirteenth death anniversary of Ashok Kumar (13 october 1911- 10 december 2001). Ashok Kumar was the original superstar of Hindi movies who earned this status in 1943 with “Kismat”(1943). Ashok Kumar’s film career began in 1930s and spanned the entire 20th century. He played all kinds of roles as an actor. He was much more than an actor, though. He was a movie produced as well. And he was well connected (through marriages) to lots and lots of major personalities of Hindi movies. In fact, if you are a trivia buff, then you can find that he was connected (through marriages) to people like Ravindranath Tagore, Prithviraj Kapoor etc in addition to the more obvious people like Mukherjis, Samarths etc. And he was of course the elder brother of Anoop Kumar and Kishore Kumar.
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This article is written by Raja, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This article is the 9800th song post in the blog.

It is with mixed emotions that I write this post.

No, it’s not quite what you’re thinking. Usually “mixed emotions” involve an element of happiness, tempered with sadness. Like parents sending their son or daughter abroad for higher studies. On one hand, they’re happy for their child’s future, on the other there’s an element of sadness that they will be separated by a considerable amount of distance and time.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

It is time for the alphabet ‘M’ in the A-Z of Rafi songs series. I have taken my time in deciding which type songs are a must in the series and accordingly have almost finalised the songs in this list. Initially, when planning this series I just made a random selection of songs for ‘A’, ‘B’ and ‘C’ to start it on time with Rafi sahab 33rd death anniversary.
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“Aurat” (1967) was a Gemini Combines movie and it was directed by S S Vasan and S S Balan. The movie had Firoz Khan, Padmini, Rajesh Khanna, Nazima, Pran, Achala Sachdev, O. P. Ralhan, Lalita Pawar, David Abraham, Nana Palsikar, Kanhaiyalal, Leela Chitnis, Mohan Choti, Niranjan Sharma, Revti, Baby Rani etc in it.
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