Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘1983


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4146 Post No. : 15312 Movie Count :

4218

Hullo Atuldom

24th November 2019 is the 75th birthday of Amol Palekar – the actor who played a common man or the boy next door character so convincingly that it jolted the audience when they saw him play a cold-blooded murderer in Vinod Chopra’s “Khamosh” (1985). He played a similar grey-shaded character in “Teesra Kaun” (1994) and “Aanchal” (1980). So, it is not as if he always stuttered in front of a strict boss as in “Golmaal” (1979), “Damaad” (1978), a person who is hyper worried that he will die of some grave illness, leaving his beautiful young wife grieving – “Meri Biwi Ki Shaadi” (1979) etc.

In between he also attempted playing a different kind of character in “Pyaasi Aankhen” (1983). At least that is what I have deduced from the video that is accompanying today’s song. To be truthful, I had never heard of this movie or its songs till I thought of writing this post. I have heard two songs from the movie and they seem to portray a different kind of Amol Palekar. The movie feels like it will be a heavy, 4-5 handkerchief movie, as tear-jerker movies used to be called back then. This movie was directed by Ram Kelkar who was essentially a screenplay/ dialogue/ script writer for many movies like “Piya Ka Ghar”, “aasha”, “Aap Ki Kasam” and many more successful films. On further googling information on Ram Kelkar we find that he has directed only one other movie- “Duniyadari” in 1977.

“Pyaasi Aankhen” had star cast of Waheeda Rehman- Shabana Azmi- Asha Sachdev- Amol Palekar- Om Prakash, with music by Usha Khanna. Indeevar and Rana Saheri (never heard this name) wrote the songs which were sung by Asha Bhonsle Usha Khanna and Kishore Kumar. This is all the information I could gather on the internet;

I would love to know what the story is and why there is a romantic number between Asha Sachdev and Amol Palekar. Also, I would love to know if Waheeda Rehman played his all sacrificing mother, who is an eye-sore for the haughty daughter-in-law played by Asha Sachdev (my assumption) as I found a song that preached the story of a son who plucks out the mother’s heart because the d-i-l asked for it.

I also found a dance number where Amol Palekar and Shabana have actually done a Bollywood-style folk number. We have always seen this pair in semi-serious avatar as in “Apne Paraye”, Kumar Sahani’s “Tarang” (an art film), and a few more (cannot recollect off-hand).

Today we have a lively song sung by Kishore Kumar and Usha Khanna. After seeing the video, I must admit Amol Palekar is a person with a sense of rhythm and moves well to the beats, he didn’t make a spectacle of himself. He is joined by Om Prakash, Sundar and Shabana and we see Waheeda Rehman being dragged into the dance towards the end. Asha Sachdev is seen enjoying herself. This song from a lesser known movie is a discovery for me.


Song-Kya chamatkaar hai tere ik baar ke deedaar mein (Pyaasi Aankhen)(1983) Singers-Kishore Kumar, Usha Khanna. Lyrics-Indeewar, MD-Usha Khanna
Female chorus
Male chorus
All chorus

Lyrics

hey ae ae
ho o o o
h ooooooo ho ho
oooooo

he ae ae ae ae
ho ho oooooo

kya chamatkaar hai
tere ik baar ke deedaar mein
kya chamatkaar hai
tere ik baar ke deedaar mein
jogi jog chhad ke
aa gaye hain sansaar mein
jogi jog chhad ke
aa gaye hain sansaar mein
aaa aaaa aaaa aaaa
aaaaa aaaaa aaaaaa
aaaaa aaaaaaa

aankh banke tujh ko hi takta rahoon
galiyon mein teri bhatakta rahoon
aankh banke tujh ko hi takta rahoon
galiyon mein teri bhatakta rahoon
tere liye kaanton pe chalna toh kya
sooli pe hanske latakta rahoon
jogi jog chhad ke
aa gaye hain sansaar mein
jogi jog chhad ke
aa gaye hain sansaar mein
ho ho ho ho
oo

aaaaaaa aaaaa
ho ho ho ho ho ho
aaaaaaa aaaaa

maangoon mein rab se wafaayein teri
yun hi sunta rahoon bas sadaayein teri
maangoon mein rab se wafaayein teri
yun hi sunta rahoon bas sadaayein teri
jo lakha kitaabaan sikha na sakin
sikha gayin woh mujhko adayien teri
jogi jog chhad ke
aa gaye hain sansaar mein
jogi jog chhad ke
aa gaye hain sansaar mein

jogi
jogi
jog chhad ke
jog chhad ke
aa aye hain sansaar mein
jogi
jogi
jog chhad ke
jog chhadke
aa aye hain sansaar mein

pyaar ke ae ae
naam par
maine pooja tujhe
har moorat mein ae ae
maine toh dekha tujhe

pyaar ke naam par maine pooja tujhe
har moorat mein maine toh dekha tujhe
teri khushi par vaaroon apni khushi
jo pyaara tujhe woh hai pyaara mujhe
jogi jog chhad ke

he aa gaye hain sansaar mein
jogi jog chhad ke
aa gaye hain sansaar mein
kya chamatkaar hai
tere ik baar ke deedaar mein
jogi jog chhad ke
aa gaye hain sansaar mein
jogi jog chhad ke
aa gaye hain sansaar mein

ye baat hai
o zara jam ke
o zara khul ke
he turr
haan
hoye hoye hoye hoye
hey hey
ye baat hai
zara imaandaari se
arre baja baja
aha
ha
ha ha
ha ha


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4097 Post No. : 15243

“Bade Dil Waala”(1983) was produced and directed by Bhappi Sonie for Bhappie Sonie Productions, Bombay.This “social” movie had Rishi Kapoor, Tina Munim, Sarika, Aruna irani, Jagdeep, Madan Puri, Kalpana Aiyyar, Roopesh Kumar, Bharat Bhushan etc in it.

The movie had seven songs in it. Four songs from the movie have been covered in the past. Here is the fifth song from the movie to appear in the blog.

This song is sung by Kishore Kumar and chorus. Majrooh Sultanpuri is the lyricist. Music is composed by R D Burman.

This song is lip synced by Rishi Kapoor as a party song in the movie.

Audio

Video

Song-Aaya sanam aaya deewaana tera (Bade Dil Waala)(1983) Singer-Kishore Kumar, Lyrics-Majrooh Sultanpuri, MD-R D Burman
Chorus

Lyrics

hey
aaya sanam
aaya deewaana tera
o sanam o sanam o sanam
hey aaya sanam aaya deewana tera
o sanam o sanam o sanam
anokha ishq mera
niraali aan baan
nishaane par ye dil hai
hatheli par hai jaan
o jaani o jaani o jaani o jaani
arre aaya sanam aaya deewaana tera
o sanam o sanam o sanam
o aaya sanam aaya deewaana tera

ru ru ru ru
ru ru ru ru
ru ru ru ru
ru ru ru ru
ru ru ru ru
ru ru ru ru
ru

wo hi nahin ya main hi nahin
ab yaar ki mehfil mein
main bhi to dekhoon
zor hai kitna
baazu-e-kaatil mein
tere peechhe jo main hoon
mere peechhe jahaan
ru ru ru ru
nishaane par ye dil hai
hatheli par hai jaan
o jaani o jaani o jaani o jaani
hey aaya sanam aaya deewaana tera
o sanam o sanam o sanam
o aaya sanam aaya deewaana tera

ru ru ru ru
ru ru ru ru
ru ru ru ru
ru ru
ru ru ru ru
ru ru ru

dekh raha main sar pe mere maut khadi muskaaye
phir bhi tujhko pyaar karoonga
jaan rahe ya jaaye
anokha ishq mera
niraali aan baan
ru ru ru ru
nishaane par ye dil hai
hatheli par hai jaan
o jaani o jaani o jaani o jaani
arre aaya sanam aaya deewaana tera
o sanam o sanam o sanam
hey aaya sanam aaya deewaana tera
o sanam o sanam o sanam
anokha ishq mera
niraali aan baan
nishaane par ye dil hai
hatheli par hai jaan
o jaani o jaani o jaani o jaani
hey aaya sanam aaya deewaana tera


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4054 Post No. : 15185

Jai Sri Krishna.
Jai Govinda Jai Gopala.

The accompanying song is from Vinod Doshi presented 1983 release ‘Nastik’ which was directed by Pramod Chakravarthy. It starred Hema Malini, Nalini Jaywant, Reeta Bhadhuri, Sarika, Amitabh Bachchan, Pran, Amjad Khan, Deven Verma, Madan Puri, Bharat Bhushan, Lalitha Pawar, Jayshree T, Ratanmala, Praveen Paul, Kamal Kapoor, Shammi, Bhagwan, Yusuf Khan, Kamran, Viju Khote, Azaad, Pehalwan, Julian, Jaswant, Habib, Bob Christo, Daljeet, Tom Alter, Jezebel, Ranveer Raj, Darshan, Sehgal, Sunder Taneja, Umesh Khanna, Mehar Singh, Manik, Vaman, Master Raju, Baby Pinky, and Master Rajesh (young landlord grows up to be Amjad Khan).

It was basically an action-drama showcasing Amitabh as a young man (Shankar) who is outraged when his father is killed by the village landlord’s son Tiger (Amjad Khan) who also separates him from his mother and sister. He becomes an atheist – Nastik, and vows revenge on Tiger. Enroute to this destination of his, he encounters two small time crooks in Hema Malini and Pran. Like any masala movie the separated family members rediscover each other, Pran’s daughter regains consciousness to identify the person who tried to rape and kill her. So now Pran and Amitabh join forces and the family reunites in the climax at their village and the wrong doer is brought to book.

This movie had eight songs one of which is there on the blog. Today on the occasion of Sri Krishnashtami or Janmashtami, I present this bhajan, which appears twice in the movie. The movie opens with this bhajan as it is Shri Krishna Jayanti in the movie too. The first part is in the voices of Alka Yagnik and Sadhana Sargam. The bhajan comes again at the climax when Amitabh Bachchan has to deal with an almost dying sister – Reeta Bhadhuri and recollects the bhajan that he had sung with his father, sister etc in his childhood. The second version is in the voices of Mahendra Kapoor and Manhar Udhas (for Bharat Bhushan, Amitabh does not lip sync).

Govind Bolo Ke Krishna Kaho,
Shyaam Kaho Ya Murliwala
Matlab To Kanhaiya Se Hai

Haathi Ghoda Palki
Jai Kanhaiyalal ki

Part I

Part II

Song – Sagre Jagat Ka Ek Rakhwaala  (Nastik) (1983) Singer – Alka Yagnik, Sadhna Sargam, Manhar, Mahendra Kapoor, Lyrics – Anand Bakshi, MD – Kalyanji Anandji
Alka Yagnik + Sadhna Sargam
Chorus

Lyrics

Part 1
sagre jagat ka ek rakhwaala

sagre jagat ka ek rakhwaala
mohan murli waala..aa
mohan murli waala
shaam savere..ae
shaam savere jap mann mere
shyam ke naam ki maala..aa
sagre jagat ka ek rakhwaala
mohan murli waala
sagre jagat ka ek rakhwaala

[dialogues]

ho ooo ooooo
sab ka meet hai krishna kanhaiya
krishna kanhaiya
krishna kanhaiya
kanhaiya krishna kanhaiya
oooo oooo
jeewan geet hai krishna kanhaiya
krishna kanhaiya
krishna kanhaiya
kanhiya  krishna kanhaiya
jhoom uthe sab. . .
jhoom uthe tab
bansuriya jab
chhede nand ka lala..aa..aa
sagre jagat ka ek rakhwaala
mohan murli waala
sagre jagat ka ek rakhwaala

[dialogues]

ooo ooooo
woh hi sab ki laaj bachaaye,
laaj bachaaye
krishna kanhaiya
kanhiya krishna kanhaiya
hooo oooo
sabke bigde kaaj banaaye,
kaaj banaaye
krishna kanhaiya,
kanhiya krishna kanhaiya
antaryaami..ee
antaryaami sab ka swami
gokul ka woh gwaala..aa
sagre jagat ka ek rakhwaala

ooo ooooo
oooo ooooooo ooooo ooo
ye sukh dukh ye mann ye jeevan
ye mann ye jeevan
ye sukh dukh ye mann ye jeewan
sab tera sab tere arpan
sab tera sab tere arpan
tu hi sab kuchh dene waala
tu hi lene waala
sagre jagat ka ek rakhwaala
mohan murli waala
sagre jagat ka ek rakhwaala

gopala jai jai gopala
gopala jai jai gopala
ho ooo
gopala jai jai gopala

[dialogues]

gopala jai jai gopala
govinda jai jai Gopala
govinda jai jai gopala
hooo govinda jai jai Gopala
govinda jai jai gopala
krishna kanhaiya
kanhaiya murli wala
krishna kanhaiya
kanhaiya murli wala
krishna kanhaiya
kanhaiya murli wala
kanhiya murli wala
kanhaiya murli wala
kanhaiya murli wala
kanhaiya murli wala
kanhaiya murli wala

Part 2

oooooo oooooooo
tod ke jhoothe bharam ke phande
tod ke jhoothe bharam ke phande
sheesh jhuka kar dekh to bande
sheesh jhuka kar dekh to bande
ho sakta hai ae ae ae
ho sakta hai
teri bhi sun le
sab ki sun’ne waala
sagre jagat ka ek rakhwaala
aaaa aaaaa aaaa aaaa
aaaa aaaaa aaaa aaaa
aaaa aaaaa aaaa aaaa

shyam ki leela main kya jaanu
aaaa aaaa
o o shyam ki leela main kya jaanu
main logon ki baat na maanu
aaaa aaaaa aaaa 
dars dikhaaye
aaaa aaaaa aaaa 
saamne aaye
aaaa aaaaa aaaa 
dars dikhaaye saamne aaye
mujhse chhupne waala..aa..aa
sagre jagat ka ek rakhwaala
mohan murli waala
sagre jagat ka ek rakhwaala


This article is written by Prakash Chandra, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3931 Post No. : 15004 Movie Count :

4108

= = = = = = = = = = = = = = = = = = = = = = = =
Atul Song-A-Day 15K Song Milestone Celebrations – 13
– – – – – – – – – – – – – – – – – – – – – – – – – – – – –

Usually one chooses songs full of happiness and celebration for these types of occasions to celebrate, but as usual, I choose this haunting song, to celebrate. 🙂

The song is from the 1983 film ‘Sansani – The Sensation’. I have watched this movie one late night for the sake of this haunting song by Asha Bhosle. The movie was just a masala / murder mystery, where at the end the noble characters like Dr. Shriram Lagoo and Jayashree Gadkar turn out to be characters with grey shades. If you are a die-hard fan of Hindi movies of  70`s and early 80`s like me, you may enjoy this  pot-boiler, but watch the movie at your own risk. 🙂

But listen to this song, you may like it audio-wise.

This is an obscure mystery movie produced by Kavita Seth, who is also billed in the credits as “KAVITA – Introducing” as an actress. She is one of the principal lady characters in the movie. She appears wearing a white saree, roaming in the graveyards, and crying for her beloved Shailendra Singh (the playback singer, who got billing as “Friendly Appearance”). Shailendra Singh appears only at the climax, and also in a photograph in front of which the actress cries and sings this haunting song. But he did not get a playback singing chance, which is his original forte.

There is some confusion about the year of release of this movie, LP image of this movie shows the year 1979, censor certificate clearly shows the date 23-6-1983. According to HFGK-6, 1983 is the release of this movie.

The movie was “Dedicated to Late Director Irshad Afzal”, (I guess before the release of the movie the director must have passed away). The movie was produced under the banner of Panorama Pictures. The producer of the movie is Kavita Seth, who also makes her acting debut with this movie. The director’s name is mentioned differently in different sites as Irshad / Irshad Afzal / A Irshad.

The star cast of the movie includes Vinod mehra, Bindiya Goswami, Prem Chopra, Dr Shriram Lagoo, Shailendra Singh (Special Appearance), Kavita (Introducing), Jagdeep, Jayashree T, Jayashree Gadkar, Keshto Mukherjee, Jagdish Raj, Coca Cola, TP Jain, Ali Masood, Nilima, Meena T, Raj Kishore, Amal Sen, M Baig, Amarnath, Dutta Bhatt, Viraj, Gopal, Dina Pathak, Gulshan Grover, Viju Khote etc.

Songs of this film are written by Irshad (who was also the director). Music is composed by Hemant Bhosle. It has been mentioned in the credit sequences of the movie that the assistants to music director are Kersi Lord and Uttam Singh. These two genius composers cum arrangers also contributed to the musical score of this movie to a great extent. Kersi Lord has also done a lot of work with RD Burman.

The musical compositions of the movie are sung by playback singers like Asha Bhosle, Amit Kumar, Bhupender, Varsha Bhosle, and Hemant Bhosle. This movies has got following sound tracks

  1. Asha Bhosle : Phir Teri Yaad
  2. Asha Bhosle, Amit Kumar, Bhupinder & Varsha Bhosle : Patthar Ka Hai Sanam
  3. Asha Bhosle, Hemant Bhosle & Chorus : Sansanikhez Koi Baat
  4. Asha Bhosle, Varsha Bhosle : Saqiya Tu Koi
  5. Asha Bhosle, Amit Kumar : Ab Kahaan Jayenge Hum (Happy)
  6. Amit Kumar : Ab Kahaan Jayenge Hum (Sad)
  7. Hemant Bhosle : Theme music

Records of the movie were issued by The Gramophone Company of India Ltd. (aka His Master`s Voice). The movie was shot at outdoor locations of Madras, Bangalore, and Tamilnadu.

On screen this song has been divided into 3 parts. The first stanza features Dina Pathak, Shailendra Singh (i.e. appears in a photograph) and Kavita Seth aka Kavita . The 2nd stanza features Kavita Seth, Dr.Sriram Lagoo, and Vinod Mehra. And the 3rd stanza features Kavita Seth, Vinod Mehra and Jayashree Gadkar.

About the Music Director: Hemant Bhosle is the late son of Asha Bhosle. He passed away on September 28th of 2015. I like his musical compositions of the songs of ‘Taxi Taxie’ (1977). Given below is an incomplete filmography for him. If at all any additions or deletions are there in this regard, please let me know.

  • Taxi-Taxie (Polydor-1977)
  • Jadu Tona (Polydor-1977)
  • Anpadh (Polydor-1978)
  • Damaad (Polydor-1978)
  • Sansani (HMV-1980/Irshad)
  • Sweety (Music India-1980)
  • Nazrana Pyar Ka (Polydor-1980)
  • Shradhanjali (HMV-1981/Anjan)
  • Barrister (HMV-1982/Yogesh)
  • Teri Meri Kahani (TV Movie 1982/Anjaan,B.R.Chopra)
  • Doosra Kinara (1982)
  • Beta (1982/HMV/Anjaan)
  • Bandhan Kachchey Dhaagon Ka (HMV-1983)
  • Raja Jogi (1983)
  • Bachchon Ka Khel (1983/Gulshan Bawra)
  • Dharti Akash (TV Movie 1983)
  • Dharam Shatru (T-series,Super-1985/1988)
  • Bhaago Bhoot Aaya (1985)
  • Aakhiri Sanghursh (1987/1997)

Hemant Bhosle also provided music for some Marathi songs.

About the Lyricist Irshad:  I searched for lyricist Irshad`s other works, but got confused with Irshad who has connection with the Kishore Kumar camp, and has written songs for films such as ‘Door Ka Rahi’ (1971 – which has the famous song “Beqaraar Dil, Tu Gaaye Jaa”), ‘Badhti Ka Naam Dhadi’ (1974) ‘Shabaash Daddy’ (1978) and ‘Chalti Ka Naam Zindagi’ (1982). Irshad also written songs for other movies like ‘Naag Pooja’ (1971), ‘Pattharon Ka Shaher’ (1972) – both for Usha Khanna. Also for ‘Alibaba’ (1976) – Dara Singh starrer with Hansraj Behl as the music director.

I got further confused when I watched the movie credit sequences which displays the photo with garland and agarbatti and lines like “Dedicated to our beloved director – Irshad Afzal”, and further in the credits – “Lyrics, written and directed by IRSHAD”.

I doubt whether all the above Irshads are one and the same. I request our more knowledgeable readers and friends to please help clarify this possible ‘same name confusion’.

One of the comments related to the song in some site is as follows: “Phir Teri Yaad” is a completely mental slice of Indian psych/funk”. I failed to understand this comment, I request someone to please elaborate about this comment.

I will conclude my endless banter here 🙂

Congratulations and best wishes to our blog on its MEGA CELEBRATION. I love everything and everyone related to our blog. Visiting and reading the blog posts gives me immense joy.

Video

Audio

Song – Phir Teri Yaad Aa Gayi (Sansaani) (1983) Singer – Asha Bhosle, Lyrics – Irshad, MD – Hemant Bhosle

Lyrics

aaaaaa aaaaaaa aaaaaaaa aaaaaaa aaa
aaaa aaaaa aaaaaaaaa aaaaaa aaaa aaaaaa
aaaa aaaaaaa aaa
aaa aaaaa aaaaa

phir teri yaad aa gayee
gham ki ghataa.. chhaa gayee
raaton ki
veeraani
hum ko..
rula gayee
phir teri yaad aa gayee
gham ki ghataa.. chhaa gayee
raaton ki
veeraani
hum ko..
rula gayee
phir teri yaad aa gayee. . .

kabhi guzar ho
bahaar ka ab
to dil ke zakhmon ko
chhooke guzaregi
koi jo aaye
phuhaar ki rut
to baadalon se
bhi aag barsegi
tere bina ab
mere humdum
hai maut zindagi
phir teri yaad aa gayee
gham ki ghataa.. chhaa gayee
raaton ki
veeraani
hum ko..
rula gayee
phir teri yaad aa gayee. . .

hai zinda laashein
ye dil ke armaan
tere hi gham ke
kafan mein hain lipte
janaazaa uthne
ko hai tu aa jaa
safar aakhiri
to kar len tai mil ke
varnaa ye
rooh pyaasi
pyaasi hi reh jaayegi
phir teri yaad aa gayee
gham ki ghataa.. chhaa gayee
raaton ki
veeraani
hum ko..
rula gayee
phir teri yaad aa gayee. . .

chiraag-e-dil bhi
hai bujhne ko ab
panap rahey hain
andheron ke saaye
sulag rahi hain
tadapti saansein
maseehaa ban ke
koi to aa jaaye
sholaa hai
har dhadkan
gham ki chithaaon ki
phir teri yaad aa gayee
gham ki ghataa.. chhaa gayee
raaton ki
veeraani
hum ko..
rula gayee

phir teri yaad aa gayee
gham ki ghataa.. chhaa gayee
raaton ki
veeraani
hum ko..
rula gayee
phir teri yaad aa gayee. . .

———————————————————-
Hindi script lyrics (Provided by Prakash Chandra)
———————————————————-

आsssss आssssss आsssssss आssssss आss
आsss आssss आssssssss आsssss आsss आsssss
आsss आssssss आss
आsss आsssss आssss

फिर तेरी याद आ गयी
ग़म की घटा॰॰ छा गयी
रातों की
वीरानी
हमको॰॰
रुला गयी
फिर तेरी याद आ गयी
ग़म की घटा॰॰ छा गयी
रातों की
वीरानी
हमको॰॰
रुला गयी
फिर तेरी याद आ गयी॰ ॰ ॰

कभी गुज़र हो
बहार का अब
तो दिल के ज़ख्मों को
छूके गुज़रेगी
कोई जो आये
फुहार की रुत
तो बादलों से
भी आग बरसेगी
तेरे बिना अब
मेरे हमदम
है मौत ज़िन्दगी
फिर तेरी याद आ गयी
ग़म की घटा॰॰ छा गयी
रातों की
वीरानी
हमको॰॰
रुला गयी
फिर तेरी याद आ गयी॰ ॰ ॰

हैं ज़िंदा लाशें
ये दिल के अरमान
तेरे ही ग़म के
खफन में हैं लिपटे
जनाज़ा उठने
को है तू आ जा
सफर आखिरी
तो कर ले तय मिलके
वरना ये
रूह प्यासी
प्यासी ही रह जायेगी
फिर तेरी याद आ गयी
ग़म की घटा॰॰ छा गयी
रातों की
वीरानी
हमको॰॰
रुला गयी
फिर तेरी याद आ गयी॰ ॰ ॰

चिराग ए दिल भी
है बुझने को अब
पनप रहे हैं
अंधेरों के साये
सुलग रही हैं
तड़पती सांसें
मसीहा बन के
कोई तो आ जाए
शोला है
हर धड़कन
ग़म की चिताओं की
फिर तेरी याद आ गयी
ग़म की घटा॰॰ छा गयी
रातों की
वीरानी
हमको॰॰
रुला गयी

फिर तेरी याद आ गयी
ग़म की घटा॰॰ छा गयी
रातों की
वीरानी
हमको॰॰
रुला गयी
फिर तेरी याद आ गयी॰ ॰ ॰


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3869 Post No. : 14887

———————————————–
Blog 10-Year Challenge (2009-19) – Song No. 7
————————————————

On this day ten years ago (viz on 20 february 2009), six songs from six different movies were presented. Four of these movies have since been YIPPEED in the blog. Of the remaining two movies, one is from 1938 and another is from 1983. The 1938 movie (Shreet Singer) has two songs left to be covered and these songs are not available as far as I am aware.

So that leaves us with the 1983 movie viz “Sweekaar Kiya Maine” as the only eligible movie for our blog 10 year challenge.

“Sweekar Kiya Maine” (1983) was produced by S M Kothari and directed by Zaheer D Lari. The movie had Shabana Azmi, Vinod Mehra, Prema Narayan, Madan Puri etc in it. This movie was a remake of 1954 movie “Adhikaar” with Kishore Kumar and Usha Kiran in title roles. In “Sweekar Kiya Maine” (1983), Vinod Mehra and Shabana Azmi play the same roles.

“Adhikaar”(1954) is already YIPPEED in the blog. Curiously, Kishore Kumar sang a duet song Kamaata hoon bahut kuchh with Geeta Dutt, and in “Sweekaar Kiya Maine”(1983), he sang the same song again- this time with Asha Bhonsle. This duet is not yet covered in the blog.

So far, three songs from “Sweekaar Kiya Maine”(1983) have been covered in the blog. Ten years ago on this day, the blog presented a song, Chaand ke paas jo sitaara hai. Today, ten years later, here is another song from the movie. This song is sung by Lata. Nida Fazli is the lyricist. Music is composed by Usha Khanna.

This song is picturised on Shabana Azmi as a stage performance song.

Audio (Full)

Video

Song-Pyaar to sapna hai dard hi apna hai(Sweekaar Kiya Maine)(1983) Singer-Lata, Lyrics-Nida Fazli, MD-Usha Khanna

Lyrics

pyaar to sapna hai
dard hi apna hai
pyaar to sapna hai
dard hi apna hai
neend jahaan khulti hai
khwaab pighal jaate hain
dard wohi rehta hai
naam badal jaate hain
pyaar to sapna hai
dard hi apna hai
pyaar to sapna hai
dard hi apna hai
neend jahaan khulti hai
khwaab pighal jaate hain
dard wohi rehta hai
naam badal jaate hain
pyaar to sapna hai
dard hi apna hai
pyaar to sapna hai
dard hi apna hai

muskraana to gham chhupaana hai
har khushi door ka taraana hai
aa aa aa aa
aa aa aa
muskraana to gham chhupaana hai
har khushi door ka taraana hai
hosh ki raahon mein
dil hi deewaana hai
hosh ki raahon mein
dil hi deewaana hai ae ae
pyaar to sapna hai
dard hi apna hai
pyaar to sapna hai
dard hi apna hai

koi rishta na koi bandhan hai
har hansi aansuon ki chilman hai
koi rishta na koi bandhan hai
har hansi aansuon ki chilman hai
phool hain daaman mein
aankhon mein saawan hai
phool hain daaman mein
aankhon mein saawan hai
pyaar to sapna hai
dard hi apna hai
pyaar to sapna hai
dard hi apna hai

jo bhi dil ke kareeb aata hai ae
zakhm ban ke sada sataata hai
aa aa aa
aa aa aa
jo bhi dil ke kareeb aata hai ae
zakhm ban ke sada sataata hai
geet jo gaata hai
gham ko behlaata hai
geet jo gaata hai
gham ko behlaata hai ae ae ae ae
pyaar to sapna hai
dard hi apna hai
pyaar to sapna hai
dard hi apna hai
neend jahaan khulti hai
khwaab pighal jaate hain
dard wohi rehta hai
naam badal jaate hain
pyaar to sapna hai
dard hi apna hai
pyar to sapna hai
dard hi apna hai


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3861 Post No. : 14877 Movie Count :

4068

Hullo to all in Atuldom

Back to writing after a break and am having a problem trying to get my thoughts in order. These last few days I have made a few posts mentally and here I am trying to write about one of my favourite actors who would have turned 99 today.

The year 1972 saw a new genre of films wherein two actors who were past their prime – 61 and 52 was definitely not the age where actors play college students or young characters- were playing the central characters in a movie where the lead actor or the supposed- hero played second fiddle to these two. I am talking of Victoria No 203 by Brij Sadanah. Brij himself made another movie a few years later “Chori Mera Kaam” with these two seniors playing central characters. I am talking of an all-time favourite Jodi of cinelovers – Ashok Kumar and Pran.

S. K. Kapur was another producer -director who made this Jodi the centre of his stories in the moves of 70s and early 80s – Apna Khoon, Shankar Dada, Durga, Maan Gaye Ustaad. But the best tribute to the lovable Jodi was Kapur’s movie “Raja Aur Rana” – it didn’t have a regular actor playing the hero. Puneet Issar made his debut in this movie and was supposed to be a hero but “Raja aur Rana” was essentially Ashok Kumar- Pran all over. They did every antic that they were famous for from the time “Victoria No 203” became a success.

Before I go any further let me clarify one thing- Ashok Kumar and Pran did not team up for the first time in “Victoria No 203”; they have been cast together in movies since the 50s or even before that. Back then they used to play serious characters, mostly the protagonist and the antagonist. “Victoria No 203” changed all that. We saw the comic timing of these two senior actors.

I need to clarify one more thing- both these actors have performed in song situations through their career but post “Victoria 203” that also changed. The ability of these two to switch from insane characters of Raja and Rana can be gauged from the fact that about the same time Ashok Kumar played the grandfather in “Anuraag” and Pran was the grandfather in “Parichay”; Pransaab (as he used to be addressed) also played a regular cigar munching villain in “Roop Tera Mastana” that year. Such great actors and trailblazers – there are no replacements for them only actors who are inspired by them and aspire to be like them.

Today I bring to the blog a song from S. K. Kapur produced and Shibu Mitra directed “Raja Aur Rana”. The cast included Ajit, Shakti Kapoor, Puneet Issar, Madhu Malhotra, Chand Usmani, Aaloka etc etc supporting Ashok Kumar and Pran (Pran was always billed in the credits of movies as “And Pran”).

I have not seen the movie but I fell in love with this super Jodi all over again when I accidentally saw this song a few months back. We have Pransaab cross-dressing in this song and Shakti Kapoor and his henchmen playing the peeping- toms on the “loving couple”. The song was written by Varma Malik and Bappi Lahiri was the music director. We have Kishore Kumar singing for Ashok Kumar and Mahesh Kumar singing for Pransaab – the female voice belongs to Mahesh Kumar about whom our in-house encyclopaedia had written a few lines in a post of his. The post contained a song sung by Mahesh Kumar in dual voice, it seems he could sing in 32 voices.

This is such a cute husband-wife exchange with which we remember the adorable Pransaab on his 99th Birth anniversary.

I would also like to wish a fellow Atulite on his birthday today with lots of fun and music in his life. All the best to Avinashji on his birthday.


Song-Aji sunte ho (Raja Aur Rana)(1983) Singers-Mahesh Kumar, Kishore Kumar, Lyrics-Verma Malik, MD-Bappi Lahiri
Both

Lyrics

haaye haaye
haaye haaye haaye
aji sunte ho
o aji sunte ho
haan sunta hoon
aji sunte ho
lekar tum akhbaar ka panna
race ke ghode ginte ho
o aji sunte ho
koi vaid bulaao
koi doctor laao
hakeem mangaao
aji sunte ho

mujhe nauwaan lagaa hai
ik dard jagaa hai
haaye yahaan se uthha
aur yahaan gayaa hai
shaadi na hoti
main aaj na roti
dulhan na banti
bacche na janti
zaalim ye mahina
mera dhadke hai seena
tu dekh le apna
ye kaarnaama
kyun mujhe phansaaya
kar kar ke drama
ki toone mujhse
kartoot hai koi
tu mard nahin hai
jinn bhoot hai koi
o aji sunte ho
o aji sunte ho
haan sunta hoon

oye
ab kyun roti hai meri dulhan
pyaari tumhen yaad nahi aati
ab kyun roti hai meri dulhan
pyaari tumhen yaad nahin aati
woh baatein saari
har roz tu kehti
mujhe sair kara de
mujhe ticket manga de
mujhe film dikha de
chal India gate mein
zara ghoom ke aayen
aur Tajmahal mein
hum khaana khaayen
tu surkhi laali
powder bhi lagaati
aur daal ke surma
tu teer chalaati
tu karke fashion
har roz aa jaati
aur kehti le chal
mujhe Juhu Chowpati
wahaan paani puri
tu khoob udaati
kabhi idli dosa
kabhi kulfi khaati
main ho gaya kadka
palle nahin paayi
tera sair sapaata
kha gaya kamaayi
o bhool gayi tu
jab maze udaati
ab dard uthha toh
phir kyun chillaati
main sunta hoon
jeb mein kitne paise reh gaye
baitha baitha ginta hoon
main sunta hoon

munnu ke paapa
tera karoon siyaapa
mujhe hichki aaye (hitchki)
mera ji machlaaye (hitchki)
mujhe saans na aaye (hitchki)
mera sar chakraaye
mera munh bedardi
kya halaat kar di
main baithhi baithhi
khaaun hichkaule
koi amma amma
ander se bole
tu roz yeh kehta
ke munda hoga
agar tujhpe gaya woh
koi gunda hoga
main aath maheene
mushqil se bitaaye
tu pyaqr se ek din
nahin poochhne aaye
o aji sunte ho
koi vaidh bulaao
koi doctor laao
hakeem mangao
o aji sunte ho

kyon taane deti
sapnon ki raani
tere dushman mar jaayen
teri jiye jawaani
pehla aur dooja
kab tumhen laga thha
na tujhko khabar thhi
na mujhko pata thha
phir teeje maheene
meri khench rajaai
toone aadhi raat ko
khushkhabri sunaai
aur chauthhe paanchve
jab tu ghabraai
aur chhathe maheene
tujhe ulti aayi
main bhaag ke aaya
tujhe paass bulaaya
tujhe maalish ki thi
tujhe tel lagaaya
chhodo ab gussa
aa tujhe sula doon
tu thhak chuki hai
tere paanv daba doon
hai hai hai hai hai hai hai hai

biwi ke har koi (some sound by Ashok Kumar)
hai paanv dabaata
tu tel lagaake
ehsaan jataata
kis baat ke liye
phir tu akadta
gharwaala hoke
mere sar pe chadhta
aurat ka farz hai
bacchon ko janna
koi toone anokha
nahin kaam ye karna

mere paass na aana
batti na bujhaana
mujhe seeti bajaa ke
nahin kabhi bulana
meri tauba tauba
kaanon ko pakdoon
hai meri galti
main naak bhi ragdoon

jhaado na bhaashan
ka milta ration
hai ye situation
karwaao operation
dono nasbandi
chal kar karwaayen
kyun apne desh ki
aabaadi badhaayen

is mehangaai mein
ek baccha kaafi
aage se tauba
aage se maafi
aage se tauba
aage se maafi
aage se tauba
aage se maafi


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3776 Post No. : 14754 Movie Count :

4035

Muzzafar Ali, the producer-director of some of the parallel films has been very proud of the Awadhi culture. His father was the raja of Kotwara which is located in Lakhimpur Kheri district, a part of Awadh region. Moreover, he had completed his schooling in Lucknow, the centre of Awadhi culture. His sensibility towards Awadhi culture can be judged from his films, Gaman’ (1978), ‘Umrao Jaan’ (1981), Aagaman’ (1984), ‘Anjuman’ (1986) and the last one, “Jaanisaar’ (2015) with Awadh as background. “More than a ‘royal’, I am ‘loyal’ to my root – Awadh” says Muzzafar Ali.

In ‘Gaman’ (1978), the young Ghulam Hasan goes to Mumbai from Lucknow in search of employment opportunity and ultimately become a taxi driver living in a slum. His wife and the ailing mother live in Lucknow eagerly waiting for his return. But he has no saving after working as a taxi driver for months to visit his native place. True to his love for Awadh, Muzzafar Ali chose the location in Kotwara for shooting a part of the film covering the scenes of Ghulam Hasan’s wife and his ailing mother. The dialogues during the scenes in the film in the native village between Ghulam Hasan, his wife and mother were in Awadhi.

Muzzafar Ali was so much into Awadh that for ‘Gaman’ (1978), he had first approached Amitabh Bachchan who is also from the Awadh region, for the role of Ghulam Hasan (The reason could be that there were many dialogues in the film in Awadhi). Amitabh Bachchan had first agreed to do the role in principle. However, later he felt that his ‘angry young man’ image would be affected by doing the role in the film. So he declined the offer. The role went to Farooque Shaikh. (This was revealed by Mazzafar Ali in a documentary video film).

In ‘Umrao Jaan’ (1981), Muzaffar Ali takes us to the heartland of Awadhi culture – Lucknow-Faizabad belt in the film. The film depicts the nawabi Lucknow with its all grandeur – the language, the costumes, the sets etc. Probably, after his first experience of film production with ‘Gaman’ (1978), Muzzafar Ali became wiser. So he built into this film, some elements of commercial films like selecting Rekha for the role of Umrao Jaan. On a second thought, Asha Bhonsle was selected to sing songs for Rekha. He also selected the well-known theatre actors like Naseeruddin Shah, Shaukat Azmi, Deena Pathak, Gajanan Jagirdar to give the film a strong acting prowess in subsidiary roles. The mixing this ‘parallel’ film with commercial elements paid a rich dividend to Muzzafar Ali in that even after 37 years, this film has remained in the bloodstream of cinema fans.

‘Aagaman’ (1984) was Muzaffar Ali’s 3rd film, making it a part of the trilogy of films with the commonality of Awadhi culture. The film was produced by Uttar Pradesh Sugarcane Seed and Development Corporation under the banner of Integrated Films and was directed by Muzzafar Ali. The star cast included Suresh Oberoi, Bharat Bhushan, Saeed Jaffrey, Anupam Kher (his debut film), Dilip Dhawan, Deepa (her debut film), Sudhir Pandey, Yunus Parvez, Raj Bisaria, Javed Khan, Anjaan Srivastav etc.

It was the idea of Muzzaffar Ali to Vishwanath Pratap Singh, the then Chief Minister of Uttar Pradesh to commission a feature film highlighting the plights of sugarcane growers in Lakhimpur Kheri, which is called the ‘sugar bowl of Uttar Pradesh’. Most of the shooting of the film had taken place in Kotwar and around.

It is surprising that ‘Aagaman’ (1984) is not available for watching online. It appears that the DVD of the film is also not available for sale. I remember that in one of the programmes on Doordarhsan, Muzzafar Ali had mentioned that the sound negatives of both ‘Aagaman’ (1984) and ‘Anjuman’ (1986) were lost/destroyed. That means that the only chance to see the film is from the private collectors. I find that video clips of most of the songs of ‘Aagaman’ (1984) are available online.

Anyway, the broad story line of the film as I understand from some online sources is that a sugar mill owner of a village has been exploiting the sugarcane growers by not paying them remunerative prices. As a result, sugarcane growers remained poor and debtors. A young man from the village after completion of his education from Lucknow takes up the issue of sugarcane growers with the sugar mill owner. But his efforts do not bear fruit as there are vested interests in the village. Ultimately, with great persuasion, he makes reasons to sugarcane growers to set up a cooperative sugar mill. Now they not only get the fair price for the sugarcane but being the members of the cooperative sugar mill, they also share the profits from the mill.

The film has 8 songs out of which as many as 7 songs were composed on the published nazms of Faiz Ahmed Faiz. The remaining one song was written by Hasrat Jaipuri. All the songs were set to music by Padma Vibhushan Ustad Ghulam Mustafa Khan. It was his first film as a music director.

I am presenting the first song ‘nisaar mein teri galiyon ke ae watan ke jahaan’ from the film which is a nazm written by Faiz Ahmed Faiz. He wrote this nazm in the backdrop of the establishment of Pakistan’s first military government in 1958 when many repressive measures were taken. Dissents were not tolerated. There was censorship on the newspapers. Political leaders and intellectuals were arrested and imprisoned. The song is rendered by Ustad Ghulam Mustafa Khan.

Ustad Ghulam Mustafa Khan (born 03/03/1931) is the doyen of Rampur-Sahaswan Gharana and is highly respected among the new generation of Hindustani classical singers. He has a large number of his disciples/trainees which include Asha Bhonsle, Geeta Dutt, Manna Dey, Kamal Barot, Suresh Wadkar, Hariharan, A R Rahman, Alisha Chinoy, Sonu Nigam, Shaan etc. I propose to write a detailed article on him sometime later.

The song in the video clip is somewhat shorter than the record version of the song due to a few lines repeated in the latter version. Furthermore, the order in which antara parts of the song is recorded in record version is different than the order in the sound track.

With this song, ‘Aagaman’ (1983) makes its debut in the Blog. The singer-composer also makes his debut in the blog.

Video Clip:

Audio Clip:

Song-Nisaar main teri galiyon pe ae watan (Aagaman)(1983) Singer-Ustad Ghulam Mustafa Khan, Lyrics-Faiz Ahmad Faiz, MD-Ustad Ghulam Mustafa Khan

Lyrics (based on video clip)

nisaar main teri galiyon pe ae watan ke jahaan
chali hai rasm ke koi na sar uthha ke chale ae
nisaar main teri galiyon pe ae watan ke jahaan
jo koi chaahne waala tawaaf ko nikle
nazar churaa ke chale jism-o-jaan bachaa ke chale
nisaar main teri galiyon pe ae watan ke jahaan

bahut hain zulm ke dast-e-bahaana joo ke liye
jo chand ahl-e-junoon tere naam leva hain
bane hain ahl-e-hawas muddai bhi munsif bhi
kise vakil karen kis se munsafi chaahen
magar guzaarne waalon ke din guzarte hain
tere firaaq mein hi subah-o-shaam karten hain
nisaar main teri galiyon pe ae watan ke jahaan

yoon hi hamesha ulajhti rahi hai zulm se khalq
na unki rasm nayi hai na apni reet nayi
yoon hi hamesha khilaayen hain hamne aag mein phool
na unki haar nayi hai na apni jeet nayi
isi sabab se falak ka gila nahin karte
tere firaaq mein hum dil bura nahin karte
nisaar main teri galiyon pe ae watan ke jahaan

gar aaj tujhse juda hain to kal baham honge
ye raat bhar ki judaai to koi baat nahin
gar aaj auj pe hain taala-e-raqib to kya
ye chaar din ki khudaai to koi baat nahin
jo tujhse ahd-e-wafa ustawaar rakhte hain
ilaaj-e-gardish-e-lail-o-nihaar rakhte hain
nisaar main teri galiyon pe ae watan ke jahaan

bujha jo rauzan-e-zindaan to dil ye samjha hai
ke teri maang sitaaron se bhar gayi hogi
chamak uthhe hain salaasal to hamne jaana
ke ab sahar tere rukh par bhi kar gayi hogi
garaz-e-tasawwur-e-shaam-o-sahar mein jeete hain
giraft-e-saaya-e-deewaar-o-dar mein jeete hain
nisaar main teri galiyon pe ae watan ke jahaan

———————————————
Translation (Provided by Sadanand Kamath)
———————————————-
nisaar main teri galiyon pe ae watan ke jahaan
chali hai rasam ke koi na sar utha ke chale
jo koi chaahne waala tawaaf ko nikle
nazar churaaake chale jism-o-jaan bachaake chale

O my country! I bow to your streets.
They have decreed a custom that none shall walk holding his head high.
If any one wishes to take a round of walk,
walk sneakily, walk with a bend body (to avoid detection).

bahut hai zulm ke dast-e-bahaana-joo ke liye
jo chand ahl–e-junoon tera naam leva hain
bane hain ahl-e-hawas mudaai bhi munsif bhi
kise vakil kare kis se munsafi chaahen
magar gujaarne waalon ke din gujarten hain
tere firaaq mein hi subah-o-shaam karten hain

There are many excuses to continue the oppression
for some crazy people in the guise of your name.
With power of lust, they are both the plaintiff and the judge,
Whom to appoint lawyer and from whom does get justice?
But one has to persist with these hard times for days.
In separation from you, they spend time from dawn to dusk.

yoon hi hamesha uljhati rahi hai zulm se khalq
na unki rasm nayi hai na apni reet nayi
yoon hi humesha khilaayen hain humne aag mein phool
na unki haar nayi hai na apni jeet nayi
isi sabab se falak ka gila nahi karte
tere firaaq mein hum dil bura nahi karte

As always, we reel under oppression.
Neither their rituals nor our traditions is new
As always we have made flowers to bloom in fire
Neither their defeat, nor our victory is new
We do not blame the sky
Nor we feel bad in our hearts for separation from you.

gar aaj tujhse juda hai to kal baham honge
ye raat bhar ki judaai to koi baat nahin
gar aaj auj pe hai taale-e-raqib to kya
ye chaar din ki khudaai to koi baat nahin
jo tujhse ahd-e-wafa ustuvaar rakhte hain
ilaaj-e-gardish-e-lail-o-nahaar rakhte hain

Though separated today, tomorrow we shall be re-united.
Separation is only for the night it does not matter.
If today our rivals are at the peak of powers, so what?
These four days of divinity do not matter.
Those who love you keep a firm belief in you.
We keep the remedy of revolution day and night.

bujha jo rauzan-e-zindaan to dil ye samjha hai
ke teri maang sitaaron se bhar gayi hogi
chamak uthi hai salasil to hamne jaana hai
ke ab sahar tere rukh par bhikar gayi hogi
garaz-e-tasawwur-e-shaam-o-sahar mein jeete hain
giraft-e-saya-o-deewaar-o-dar mein jeete hain

When lights in the prison dim, my heart has felt
that your forehead has been lighted with stars.
When my chains have sparkled, I have known
that the dawn must have straggled upon your face.
We live by imagining the dawn and dusk
We live in the shadows of the high prison walls


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3648 Post No. : 14484

“Sautan” (1983) was produced and directed by Sawan Kumar Tak. Tghe movie was a “social” movie starring Rajesh Khanna, Padmini Kolhapure, Tina Munim, Pran, Prem Chopra, Shreeram Lagoo, Shashikala, Paresh Rawal, Vijay Arora, Satyendra Kapooo, Roopesh Kumar, Yunus Parvez, T P Jain etc in it.

This movie is remembered the most for its song, Shaayad meri shaadi ka khayaal dil mein aaya hai . Purists, such as Raja, heartily dislike this song, but non purist folks, who form the majority of population loved this song. There are lots and lots of people who regard this song as a timeless classic. 🙂

The song was about the mummy of the girl inviting the gentleman for chai, obviously to have a “chai pe charcha”. 🙂 The gentleman, aware what the mummy is up to, is reluctant, but gets himself persuaded to partake of that chai with the mummy.

What happens later ? The song under discussion happens in the aftermath of that event. The gentleman gets married to the lady and soon thereafter we find him singing this song where saasu and sasura are likened to teerath and wife is likened to Chaaron dhaam. 🙂 Every married man with readily agree. 🙂

Here is this song from “Sautan”(1983) which is sung by Kishore Kumar. Sawan Kumar Tak is the lyricist. Music is composed by Usha Khanna.

The song is picturised on Rajesh Khanna and Teena Munim.


Song-Saasu teerath sasura teerath teerath saala saali hain (Sautan)(1983) Singer-Kishore Kumar, Lyrics-Sawan Kumar Tak, MD-Usha Khanna

Lyrics

arre saasu teerath
arre sasura teerath
saasu teerath
sasura teerath
teerath saala saali hain
arre duniya ke sab teerath jhoothe
chaaron dhaam gharwaali hai
are chaaron dhaam gharwaali hai
saasu teerath
sasura teerath
teerath saala saali hain
arre duniya ke sab teerath jhoothe
chaaron dhaam gharwaali hai
arre chaaron dhaam gharwaali hai

beevi jab roothhe to o
yaad aati hai saali
beevi jab roothhe to o
yaad aati hai saali
saali jeeja ko pyaari hai
wo gori ho ya kaali
lekin apni qismat mein to
saala hai na saali hai
arre chaaron dhaam gharwaali hai
chaaron dhaam gharwaali hai
arre saasu teerath
haha
sasura teerath
teerath saala saali hain
arre duniya ke sab teerath jhoothe
chaaron dhaam gharwaali hai
arre chaaron dhaam gharwaali hai

beevi to achchi wo o
hoti jo nakhre waali
beevi to achchi vo o
hoti jo nakhre waali
phoolon se pyaari lagti hai
jab jab deti hai gaali
twaadi to saanu pata nahin
twaadi to saanu pata nahin
par saadi te makhna waali hai
arre chaaron dhaam gharwaali hai
chaaron dhaam gharwaali hai
are saasu teerath
arre sasura teerath
teerath saala saali hain
hey duniya ke sab teerath jhoothe
chaaron dhaam gharwaali hai
are chaaron dhaam gharwaali hai
bolo gharwaali ki
jai
bolo makhna waali ki
jai
aur bolo saath mein apni bhi
nahin nahin nahin nahin
gharwaali ki hi hi
jai


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3598 Post No. : 14361

Atul ji, in many of his posts presenting Kishore Kumar songs from the eighties has mentioned this, that though the golden era of music was over by the beginning of eighties, still many gem songs also happened to be created in the decade of eighties, and particularly in case of Kishore Kumar songs. And one of the reasons for this may be because Kishore Kumar’s peak period started in 1970 and lasted till his death in 1987.

I am presenting one such song today which is from the 1984 movie ‘Farishta’. Movies by this name have also been released in earlier decades, notably in 1958 and 1968, we had movies with the same title.

This film was Pran Saab’s presentation for his home production Sikand Films (which I was not aware of till writing of this post). It is directed by Sunil Sikand (Pran Saab’s son), who was also the producer and story writer of this movie. He also co-authored the screenplay with Tapan Chakravarty.

The cast of actors includes Ashok Kumar, Kanwaljeet Singh, Master Raju, Ambika Shourie, Danny and Pran. Bharat Bhushan, Azaad and Master Rajiv Bhatia also have supporting roles in this movie. Smita Patil makes a special appearance in this movie. The movie introduced – Shera – a wonder dog in this movie.

(Other credits: Sudesh Iyer was the Chief Assistant Director; David Dhawan was the editor; of this movie; Gyandev Agnihotri wrote the scenario; and the dialogues were written by Pradeep Roy Choudhary. It was passed by Censor Board on 13.10.1983.).

Lyrics for this movie are written by Anand Bakshi and the music is composed by RD Burman. Kishore Kumar, Amit Kumar, Suresh Wadkar, Anuradha Paudwal and Master Vivek Bajaj gave their voices to the songs in this movie.

Let us now enjoy today’s song sung by Kishore Kumar which is performed on screen by Pran Saab. Master Raju and others can be seen in the picturization of this song. With this song the movie ‘Farishta’ makes its debut on the blog today.

zamaane mein koyee hamaaraa nahin. . .

Song – Zamaane Mein Koi Hamaara Nahin (Farishta) (1983) Singer – Kishore Kumar, Lyrics – Anand Bakshi, MD – RD Burman

Lyrics

zamaane mein koi
hamaara nahin
kisi ka bhi hum ko
sahaara nahin

zamaane mein koi

zamaane mein koi
hamaara nahin ee
kisi ka bhi hum ko
sahaara nahin

naseebon ke kaale
savere to hain
garibon ke ghar mein
andhere to hain
naseebon ke kaale
savere to hain
garibon ke ghar mein
andhere to hain
koi chaand koy sitaaraa nahin
kisi ka bhi hamko
sahaara nahin

sabhi ke liye ek
duniya hai ye
hamaare liye gham ka
dariya hai ye

sabhi ke liye ek
duniya hai ye
hamaare liye gham ka
dariya hai ye
bhanwar hi bhanwar hai ye
kinaara nahin
kisi ka bhi hamko
sahaara nahin

kahin se kisi ne na
awaaz di
rahe chup khuda aur
bhagwaan bhi
kahin se kisi ne na
awaaz di
rahe chup khuda aur
bhagwaan bhi
bhagwaan bhi
kisey hum ne ja kar
pukaara nahin
kisi ka bhi hamko
sahaara nahin
sahaaraa nahin
sahaara nahin

———————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————
ज़माने में कोई
हमारा नहीं
किसी का भी हमको
सहारा नहीं

ज़माने में कोई

ज़माने में कोई
हमारा नहीं
किसी का भी हमको ओ
सहारा नहीं

नसीबों के काले
सवेरे तो हैं
गरीबों के घर में
अँधेरे तो हैं

नसीबों के काले
सवेरे तो हैं
गरीबों के घर में
अँधेरे तो हैं
कोई चाँद कोई
सितारा नहीं
किसी का भी हमको
सहारा नहीं

सभी के लिए एक
दुनिया हैं ये
हमारे लिए ग़म का
दरिया हैं ये

सभी के लिए एक
दुनिया हैं ये
हमारे लिए ग़म का
दरिया हैं ये
भंवर ही भंवर है ये
किनारा नहीं
किसी का भी हमको
सहारा नहीं

कहीं से किसी ने ना
आवाज़ दी
रहे चुप खुदा और
भगवान् भी

कहीं से किसी ने ना
आवाज़ दी
रहे चुप खुदा और
भगवान् भी
भगवान् भी

किसे हमने जाकर
पुकारा नहीं
किसी का भी हमको
सहारा नहीं
सहारा नहीं
सहारा नहीं

 


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3546 Post No. : 14231

“Razia Sultan”(1983) was produced by Chitra Bharat and directed by G P Pawar and Kamal Amrohi. The movie had Dharmendra, Hema Malini, Parveen Babi, Pradeep Kumar, Ajit, Vijayendra Ghatge, Jankidas, Sohrab Modi, Veena, Shahu Modak, Heena Kausar, Shree Bhagwan, Husn Banu, Anu Dhawan, Sapru, Mahipal, Roopmala, Reshma, Shakila, Maruti, Sarika, Tajdar Amrohi, Radha Saluja, Madhu Malini, Chitra, Sujata, B M Vyas, Anis Sabri, Geeta Kapoor, Mumtaz Begum, Naseem, Aarti Chopra, M M Baig, Amarjeet, Kalpana, Balraj etc in it.

This is a movie from 1983, and so I have no HFGK available to consult to find out he number of songs in the movie. Going by online sources, I have counted seven songs in the movie. Five of these songs have been covered in the past. Here are the details of these five songs:-

Song Title

Post No.

Post Date

Ae dile naadaan 150 14-Oct-08
Aayi zanjeer ki jhankaar Khuda khair kare 368 10-Dec-08
Tera hijr mera naseeb hai 374 11-Dec-08
Khwaab ban kar koyee aayegaa 7508 14-Feb-13
Jalta hai badan 8075 10-May-13

I find that “Hariyaala Banna aaya re” and ae khuda shukr tera” appear to be the two songs from the movie that are yet to be covered. On watching the picturisation, I find that both these songs are picturised together in the movie and so in effect they are reated as two songs in one. Asha Bhonsle, Jagjit Kaur and female chorus sing for ladies playing sahelis of Razia Sultan, the dulhan (Hema Malini) whereas Bhupinder Singh, Mahendra Kapoor and male chorus sing fopr friends of Yakut, the dulha (played by Dharmendra). So in effect, two wedding songs get combined into one in the picturisation.

So in effect both songs need to be covered in one article, viz this article. It seems that the female song is penned by Nida Fazli and male song by Kaif Bhopali. I request our knowledgeable readers to throw light on this matter. The music is of course composed by Khayyam.

So, with these two songs, all the songs of “Razia Sultan”(1983) have been covered. With this, “Razia Sultan”(1983) joins the list of movies that have all their songs covered in the blog.


Song-Hariyaala banna aaya re …ae khuda shukr tera(Razia Sultan)(1983) Singers-Asha Bhonsle, Jagjit Kaur, Lyrics- Nida Fazli/ Kaif Bhopali, MD-Khayyam
Female chorus
Bhupinder Singh, Mahendra Kapoor + Male chorus

Lyrics

hariyaala banna aaya re
hariyaala banna aaya hai
hariyaala banna aaya
hariyaala banna aaya re
hariyaala banna aaya hai
hariyaala banna aaya
aa aa aa aa aa
aa aa aa
aa aa aa aa aa
aa aa aa aa aa

choti goonthhe ghata
paanv choome hina
maang moti bhari
maathhe jhoomar saja
aa aa aa aa
aa aa aa aa
choti goonthhe ghata
paanv choome hina
maang moti bhari
maathe jhoomar saja
banni ke jo man bhaaya re
hariyaala banna aaya re
hariyaala banna aaya

ae khuda shukra tera
aye khuda shukra tera
shukra tera
shukra tera
ye mera yaar chala
baandhke sar par sehra
aye khuda shukra tera
aye khuda shukra tera
shukra tera
shukra tera
ye mera yaar chala
baandh ke sar par sehra

aisa sehra gul-o-gulzaar na dekha na suna
aisa naushaah ha mere yaar na dekha na suna
aisa bemeez(?) haseen pyar na dekha na suna
aaisa dildaar tarajaar na dekha na suna
saari duniya ki
saari duniya ki zubaanon pe hai ghar ghar sehra
ye mera yaar chala baandh ke sar par sehra

hariyaala banna aaya re
hariyaala banna aaya re
hariyala banna aaya
aa aa aa aa aa
aa aa aa
aa aa aa
aa aa aa aa aa aa
aa aa aa
aa aa aa aa
aa aa aa
aa aa aa aa
aa aa aa

devtaaon ke man hain khushi se magan
pi se milne chali saj ke razia dulhan

aa aa aa
aa aa aa
aa aa aa
aa aa aa
devtaaon ke man hain khushi se magan
pi se milne chali saj ke razia dulhan
khushiyon ke chaman laaya re
hariyaala banna aaya re
hariyala banna aaya

waah kya baat hai kya shaan hai subhaan allah
iske har phool mein ek jaan hai subhaan allah
har nazar dekh ke hairaan hai subhaan allah
jisne dekha wahi qurbaan hai subhaan allah
wakeya ye hai
wakeya ye hai ke behtar se hai behtar sehra
ye mera yaar chala baandhke sar par sehra

hariyaala banna aaya re
hariyaala banna aaya re
hariyaala banna aaya

yaa khuda
ye khushi ye masarrat rahe
dulha dulhan ki jodi salaamat rahe
aa aa aa
aa aa aa
aa aa aa
aa aa
rahti duniya talak ye muhabbat rahe
saare aalam mein malika ki azmat rahe
rahmat ka sama chhaaya re
hariyaala banna aaya re
hariyaala banna aaya


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over ELEVEN years. This blog has more than 15300 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Total number of songs posts discussed

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Movies with all their songs covered =1180
Total Number of movies covered =4221

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