Posts Tagged ‘1982’
Prem ki hai kya sun paribhaashaa
Posted on: May 24, 2023
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5423 | Post No. : | 17789 | Movie Count : |
4760 |
#the Decade of Eighties – 1981 – 1990 #
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(Birthday – Music Composer-Rajesh Roshan)
Today 24th May is the sixty-eighth birthday of music director-lyricist Rajesh Roshan(born on 24.05.1955). He is one of my favorite all time composer.
I had earlier written about him in a couple of my earlier posts on the blog. So I am not going to repeat all that here again. One thing I definitely write again is that Rajesh Roshan’s songs are part of the ‘big nostalgia’ of my growing years and may be many people like me are fond of him and
his compositions .
Today on the occasion of his birthday I am presenting a song from the movie “Hamaari Bahu Alkaa-1982”.
It was directed by Basu Chatterjee for ‘Anuradha Films. Shyam Sundar Seksariya was the producer of this movie.
Basu Chatterjee also wrote the screenplay and dialogues of this movie. Story of this movie was written by Manoj Basu.
Editing of this movie was done by V.N. Mayekar.
The cast of this movie included Rakesh Roshan, Bindiya Goswami, Asrani, Prema Narayan, Utpal Dutt, Sudha Shivpuri, Master Raju, Ranjeet Sood, Manik Dutt, Aroop Ganguly, Lakshami, R.S. Chopra, Viju Khote Meghdoot, Manmauji, Pappu, Soni, Dev Sharma, Meena, Satya Bannerjee, Pratap, Jayshree T., Meena T., and others.
This movie was passed by Censor Board on 12.01.1982.
I remember to have watched this movie at Akola, but I have forgotten about it by now. One thing that I still remember is that I liked this movie very much. It is movies like this one that I love to watch.
“Hamaari Bahu Alkaa-1982” has five songs. Three were written by Yogesh and two by Amit Khanna.
Music for this movie was composed by Rajesh Roshan.
Lata Mangeshkar, Kishore Kumar, Usha Mangeshkar, Amit Kumar, Shailendra Singh, Alka Yagnik and Peenaz Masani had given their voices to the songs in this movie.
Here is the list of songs in this movie:-
| SNo | Song Title | Lyricist | Singer/s |
|---|---|---|---|
| 01 | Soona soona soona ghar hota hai ek naari binaa | Yogesh | Lata Mangeshkar, chorus |
| 02 | Prem ki hai kya sun paribhaashaa | Amit Khanna | Kishore Kumar |
| 03 | Ham tum rahenge akele wahaan | Amit Khanna | Amit Kumar, Alka Yagnik |
| 04 | Ghar mein khul ke ham nahin mil sakte | Yogesh | Usha Mangeshkar, Amit Kumar, Shailendra Singh, Peenaz Masani |
| 05 | Pakka jaamun todo nahin | Yogesh | Alka Yagnik, Peenaz Masani |
In my earlier post with the song of ‘Ratnadeep-1979’ I had mentioned about Basu Chatterjee – the director of this movie – having a great ‘ear’ for music. He mostly had Rajesh Roshan as music director in his movies. They have given some of the timeless classics and unforgettable songs in Hindi Film History.
They worked together in the following eight movies:-
| SNo | Title of the movie | Passed by Censor Board | Lyricist/s | Music Director |
|---|---|---|---|---|
| 01 | Swaami | 17.05.1977 | Amit Khanna | Rajesh Roshan |
| 02 | Khattaa Meethhaa | 30.12.1977 | Gulzar | Rajesh Roshan |
| 03 | Priyatamaa | 20.09.1977 | Anjaan | Rajesh Roshan |
| 04 | Dillagi | 18.07.1978 | Yogesh | Rajesh Roshan |
| 05 | Baaton Baaton Mein | 31.03.1979 | Amit Khanna, Yogesh | Rajesh Roshan |
| 06 | Manpasand | 26.06.1980 | Amit Khanna | Rajesh Roshan |
| 07 | Hamaari Bahu Alkaa | 12.01.1982 | Yogesh, Amit Khanna | Rajesh Roshan |
| 08 | Prateeksha | 07.04.2006 | Yogesh | Rajesh Roshan |
(I hope I have compiled the above table correctly. Readers can point out mistakes and suggest additions if any).
Today I am presenting another ‘signature composition’ of Rajesh Roshan from themovie ‘Hamaari Bahu Alkaa-1982’. I like this song very much. It is sung by Kishore Kumar. I was longing to share this song since long on the blog.
On screen the song starts in background first and then we can see Rakesh Roshan lip-syncing the song.
Lyrics are by Amit Khanna and music is composed by Rajesh Roshan.
Enjoy this wonderful song …
Situation of the song 🙂
Our hero (Rakesh Roshan) has got married but he is still studying. So his father (Utpal Dutt) wants him to spend focus more on ‘studies’ instead of spending more time with the ‘bahu’. As usual ‘jab ghar mein nayi bahu aati hai to bete ko kaun poochhtaa hai, waise hi yahaan bhi sab log din-bhar ‘bahu’ ke peechhe pade rehte hain, aur wo thhak kar raat ko jaldi so jaati hai. So our ‘newly married’ hero cannot spend ‘quality time’ with his wife (Bindiya Goswami).
His classmate (Asrani) suggests him to bunk the classes in day time and to go home, as at that time neither his father nor his younger brother would be at home so nobody should disturb the couple during that time…
The ‘hero’ is attending a class in the ‘class room’. He laeves the class room, and then he begins to dream of this song . 🙂
With this song, the movie “Hamaari Bahu Alkaa-1982” makes its debut on the blog…
Video
Audio
Song-Prem ki hai kya sun paribhaashaa (Hamaari Bahu Alka)(1982) Singer-Kishore Kumar, Lyrics-Amit Khanna, MD-Rajesh Roshan
Lyrics
prem ki hai kya
sun paribhaashaa
sundar sapney
ujjwal aashaa aa
arey prem ki hai kya
sun paribhaashaa
sundar sapney
ujjwal aashaa aa
darpan banaa
ye man meraa
jismein teraa aa
roop sajaa
chaaron dishaaon mein teri
ab chhaane lagi
muskaati chhavi ee
darpan banaa
ye man meraa
jisme teraa
roop sajaa
chaaron dishaaon mein teri
ab chhaane lagi
muskaati chhavi ee
arey prem ki hai kya
sun paribhaashaa
sundar sapney
ujjwal aashaa aa
madhur milan ki
aayi ritu
itni madhur
jaise madhu
sooraj khiley ae
badraa mein yoon
ghoonghat mein ho
jaise vadhu oo
madhur milan ki
aayi ritu
itni madhur
jaisi madhu
sooraj khiley ae
badraa mein yoon
ghoonghat mein ho
jaise vadhu oo
prem ki hai kya
sun paribhaashaa
sundar sapney
ujjwal aashaa aa
ae prem ki hai kya
sun paribhaashaa
sundar sapney
ujjwal aashaa aa
- In: "Bhanwra" song | "bicycle" song | "Phool" song | Bicycle song | Blog Ten Year Challenge (2013-2023) | Devnagri script lyrics by Sudhir | Duet | Feelings of heart | Guest posts | Happy-Sad song | Lata song | Lata-Suresh Wadkar duet | Love song | Lyrics by Prakashchandra | Lyrics contributed by readers | Post by Sudhir | Song picturised abroad | Songs of 1980s (1981 to 1990) | Songs of 1982 | Songs of Encouragement | Songs picturised at well known locations | Suresh Wadkar songs | Yearwise breakup of songs
- 8 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5419 | Post No. : | 17776 |
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Blog 10-Year Challenge (2013-2023)– Song No.119
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Ah.. Raj Kapoor – the Showman. Sometimes also referred to as the Greatest Showman of Indian Cinema. A lifetime affair with the camera – very prominently handled both ends, sometimes in front of it, and then also behind it. Starting with childhood appearances accompanying his illustrious father to studios. And on to be a performer himself. And very soon, a producer – to quench his thirst, rather his search, for the ultimate story of love.
Raj Kapoor – the eternal seeker, the eternal explorer – in quest for the meaning of love equation between a man and a woman. All his life he produced films. The subjects, the scenarios varied, but against all the scenarios the unwavering theme, the unchanging premise of emotions flowing from one heart to another.
What does it take to define this equation? He has explored this question incessantly through his films and the music of his films. It is said in the industry – he had a Midas touch for music. No matter which film one picks. There may be commentaries and reviews about the films, but always, the music. The music was always the winner. And it is through the songs and music of his films that he expressed this search, this quest – for the meaning of love – endlessly.
His films almost always bring together the lovers in disparate and trying situations. What does it mean to be in love when, by normal discourse, love may not, cannot happen. And yet it does. From his very first venture as a producer – film ‘Aag’ of 1948, he had Saraswati Kumar Deepak write for him
kahin ka deepak kahin ki baati
aaj baney hain jeevan saathi
These verses kind of set the journey in motion that lasted for almost for four decades till the Showman decided in 1988 to hang up his director’s cap. On and on, one film at time, one can trace this quest for the meaning of love throughout his journey. The words and verses never ever failed to chalk up the emotions that were the matter of his quest. ‘Barsaat’ came in 1949 and with it, it brought the timeless melodies of
o o o,
mujhe kisi se pyaar ho gaya
and
meri aankhon mein bas gaya koi re
mujhe neend na aaye main kya karoon
With ‘Awaara’ of 1951, the theme resounded with the melody of
ghar aaya mera pardesi
pyaas bujhi in nainan ki
In 1953, when ‘Aah’ came to the theater screens, audiences were not so enamored by the sad somber story of a love lost. But yet again, the music said it all, and forever.
sunte the naam hum, jinka bahaar se
dekha to bola jiya jhoom jhoom ke
The journey continued in 1955 with ‘Shri 420’, touching towering heights of emotional expressions with the simplest of words.
ramaiya vasta vaiya
maine dil tujh ko diya
To date, no verse writer worth his salt has expressed this emotion in words more simple than these.
The proverbial icing always has been the on screen presentation of these wonderful melodies. The visions of the song presentation are a heart warming journey of visuals stringed with the words played on arias of melodies that proved to be incomparable even to this day. There is no peer, no comparable expression that can, or that will replicate the emotional highs of
pyaar hua iraar hua hai
pyaar se phir kyon darta hai dil
And the voyage carries on with the search for that promised destination that may reveal that ultimate truth of this mystery of love. ‘Jis Desh Mein Ganga Behti Hai’ – 1961. A very brief verse in the middle of a song, seems to encompass the entire story of this quest.
itna sa dil tu de de agar
saara jag tera ho jaaye
saara jag tera ho jaaye
‘Sangam’ came in 1964. It came with a bevy of emotions that crossed through so many layers of the mind’s labyrinths encompassing compassion, sacrifice, friendship, betrayal – and yes, love of course. And the hearts would sing these lines forever
har dil jo pyaar karega
wo gaana gaayega
and
o mere sanam, o mere sanam
do jism magar ik jaan hain hum
ik dil ke do armaan hain hum
Then came the magnum opus in 1970. ‘Mera Naam Joker’ – a commercial disappointment initially which has later ended up becoming a cult film in its own right. A lifetime’s search for love, culminating in show at a circus. One after another, love appears in life of the Joker, but always leaves him alone at the end. And the heart of the Joker has these words to sing
bhoologe tum, bhoolenge wo
par hum tumhaare rahenge sada
Beyond that, now new generations were taking over. Romance and love donned new faces and new dresses in ‘Bobby’ (1973). The words got a different expression, the music changed, but the soul sound of love remained what it has for centuries – unchanged. A new voice was now strumming the drums and saying
. . . par pyaar bhara dil kabhi na todo
is dil mein dilbar rehta
And alongwith came the declaration that
deta hai dil de, badle mein dil ke
. . . . . . pyar mein sauda nahin
Then in 1978 came another significant milestone in this journey – ‘Satyam Shivam Sundaram’. With the thesis that the truth is always akin to God, and thus, it is always beautiful. The mind’s conflict between the truth of the beauty and the beauty of imagination is again a timeless discourse, dealt once again with the verses of tradition
bhor bhaye panghat par
and
sainyaan nikas gaye main naa ladi thi
‘Prem Rog’ appeared in 1982 and the Showman’s last venture – ‘Ram Teri Ganga Maili’ appeared in 1985.
‘Prem Rog’ was was a creation that came forth three and a half decades after his quest had debuted in ‘Aag’. And the wonder of the outcome thus far, thirty five years in the making, and the explorer still ended up with the question that started his quest way back in 1948. For in this film, he yet once again poses the question
ye din kyon nikalta hai
ye raat kyon hoti hai
ye peed kahaan se uthti hai
ye aankh kyon roti hi
….
mohabbat hai kya cheez, hum ko bataao
ye kis ne shuru ki, hamen bhi sunaao
The essence of a lifetime of search. At the end of his energies after years of exploring. And the explorer is yet asking the same question. Again. A lifetime spent in synthesis, after having sung so many beautiful verses in its praise, after equating it to God and saying – that which is true, it also is beautiful. And then negating all these achievements, discarding all the experiences of the landmarks of the journeys, the seeker once again picks up the question that had started his journey decades earlier.
And thus remains the enigma – as it is. The final offering of 1985 – ‘Ram Teri Ganga Maili’ brings a last message
sun saiba sun
pyaar ki dhun
Just listen to this aria of love. Do not search it with a question. Just savor the strumming emotions, and let this dhun immerse oneself, take one into the unknown unseen depths. Just relish and delight in this feeling of love – do not ask any questions of it. The wheel of life having come a full circle, and yet a definitive and culminating statement still could not be made. Such is it – the mystery of LOVE.
Ah yes, now for the song presented with this post. 1982 was the year when the young mind was still innocently concerned with the questions about this emotion. The film came along and I do remember I had seen it on the big screen. The analysis of how the realities of the society and the bitter truths of life, were still years ahead in time. The mind always was simply happy at witnessing a happy ending. Always assuming that all the hiccups and tribulations on the way are a conjuring of the story tellers mind, and that lovers are always destined to meet. Ah, the loveliness of that innocence, believing in the good always.
But that discussion in maybe another post, for another song of love.
‘Prem Rog’ is a story of unexpressed love, and maybe also love about which the lovers themselves are not aware. A young girl from a rich traditional family, a young lad – and orphan without any antecedents. And they are good friends, for the boy frequents the home of the girl to do sundry jobs for the household. The girl gets married, and widowed, in quick succession – in like a blink of the eye. Circumstances bring her back to her parent’s home. The contact is re-ignited. And the emotoions that were not expressed not understood till then, now come floating into the heart. There follows a long and grueling struggle, ultimately violent, with the social norms and traditions. However, a happy ending at the end.
I liked the film on two counts. One was a very stark, almost harsh portrayal of the tribulations of a young widow in a very conservative family. And second, it was a refreshing feeing to see Nanda and Tanuja both on screen after a gap. Of course, Shammi Kapoor was the added attraction.
A minor trivia. Padmini Kolhapure, at 17, became the youngest individual recipient of the Filmfare Best Actress Award for this film.
Songs of ‘Prem Rog’ are quite hummable and became very popular in their time. There are 6 songs in this film, five of which are already showcased on our blog. This is the sixth song to make it here, which brings us to declare ‘Prem Rog’ to be Yippeee’d on the blog.
The shooting of this song sequence is something special to mention. The film was shot in the studio and some scenes in and around a farm house on way to Poona. This particular song, no guesses, is shot in the tulip fields at Kukenhoff, close to Amsterdam in Holland. Yes, the same place where the ‘Silsila’ (1981) song “Dekha Ek Khwab To Ye SilSile Huye” was also shot.
It is interesting to note that the song opens with the lead pair on a bicycle. The bicycle looks very typically Indian. So one must assume that the artifact was carried by the shooting team from India to Holland.
The words of the song are very beautifully crafted. As the song opens, Devdhar (role played by Rishi Kapoor) blesses Manorama (role played by Padmini Kolhapure) with the years of his own life. In the first stanza, Manorama tells of the extremely difficult phase she is passing through, and tells Devdhar that she is a flower that has already been plucked from the branch. In the second stanza, Devdhar tells her about the temporary nature of happiness and sorrow in life, and that the days past are already past. In the third stanza there is an exchange. Manorama tells Devdhar that the sleep from her eyes is gone, and also cautions him that the flower he trying to pursue is not sweet any longer. And Devdhar responds that the flower is beautiful and innocent. As we watch the video clip of the song, one can see some realizations dawn on the face of Manorama.
The words are crafted by Pt Narendra Sharma, and give a very sophisticated and literary feel to the verses. Music is by Lakshmi-Pyaare. The singing voices are of Lata Mangeshkar and Suresh Wadkar. Suresh Wadkar had appeared on the film scene as a singer in 1976. This song likely was recorded in 1981.
The video clip has two stanzas, whereas the audio clip carries all the three stanzas. The lyrics given below are based on the audio clip.
Enough said, I believe, so let us get on to listen to this sonorous melody.
Video
Audio
Song – Bhanwre Ne Khilaaya Phool, Phool Ko Le Gaya Raaj Kunwar (Prem Rog) (1982) Singers – Suresh Wadkar, Lata Mangeshkar, Lyrics – Pt Narendra Sharma, MD – Lakshmikant Pyaarelal
Lyrics (by Prakashchandra)
hmmm hmmm hmmm
hmmm hmmm hmmm
hmmm hmmm hmmm
hmmm hmmm hmmm
bhanwre ne khilaayaa phool
phool ko le gaya raaj kunwar
hmmm hmmm hmmm
hmmm hmmm hmmm
bhanwre ne khilaayaa phool
phool ko le gaya raaj kunwar
bhanwrey tu kehna na bhool
phool tujhe lag jaaye meri umar
bhanwrey ne khilaayaa phool
phool ko le gaya raaj kunwar
(lauging sound)
aaa…aaaa…aaaa…aaaa….
aaaaa…aaa…aaaaa….aaaaa….
aaaaaa…aaaaaaaaaaaaaaaaa
(laughing sound)
hmmm hmmm hmmm
(laughing sound)
hmmm hmmm hmmm
(laughing sound)
hmmm hmmm hmmm
(laughing sound)
hmmm hmmm hmmm
(laughing sound)
bhanwre ne khilaaya phool
phool ko le gaya raaj kunwar
bhanwre ne khilaaya phool
phool ko le gaya raaj kunwar
bhanwre tu kehna na bhool
phool tera ho gaya idhar udhar
bhanwre ne khilaaya phool
phool ko le gaya raaj kunwar
hmmm hmmm hmmm
(aaa…aaaaa)
hmmm hmmm hmmm
(ooooooo..ooo)
wo din..n..n..
ab na..aa..aa rahey
kya kya vipda padi phool par
kaise phool kahey
wo din ab na rahey
honi thi ya wo anhonee
jaane isey vidhaata
chhoote sab singaar
giraa gal-haar toota har naata
shesh phool mil gaya dhool mein
kya kya dukh na sahey ae
wo din ab na..aa rahey
bhanwre tu kehna na bhool
phool daali se gaya utar
bhanwre ne khilaaya phool
phool ko le gaya raaj kunwar
hmmm hmmm hmmm
(aaa…aaaaa)
hmmm hmmm hmmm
(ooooooo..ooo)
sukh dukh aaye jaaye
jaaye ae ae ae
sukh dukh aaye jaaye
sukh ki bhookh na dukh ki chinta
preet jisey apna..aa..aaye
sukh dukh aaye jaaye
meera ne piya vish ka pyaala
vish ko bhi amrit kar daala
prem ka dhaai akshar padhkar
mast kabeeraa gaaye
sukh dukh aaye jaaye
bhanwre tu kehna na bhool phool
guzre din gaye guzar
bhanwre ne khilaaya phool
phool ko le gaya raaj kunwar
hmmm hmmm hmmmmadhur
hmmm hmmm hmmm
aaa..aaa..aaa..aaa..aaaa
aaa…aaaa…aaaa…
aaaa….aaaa
aaa..aaa…aaaa…aaa
o o oo o
oo oooo
na..aa..aa
na re na..aa
phaili phooli phulwaari mein
bhanwraa gunn gunn gunn gunn gunn gunn gunn gunn gaaye
kaahey sowat nindiya jagaaye ae ae
kaahey sowat nindiya jagaaye
laakhon mein kisi ek phool ne
laakhon phool khilaa..aaye
mand mand muskaaye
haaye kaahey sowat nindiya jagaaye
bhanwre tu kehna na bhool
phool tera madhur nahin madhukar
bhanwre ne khilaayaa phool
phool ko le gaya raaj kunwar
bhanwre tu kehna na bhool
phool mera sundar saral sughadh
bhanwre ne khilaayaa phool
phool ko le gaya raaj kunwar
(phool mera sundar saral sughadh)
phool ko le gaya raaj kunwar
(phool mera sundar saral sughadh)
phool ko le gaya raaj kunwar
(phool mera sundar saral sughadh)
————————————————
Hindi script lyrics (Provided by Sudhir)
————————————————
हम्मम हम्मम हम्मम
हम्मम हम्मम हम्मम
हम्मम हम्मम हम्मम
हम्मम हम्मम हम्मम
भँवरे ने खिलाया फूल
फूल को ले गया राज कुँवर
हम्मम हम्मम हम्मम
हम्मम हम्मम हम्मम
भँवरे ने खिलाया फूल
फूल को ले गया राज कुँवर
भँवरे तू कहना ना भूल
फूल तुझे लग जाये मेरी उमर
भँवरे ने खिलाया फूल
फूल को ले गया राज कुँवर
(हास्य ध्वनि)
आss आsss आsss आsss
आssss आss आssss आssss
आsssss आsssssssssssss
हम्मम हम्मम हम्मम
(हास्य ध्वनि)
हम्मम हम्मम हम्मम
(हास्य ध्वनि)
हम्मम हम्मम हम्मम
(हास्य ध्वनि)
हम्मम हम्मम हम्मम
(हास्य ध्वनि)
भँवरे ने खिलाया फूल
फूल को ले गया राज कुँवर
भँवरे ने खिलाया फूल
फूल को ले गया राज कुँवर
भँवरे तू कहना ना भूल
फूल तेरा हो गया इधर उधर
भँवरे ने खिलाया फूल
फूल को ले गया राज कुँवर
हम्मम हम्मम हम्मम
(हास्य ध्वनि)
हम्मम हम्मम हम्मम
(हास्य ध्वनि)
वो दिन॰॰न॰॰न
अब ना॰॰आ॰॰आ रहे
क्या क्या विपदा पड़ी फूल पर
कैसे फूल कहे
वो दिन अब ना रहे
होनी थी या वो अनहोनी
जाने इसे विधाता
छोटे सब सिंगार
गिरा गल-हार टूटा हर नाता
शेष फूल मिल गया धूल में
क्या क्या दुख ना सहे
वो दिन अब ना रहे
भँवरे तू कहना ना भूल
फूल डाली से गया उतर
भँवरे ने खिलाया फूल
फूल को ले गया राज कुँवर
हम्मम हम्मम हम्मम
(आss आssss)
हम्मम हम्मम हम्मम
(ओsssssss ओssss)
सुख दुख आए जाये
जाये॰॰ए॰॰ए
सुख दुख आए जाये
सुख की भूख ना दुख की चिन्ता
प्रीत जिसे अपनाए॰॰ए॰॰ए
सुख दुख आए जाये
मीरा ने पिया विष का प्याला
विष को भी अमृत कर डाला
प्रेम का ढाई अक्षर पढ़ कर
मस्त कबीरा गाये
सुख दुख आए जाये
भँवरे तू कहना ना भूल फूल
गुजरे दिन गए गुज़र
भँवरे ने खिलाया फूल
फूल को ले गया राज कुँवर
हम्मम हम्मम हम्मम
हम्मम हम्मम हम्मम
आs आs आs आs आsss
आss आsss आsss
आsss आsss
आss आss आsss आss
ओ ओ ओs ओ
ओss ओsssssss
ना॰॰आ॰॰आ
ना रे ना॰॰आ
फैली फूली फुवारी में
भँवरा गुन गुन गुन गुन गुन गुन गुन गुन गाये
काहे सोवत नींदिया जगाए॰॰ए॰॰ए
काहे सोवत नींदिया जगाए
लाखों में किसी एक फूल ने
लाखों फूल खिलाये
मंद मंद मुसकाए
हाए काहे सोवत नींदिया जगाए
भँवरे तू कहना ना भूल
फूल तेरा मधुर नहीं मधुकर
भँवरे ने खिलाया फूल
फूल को ले गया राज कुँवर
भँवरे तू कहना ना भूल
फूल मेरा सुन्दर सरल सुघढ़
भँवरे ने खिलाया फूल
फूल को ले गया राज कुँवर
(फूल मेरा सुन्दर सरल सुघढ़)
फूल को ले गया राज कुँवर
(फूल मेरा सुन्दर सरल सुघढ़)
फूल को ले गया राज कुँवर
(फूल मेरा सुन्दर सरल सुघढ़)
Dukki Pe Dukki Ho Ya Satte Pe Satta
Posted on: May 2, 2023
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5401 | Post No. : | 17723 |
This is the song, part of which is shot near to the Thajiwas glacier, near Sonamarg, Kashmir. This is the route going to Laddakh, travelling east of Srinagar. Further on this road falls Kargil area, about which many people have told me is much too beautiful to miss. Laddakh is a sight to behold too. I have missed both Laddakh and Kargil, but hope to visit in future, in-sha-Allah.
When we spoke to local people and guides in the valley at Sonamarg, one of them told us that many Hindi film songs are filmed in the area and very near to the Thajiwas glacier. He mentioned a song from the 1982 film ‘Satte Pe Satta’. I forgot all about this and only discovered this song accidentally. It is indeed filmed nearer to the glacier, than we could travel. A few decades ago, the vehicles were allowed to go up to the valley where the glacier is near, and the rivers and waterfalls start, fed by the Thajiwas glacier. Obviously, the location is visible from the highway, but far away for us city people to walk up or even ride a horse. I clicked great many photos, to capture different fingers of the main glacier, whatever I could see from one side i.e. the highway and Sonamarg side. It must be magnificent to look at from the other sides, which are truly remote and not habitable areas. This is only one glacier of the 10,000 which fall in the Indian territory. One needs several lives to fully watch and savour the magnificence of the Himalayan Mountain range, and its various attributes and aspects. The Himalayas were formed due to the friction and constant northward movement of the Indian plate against the Asian plate, over thousands of years.
This is my previous post on Kashmir visit – “Jiya Jiya Re Jiya Re“.
Todays’s song is from the film ‘Satte pe Satta’ (1982), which is mostly shot in Kashmir over 40 years ago, and one part of it is near the famous glacier. Must be in fair weather, the full star cast of the film went up there to shoot in bright sunlight. But they all returned to the base farmhouse/ farmstead where rest of the song is filmed. The singers are RD Burman, Kishore Kumar, Asha Bhosle, Bhupinder Singh, Sapan Chakraborty, Basu Chakraborty and the music is composed by RD Burman. The lyricist is Gulshan Bawra and it is the title song of the film.
Interestingly, Gulshan Bawra has rhymed the words satte pe satta with the word albatta. This gives us a unique word, and as far as I am aware, used only once in a Hindi film song. The word is a common usage affirmative / emphasising in cultured chaste Urdu. In old Hindi films this word is common, in dialogues, where the speaker wants to say or assert a view, despite this or inspite of that, ‘albatta‘, the truth prevails 😊.
اَلبَتَّہکےاردومعانی پوشیدہ فعلمتعلق یقیناً، قطعیطورپر، بےشک، ضرور، یقینہےکہ، لیکن، مگر، اتناضروریہے
albatta. अलबत्ताالبتہ. although, but, on the other hand. Isth
This explains the origin of the word.
Is the English word ‘albeit’ derived from the Urdu word ‘Albatta’?
No, the word ‘albeit’ is not derived from the Urdu word ‘Albatta’. ‘Although’ is a conjunction that means ‘in spite of the fact that’ or ‘even though’. It is derived from the Old English word ‘þeah’ which means ‘even though’ or ‘although’. The Urdu word ‘albatta‘ is a conjunction that means ‘although’ or ‘notwithstanding’. It is derived from the Arabic word ‘al-batta‘ which means ‘however’ or ‘despite’.
I have fond memories of watching this film at Minerva (or was it Apsara?) in 1982. We lived in the BEST officer’s quarters and the many families decided to watch the film collectively. The tickets were booked through the theater management, via the PSU’s good offices, as the supplier of electricity. I remember the theater management had put up a welcome message for the BEST officers and their families on screen, before the start of the film.
I am truly amazed to have had such unique experiences of movie watching, in theaters. Some memories, like being hit with a clothes hanger, and being forced to go to watch ‘Muqaddar ka Sikander’ (1978); and leaving the Liberty cinema in interval after not watching ‘Lekin’ (1990), walking up to Maratha Mandir to watch a re-release matinee show of ‘Mughal-e-Azam’ (1960) in knee deep water-logged streets; the experience of watching coins being thrown at the screen on the song “Tere Chehre Mein Wo Jaadu Hai” in a dilapidated theatre in Belgaum while watching ‘Dharmata’ (1975) sometime in the mid 80’s; the best of which is my friend being told by the usher, “No madam, it is waiting for you” at Regal cinema where we were late for the show of ‘Gone With The Wind’ (1939), in reply to her question “Has the movie started?”. There are more such memories, which will surface in time. I will share them in future posts.
Song – Dukki Pe Dukki Ho Ya Satte Pe Satta (Satte Pe Satta) (1982) Singer – Kishore Kumar, Asha Bhosle, Bhupinder Singh, Sapan Chakraborty, Basu Chakraborty, Lyrics – Gulshan Bawra, MD – RD Burman
Chorus
Lyrics
hey…
dukki pe dukki ho
ya satte pe satta
dukki pe dukki ho
ya satte pe satta
gaur se dekha jaaye
to bas hai patte pe patta
koi faraq nahin albatta
koi faraq nahin albatta
hoy koi faraq nahin albatta
koi faraq nahin albatta
haan
dukki pe dukki ho
ya satte pe satta
dukki pe dukki ho
ya satte pe satta
gaur se dekha jaaye
to bas hai patte pe patta
koi faraq nahin albatta
koi faraq nahin albatta
hoy koi faraq nahin albatta
koi faraq nahin albatta
tu mere dil ka raja hai
ya tere dil ki main raani
tu mere dil ka raja hai
ya teredil ki main raani
o o o
tu meri baahon mein aa
main teri baahon mein hoon
pyar to hoga jaani
banegi wohi kahaani
koi faraq nahin albatta
koi faraq nahin albatta
ho koi faraq nahin albatta
koi faraq nahin albatta
dukki pe dukki ho
ya satte pe satta
dukki pe dukki ho
wow
ya satte pe satta
gaur se dekha jaaye
to bas hai patte pe patta
koi faraq nahin albatta
koi faraq nahin albatta
hoy koi faraq nahin albatta
koi faraq nahin albatta
ho ho ho
ah ha haa
oh ho ho ho ho ho ho
qismat mein jin ki milna hai
wo kisi tarah bhi mil jaayen
qismat mein jin ki milna hai
wo kisi tarah bhi mil jaayen
o o purab se paschim ki ee
uttar se dakshin ki ee
mil jaati hain rekhayen
laakhon pehre lagaayen
atak gaya
kyun
ka ko ka ko ka ka
ka ka kao kao
bolo bolo bolte raho
koi faraq nahin albatta
koi faraq nahin albatta
ho koi faraq nahin albatta
koi faraq nahin albatta
ho dukki pe dukki ho
ya satte pe satta
dukki pe dukki ho
ya satte pe satta
gaur se dekha jaaye
to bas hai patte pe patta
koi faraq nahin albatta
koi faraq nahin albatta
hoy koi faraq nahin albatta
koi faraq nahin albatta
dono ka ek matlab hai
dil de de ya to dil le le
ho dono ka ek matlab hai
dil de de ya to dil le le
ho….
sadiyon se hota hai jo
aakhir ko wohi hoga
lagte hain pyar ke mele
jaayenge sabhi akele
koi faraq nahin albatta
koi faraq nahin albatta
hoy koi faraq nahin albatta
koi faraq nahin albatta
dukki pe dukki ho
ya satte pe satta
dukki pe dukki ho
ya satte pe satta
gaur se dekha jaaye
to bas hai patte pe patta
koi faraq nahin albatta
koi faraq nahin albatta
hoy koi faraq nahin albatta
koi faraq nahin albatta
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
हे ॰ ॰ ॰
दुक्की पे दुक्की हो
या सत्ते पे सत्ता
दुक्की पे दुक्की हो
या सत्ते पे सत्ता
गौर से देखा जाये
तो बस है पत्ते पे पत्ता
कोई फरक नहीं अलबत्ता
कोई फरक नहीं अलबत्ता
होय कोई फरक नहीं अलबत्ता
कोई फरक नहीं अलबत्ता
हाँ
दुक्की पे दुक्की हो
या सत्ते पे सत्ता
दुक्की पे दुक्की हो
या सत्ते पे सत्ता
गौर से देखा जाये
तो बस है पत्ते पे पत्ता
कोई फरक नहीं अलबत्ता
कोई फरक नहीं अलबत्ता
होय कोई फरक नहीं अलबत्ता
कोई फरक नहीं अलबत्ता
तू मेरे दिल का राजा है
या तेरे दिल की मैं रानी
तू मेरे दिल का राजा है
या तेरे दिल की मैं रानी
ओ ओ ओ
तू मेरी बाहों में आ
मैं तेरी बाहों में हूँ
प्यार तो होगा जानी
बनेगी वही कहानी
कोई फरक नहीं अलबत्ता
कोई फरक नहीं अलबत्ता
हो कोई फरक नहीं अलबत्ता
कोई फरक नहीं अलबत्ता
दुक्की पे दुक्की हो
या सत्ते पे सत्ता
दुक्की पे दुक्की हो
वॉव
या सत्ते पे सत्ता
गौर से देखा जाये
तो बस है पत्ते पे पत्ता
कोई फरक नहीं अलबत्ता
कोई फरक नहीं अलबत्ता
होय कोई फरक नहीं अलबत्ता
कोई फरक नहीं अलबत्ता
हो हो हो
आ हा हा
ओह हो हो हो हो हो हो
क़िस्मत में जिनकी मिलना है
वो किसी तरह भी मिल जाएँ
क़िस्मत में जिनकी मिलना है
वो किसी तरह भी मिल जाएँ
ओ ओ पूरब से पश्चिम की॰ ॰ ॰
उत्तर से दक्षिण की॰ ॰ ॰
मिल जाती हैं रेखाएँ
लाखों पहरे लगाएँ
अटक गया
क्यों
का को का को का का
का का काओ काओ
बोलो बोलो बोलते रहो
कोई फरक नहीं अलबत्ता
कोई फरक नहीं अलबत्ता
हो कोई फरक नहीं अलबत्ता
कोई फरक नहीं अलबत्ता
दुक्की पे दुक्की हो
या सत्ते पे सत्ता
दुक्की पे दुक्की हो
या सत्ते पे सत्ता
गौर से देखा जाये
तो बस है पत्ते पे पत्ता
कोई फरक नहीं अलबत्ता
कोई फरक नहीं अलबत्ता
होय कोई फरक नहीं अलबत्ता
कोई फरक नहीं अलबत्ता
दोनों का एक मतलब है
दिल दे दे या तो दिल ले ले
दोनों का एक मतलब है
दिल दे दे या तो दिल ले ले
हो॰ ॰ ॰
सदियों से होता है जो
आखिर को वोही होगा
लगते हैं प्यार के मेले
जाएँगे सभी अकेले
कोई फरक नहीं अलबत्ता
कोई फरक नहीं अलबत्ता
होय कोई फरक नहीं अलबत्ता
कोई फरक नहीं अलबत्ता
दुक्की पे दुक्की हो
या सत्ते पे सत्ता
दुक्की पे दुक्की हो
या सत्ते पे सत्ता
गौर से देखा जाये
तो बस है पत्ते पे पत्ता
कोई फरक नहीं अलबत्ता
कोई फरक नहीं अलबत्ता
होय कोई फरक नहीं अलबत्ता
कोई फरक नहीं अलबत्ता
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5318 | Post No. : | 17440 |
#the Decade of Eighties – 1981 – 1990 #
————————————————————————
During the months of November-December 2022, I had presented couple of ‘drunkard’ category or ‘drink driven’ category songs on the blog. The last one was posted on 03.12.2022. I think the blog is ‘overdue’ 🙂 for another such song.
So, here is a song from the movie ‘Ashaanti-1982’.
‘Ashaanti-1982’ was directed by Umesh Mehra for ‘Eagle Films, Bombay’. It was produced by Parvesh C. Mehra.
The movie had Rajesh Khanna, Zeenat Aman, Parveen Babi, Shabana Azmi, Mithun Chakravarty, Kanwaljeet, Amrish Puri, Jeevan, Narendra Nath, Monty, Mac Mohan, Kishore Kapoor, Yusuf Khan, Ram Sethi, Nadira, Satyen Kappu, Bob Christo, Mohan Choti, Avtar Gill, Ajay Agrawal, Amir Jambra, Yusuf, Ganesh, and others.
Prem Kishan and Ramesh Deo make a special appearance in this movie.
This movie was passed by Censor Board on 01.05.1982.
Here is a brief about this movie as mentioned by Peevesie’s Mom ji in her post while discussing a song from this movie.
“Ashanti” was one of the multi-starrers of that year. It had Rajesh Khanna heading a cast of Shabana Azmi, Zeenat Aman, Parveen Babi, Mithun Chakravarthy, Kanwaljeet, Amrish Puri, Satyen Kappu, Jeevan Ramesh Deo, Nadira, Pinchoo Kapoor, Narendranath, Monty Nath, and many more known faces that formed the supporting cast. It was an action film and was the story of an honest & dedicated police officer played by Rajesh Khanna who intercepts a bank robbery but is himself caught with the suitcase of stolen money, tried in the court and jailed. Further twists in the tale lead him to losing a leg too. On his release from prison he seeks out the wrong doers and for this he has help from the three heroines and Shankar Dada played by Mithun. If my memory is correct, one of the heroines is also the lost daughter of Amrish Puri who is the cause of all the troubles of the police officer. The movie comes to a close after a lot of drama and high voltage action.
This movie had five songs composed by R.D. Burman. Lyrics for all the five songs were penned by Anand Bakshi.
Following is the list of songs in this movie:-
| S.No. | Song Title | Singer/s | Posted On |
|---|---|---|---|
| 01. | Ru ru ru ru … Dil diya hai maine dil diya hai | Asha Bhonsle, Amit Kumar | 29.12.2022 |
| 02 | Main hoon sharaabi, nahin ji nahin | Shailendra Singh | |
| 03 | Naa tujhse naa mujhse oye naa mujhse naa tujhse, hamse hai yah duniya | Asha Bhonsle, Kishore Kumar, Shailendra Singh | 29.12.2021 |
| 04 | Suniye main jis shahar mein jaati hoon… laungi mirchi main Kolhapurchi | Lata Mangeshkar, Asha Bhonsle | 19.11.2017 |
| 05 | Shakti de ma … o pag pag thokar khaaun chal naa paaun … | Chandrashekhar Gadgil, chorus | 29.12.2012 |
So far four songs from this movie have been posted on the blog. Today’s song is the fifth and final song from this movie.
This song is sung by Shailendra Singh. Mithun Chakravarty performs on this song. The picturisation shows Mithun at a ‘sharaab thheka’ with Mohan Choti with him. Also seen in the picturisation is Parveen Babi who seems to be on some ‘sceret agenda’out to take advantage of Mithun’s intoxicated condition. 🙂
With this song all songs of ‘Ashanti-1982’ get covered on the blog and this movie joins the ‘list of movies-all songs covered’.
Let us say ‘Y i P p Ee eE’ to ‘Ashanti’ as the movie ends its journey on the blog on a “high” with this ‘drunkard’ song. 🙂
Video
Audio
song-Main hoon sharaabi nahin jee nahin (Ashaanti)(1982) Singer-Shailendra Singh, Lyrics-Anand Bakshi, MD-R D Burman
Lyrics
main hoon sharaabi
nahin ji nahin
ho o
main hoon sharaabi
nahin ji nahin
kisi ne pilaa di hai
khud pi nahin een
main hoon sharaabi
nahin ji nahin
ho o
main hoon sharaabi
nahin ji nahin ee
saaghar hataao
nigaahen milaao
ab apni aankhon se
mujhko pilaao
ho o
saaghar hataao
nigaahen milaao
ab apni aankhon se
mujhko pilaao
botal mein baaki
zaraa si nahin een
main hoon sharaabi
nahin ji nahin
ho
main hoon sharaabi
nahin ji nahin ee
ki maine taubaa
na ilzaam loonga
main apne haathhon mein
na ye jaam loongaa
ho o
ki maine taubaa
na ilzaam loonga
main apne haathhon mein
na ye jaam loongaa
peene se taubaa
re baba
peene se taubaa
magar kii nahin een
main hoon sharaabi
nahin ji nahin
ho o
main hoon sharaabi
nahin ji nahin ee
in khaali aankhon mein
kya dhhoondhhti ho
tum mujhse kiskaa
pataa poochhti ho
ho
in khaali aankhon mein
kya dhhoondhhti ho
tum mujhse kiskaa
pataa poochhti ho
mujhko to apni
khabar bhi nahin een
main hoon sharaabi
nahin ji nahin
ho o
main hoon sharaabi
nahin ji nahin ee
kisi ne pilaa di hai
khud pi nahin een
main hoon sharaabi
nahin ji nahin
ho o
main hoon sharaabi
nahin ji nahin ee
oo h
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5317 | Post No. : | 17438 |
#the Decade of Eighties – 1981 – 1990 #
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(A tribute to lyricist Nida Fazli on his ‘Remembrance Day’)
Today we pay our tributes to lyricist Nida Fazli on his ‘seventh’ ‘Remembrance Anniversary.
He was born on 12th October’1938 and he passed away on 08th February’2016.
As a tribute to him today on his ‘Remembrance Day’ I presenting a song penned by him for the movie ‘Naakhuda-1981’.
This movie has six songs and all the six songs were written by Nida Fazli.
We have some beautiful compositions composed by Khayyam Saab to the equally beautiful lyrics by Nida Fazli in this movie.
“Naakhuda-1981” was directed by Dilip Naik for ‘Yashraj Enterprises’. It was produced by Yash Chopra.
It had Kulbhushan Kharbanda, Raj Kiran, Madan Puri, Yunus Parvez, Mac Mohan, Bharat Kapoor, and Javed Khan. They were supported by Sudhir Dalvi, Vikas Anand, Mahaan, Murlidhar, Bandini, Nandini, Umesh, Murari, Chand, Raj Verma, Chandu, Pardesi, Madhu Malhotra, Amarnath, Rajesh, Rauf Khan and others.
This movie introduced Swaroop Sampat. Asha Sachdev had a guest appearance in this movie.
This film was written by Mushtaq Jalili. Editing of this movie was done by B. Mangeshkar.
(Ranjan Suryawanshi was the chief assistant editor and Deepak Sareen was the chief assistant director for this movie).
This movie was passed by Censor Board on 17.02.1981.
As mentioned above this movie has six songs written by Nida Fazli and music for five songs was composed by Khayyam .
One song was composed by Nusrat Fateh Ali Khan and this song had the voices of Nusrat Fateh Ali Khan, Mujahad Ali and chorus.
The songs had voices of Lata Mangeshkar, Asha Bhonsle, Mahendra Kapoor, Nitin Mukesh, Jagjit Kaur, Pamela Chopra, and S.K. Mahaan.
Following is the list of songs this movie had.
| S.No. | Song Title | Singer/s | Posted On |
|---|---|---|---|
| 01. | Allaah beli…sahaara hai naakhuda | Mahendra Kapoor, chorus | |
| 02 | Tujhe maroongi phoolon ki maar sajna | Mahendra Kapoor, Asha Bhonsle | |
| 03 | Suno ik baat bolen | Lata Mangeshkar, Nitin Mukesh | 28.09.2014 |
| 04 | Rangeen hai fazaayen… aa jaa yaar habibi | Mahendra Kapoor, Jagjit Kaur, Pamela Chopra, S.K. Mahaan | |
| 05 | Tumhaari palkon ki chilmanon mein | Lata Mangeshkar, Nitin Mukesh | 27.06.2020 |
| 06 | Ali ali shaah e mardaan ali | Nusrat Fateh Ali Khan, Mujahad Ali, chorus |
Two songs from this movie ‘Naakhuda-1981’ have been posted on the blog earlier as mentioned in the above table.
Today’s song is sung by Mahendra Kapoor. Sudhir Dalvi is seen lip-syncing this song on screen.
Lyrics noted are as per the audio link (which is a longer link and may have repetition of lines of chorus and stanza lines too).
The picturisation of the song is shown in the background of the movie titles where we can see Sudhir Dalvi (as a ‘Fakir’) and other devotees (?) sailing in a boat.
The song relates the ‘captain of the boat/ship’ – ‘Naakhuda’ to God and says that he is the sailor, captain, rescuer, and director like the God in the hour of ‘crises. He is the commander of the ‘fate’ or ‘destiny’ of the travellers in the boat and also he is as great as God and treat all equally with love and shower his love on all irrespective of their caste, creed and religion.
Let us enjoy this wonderful song…
Audio (Longer)
Video
Song-Kashti rawaadawaan hai sahaara hai naakhudaa (Naakhuda)(1982) Singer-Mahendra Kapoor, Lyrics-Nida Fazli, MD-Khayyam
Chorus
Lyrics
allaah allaah
allaah beli
ho allaah beli ee
allaah allaah
allaah beli
ho allaah beli ee
kashti ravaandavaan hai
sahaara hai naakhuda aa aa
toofaan mein khudaa ka
ishaara hai naakhuda
kashti ravaandavaan hai
sahaara hai naakhuda aa aa
toofaan mein khudaa ka
ishaara hai naakhuda
allaah allaah
allaah beli
ho allaah beli ee
allaah allaah
allaah beli
ho allaah beli ee
aa aa aa aa aa
aa aa aa aa aa
mazhab hai uskaa
pyaar
ibaadat hai dosti
jaltaa hai wo
diye saa
lutaata hai raushni
khidmat khudaa ke
bandon ki hai
uski bandagi
jeenaa hai doosron ke liye
uski zindagi
har naao ka nadi mein
kinaara hai naakhuda
toofaan mein khudaa ka
ishaara hai naakhuda
kashti ravaandavaan hai
sahaara hai naakhuda aa aa
toofaan mein khudaa ka
ishaara hai naakhuda
allaah allaah
allaah beli
ho allaah beli ee
allaah allaah
allaah beli
ho allaah beli ee
aa aa aa aa aa
aa aa aa aa aa
phaili huyi zameen ki tarah
uskaa pyaar hai
uska nahin hai koyee
wohi sab ka yaar hai
khatron se khelta hai wo
auron ke waaste ae
bhatke musaafiron ko
dikhaata hai raaste
raaton ka chaand
bhor ka taara hai naakhudaa
toofaan mein khudaa ka
ishaara hai naakhuda
kashti ravaandavaan hai
sahaara hai naakhuda aa
toofaan mein khudaa ka
ishaara hai naakhuda
allaah allaah
allaah beli
ho allaah beli ee
allaah allaah
allaah beli
ho allaah beli ee
aa aa aa aa aa
aa aa aa aa aa
auron ke waaste jo jiye
wo hai naakhuda
auron ke gham ka zehar piye
wo hai naakhuda
khud apni jaan nisaar karey ae
wo hai naakhuda
kashti sabhi ki paar karey
wo hai naakhuda
insaan nahin hai
pyaar ka dhaara hai naakhuda
toofaan mein khudaa ka
ishaara hai naakhuda
kashti ravaandavaan hai
sahaara hai naakhuda aa
toofaan mein khudaa ka
ishaara hai naakhuda
allaah allaah
allaah beli
ho allaah beli ee
allaah allaah
allaah beli
ho allaah beli ee
aa aa aa aa aa aa
allaah allaah
allaah beli
ho allaah beli ee
allaah allaah
allaah beli
ho allaah beli ee
aa aa aa aa aa aa
allaah allaah
allaah beli
ho allaah beli ee
allaah allaah
allaah beli
ho allaah beli ee
aa aa aa aa aa aa
allaah allaah
allaah beli
ho allaah beli ee
allaah allaah
allaah beli
ho allaah beli ee
aa aa aa aa aa aa
allaah allaah
allaah beli
ho allaah beli ee
allaah allaah
allaah beli
ho allaah beli ee
Ab charaagon ka koi kaam nahin
Posted on: January 17, 2023
- In: "Aankh" song | Duet | expression of love | Feelings of heart | Guest posts | Lata song | Lata Yesudas duet | Lyrics by Prakashchandra | Lyrics contributed by readers | Post by Avinash Scrapwala | Songs of 1980s (1981 to 1990) | Songs of 1982 | Yearwise breakup of songs | Yesudas song
- Leave a Comment
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5296 | Post No. : | 17344 |
#the Decade of Eighties – 1981 – 1990 #
————————————————————————
(Birth Anniversary – Maya Govind – A tribute)
Today 17th January’2023 is the eighty-third birth anniversary of poet lyricist Maya Govind.
She was born on 17th January’1940 and she passed away last year on 06th April’2022 at the age of eighty-two.
I had in my earlier post last year mentioned about her in detail. This post had come in the month of February’2022 last year. Two months later, we had the news of her sad demise.
Today as we pay our tributes to her. I am reproducing the same text here which is about her biographical details and journey into films.
Maya Govind is said to have challenged the male dominance in the lyrics writing in movies and had established a distinguished place for her in lyrics writing in Hindi movies.
Maya Govind was born on 17th January’1940 in Lucknow. Her father (Harnath Vahal) was a cloth merchant in Lucknow. Maya Govind and her two younger sisters were the three siblings When Maya Govind was still a child her father lost his eyesight. His wife – Maya Govind’s mother – was a housewife, and all his children were small kids. So, all his shops and slowly his house too was taken over by his relatives. That forced her mother to take shelter in a rented house.
When Maya Govind was only five years old, she lost her father which left the family in bad economic condition. In this situation her maternal uncle helped them to survive and to get education to the children. Maya Govind was the eldest among the three sisters. She completed her B.A. and B’ Ed.
Maya Govind got married while she was in her first year of B’ Ed. However, her marriage didn’t last long, and she returned to her mother within three months of her marriage. She continued doing B’ Ed and joined a four-year course in ‘Bhatkhande Sangeet Vidyalaya’. She also learned ‘Kathhak’ from Shambhu Maharaj. She did plays for Radio in Lucknow. Later she started teaching at Bal Vidya Mandir Lucknow. During this she keep doing acting in plays and joined the famous stage artist Kunwar Kalyan Singh.
She had been writing poetry since she was eleven years old. Once when Bharat Bhushan and his brother producer Ramesh Chandra (better known as R. Chandra) spotted her during their visit to her school and impressed by her poetry R. Chandra asked her to visit Bombay. That was in 1966.
R. Chandra offered her three movies to write lyrics for (these were ‘Mushaira’, ‘Megh Malhar’, and ‘Baap Bete’). She wrote eleven songs for ‘Mushaira’ and returned to Lucknow. Suddenly R. Chandra died in between, and only two songs were recorded then under the baton of Music Director Khayyam. (Later R. Chandra’s son Rakesh Chandra included these two songs in the movie ‘Muthhi Bhar Chawal’ in ‘1975’.)In 1965-66 Govind Arora (alias Ram Govind)- a famous writer and stage personality – came to Lucknow from Samastipur, Bihar to look artistes for his plays. Maya Govind was offered the lead role. During this association they become close friends and got married in 1967. Ram Govind too got settled in Lucknow. Both founded the ‘Darpan Naatya Sanstha’ in Lucknow.
In 1972 Maya Govind came to Bombay to participate in a ‘Kavi Sammelan’ where one among the audience was the famous producer director Ramanand Sagar. Impressed by her poetry he signed Maya Govind for lyrics writing for his movie ‘Jalte Badan’ which was released in 1973. In this movie she wrote all the lyrics for all the four songs in the movie. Around the same time, she came into contact with Guru Dutt’s brother Atmaram who was making the movie ‘Aarop-1974’ then. He offered her lyrics writing for this movie. Music for this movie was composed by the legendary Bhupen Hazarika. The song ‘nainon mein darpan hai’ got popular from this movie.
During this time famous producer Tarachand Badjatya recorded three poems of Maya Govind for a private album. Tarachand Badjatya also offered her to perform in his movie titled ‘Kavi Sammelan-1972’.
In 1988 Maya Govind set up her own production house- ‘Bahar Productions’ which produced ‘Tohfa Mohabbat ka’ which was not a commercial success and later she launched movie ‘Taandav’ which was shelved after shooting of 13 reels due to financial problems. Her recent movie as lyricist was ‘Baazar-E-Husn’ under Khayyam Saab.
Today as a tribute to Maya Govind we are going to listen to a beautiful song written by her from the movie ‘Baawri-1982’.
“Baawri-1982” was directed by A.C. Trilokchander for ‘G.G.K. Enterprises’. It was produced by G. Gopalkrishnan.
‘Baawri’ had the star cast of Raeksh Roshan, Jayaprada (in title role), Dr. Shreeram Lagoo, Nirupa Roy, Asrani, Seema Deo, Kamal Deep, Sunil Dhawan, P. Joshi, A. Shakuntala, Yogeeta Bali and others.
This movie introduced Vikrant Dutt.
‘Baawri’ has six songs written by Maya Govind and they were composed by Khayyam Saab.
Maya Govind and Khayyam had collaborated in the following films.
| 1. | Mutthi Bhar Chawal(1975) | 02 songs |
| 2. | Baawri(1982 ) | 06 songs |
| 3. | Razia Sultan(1983 ) | 01 song |
| 4. | Banaras-1918 A Love Story(2006) | 01 song |
| 5. | Yaatra-The Journey(2006) | 01 song |
Not many songs. I wish they could have collaborated more so that we would have got many memorable songs to cherish.
Today’s song from ‘Baawri-1982’ is sung by Lata Mangeshkar and Yesudas. It is a very nice song with equally beautiful poetry, singing and composition. I like this song very much.
Lyrics for this song were sent by Prakashchandra.
Earlier one song from this movie has been posted on the blog long back in 2012. This song also is another wonderful divine composition by Khayyam Saab with pure verses by Maya Govind.
Let us listen to today’s song and pay our tributes to Maya Govind. This song is performed on screen by Rakesh Roshan and Jayaprada having some illuminating locations and illuminating performance (?) 🙂
Audio
Video
Song-Ab charaagon ka koi kaam nahin (Baawri)(1982)Singers-Lata, Yesudas, Lyrics-Maya Govind, MD-Khayyam
Lyrics(Provided by Prakashchandra)
ab charaagon ka
koyi kaam nahin ee
ab charaagon ka
koyi kaam nahin ee
tere nainon se raushni si hai
tere nainon se raushni si hai
chandramaa nikley
ab yaa naa nikley ae
chandramaa nikley
ab yaa naa aa nikley ae
tere chehre se chaandni si hai
tere chehre se chaandni si hai
husn-e-kashmir
jaadu-e-bangaal
husn-e-kashmir
jaadu-e-bangaal
tu saraapaa kisi shaayar ka khayaal
toone zarre ko sitaaraa samjhaa
toone zarre ko sitaaraa samjhaa
ye hai saajan teri nazron ka kamaal
teri soorat mein jalwaa-gar lailaa aa
teri soorat mein jalwaa-gar lailaa aa
jaan-e-mann tu hi sohini si hai
tere nainon se raushni si hai
ek khwaahish ek hi ee armaan
ek khwaahish ek hi ee armaan
raat din bas teri poojaa aa karnaa
tere charnon ki ban rahoon daasi
tere charnon ki ban rahoon daasi
tere charnon mein hi jeenaa marnaa
mere sapnon ki tu mahaaraani ee
mere sapnon ki tu mahaaraani ee
teri soorat mein mohini si hai
tere nainon se raushni si hai
raat sapney mein kuchh ajab dekhaa
sharm aati hai ye bataate huye ae ae
ruk kyon gayin
kaho naa
ek seepi mein chhup gayaa aa moti
jaane kab os mein nahaate huye ae ae
toone khushiyon se bhar diya aangan
toone khushiyon se bhar diya aangan
teri ye baat raagini si hai
tere nainon se raushni si hai
har janam mein rahegaa saath teraa
ae meri Sitaa meri Saavitri ee
naam teraa main mantra kar loongaa
Gaayatri Gaayatri hi Gaayatri ee ee
teri baahon mein jo ye dam nikley ae
teri baahon mein jo ye dam nikley ae
maut bhi meri zindagi si hai
maut bhi meri zindagi si hai
chandramaa nikley ab yaa naa aa nikley ae
ab charaagon ka koyi kaam nahin ee
tere chehre se chaandni si hai
tere nainon se raushni si hai
Ayyaash hoon main ayyaash hoon
Posted on: January 13, 2023
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5292 | Post No. : | 17329 |
#the Decade of Eighties – 1981 – 1990 #
————————————————————————
(Birth Anniversary – Shakti Samanta – A tribute)
Today 13th Janunary’2023 is the ninety-seventh birth anniversary of yesteryears Director and Producer Shakti Samanta. He is known for his successful association with Rajesh Khanna-R.D. Burman-Anand Bakshi and other well-known actors like Shammi Kapoor and others.
Shakti Samanta was born on 13th January’1926 and he passed away on 9th April’2009.
He founded his banner ‘Shakti Films’ in 1957. He produced and directed many films under this banner.
His movies like ‘Aradhana’, ‘Amar Prem’ and ‘Kati Patang’ among others are milestone movies in Hindi Film History.
Today on the occasion of his birth anniversary here is a song from the ‘1982’ movie ‘Ayyaash’.
“Ayyaash-1982” or ‘Aiyaash’ was produced and directed by Shakti Samanta. This movie had Sanjeev Kumar, Rati Agnihotri, Arun Govil, Madan Puri, Sujit Kumar, Chandrashekhar, T.P. Jain, Meena T., Asit Sen, Tarun Ghosh, Manik Dutt, Subrato Mahapatra, Coca Cola, Amarnath, Birbal, Prabhat, Manoj, Hina Kausar, Helen, Arpana Chowdhury, Padma Khanna, Leena Das, and others in it.
Beena, Pradeep (Kumar?), and Satyajeet had a special appearance in this movie.
Story of this movie was written by Bimal Mitra and dialogues were written by Kamleshwar. Screenplay of this movie was jointly written by Shakti Samanta and Salil Dutta. Editing of this movie was done by Bijoy Chowdhury.
This movie was passed by Censor Board on 21.04.1982.
“Aiyaash” has six songs in it which were written by Anand Bakshi. Music for this movie was composed by Ravindra Jain (and not RDB 🙂 ).
Here is the list of songs in this movie:-
| SNo | Song Title | Singer/s | Posted On |
|---|---|---|---|
| 01 | Beeti huyi raat ki sunaati hai kahaani | Yesudas | 12.01.2015 |
| 02 | Panchhi ud jaaye pinjra rah jaaye | Ravindra Jain | |
| 03 | Suno balam harjaayee | Asha Bhonsle | |
| 04 | Aiyaash hoon main | Bhupinder Singh | Song under discussion in this post |
| 05 | Kaali naagan dasegi naagan ke paas mat jaana | Yesudas, Manna Dey, chorus | |
| 06 | Topiwaale ne karke salaam mujhe | Asha Bhonsle |
We can see from the above table that one song from this movie has been posted on the blog earlier on 12.01.2015.
After a long gap today we are presenting the second song from this movie on the blog today.
Lyrics for the today’s song have been sent by Prakashchandra.
Today’s song is sung by Bhupinder Sing and on screen it is Sanjeev Kumar performing on this song. Also seen in the picturisation of this ‘mujraa’ set-up song are Padma Khanna, Leena D’Souza aka Leena Das, Subroto Mahapatra, Madan Puri, Arun Govil, Chandrashekhar,Tarun Ghosh, Cocacola(aka Kamal raj Bhasin), Maanik Dutt.
Let us enjoy this wonderful song sung by Bhupinder Sing and performed by Sanjeev Kumar so well suited to the ‘title role’ he played in this movie. By the way I like such songs very much (in right earnest and intentions 🙂 ):)
Over to the song now…
Video
Audio
Song-Ayyaash hoon main ayyaash hoon (Ayyaash)(1982) Singer-Bhupinder Singh, Lyrics-Anand Bakshi MD-Ravindra Jain
Lyrics( Provided by Prakashchandra)
ishq detaa hai mere ae
dil ko tadap
husn detaa hai
mere
dil ko sukoon oon
ayyaash hoon
main ayyaash hoon
ayyaash hoon
main ayyaash hoon
ishq detaa hai mere
dil ko tadap
ishq detaa hai mere
dil ko tadap
husn detaa hai
mere dil ko sukoon
ayyaash hoon
main ayyaash hoon
ayyaash hoon
main ayyaash hoon
ek dariya hai shabaab
jismein behti hai ae ae sharaab
uss pe bashar ki ye raat raat
mujre ki ye raat
raat mujre ki ye raat
chaandni ke aks mein
gulbadan hai raqs mein
haath mein aen ho
haath mein saaghar mere
sar mein junoon
ayyaash hoon
main ayyaash hoon
ishq detaa hai mere
dil ko tadap
husn detaa hai
mere dil ko sukoon
ayyaash hoon
main ayyaash hoon
ayyaash hoon
main ayyaash hoon
kaam apne ae kaam se ae
shauq mujh ko jaam se ae
paani aag mein milaa
laa pilaa o saaqiya
laa pilaa o saaqiyaa
hai yahi fitrat meri
hai yahi aadat meri
hai yahi ee
hai yahi mera kirdaar
main kyaa karoon oon
ayyaash hoon
main ayyaash hoon
ishq detaa hai mere
dil ko tadap
ishq detaa hai mere
dil ko tadap
husn detaa hai
mere dil ko sukoon oon
ayyaash hoon
main ayyaash hoon
ayyaash hoon
main ayyaash hoon
Dil diya hai maine dil liya hai
Posted on: December 29, 2022
- In: "Disco" song | Amit Kumar songs | Asha Bhonsle Amit Kumar duet | Asha Bhonsle songs | Blog Ten Year Challenge (2012-2022) | Dance song | Duet | Guest posts | Post by Peevesie's mom | Rajesh Khanna present (without lip syncing) | Rajesh Khanna songs | Songs of 1980s (1981 to 1990) | Songs of 1982 | Yearwise breakup of songs
- Leave a Comment
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5277 | Post No. : | 17291 |
———————————————–—————————————
Blog 10-Year Challenge (2012-2022) – Song No. 139
————————————————————————————–
Hullo Atuldom
I must thank our Atulite, Prakashchandraji, for idea about the movie to accompany this post.
Here are the songs that were posted on the blog on 29/12/2012:-
| Song | Movie (Year) | Contributor | Time of post |
|---|---|---|---|
| Chinchpokli chinchpokli | Shabistan(1951) | by Arunji, first post of the day | at 7:38 am |
| Meethhi meethhi yaad teri dil tadpa gayee | Great Show of India (1958) | (by Sudhirji) | 8:51 am |
| aji tum aur hum hon saath saath | Marine Drive (1955) | (by Sudhirji) | 9:22 am |
| Ho ruk jaa ruk jaa ruk jaa laut kea aana hoga | Changez Khan(1957) | (by Sudhirji) | 10:23 am |
| Kaho meri Sarkar tabeeyat kaisi hai | Trunk Call(1960) | (by Sudhirji) | 11:13 am |
| Hatt jaao deewaane aaye | Singapore(1960) | (Lyrics by Atif M ji ) | 12:56 am |
| Badhaayee ho badhaayee janam din ki tumko | Mera Munna(1967) | (Lyrics by Prakashchandra ji ) | 2:45 pm |
| Tumhaare dil ko ulfat ka nishaana karke chhodenge | Johar Mehmood In Hong Kong(1971) | 4:20 pm | |
| Ham unko dekhte hain | Benazir(1964) | (by Nahmji) | 5:01 pm |
| Ram kare babua hamaar phulwaa ko | Anuraag(1972) | (Lyrics by Khyatiji) | 7:37 pm |
| Kis ki sadaayen mujhko bulaayen | Red Rose(1980) | (Lyrics by Prakashchandraji) | 9:10 pm |
| Shakti de maa | Ashaanti(1982) | (Lyrics by Avinashji) | 9:40 pm |
29/12/2012 was a Saturday. As can be seen from the above list Atulji posted the first song at 7.38 in the morning. 12 songs were posted, 6 of which were guest posts from which 4 were by Sudhirji (he was also very active on the blog then) and one each by Nahmji & Arunkumarji.
The last three posts on that date had lyrics contributed by Avinashji, Prakashchandraji and Khyatiji; all three of which were songs featuring Rajesh Khanna for his birthday. It was the first birthdate after Kaka’s death in July that year; we were remembering him on what would have been his 70th birthday.
The song that was contributed by Avinashji was from “Ashanti” an Eagle Film’s production. Hatt jaao deewaane aaye was a song from the 1960 release “Singapore” which was also an Eagle Films’ production that was directed by Shakti Samanta. (that must have been unplanned, I am sure).
“Ashanti” (1982), a movie produced by Parvesh Mehra & Rajiv Mehra of Eagle Film’s and directed by Umesh Mehra. It had music by R.D. Burman with Anand Bakshi as the lyricist. Lata Mangeshkar, Asha Bhonsle, Kishore Kumar, Amit Kumar, Shailendra Singh were the playback singers used. The following three songs from this movie are on the blog.
| Shakti de maa | 29 december 2012 |
| Laungi mirchi main Kolhapur ki | 19 November 2019 |
| Na tujhse na mujhse | 29 December 2021 |
“Ashanti” was one of the multi-starrers of that year. It had Rajesh Khanna heading a cast of Shabana Azmi, Zeenat Aman, Parveen Babi, Mithun Chakravarthy, Kanwaljeet, Amrish Puri, Satyen Kappu, Jeevan Ramesh Deo, Nadira, Pinchoo kapoor, Narendranath, Monty Nath, and many more known faces that formed the supporting cast. It was an action film and was the story of an honest & dedicated police officer played by Rajesh Khanna who intercepts a bank robbery but is himself caught with the suitcase of stolen money, tried in the court and jailed. Further twists in the tale lead him to loosing a leg too. On his release from prison he seeks out the wrong doers and for this he has help from the three heroines and Shankar Dada played by Mithun. If my memory is correct, one of the heroines is also the lost daughter of Amrish Puri who is the cause of all the troubles of the police officer. The movie comes to a close after a lot of drama and high voltage action.
Today’s song has the voices of Asha Bhonsle and Amit Kumar. The song is picturised as a disco dance song on Zeenat Aman and Kanwaljeet. Rajesh Khanna is present among the audience. He is seen seated around a table with Shabana Azmi and he is seen looking furtively as befits a police officer on an important sectet mission.
Missing Kaka a.k.a Rajesh (first Superstar of Bollywood) Khanna on what would have been his 80th birthday.
Song-Dil diya hai maine dil liya hai (Ashaanti)(1982) Asha Bhonsle, Amit Kumar Lyrics-Anand Bakshi, MD-R D Burman
Both
Lyrics
aaa
dil diya hai maine dil liya hai
ya ya yaad rakhna
arey haan kisi se maine pyaar kiya hai
ya ya yaad rakhna
mere dilbar ka jaane jigar ka
mere dil pe naam likha hai
ku ku
dil diya hai
maine dil liya hai
ya ya yaad rakhna
arre haan kisi se maine pyaar kiya hai
ya ya yaad rakhna
meri mohabbat ke liye
pyaar bhara dil laaye ho
mujhko mager afsos hai
tum zara der se aaye ho
haath kisi ne mera thhaam liya hai
ya ya yaad rakhna
mere dilbar ka jane jigar ka
mere dil pe naam likha hai
ku ku
dil diya hai
maine dil liya hai
ya ya yaad rakhna
haan kisi se maine pyaar kiya hai
ya ya yaad rakhna
Chorus
meri nigaahon pe teri
zulfon ka baadal chhaa gaya
jhoom ke baadal ki tarah
tera deewaana aa gaya
dil ne tujhe
phir yaad kiya hai
ya ya yaad rakhana
mere dilbar ka
jaane jigar ka
mere dil pe
naam likha hai
ku ku
dil diya hai
maine dil liya hai
ya ya yaad rakhna
haan kisi se maine pyaar kiya hai
ya ya yaad rakhna
sab ki nazar ke saamne
duniya se ye kehna hai
haan haan
aa aa a
ha ha aa ha aa
tumse juda ho kar hamen
duniya me hame nahi rehna hai
jaan se bichhad ke kaun jiya hai
ya ya yaad rakhna
ho mere dilbar ka
jaane jigar ka
mere dil pe
naam likha hai
kuku
dil diya hai
maine dil liya hai
ya ya yaad rakhna
haan kisi se maine pyaar kiya hai
ya ya yaad rakhna
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Blog Day : |
5253 | Post No. : | 17256 |
“Swaami Dada”(1982) was produced and directed by Dev Anand for Navketan Films, Bombay. The movie had Dev Anand in title role. The movie also had Mithun Chakraborty, Padmini Kolhapure, Rati Agnihotri, Naseeruddin Shah, Shakti Kapoor, Kulbhushan kharbanda etc. The movie introduced Cristine o` Neil.
It also had A.K.Hangal,Bharat Kapoor, Sushma Seth, Bina, Mona Behl, Urmila Bhatt, Tom Alter, Raj Kaul, Roshan Taneja, Nilima, Naaz, Sudhir Dalvi, Mohan Sherry, Col.Raj Bharti, Master Rajoo, Sudhi etc. The movie introduced Jackie Shroff.
They were supported by Madhup Sharma, Ravinder, Prem Sagar, Piloo Wadia, Rattan Gaurang, Bhushan Tiwari, Pardesi, R.S.Chopra, Malvinder, Radhey Shyam and Child artistes Bittu,Ravi Valecha, Vikas, Ritwick, Baby Khushboo, Sundeep, Bunty and Baby Shweta Sood.
“Swaami Dada”(1982) had seven songs in it. Two songs have been covered so far.
Here is the third song from the movie to appear in the blog. The song is sung by Asha Bhonsle. anjaan is the lyricist. Music is composed by R D Burman.
The song is picturised as a roadside tamasha song on Padmini Kolhapure. Dev Anand, Baby Khushboo and Master Raju Shreshtha are also visible in the picturisation.
Lyrics of the song and other details were sent to me by Prakashchandra.
Rajesh
Audio link
video link
song-Pataakhaa phuljhadi na main hoon baabu jhonpdi ka bomb (Swaami Dada)(1982) Singer-Asha Bhonsle, Lyrics-Anjaan, MD-R D Burman
Lyrics(Provided by Prakashchandra)
(whistling sound)
pataakhaa phuljhadi naa
haan aaan
pataakhaa phuljhadi naa
main hoon baabu jhonpdi ka bomb aa
patakhaa phuljhadi naa
main hoon baabu jhopdi ka bomb..mmm
ho o o
khuli sadkon pe palee
khilee sholon mein kalee
khuli sadkon pe palee
khilee sholon mein kalee
kisee se na kam..mmm
patakhaa phuljhadi na
main hoon babu jhonpdi ka bomb
patakhaa phuljhadi na
main hoon babu jhonpdi ka bomb
dekho arrey dekho o
haan aaan
dekho dekho o naa
jahaan bal khaati chalee
taraaney gaati chalee
khushee ke rang udey ae
huyi gulzaar galee
bhaley kangaal hoon main
yahaan khushhaal hoon main
mujhe woh roop milaaa aaa
ke maalaamaal hoon main aen
main aawaaraa galiyon ki raanee hoon
ho o o
koyi mehlon mein palee
yaa ho jannat ki paree
khilee sholon mein kalee
kisee se na kam..mmm
patakhaa phuljhadi na
main hoon babu jhonpdi ka bomb
patakhaa phuljhadi na
main hoon babu jhonpdi ka bomb
arrey dil phenk
dil na phenk
paisa phenk
tamaashaa dekh
(laughing sound)
duanni
bas duanni
chawannee
bas chawannee
atthannee
bas atthaanee
arrey waahh
mujhe na note dikhaa
mujhe na paas bulaa
kahin jal jaaye na tu..ooo
mujhe na haath lagaa
naa naa naa naa naa naa
aake baahon mein teri
pyaar se jhoom loon main
tu koyee prince naheen een
tera munh choom loon main
aisi chaalon se main begaanee hoon
ho o ho
buron ke liye buree
bhalon ke liye bhalee
khilee sholon mein kalee
kisee se na kam…mmmm
patakhaa phuljhadi na
main hoon babu jhopdi ka bomb
patakhaa phuljhadi na
main hoon babu jhopdi ka bomb
oyye hoyye
hhayye hoyye
oyye oyye
hoyye hoyye
dekho to daadaa lagey
dil ka shehzaadaa lage
tujhse to meraa koyee eee
pehle ka waadaa lagey
yahaan koyi aisaa naheen
haan tere jaisaa naheen
aaye sapnon mein mere ae
kaheen tu woh to naheen
aisey dilwaalon ki deewaanee hoon
ho o o
milegee kaheen kabhee
mere sapnon ki galee
khilee sholon mein kalee
kisee se na kam..mmmm
patakhaa phuljhadi na
main hoon baabu jhonpdi ka bomb
patakhaa phuljhadi na
main hoon baabu jhonpdi ka bomb
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Yesteryears actress Zeenat Aman (born on 19th November’1951) turns 71 years of age today on 19th November 2022.
For people like me who have grown up in the seventies, Zeenat Aman was one of the leading actresses in the movies produced during these years and in early eighties too.
Today I am not going into the details of her filmography or mentioning here the many of her movies which I like most or which I remember most.
(Yes, ‘Roti Kapada Aur Makaan-1974’, will always remain as my top favorite though)
To present a song on Zeenat Aman’s birthday today I was looking for a solo female song, and so I skipped launching of a movie from the ‘seventies’ which I am longing to introduce on the blog since long ( because that movie does not have a Zeenat Aman solo song in that) 🙂 .
Today’s song is from the ‘1982 movie ‘Jaanwar’.
There have been movies with this title ‘Jaanwar’ in 1965, 1982, 1999 and even in 2007 too. Today we get introduced to the ‘Jaanwar’ movie of ‘1982’.
It was directed by Ali Raza for ‘P.M. Pictures, Bombay’. This movie was produced by Pradyuman Mohla. It had Rajesh Khanna, Zeenat Aman, Pran, Yogeeta Bali, Prem Chopra, Pradeep Kumar, Nirupa Roy, Kamal Kapoor, Om Shivpuri, Beena, Rajan Haksar, Amar, Murad, Sundar, Mohan Choti, Meena T., Tom Alter, Madhup Sharma, Kanchan Bhatt and others.
This movie was passed by Censor Board 20.12.1982.
This movie has six songs written by Majrooh Sultanpuri and composed by Laxmikant-Pyarelal.
As mentioned above today we are going to listen to a solo song sung by Lata Mangeshkar and performed on screen by the beautiful Zeenat Aman. This song is a seduction song where Zeenat Aman wishes to come closer to Rajesh Khanna who is hesitating for the reasons unknown to us (or to me, as I have not watched this movie) 🙂
So far as I can remember I think this movie was not a successful movie of its time. Though, ‘Wikipedia’ mentions it a ‘hit’ movie. Also I do not remember to have heard the songs of these movies frequently. They all seem to be lesser heard songs.
Today’s song is a sweet melodious song to listen and enjoy.
Lyrics are by Majrooh Sultanpuri and music is composed by Laxmikant-Pyarelal.
Let us wish Zeenat Aman a very happy birthday and a healthy and peaceful enjoyable life ahead …
(with today’s song ‘Jaanwar-1982’ joins ‘Jaanwar-1965’ on the blog 🙂 )
Video
Audio
Songer-Pyaar mein nazar churaayi nahin jaati (Jaanwar)(1982) Singer-Lata, Lyrics-Majrooh Sultanpuri, MD-Laxmikant Pyarelal
Lyrics
pyaar mein nazar
churaayi naahin jaati
pyaar mein nazar
churaayi naahin jaati
apnon se koyi baat
chhupaayi nahin jaati
dilbar jaanam jaanam
jaanam jaanam
jaanam
jaanam jaanam
dilbar jaanam
jaanam
tu u u
jaanam jaanam
dilbar jaanam
hey hey
pyaar mein nazar
churaayi naahin jaati
apnon se koyi baat
chhupaayi nahin jaati
dilbar jaanam jaanam
jaanam jaanam
jaanam
jaanam jaanam
dilbar jaanam
hey hey
kuchh kehne ki rut hai
sanam m
kuchh sun’ne ki rut hai
sanam
kuchh kehne ki rut hai
sanam m
kuchh sun’ne ki rut hai
sanam
ye samaa aur khamoshi teri ee
badi aafat hai teri qasam
bolo naa
bolo naa
hamse kuchh bolo naa
haan haan ji bolo naa
maine kitni muraadon se
paaya hai tujhe
tujhe paa kar
dil ki dhadkan
dabaayi nahin jaati
dilbar jaanam jaanam
jaanam jaanam jaanam
jaanam jaanam
dilbar jaanam jaanam
pyaar mein nazar
churaayi naahin jaati
apnon se koyi baat
chhupaayi nahin jaati
dilbar jaanam jaanam
jaanam
jaanam jaanam
jaanam jaanam
dilbar jaanam
hey hey
haan wohi hoon main
saathi teri ee
teri deewaani pyaasi teri
haan wohi hoon main
saathi teri ee ee
teri deewaani pyaasi teri
leke haathon mein mukhdaa teraa aa
choom daaloon udaasi teri
aajaa naa
aajaa naa
baahon mein aajaa naa
kaahe ko ghabraanaa
apne dil mein rakh loongi
tere saare gham
aajaa akeli judaayi
uthhaayi nahin jaati
dilbar jaanam jaanam
jaanam jaanam
jaanam
jaanam jaanam
dilbar jaanam jaanam
tu u u
jaanam jaanam
dilbar jaanam
hey hey
pyaar mein nazar
churaayi naahin jaati
apnon se koyi baat
chhupaayi nahin jaati
dilbar jaanam jaanam
jaanam jaanam
jaanam
jaanam (jaanam
dilbar jaanam
hey hey)
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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