Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Series of articles’ Category


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

SHANKAR-JAIKISHEN IN THE 50s…Song No. 9
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Today’s song is from the film Pooja-54. It was a social film made by Verma Films. The producer and director was Bhagwandas Verma and the music was by Shankar Jaikishan. The cast of the film was Bharat Bhushan, Poornima, Shakuntala, Omprakash, Ulhas, Badri Prasad,Heeralal etc etc. The lyricists were Shailendra and Hasrat Jaipuri. The film had nine songsin it. Six of these songs are already discussed in the Blog.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

SHANKAR- JAIKISHEN IN THE 50s…Song No. 8
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Should an actor working as a Hero be necessarily good looking ? In India, yes ! If one sees the list of heroes from 1931 till recent time, one will find that on 99% of the occasions, the Heroes were handsome, good looking,tall and with good physique- irrespective of whether they could act or not. Not that there were no heroes who were ordinary looking, but by and large they were exceptions or they were the producers or directors themselves ( like Kishore Sahu ) or their sons etc. The Indian audience had a mind set that a film Hero must be good looking and the Heroine must be beautiful-preferably.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

SHANKAR-JAIKISHEN IN THE 50s…Song No- 7
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The Lovers of old Hindi film music are spread all over the world in almost all countries of all the continents. It is not an exaggeration. Youngsters of the decade of the 60s and the 70s, who migrated to different countries, must be in their 60s and 70s now. They all are lovers of old music. They not only loved that music,but with the help of 78 RPM Records,Tapes and later with CDs, they kept the music alive even today. Let any famous singer got to any country for a stage show, the audience farmaishes are for old songs only. No show is successful without singing old songs.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

SHANKAR-JAIKISHEN IN THE 50s…Song No. 6
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The mid 50s was a period when one could see the deep impact of the Nehruvian socialism on the film that were made. Great film makers like Mehboob Khan, B R Chopra and Raj Kapoor tried to support Nehru and Gandhian philosophies through their films. Being great artists, they combine socialism with entertainment in a skillful way. Films like Naya Daur, Mother India, Jagte Raho, Phir subah hogi, Do bigha Zameen,Boot polish,Ab dilli door nahin etc and later on films like Son of India and Naya Kanoon etc clearly indicated Socialism.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

SHANKAR-JAIKISHEN IN THE 50s…Song No.5
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Today’s song is from the film Shararat-1959. This is the ninth and final song from the film to be posted, so with this song ALL songs of Shararat-59 will be covered in the blog.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

SHANKAR-JAIKISHEN IN THE 50s….Song No 4
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After having lost the melody and sweetness in their music post Junglee and after an attempt to redeem their prestige with a few sporadic melodies, Shankar Jaikishan came closest to their earlier magic with Teesri Kasam-66. Mukesh was just superb. Except for their songs made for Shammi Kapoor films, rest of their songs failed miserably. There was a talk in the industry about their differences and decline. This of course did not bother them much.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

SHANKAR-JAIKISHEN IN THE 50s….Song No.3
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Shammi Kapoor shouted “YAAHOO ” in the film Junglee-63 and the equation of film music changed drastically. Shammi Kapoor became a representative of the Rebel Youth of his times and the music in his films became loud and unmusical, as it remained only an aid to heighten his presence on the screen. Market Savvy Shankar Jaikishan started composing only those songs which served this purpose, thus sacrificing melody considering it redundant in his compositions.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Shankar-Jaikishen in the 50s

The second song in the series “Shankar-Jaikishen in the 50s” is a duet of Asha and Manna Dey from the film “Baaghi Sipaahi”(1958).

By 1955, with great efforts and difficulties, Shankar Jaikishan came out of the rigouring influence and control of Raj Kapoor on their music compositions. Now they were free to fly high and be the “Numero Uno “.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Shankar-Jaikishen in the 50s-1

We are starting a New Series from today- “Shankar-Jaikishen in the 50s”.

There was a Shankar-Jaikishan mania in the 50s and the 60s. They not only had popularity,versatility and flexibility but also unparallelled success. After Husnlal-Bhagatram, it was Shankar-Jaikishan pair who actually set the trend of composer duos in Hindi films. After Shankar-Jaikishan, no new solo composer, barring perhaps R D Burman,tasted such consistent success. Even R D Burman confessed that in the 1980s, he lost out to competition from duos everywhere.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Missing Films of 1960s – 5
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So far in this series, we have added four new films to the blog.  As per the analysis done by Khyati Ben, 104 films were produced in the year 1961.  Of these, 12 films were not yet represented here.  The four films that I have been able to track down and add here are – ‘Muraad’, ‘Room No. 17’, ‘Shola Jo Bhadke’ and ‘State Express’.
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