Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Series of articles’ Category


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

SHANKAR-JAIKISHEN IN THE 50s…Song No.5
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Today’s song is from the film Shararat-1959. This is the ninth and final song from the film to be posted, so with this song ALL songs of Shararat-59 will be covered in the blog.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

SHANKAR-JAIKISHEN IN THE 50s….Song No 4
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After having lost the melody and sweetness in their music post Junglee and after an attempt to redeem their prestige with a few sporadic melodies, Shankar Jaikishan came closest to their earlier magic with Teesri Kasam-66. Mukesh was just superb. Except for their songs made for Shammi Kapoor films, rest of their songs failed miserably. There was a talk in the industry about their differences and decline. This of course did not bother them much.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

SHANKAR-JAIKISHEN IN THE 50s….Song No.3
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Shammi Kapoor shouted “YAAHOO ” in the film Junglee-63 and the equation of film music changed drastically. Shammi Kapoor became a representative of the Rebel Youth of his times and the music in his films became loud and unmusical, as it remained only an aid to heighten his presence on the screen. Market Savvy Shankar Jaikishan started composing only those songs which served this purpose, thus sacrificing melody considering it redundant in his compositions.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Shankar-Jaikishen in the 50s

The second song in the series “Shankar-Jaikishen in the 50s” is a duet of Asha and Manna Dey from the film “Baaghi Sipaahi”(1958).

By 1955, with great efforts and difficulties, Shankar Jaikishan came out of the rigouring influence and control of Raj Kapoor on their music compositions. Now they were free to fly high and be the “Numero Uno “.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Shankar-Jaikishen in the 50s-1

We are starting a New Series from today- “Shankar-Jaikishen in the 50s”.

There was a Shankar-Jaikishan mania in the 50s and the 60s. They not only had popularity,versatility and flexibility but also unparallelled success. After Husnlal-Bhagatram, it was Shankar-Jaikishan pair who actually set the trend of composer duos in Hindi films. After Shankar-Jaikishan, no new solo composer, barring perhaps R D Burman,tasted such consistent success. Even R D Burman confessed that in the 1980s, he lost out to competition from duos everywhere.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Missing Films of 1960s – 5
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So far in this series, we have added four new films to the blog.  As per the analysis done by Khyati Ben, 104 films were produced in the year 1961.  Of these, 12 films were not yet represented here.  The four films that I have been able to track down and add here are – ‘Muraad’, ‘Room No. 17’, ‘Shola Jo Bhadke’ and ‘State Express’.
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This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Mukesh and his Composers – 10
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Wishing Usha Khanna on her 74th birth anniversary, a celebration full of all things good and happy.

For some reason, Usha Khanna never received the recognition and fame that she so rightfully deserves. She is not the first, but definitely is the most successful and talented of a handful of female composers in the Hindi film industry. Born on 7th October 1941, she composed music for her first film at a very young age of 17 with ‘Dil Deke Dekho’ 1959. This was also after more than one year of a sort of apprenticeship and convincing the world that composing was an easy task for her.
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This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Mukesh and his Composers – 9
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“Houston, we have a problem.”

This famous quote from the Hollywood film ‘Apollo 13’ (1995) pertains to the problem on board NASA’s unsuccessful mission to the moon. Though there is a different version to the line from NASA’s actual transcript, the phrase has now become part of everyday language for reporting any kind of problem.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Songs to Tickle Your Memory – 25
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If one were to pick style as the defining criterion, and pick the one male lead actor who best symbolizes this measure, the first name that will come to mind is Feroze Khan.

Remembering Feroze Khan on the anniversary of his birth today – 25th September.
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This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Mukesh and his Composers – 8
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It was on 27th August 1976 in faraway Detroit city of US that Mukesh breathed his last after suffering a massive heart attack. He was there with Lata Mangeshkar and his son Nitin Mukesh for live performances in a few US cities. It was the 7th or 8th out of 10 performances to be performed.
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